SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs T"/1) | (@(roleclean,performerclean) "Mrs T")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 173658 matches on Roles/Actors, 23319 matches on Performance Comments, 4237 matches on Event Comments, 4199 matches on Performance Title, and 9 matches on Author.

Performances

Mainpiece Title: The Road To Ruin

Music: As17921025

Performances

Mainpiece Title: The Road To Ruin

Music: As17921025

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Hercules and Omphale

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: a Mock Minuet-Palmer, Miss Pope

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Bon Ton

Performances

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Le Deserteur-[Louisa-$Mme Laborie (Morning Chronicle, 13 Feb.)]

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement, as17990326End Opera: Telemaque- see17990326

Performances

Mainpiece Title: La Frascatana

Dance: As17990330

Performances

Mainpiece Title: La Frascatana

Dance: As17990330

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the Grand Piano Forte-Master Neate; End II: cobcerto on the violin-G. Ashley

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Performance Comment: Principal Characters-Camery (1st appearance), Jackson, Davis, Tannett, Dowson, Curtis, Williams, Morris, Johnston, Miss Walton (the young Lady who performed in The Provok'd Wife [on 18 Sept.]), Miss Essex, Mrs Gardner, Mrs Bishop, Mrs Roche, Mrs Russell (from the Theatre Royal, Norwich), A Young Gentlewoman [unidentified]. [Text (Bath: R. Cruttwell, 1777) lists the parts, with cast as acted at Hull: Sedley , Captain Helm , Woodford , Sir Whifling Trifle , Flamwell , Spangle , Finesse , Swab , Ty'em , Miss Bloomer , Lady Younglove , Flora , Mrs Fashion , Miss Belgrove , Frippery , Fontange .]on 18 Sept.]), Miss Essex, Mrs Gardner, Mrs Bishop, Mrs Roche, Mrs Russell (from the Theatre Royal, Norwich), A Young Gentlewoman [unidentified]. [Text (Bath: R. Cruttwell, 1777) lists the parts, with cast as acted at Hull: Sedley , Captain Helm , Woodford , Sir Whifling Trifle , Flamwell , Spangle , Finesse , Swab , Ty'em , Miss Bloomer , Lady Younglove , Flora , Mrs Fashion , Miss Belgrove , Frippery , Fontange .]

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Performances

Mainpiece Title: A Grand Selection

Afterpiece Title: ACIS AND GALATEA

Performance Comment: PART I. O the pleasures of the plains by Chorus. For us the Zephyr blows by Mrs Crouch. Ye verdant plains and Hush ye prttty warbling Choir by Miss Leak. Where shall I seek: by Kelly. Stay, Shepherd, stay and Shtpberd, what art thou pursuing? by Mrs Bland. Lo! here my love and Love in her eyes by Kelly. O, didst thou know the pains and As when the Dove by Mrs Crouch. Happy we by Mrs Bland, Dignum and Chorus. PART II. Wretched lovers by Chorus. I rage, I melt, I burn and O, ruddier than the cherry by Meredith. Whither, fairest by Meredith and Mrs Rland. Cease to beauty to be suing by Meredith. Would you gain the tender by Master Welsh. His hideous Love and Love sounds the alarm by Kelly. Consider, fond Shepherd by Miss Leak. Cease, O cease by Mrs Crouch. The [flocks shall leave] by Kelly, Meredith, Mrs Crouch. Help, Galatea! by Kelly. Mourn all ye Muses by Chorus. Must I my Acis by Miss Leak. Cure, Galatea by Chorus. 'Tis done, thus I exert and Heart, the seat by Mrs Crouch. Galatea, dry thy tears by Chorus .

Music: End of Part I of oratorio concerto on violin by Giornovichi

Performances

Mainpiece Title: The Double Deceit

Performance Comment: Parts by Ryan, Hippisley, Walker, A. Hallam, Chapman, Neale, Mrs Horton, Miss Bincks, Mrs Buchanan, Mrs Stevens, Mrs Mullart, Mrs Templer, Mrs Kilby, Mrs Martin .

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Performance Comment: Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme .
Event Comment: This day publish'd at 3s. The Actor; or, A Treatise on the Art of Playing. A New Work written by the Author of the former [See dl 30 Oct. 1753]; and adapted to the present state of the Theatres. Containing impartial Observations on the Performance, Manner, Perfections, and Defects of: Garrick, Barry, Woodward, Foote, Havard, Palmer, Ryan, Berry, Mrs Cibber, Mrs Pritchard, Mrs Woffington, Mrs Gregory, Mrs Clive, Mrs Green, Miss Nossiter, Mrs Bellamy, &c., &c., in their capital parts. Printed for R. Griffiths

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: The Distrest Wife

Performance Comment: Parts by Ryan, Quin, Neal, Chapman, Aston, Salway, Morgan, Hall, Mrs Younger, Mrs Buchanan, Miss Binks, Miss Norsa, Mrs Stevens, Mrs Younger, Mrs Lacy, Mrs Forrester .

Dance: By Maker and Mlle Salle

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; Gonzalez-Aickin; Alonzo-Wrighten; Antonio-Phillimore; Sebastian-Wright; Francisco-Wilson; Ferdinand-Barrymore; Miranda-Miss Phillips; Ariel-Miss Field. Chorus of Spirits-Chaplin, Fawcett, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Stageldoir, Miss Barnes, Miss Burnett, Mrs Smith, &c . Mrs Love, Mrs Booth, Miss Stageldoir, Miss Barnes, Miss Burnett, Mrs Smith, &c .

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Event Comment: Receipts: #116 10s. Probable attendance: boxes, 191 paid and 12 orders; pit, 262 paid and 5 orders; slips, 25 paid and 2 orders; first gallery, 242 paid and 6 orders; second gallery, 50 paid and 1 order. For an essay on Camilla, see London Journal, 26 Nov. Mrs Pendarves to Anne Granville, 27 Nov.: I was at the opera of Camilla...performed by a Mrs Chambers, Mrs Barbiere, Mrs Fletchere, a Signor Rochetti, Mr Leveridge, Mr Legard. I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better then ballads.-Mrs Delany@Autobiography, I, 125

Performances

Mainpiece Title: Camilla

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller. Leader as17940312ART I. Overture. Comfort ye my people and Every Valley by Harrison. And the glory by Chorus. Thus saith the Lord and But who may abide by Meredith. And he shall purify by Chorus. Behold! a Virgin and O thou that tellest by Kelly. For, behold! and The people that by Meredith. For unto us by Chorus. There were Shepherds by Sga Storace. Glory to God by Chorus. Rejoice greatly by Master Welsh. Then shall the Eyes and He shall feed his flock by Mrs Bland. Come unto him by Sga Storace. His yoke is easy by Chorus. PART II. Behold the Lamb by Chorus. He was despised by Mrs Crouch. Surely he hath borne by Chorus. All they that see him by Kelly. He trusted in God by Chorus. Thy rebuke hath and Behold! and see by Harrison. He was cut off and But thou didst not by Miss Leak. Lift up your heads by Chorus. Unto which of the by Kelly. Let all the Angels by Chorus. Thou art gone up by Mrs Bland. The Lord gave by Chorus. How beautiful by Master Welsh. Their sound is gone by Chorus. Why do the nations by Meredith. Let us break by Chorus. He that dwelleth and Thou shalt break them by Dignum. Hallelujah by Chorus. PART III. I know that my Redeemer liveth by Master Welsh. Since by Man by the Principal Singers and Semi-Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass [singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Event Comment: Downes, Roscius Anglicanus, p. 31: Note, About the Year 1670, Mrs Aldridge, after Mrs Lee, after Lady Slingsby, also Mrs Leigh Wife of Mr Antony Leigh, Mr Crosby, Mrs Johnson, were entertain'd in the Duke's House

Performances