SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ms C White"/1) | (@(roleclean,performerclean) "Ms C White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2714 matches on Event Comments, 1503 matches on Performance Comments, 152 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Sir Solomon Or The Cautious Coxcomb

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performances

Mainpiece Title: Hannibal

Performances

Mainpiece Title: The Empress Of Morocco

Performances

Mainpiece Title: Ariadne Or The Marriage Of Bacchus

Performances

Mainpiece Title: Psyche

Performances

Mainpiece Title: The Plain Dealer

Performances

Mainpiece Title: Circe

Performances

Mainpiece Title: Friendship In Fashion

Performances

Mainpiece Title: The Counterfeits

Performances

Mainpiece Title: The Souldiers Fortune

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Performances

Mainpiece Title: The Sicilian Usurper

Performances

Mainpiece Title: The Spanish Fryar

Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Performances

Mainpiece Title: The Rover

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 69: ye Moore of Venice at Whitehall. See also Nicoll, Restoration Drama, p. 350. See also an L. C. notice, 5@147, p. 24 (in Boswell, Restoration Court Stage, p. 85) concerning Preparations for plays to be acted at court every week

Performances

Mainpiece Title: Othello Moor Of Venice

Performances

Mainpiece Title: An Evenings Love Or The Mock Astrologer

Performances

Mainpiece Title: The Spanish Fryar

Performances

Mainpiece Title: Don Sebastian

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: The Metamorphosis Or The Old Lover Outwitted

Performances

Mainpiece Title: The Fashionable Lover Or Wit In Necessity

Performances

Mainpiece Title: The Lucky Prodigal Or Wit At A Pinch

Afterpiece Title: A Womans Revenge or A Match in Newgate

Dance: Moreau, Shaw, Thurmond Jr, Mrs Schoolding, Mrs Cross; particularly an Italian Night Scene between a +Scaramouch, a Harlequin, and a Punchanello-