SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs William Mills"/1) | (@(roleclean,performerclean) "Mrs William Mills")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23720 matches on Performance Comments, 10798 matches on Author, 4679 matches on Event Comments, 4471 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [P+Public Advertiser lists Mrs Smith for Mrs Millidge in afterpiece.

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Reddish; Jachimo-Holland; Cymbeline-Hurst; Cloten-Dodd; Bellarius-Burton; Arviragus-Palmer; Guiderius-Aickin; Pissanio-Packer; Queen-Mrs Hopkins; Imogen-Mrs Baddeley;in Act II, aMasquerade Scene, with DANCING-Giorgi, Tassoni, Sga Giorgi; and SINGING-Miss Young.
Cast
Role: Queen Actor: Mrs Hopkins
Role: Imogen Actor: Mrs Baddeley
Related Works
Related Work: Cymbeline Author(s): William Shakespeare
Related Work: The Injured Princess; or, The Fatal Wager Author(s): William Shakespeare

Afterpiece Title: The Elopement

Performance Comment: See17680920, but roles here listed: Harlequin-Rooker; Doctor-Grimaldi; Doctor's Man-Ackman; Drunken Servant-Moody; Squire-Messink; Scaramouch-Keen; Orange Woman-Walker; Watchman-Hartry; Milk Woman-T. Hurst; Servants-Strange, J. Burton, Watkins; Milliners-Mrs Bradshaw, Mrs Millidge; Bride Maids-Miss Young, Mrs Dorman; Colombine-Mrs King; with Proper Dances-.
Related Works
Related Work: The Elopement Author(s): William Havard
Event Comment: Benefit for Miss Morris. The Continuance of Miss Morris's illness rendering it impossible for her to appear at present on the Stage, she takes this Opportunity of returning her most grateful Thanks to those Ladies and Gentlemen who have honoured her with Commands at her Benefit, for which Mrs Bellamy has kindly undertaken to perform the part of Juliet. Charges #69 19s. Balance to Miss Morris #56 19s. 6d. plus #94 15s. from tickets (Box 379). Received from Mrs Vincent her deficiency the 13th inst.--#4 2s. 6d. Receipts: #126 18s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17690106, but Juliet-Mrs Bellamy; Escalus-Morris (playbill); Gardner (Public Advertiser); Dancing-to act I; Solemn Dirge-Mrs _Baker, _Mattocks.
Related Works
Related Work: Romeo and Juliet Author(s): William Shakespeare
Related Work: The History and Fall of Caius Marius Author(s): William Shakespeare

Afterpiece Title: The Upholsterer

Performance Comment: As17690306 but Harriet-Mrs DuBellamy.

Dance: End: The Merry Sailors, as17680920

Event Comment: Benefit for Champness and Mrs Scott. House Charges #69 14s. 6d. Profits to Champness and Mrs Scott #55 2s. 6d. Receipts: #124 17s. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Reddish; Macduff-Aickin; Duncan-Bransby; Ross-J. Aickin; Malcolm-Cautherly; Banquo-Packer; Lennox-Fawcett; Donalbain-Master Cape; Angus-Keen; Seton-Ackman; Siward-Hurst; Doctor-Wright; Captain-Davies; Fleance-Miss Collett; Hecate-Champness; Witches-Parsons, Moody, Baddeley; Lady Macduff-Miss Ambrose; Lady Macbeth-Miss Younge, first time; the vocal parts-Champness, Kear, Mrs Wrighten, Mrs Hunt, Mrs Scott; And a proper dance-Sieur Daigville, others.
Related Works
Related Work: Macbeth Author(s): William ShakespeareSir William Davenant

Afterpiece Title: Like Master Like Man

Related Works
Related Work: Every Body Mistaken Author(s): William Taverner

Dance: IV: A New Dance-Miss Gray, scholar of Tassoni; End: Cantata of Lydia, composed by Dr Arne-Mrs Scott

Event Comment: On Account of Mrs Yates's Indisposition A Trip to Scarborough [announced on playbill of 20 Mar.] is obliged to be deferred. [The playbill retains Mrs Abington as Miss Prue, but "Last Saturday night, Mrs Abington being suddenly taken ill, Mrs Mattocks supplied the Part in Love for Love; and though we will not pretend to put her comic Abilities on a Level with those of Mrs Abington, yet her Performance was exceedingly humourous and entertaining" (Gazetteer, 24 Mar.).] Paid Mrs Abington in lieu of a benefit #200. Receipts: #218 8s. (188.0.0; 28.15.6; 1.12.6)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17761129, but Miss Prue-Mrs Mattocks [of cg].of cg].
Cast
Role: Miss Prue Actor: Mrs Mattocks
Role: Mrs Frail Actor: Miss Pope
Role: Mrs Foresight Actor: Miss Sherry
Role: Nurse Actor: Mrs Bradshaw
Related Works
Related Work: Love for Love Author(s): William Congreve

Afterpiece Title: The Milesian

Performance Comment: As17770320but Mrs Belfield-_.
Cast
Role: Patty Actor: Mrs Davies
Role: Mrs Belfield Actor: Mrs Booth
Role: Caroline O'Gollagher Actor: Mrs Baddeley.

Dance: As17770215

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Public Advertiser, 14 Apr.: Tickets to be had of Mrs Bradshaw, No. 93, near Craven Buildings, Drury-lane; of Mrs Love, at Booth's, Brownlow-street, Long-acre; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #166 4s. (65.16; 13.14; 0.0; tickets: 86.14) (charge: #65 6s. 6d.)

Performances

Mainpiece Title: The Committee

Performance Comment: As17761015, but Arabella-Miss P. Hopkins; Mrs Chat-Mrs Cartwright.
Cast
Role: Mrs Chat Actor: Mrs Cartwright.
Role: Mrs Day Actor: Mrs Bradshaw

Afterpiece Title: The Deserter

Performance Comment: As17770301but Soldiers-_Holcroft, Griffiths; Jenny-Mrs Davies; Louisa-Miss Collett (1st appearance in that character).
Cast
Role: Jenny Actor: Mrs Davies
Role: Margaret Actor: Mrs Love
Related Works
Related Work: The Deserter Author(s): William Reeve

Dance: As17761214

Song: End: O What a Charming Thing's a Battle-Bannister

Event Comment: Benefit for Mrs Sharp and Mrs Brereton. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Sharp, No. 10, Bow-street; of Mrs Brereton, No. 11, Tavistock-street. Receipts: #133 9s. 6d. (79.13.0; 25.0.0; 0.8.6; tickets: 28.8.0) (charge: #75 9s. 6d.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17790126, but Mrs Ford-Mrs Brereton (1st appearance in that character).
Cast
Role: Mrs Ford Actor: Mrs Brereton
Role: Mrs Page Actor: Miss Pope
Role: Ann Page Actor: Mrs Colles
Role: Mrs Quickly Actor: Mrs Bradshaw
Related Works
Related Work: The Merry Wives of Windsor Author(s): William Shakespeare
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): William Shakespeare

Afterpiece Title: The Camp

Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): William Shield
Related Work: Hartford Bridge; or, The Skirts of the Camp Author(s): William Pearce

Song: End IV: Tally ho!, as17790413

Cast
Role: i> Actor: Mrs Wrighten
Role: Sweet Echo Actor: Mrs Wrighten
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Lefevre. [Author ofPrologue unknown.] Afterpiece: Never performed here [acted 5 Apr. 1734]. Doors to be opened at 5:15. To begin at 6:15. Tickets and places to be had of Mrs Lefevre, No. 25, Frith Street, Soho, and of Rice at the Theatre. Tickets delivered by Holland will be taken

Performances

Mainpiece Title: Richard Iii

Performance Comment: King Richard-Mrs Lefevre; King Henry-Alfred; Buckingham-Knapp; Tressel-Benson; Lord Stanley-Johnson; Prince Edward-Miss Thomas; Duke of York-Miss Heyborn; Norfolk-Buxton; Lord Mayor-Molbery; Catesby-Essex; Ratcliff-Daniel; Richmond-Holland; Lady Ann-Miss Shelburne; Dutchess of York-Mrs Fowler; Queen-Mrs Jackson. An Occasional Prologue spoken by Mrs Lefevre .
Related Works
Related Work: The Tragical History of King Richard III Author(s): William Shakespeare
Related Work: Richard III Author(s): William Shakespeare

Afterpiece Title: Don Quixote in England; or, The Humours of Sancho Pancha

Performance Comment: Don Quixote-Johnson; Guzzle-Rogers; Sir T. Loveland-Knapp; Mayor-Buxton; Squire Badger-Holland; Fairlove-Thompson; Brief-Eden; Dr Drench-Bateman; Drawer-Henry; Sancho Pancha-Fitzgerald; Mrs Guzzle-Mrs Fowler; Jezabel-Mrs Liddel; Dorothea-Miss Williams .
Cast
Role: Mrs Guzzle Actor: Mrs Fowler
Role: Jezabel Actor: Mrs Liddel
Role: Dorothea Actor: Miss Williams

Monologue: 1782 03 04 End of mainpiece Bucks have at ye all by Benson. vaudeville. End of Act I of afterpiece The Manual Exercise by Mrs Lefevre

Performance Comment: vaudeville. End of Act I of afterpiece The Manual Exercise by Mrs Lefevre .
Event Comment: Books of the Songs [in mainpiece] to be had at the Theatre. [London Chronicle, 19 Oct. lists the new songs: in Act I Charming Clorinda by Bowden; in Act II When spring has chac'd the winter's snow by Mrs Wells and When generous wine by Bowden; in Act III The morn, who night adorning and Bright Sol now darts by Mrs Billington.] Receipts: #284 18s. 6d. (283.7.6; 1.11.0)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Performance Comment: Robin Hood (with new songs)-Bowden (1st appearance on any stage); Allen a Dale-Mrs Kennedy; Little John-Quick; Ruttekin-Edwin; Fitzherbert-Booth; Scarlet-Brown; Bowman-Cubitt; Outlaws-Darley, Doyle; Edwin-Johnstone; Clorinda-Mrs Martyr; Stella (1st time)-Mrs Wells; Annette (1st time)-Mrs Brown; Angelina (with new songs)-Mrs Billington (1st appearance in that character).
Cast
Role: Allen a Dale Actor: Mrs Kennedy
Role: Clorinda Actor: Mrs Martyr
Role: Stella Actor: Mrs Wells
Role: Annette Actor: Mrs Brown
Role: Angelina Actor: Mrs Billington
Related Works
Related Work: Robin Hood; or, Sherwood Forest Author(s): William Shield

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Drunken Colonel-Ryder; Oldcastle-Wewitzer; Goodall-Fearon; Valentine-Macready; Slap-Gardner; Mrs Highman-Mrs Webb; Charlotte-Miss Rowson; Lettice-Mrs Mattocks.
Cast
Role: Mrs Highman Actor: Mrs Webb
Role: Lettice Actor: Mrs Mattocks.
Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Simmons, Waddy, Thompson, Hawtin, Mrs Mattocks, Miss Chapman, Miss Wallis. [And see17970304 .And see17970304 .
Related Works
Related Work: The Maid of the Mill; or, The Country Revels Author(s): William Rowley
Related Work: The Widow'd Wife Author(s): William Kenrick
Related Work: The Married Un-Married; or, The Widow'd Wife Author(s): William Reeve
Related Work: The Maid in the Mill Author(s): William Rowley

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.
Cast
Role: Countess of Lindenbergh Actor: Mrs Follett
Role: Claire Actor: Mrs Watts
Role: Agnes Actor: Mrs Mountain.
Related Works
Related Work: Raymond and Agnes; or, The Castle of Lindenbergh Author(s): William Reeve

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Event Comment: Benefit for Mrs Martyr. [In 1st piece the playbill retains Mrs Martyr as Dolly, but "Dolly was undertaken at a short notice, by Mrs Chapman, upon the sudden indisposition of Mrs Martyr" (Monthly Mirror, June 1800, p. 366). "In consequence of Mrs Martyr's accouchement...the part of Dolly was sustained by Miss Sims" (Dramatic Censor, II, 140).] 2nd piece [1st time; M. INT 1, author unknown. Not in Larpent MS; not published]: To conclude with a Representation of the Storming the City of Acrev by the French [17 Mar.-20 May 1799], and the Heroic Defence made by the Turkish Troops led on by the British Sailors [under the command of Sir Sidney Smith]. Morning Chronicle, 23 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #333 4s. 6d. (118.3.6; 11.16.6; tickets: 203.4.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: As18000415, but Dolly-Mrs Chapman [or Miss Sims?].or Miss Sims?].
Cast
Role: Dolly Actor: Mrs Chapman
Role: Miss Di Clackit Actor: Mrs Davenport
Role: Bridget Actor: Mrs Watts
Role: Emily Actor: Mrs Atkins
Related Works
Related Work: The Woodman Author(s): William Shield

Afterpiece Title: The Siege of Acre

Afterpiece Title: The Jew and the Doctor

Performance Comment: As17991024, but Mrs Changeable-Mrs Mattocks.
Cast
Role: Mrs Changeable Actor: Mrs Mattocks.
Role: William Actor: Farley

Song: End I 1st piece: The Last Shilling (composed by Dibdin)-Incledon; (in the Course of the Evening) Old Towler-Incledon; In Scene I 2nd piece: by Permission of Dibdin, his following popular songs: The Sailor's Journal-Incledon; The Anchor Smiths-Townsend; All Hands to the Anchor-Fawcett; Jacky and the Cow-Munden; The Advantage of Toping-Townsend; A Comic Irish Song-Johnstone

Event Comment: Benefit Rogers, Mrs Williamson, Mrs Hanson. Receipts: money #9 1s.; tickets #147 16s

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Quin; Touchwood-Boheme; Mellefont-Walker; Careless-Ryan; Froth-Spiller; Sir Paul-Hippisley; Brisk-Egleton; Lady Touchwood-Mrs Egleton; Lady Froth-Mrs Cross; Lady Pliant-Mrs Knight; Cynthia-Mrs Cantrell.
Cast
Role: Lady Touchwood Actor: Mrs Egleton
Role: Lady Froth Actor: Mrs Cross
Role: Lady Pliant Actor: Mrs Knight
Role: Cynthia Actor: Mrs Cantrell.
Related Works
Related Work: The Double Dealer Author(s): William Congreve

Dance: Country Girl-Mrs Brett; Chacone-Mrs Wall; Peasant-Lanyon, Mrs Ogden; Tollet's Grounds-Newhouse, Mrs Rogier

Event Comment: Benefit Gwinn, Mrs Cook, Mrs Warren, Mrs Atkins. Written by the late Mr Wycherley. Receipts: money #11 3s. 6d.; tickets #186 6s. Probable attendance: boxes, 3 by money and 268 by tickets; stage, 12 by money; pit, 76 by money and 536 by tickets; first gallery, 15 by money and 389 by tickets; second gallery, 22 by money

Performances

Mainpiece Title: The Country Wife

Performance Comment: As17261003, but Dorilant-W. Bullock; Lady Fidget-Mrs Morgan; Lucy-Mrs Martin.
Cast
Role: Lady Fidget Actor: Mrs Morgan
Role: Lucy Actor: Mrs Martin.
Role: Country Wife Actor: Mrs Younger
Role: Alithea Actor: Mrs Berriman
Role: Mrs Dainty Actor: Mrs Rice
Role: Mrs Squeamish Actor: Miss Fenton
Related Works
Related Work: The Country Wife Author(s): William Wycherley
Related Work: The Country Wife Author(s): William Wycherley
Related Work: The Country Girl Author(s): William Wycherley

Dance: TTwo Pierrots-Nivelon, Salle; Peasant-Poitier, Mrs Bullock; French Sailor and his Wife-Salle, Mlle Salle

Song: Singing in English and Italian-Mrs Warren

Event Comment: Benefit Newhouse and Mrs Kilby. Receipts: money #30 14s. 6d.; tickets #54 3s

Performances

Mainpiece Title: The Country Wife

Performance Comment: As17290329 but Mrs Dainty-Mrs Rice; Mrs Squeamish-Miss Holiday; Lucy-Mrs Kilby; Sir Jasper-Hippisley; Sparkish-Chapman; Dorilant-Milward.
Cast
Role: Mrs Dainty Actor: Mrs Rice
Role: Mrs Squeamish Actor: Miss Holiday
Role: Lucy Actor: Mrs Kilby
Related Works
Related Work: The Country Wife Author(s): William Wycherley
Related Work: The Country Wife Author(s): William Wycherley
Related Work: The Country Girl Author(s): William Wycherley

Afterpiece Title: Flora

Cast
Role: Flora Actor: Mrs Cantrel
Role: Betty Actor: Mrs Kilby
Role: Hob's Mother Actor: Mrs Egleton.

Dance: FFingalian-Newhouse, Mrs Ogden; Highlander and Mistress-Salle, Mrs Legar

Event Comment: Benefit Dupre and Mrs Pelling. Receipts: money #17 10s.; tickets #91 12s

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Old Batchelor-Quin; Fondlewife-Hippisley; Bellmour-Walker; Vainlove-Ryan; Sharper-Milward; Sir Joseph-Ray; Bluff-Hall; Setter-Chapman; Laetitia-Mrs Bullock; Araminta-Mrs Cantrel; Silvia-Mrs Laguerre; Lucy-Mrs Egleton; Belinda-Mrs Younger.
Cast
Role: Laetitia Actor: Mrs Bullock
Role: Araminta Actor: Mrs Cantrel
Role: Silvia Actor: Mrs Laguerre
Role: Lucy Actor: Mrs Egleton
Role: Belinda Actor: Mrs Younger.
Related Works
Related Work: The Old Batchelor Author(s): William Congreve
Related Work: The Credulous Husband Author(s): William Congreve

Afterpiece Title: The School Boy

Cast
Role: School Boy Actor: Mrs Younger.

Dance: I: Scotch Dance-Mrs Bullock; II: Chacone-Dupre, Mrs Pelling; III: Clown-Nivelon; IV: Two Pierrots-Salle, Pelling; V: Grand Dance, as17310503

Event Comment: Benefit Yates, Bowcher, Mrs Elmy, Miss Oates

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Old Batchelor-Bridgwater; Belmour-Walker; Sir Joseph-Yates; Vainlove-Ryan; Sharper-Hale; Fondlewife-Hippisley; Bluff-Mullart; Setter-Chapman; Laetitia-Mrs Horton; Belinda-Mrs Bellamy; Araminta-Mrs Elmy; Sylvia-Mrs Vincent; Lucy-Mrs Mullart.
Cast
Role: Laetitia Actor: Mrs Horton
Role: Belinda Actor: Mrs Bellamy
Role: Araminta Actor: Mrs Elmy
Role: Sylvia Actor: Mrs Vincent
Role: Lucy Actor: Mrs Mullart.
Related Works
Related Work: The Old Batchelor Author(s): William Congreve
Related Work: The Credulous Husband Author(s): William Congreve

Afterpiece Title: The Beggar's Wedding

Cast
Role: Tippet Actor: Mrs Mullart
Role: Harry Hunter Actor: Mrs Kilby
Role: Phoebe Actor: Mrs Vincent.

Dance: P Peasant Dance-Master and Miss Oates; Serious Dance-Villeneuve, Miss Oates; Je ne scai quoi-Tench, Villeneuve, Miss Oates

Event Comment: Benefit Mrs Lampe and Mrs Vincent

Performances

Mainpiece Title: Love For Love

Performance Comment: As17451125, but Tattle-Chapman; Mrs Foresight-Mrs Vincent; Nurse-Mrs James.
Cast
Role: Mrs Foresight Actor: Mrs Vincent
Role: Nurse Actor: Mrs James.
Role: Mrs Frail Actor: Mrs Hale
Role: Angelica Actor: Mrs Pritchard.
Related Works
Related Work: Love for Love Author(s): William Congreve

Afterpiece Title: The Dragon of Wantley

Performance Comment: Moor of Moor Hall-Beard 1st Time; Margerina-Mrs Lampe; Mauxalinda-Miss Young; Gubbins-LaGuerre; Dragon-Reinhold.
Cast
Role: Margerina Actor: Mrs Lampe

Dance: PPigmalion, as17460409 Peasant-Cooke

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.
Related Works
Related Work: Much Ado About Nothing Author(s): William Shakespeare
Related Work: Much Ado about Nothing Author(s): William Shakespeare
Related Work: The Law Against Lovers Author(s): William ShakespeareSir William Davenant
Related Work: The Universal Passion Author(s): William Shakespeare

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit for Mrs Elmy. Ladies are desired to send Servants to keep Places at 3 o'clock. Tickets and places to be had of Mrs Elmy at the corner of Tavistock St., in Southampton St., and of Hobson at the stage door. Cash receipts #63 6s., plus #74 6s. from tickets. Total #137 12s. 6d. (Treasurer's Book). Mr Delane dy'd Sun: ye 1st of Ap. (Cross). The Masque of Comus, design'd to be perform'd at Drury Lane Wednesday next, the 4th of Apl, for the Benefit of Mrs Foster, Granddaughter of Milton, and his only surviving descendant, is, by particular desire of several persons of Quality, on account of Handel's Oratorio deferr'd till Thursday the 5th instant (General Advertiser). Receipts. #150 (Cross); charges #63 (Treasurer's Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Antony-Barry; Ventidius-Sowdon; Dollabella-King; Alexas-Blakes; Serapion-Bridges; Myris-Simpson; Gentleman-Barnet; Charmion-Mrs Bennet; Iris-Miss Cole; Octavia-Mrs Elmy 1st time; Cleopatra-Mrs Pritchard.
Cast
Role: Charmion Actor: Mrs Bennet
Role: Octavia Actor: Mrs Elmy 1st time
Role: Cleopatra Actor: Mrs Pritchard.
Related Works
Related Work: All for Love; or, The World Well Lost Author(s): William Shakespeare
Related Work: Love Betray'd; or, The Agreable Disapointment Author(s): William ShakespeareWilliam Burnaby
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett
Related Work: The Temple of Love Author(s): William Davenant
Related Work: Twelfth Night Author(s): William Shakespeare

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: As17500129, but Goodal-_; Mrs Hyman-_.
Cast
Role: Mrs Hyman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive

Song: III: Miss Norris

Dance: VVenetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: Benefit for Woodward. The Whole Pit will be laid into the Boxes, where servants will be admitted to keep places, and upon the Stage, which will be formed into an Amphitheatre and divided into Boxes. The Pit doors will be opened for the Ladies to pass to their places there, without incommoding those in the Front Boxes. Box, Pit and Stage at 5s. Nothing under full price will be taken during the performance. Ladies send servants by 3 o'clock (Public Advertiser). [The Larpent MS 130 indicates the intended cast, and suggests Dizzy-Mrs Dotterel-$Mrs Bennet.] Receipts: #320 ($Cross">Oliver; Ruffle-$Yates; and Mrs Dotterel-$Mrs Bennet.] Receipts: #320 ($Cross)

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes-Garrick; Countryman, Lasses 'with the Trio'-Beard, Mrs Vernon, Miss Young; Perdita-Mrs Cibber, with a song in character; Clown-Woodward; Hermione-Mrs Pritchard; Hogan adds from the Bill: Polixines-Havard; Florizel-Holland; Autolycus-Yates; Shepherd-Berry; Servant-Beard; Dorcas-Mrs Vernon; Mopsa-Miss I? Young.
Related Works
Related Work: The Winter's Tale Author(s): William Shakespeare
Related Work: A Winter's Tale Author(s): William Shakespeare
Related Work: The Winters Tale Author(s): William Shakespeare

Afterpiece Title: The Modern Fine Gentleman; or, 1757

Performance Comment: Daffodil-Woodward; Tukley-Palmer; Dizzy-Yates; Sophia-Miss Macklin; Arabella-Miss Minors; Mrs Dotterel-Miss Barton; Widow Damply-Mrs Cross; Lady Fanny Pewit-Mrs Bradshaw; Racket-Blakes; Sir William Whister-Burton; Sir Tan Tivy-Jefferson; Spinner-Walker; Ruffle-Usher; Waiters-Ackman, Atkins; Harry Clough; Prologue-Garrick (Genest, IV, 481).
Event Comment: MMiss Pritchard did the Lady-Oh! for Mrs Pritchard's Benefit. She advertised Jane Shore, but Mrs Cibber being ill it was changed (Cross). Benefit for Mrs Pritchard. Part of the Pit will be laid into the Boxes. Tickets delivered for Jane Shore will be taken. Mainpiece: From Shakespear. Afterpiece: Never acted there. Receipts: #280 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes-Garrick; Polixenes-Havard; Florizel-Holland; Camillo-Davies; Clown-Woodward; Autolicus-Yates; Old Shepherd-Berry; Paulina-Mrs Bennet; Hermione-Mrs Pritchard; Perdita-Miss Pritchard; The Sheep@Shearing Song-Miss Young; The Trio-Beard, Mrs Vernon, Miss Young; The Original Prologue (By Particular Desire)-Garrick.
Cast
Role: Paulina Actor: Mrs Bennet
Role: Hermione Actor: Mrs Pritchard
Role: The Trio Actor: Beard, Mrs Vernon, Miss Young
Related Works
Related Work: The Winter's Tale Author(s): William Shakespeare
Related Work: A Winter's Tale Author(s): William Shakespeare
Related Work: The Winters Tale Author(s): William Shakespeare

Afterpiece Title: The Frenchified Lady never in Paris

Song: (BBy Desire,)Cymon and Iphigenia-Beard

Event Comment: Benefit for Mattocks, Mrs Pitt, Mrs Chambers. No Building on Stage. Tickets sold at door not taken. Receipts: #50 9s. 6d. Charges #63. Deficit of #4 3s. 6d. apiece convered by income from tickets: Mattocks, #34 3s. (boxes 48; pit 91; gallery 85); Mrs Pitt, #55 15s. (boxes 14; pit 177; gallery 257); Mrs Chambers, #42 18s. (boxes 70; pit 116; gallery 80 ) (Account Book)

Performances

Mainpiece Title: Hamlet

Cast
Role: Ophelia Actor: Mrs Chambers
Role: Queen Actor: Mrs Elmy.
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Chaplet

Performance Comment: Damon-Mattocks; Palemon-Baker; Laura-Mrs Chambers; Pastora-Mrs Lampe.
Cast
Role: Laura Actor: Mrs Chambers
Role: Pastora Actor: Mrs Lampe.
Related Works
Related Work: The Chaplet Author(s): William Boyce

Dance: The Provincial Sailors, as17580408 a Comic Ballet-

Event Comment: Benefit for Mrs Palmer. By Desire of several Persons of Quality. Tickets deliver'd for Oroonoko will be taken

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17610925, but Mincing-Mrs Simson; Millamant-Mrs Palmer, first time; Mrs Marwood-Mrs Pritchard.
Cast
Role: Mincing Actor: Mrs Simson
Role: Millamant Actor: Mrs Palmer, first time
Role: Mrs Marwood Actor: Mrs Pritchard.
Role: Lady Wishfort Actor: Mrs Clive
Role: Mrs Fainall Actor: Mrs Davies
Role: Foible Actor: Mrs Bennet
Related Works
Related Work: The Way of the World Author(s): William Congreve

Afterpiece Title: Miss in Her Teens

Song: III: A Cantata-Miss Young. *uöÓdl TThe Farmer's Return from London. As17620329

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire.Afterpiece: Never perform'd before. Ladies and Servants by 3 o'clock. Part of Pit laid into boxes; No Building on Stage. [See Theatrical Review; or, Annals of the Drama, 1763, 1 April, pp. 142-46, for critique of the Sketch of a Fine Lady's Return from a Rout. Rather damns the writing and the performance on all counts, Moody's part being so bad, to save his face he commenced Hibernian in his dialogue" to amuse the ears of his audience. The parts are listed in Larpent MS 220: Sir Gregory Jenkings, Mr Nettle (a Lawyer), 1st Clerk, 2nd Clerk, Porter, Footmen, Lady Jenkings, Nancy Jenkings, Fanny Jenkings, Jane (Lady's Maid).

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Principal characters-Garrick, Palmer, O'Brien, Mrs Cibber, Mrs Yates, Mrs Clive.
Related Works
Related Work: The School for Lovers Author(s): William Whitehead

Afterpiece Title: Sketch of a Fine Lady's Return from a Rout

Performance Comment: Characters-Love, Moody, Mrs Clive, King, Ackman, Mrs Bradshaw, Miss Rogers, Miss Heath.

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Event Comment: DDesdemona-Mrs Havard">Mrs Davies. $Mrs Havard being ill Mr King play'd Iago (Hopkins). Mrs Yates ill...Mrs Davies Desdemona (Cross Diary). Benefit for Vernon. Tickets for The Roman Father will be taken. Both main and afterpiece, By Particular Desire. Mr King Iago. Mr Havard could not play Mrs Havard being dead (Hopkins Diary-MacMillan). A mistake in the Diary. Mrs Havard died Friday 27th (J. P. Kemble MS Notes-MacMillan). Music A La Mode deferr'd on account of Indisposition of a principal performer. Last time of performing till the Holidays. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: Othello

Performance Comment: As17640331 but Roderigo-Vernon,, first time; Desdemona-Mrs Davies; Montano-Fox.
Cast
Role: Desdemona Actor: Mrs Davies
Role: Emelia Actor: Mrs Hopkins
Related Works
Related Work: Othello Author(s): William Shakespeare

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Vernon; Cook-Clough; Guttle-Philips; Melissa-Miss Plym, first time; Gayless-Ackman; Kitty-Mrs Bennet.
Cast
Role: Kitty Actor: Mrs Bennet.

Dance: The Faggot Binders, as17640224

Event Comment: Benefit for Mrs Clive. Mainpiece: Not acted for 3 years. [See 21 March 1763.] Part of Pit laid into Boxes. No building on Stage. Farce never before acted. [Attributed to Mrs Clive, not printed.] Tickets and places to be had of Mrs Clive, at the Two Red Lamps, in Great Queen St., Lincoln's Inn Fields, and of Mr Johnston at the Stage Door

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Holland, 1st time; Modely-Palmer; Bellmour-Packer; Steward-Baddeley; Caelia-Mrs Palmer, 1st time; Araminta-Mrs Yates; Lady Beverley-Mrs Clive.
Cast
Role: Caelia Actor: Mrs Palmer, 1st time
Role: Araminta Actor: Mrs Yates
Role: Lady Beverley Actor: Mrs Clive.
Related Works
Related Work: The School for Lovers Author(s): William Whitehead

Afterpiece Title: The Faithful Irish Woman

Performance Comment: Characters-Love, Packer, King, Miss Pope, Mrs Hopkins, Miss Rogers, Miss Heath, Miss Pearce; Irishwoman-Mrs Clive.

Dance: End: The Irish Lilt, as17641011