SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ms Martin"/1) | (@(roleclean,performerclean) "Ms Martin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1535 matches on Event Comments, 745 matches on Performance Comments, 59 matches on Performance Title, 20 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Massey. Afterpiece: Never performed in London, written by the author of The Son-In-Law [John O'Keeffe; 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767. See also cg, 16 Mar. 1782, when it was acted as The Positive Man]. To begin at 7:00. Tickets delivered for the 4th instant will be taken. Tickets and places for the Boxes to be had of Rice at the Theatre, and of Massey, No.4, St. Martin's-street, Leicester-Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The She Gallant

Event Comment: Benefit for Bannister Jun. Tickets to be had of Bannister Jun. at a print shop, four doors below New-street, St. Martin's Lane

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Dance: II afterpiece: As17800615

Entertainment: End: a Variety of Imitations-Bannister Jun

Event Comment: Benefit for Williames and Spencer. Gazetteer, 5 May: Tickets to be had of Williames, No. 32, St. Martin's-street, Leicester-fields [Spencer not listed]. 3rd piece: Not acted these 3 years. To conclude with a Waterfall, as it was originally performed. Receipts: #188 5s. 6d. (27/12/0; 12/6/6; 1/14/0; tickets: 146/13/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Musical Miscellanies

Afterpiece Title: The Elopement

Event Comment: Benefit for Staunton and Mrs Hedges. Gazetteer, 8 May: Tickets to be had of Staunton, No. 9, St. Martin's-street, Leicester-fields; of Mrs Hedges, opposite Old Bond-street, Piccadilly. Receipts: #208 1s. 6d. (15/13/0; 19/15/6; 0/16/0; tickets: 171/17/0) (charge: #106 0s. 11d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Musical Oglio

Afterpiece Title: The Double Disguise

Event Comment: By Command of Their Majesties. Mainpiece: Not acted these 4 years. Paid Half Year's Watch & Beadles, St Martin's Parish, #22 3s. 8d. Receipts: #289 18s. (276/1/0; 12/19/6; 0/17/6)

Performances

Mainpiece Title: Zara

Afterpiece Title: Bon Ton

Event Comment: Benefit for Williames and Staunton. Public Advertiser, 3 May: Tickets to be had of Williames, No. 22, Gerrard Street; of Staunton, No. 9, St. Martin's Street. Receipts: #192 8s. 6d. (23/10/0; 11/9/0; 0/11/6; tickets: 156/18/0) (charge: #110 18s.)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Comus

Event Comment: Benefit for Johnstone. [Afterpiece in place of Love in a Camp, advertised on playbill of 15 Apr.] Public Advertiser, 11 Apr.: Tickets to be had of Johnstone, No. 83, St. Martin's Lane. Receipts: #256 9s. 6d. (152.1.0; 7.2.6; tickets: 97.6.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Barataria

Dance: As17871129

Event Comment: Benefit for Wrighten, prompter. 2nd piece [1st time; M.INT I]. Public Advertiser, 1 May: Tickets to be had of Wrighten, New Buildings, Hemming's Row, St. Martin's Lane. Receipts: #250 6s. (38.14; 19.15; 1.7; tickets: 190.10) (charge: #109 8s. 2d.)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin Midi et le Soir

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: [As mainpiece the playbill announces the 1st night of The False Friend (see 24 Oct.), but "Miss Farren was taken ill, and The Beggar's Opera was the substitute. It proved, however, to be a substitute flat, stale and unprofitable. We never saw more indiffernet acting" (Oracle, 22 Oct.). Afterpiece in place of Richard Coeur de Lion, advertised on playbill of 20 Oct.] Paid Watch & Beadles, St. Martin's parish? 1 Year #42 10s. 4d. Receipts: #73 4s. (46.17.0; 24.17.6; 1.9.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Comus

Event Comment: A new Comic Opera; the music by Bianchi [with additions by Mozart [K. 479, 480 (see Loewenberg, 407)], Martin y Soler, Paisiello]. Under the direction of Federici

Performances

Mainpiece Title: La Villanella Rapita

Dance: End I: La Bergere des Alpes, as17900107; End Opera: Les Mariages Flamands, as17900213, but Mlle Dorival

Event Comment: Benefit for Sedgwick. Public Advertiser, 19 May: Tickets to be had of Sedgwick, No. 66, St. Martin's Lane. Receipts: #218 5s. (47.12.0; 19.19.6; 1.12.6; tickets: 149.1.0) (charge: #110 9s. 2d.)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo i

Afterpiece Title: Comus

Event Comment: Benefit for Mlle Dorival. Tickets to be had of Mlle Dorival, No. 36, St. Martin's-street

Performances

Mainpiece Title: Ninetta

Dance: End I: Les Mariages Flamands, as17900213, but Mlle Dorival, in place of Mlle _de'Caro; End Opera: +La Jalousie sans Raison, as17900325

Event Comment: Benefit for Duffey and Cox. Diary, 3 June: Tickets to be had of Duffey, No. 115, St. Martin's Lane [Cox not listed]. Receipts: #315 10s. 6d. (94.12.0; 6.3.6; tickets: 214.15.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Follies of a Day

Song: End I afterpiece: Tho' Bacchus may boast (composed by Shield)-Duffey; End II: Mad Tom (composed by Purcell)-Duffey

Event Comment: Mainpiece: 15th [recte 14th] Time [i.e. in continuation of the reckoning for the previous season]. With new Dresses, Scenes, Machinery and Decorations. The Music partly from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne. The rest by Shield. The Chorusses selected from Handel, to be sung by the Performers from the Concert of Ancient Music. [Miss Williams was from the Exeter theatre.] Receipts: #137 1s. 6d. (133.7.0; 3.14.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: Animal Magnetism

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin, 1792]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Musick composed principally by Storace, with a few Pieces selected from [Una Cosa Rara, by] Martini [i.e. Martin y Soler], Salieri, and Paisiello. "The Siege of Belgrade is a very pleasing vehicle for the music, which in a modern opera is all that is expected from the poet" (Universal Magazine, Jan. 1791, p. 66). "The battle between Palmer and Kelly ought to be shortened. It is almost as ludicrous as that between Don Whiskerandos and Beefeater, in Mr Puff's Tragedy [in The Critic]" (Gazetteer, 4 Jan. 1791). Account-Book, 24 May 1791: Paid Cobb for Copyright of Siege of Belgrade of #210. Receipts: #267 9s. 6d. (242.0.0; 23.9.6; 2.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deuce is in Him

Performances

Mainpiece Title: Israel In Egypt Messiah Grand Selection 0

Afterpiece Title: A New Selection

Performance Comment: Concerto on the violin-Master Clement; Gentle Airs Melodious Strains-Miss Broadhurst (Athalia); Let me wander not unseen, Or let the merry Bells-Dignum; And young and old-Chorus; Sweet bird that shun'st-Miss Hagley; accompanied on the violin-Shaw (L'Allegro); Pleasure my former ways resigning-Spence (Time and Truth); Solo on the violoncello-Mason; From rosy Bowers-Mrs Crouch (Purcell); Ah! d'ascolta gia parmi-Miss Davies (Martin y Soler); Awake Eolian Lyre-Reinhold (Dr Arnold); Gird on thy Sword-Chorus (Saul).
Event Comment: Benefit for Sedgwick. Morning Chronicle, 14 May: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane. Receipts: #100 16s. 6d. (65.11.0; 31.9.0; 3.16.6; tickets: none listed) (charge: #117 13s. 8d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Court of Apollo i

Afterpiece Title: The Pannel

Event Comment: Benefit for Mlle Mozon. Tickets, 10s. 6d. each and Boxes, to be had of Mlle Mozon, No. 32, St. Martin-street, Leicester-fields

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End III: an entire new Ballet (composed by Vestris Jun.) Les Folies d'Espagne- see17910610; (for that night only) Pas de Trois-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; Pas Seul-Juber (principal dancer from France); a Pas de Deux-Juber, Mlle Mozon; conclude with Minuet de la Cour-as17910505Vestris Sen

Ballet: End I: L'Amadriade. As17910517

Event Comment: 2nd piece: The Scenes entirely new, designed and executed by Greenwood. The Music composed principally by Storace, with a few pieces selected from Martini [i.e. Martin y Soler], Salieri, and Paisiello. Receipts: #450 8s. (403.12; 46.12; 0.4)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Siege of Belgrade

Afterpiece Title: All the Worlds a Stage

Event Comment: [Mrs Fawcett was from the York theatre.] Afterpiece: 1st Time as an After Piece. With Dresses, Scenes, Machinery, and Decorations. The Music partly selected from Cimarosa, Gluck, Martin, Reeve, and Dr Arne. The rest composed by Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Oct.: Paid Reynolds in full for The Crusade #60. Receipts: #187 13s. (181.16.6; 5.16.6)

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favourite

Afterpiece Title: The Crusade

Event Comment: Benefit for Sedgwick. Sedgwick's Illness depriving him of the Power of appearing this Evening, he trusts his Friends and the Public will, with their usual Liberality, admit of his Indisposition as an Apology. Morning Herald, 17 Apr.: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane, Long-acre. Receipts: #394 18s. 6d. (83.5.0; 43.7.0; 8.16.0; tickets: 259.10.6) (charge: #157 7s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Bon Ton

Dance: End: a Dance-

Event Comment: Afterpiece: 8th Time [i.e. in continuation of the reckoning for the DL season at King's of 1792-93]. The Musick principally composed by Attwood, with selections from Mozart, Ferrari, Martin (y Soler], Linley [Sen.). With a new Overture by Shaw

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: THE MARINERS

Event Comment: A new Comic Opera; the music by Martin [y Soler], under the direction of Federici

Performances

Mainpiece Title: Il Burbero Di Buoncuore

Dance: As17940426 throughout

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Gentleman who performs the Part of Zanga [in THE REVENGE], and Mr and Mrs Simpson. Mainpiece: Written by the celebrated Dr Young, Author of the Night Thoughts, &c. Afterpiece: As an After-piece [i.e. reduced from 5 to 3 (?) acts]. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Longman and Broderip, Cheapside and Haymarket; Pass, No. 53, High Holborn; Bland's Music Warehouse, No. 45, High Holborn; Strutt, Bookseller, No. 20, Little Queen-street, Lincoln's Inn Fields; Ellwick, Musical Instrument Maker, No. 55, Long Acre, comer of Phoenix O>urt; Padbury, Coal Merchant, No. 24, Henrietta-street, Covent Garden; Evan, Bookseller, No. 351, near the Pantheon, Oxford Road; and of Simpson, at No. 33, St. Martin's-street, Leicester-square

Performances

Mainpiece Title: The Revenge

Afterpiece Title: THE CHAPTER OF ACCIDENTS

Music: In the Course of the Evening several Pieces on the Union Pipes and Pedal Harp by Courtney and Weippert

Monologue: 1794 06 02 After the Epilogue Jacob Gawkey's Rambles tbrougb Bath by Simpson