SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Shadwell"/1) | (@(roleclean,performerclean) "Mrs Shadwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23319 matches on Performance Comments, 4318 matches on Event Comments, 4199 matches on Performance Title, 842 matches on Author, and 11 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill assigns Acasto to Murray, but "An apology was made for Murray, who was prevented by illness from playing Acasto, which, at a short notice, was taken by Hull" (True Briton, 14 Oct.).] "This whole of [Mrs Spencer's] performance was marked by such unaffected simplicity that it was almost impossible to consider it as the mere fiction of the scene. This lady is really a great aquisition to the house" (True Briton, ibid). Receipts: #254 6s. 6d. (244.18.6; 9.8.0)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Hull; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Spencer (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Monimia Actor: Mrs Spencer

Dance: Ballet, as17971002, but Mrs _Watts

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.
Cast
Role: Mrs Oakly Actor: Mrs Abington
Role: Lady Freelove Actor: Mrs Sparks
Role: Toilet Actor: Mrs Cuyler.

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Dowton; Freeman-Surmont; Philip-Sparks; Tom-Ryder; Duke's Servant-R. Palmer; Sir Harry's Servant-Russell; Kitty-Miss Pope; Cook-Mrs Coates; Cloe-Mrs Mills; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Cook Actor: Mrs Coates
Role: Cloe Actor: Mrs Mills

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Sumbel (late Mrs Wells; who has generously volunteered her services for that Evening); Nerissa-A Young Lady (1st appearance on the stage [unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.
Cast
Role: Portia Actor: Mrs Sumbel

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters-Faulkner (1st appearance on this stage), Basset, Barry Jun., The Young Gentleman who performed Wilford [on 23 Apr.], Thompson, Abbot, Webb, H. Johnston, Mrs Johnston [recte Mrs Johnstone] (2nd appearance on this stage), Mrs Hunter, Miss Leserve, Mrs H. Johnston [And see17981011.]; Epilogue-Barry Jun.

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Cast
Role: Imitations Actor: Mrs Sumbel
Event Comment: The United Company. Tne date of the first performance is not known, but the Gentleman's Journal, March 1692 (licensed 9 March 1691@2), refers to its having already been produced. See also a letter concerning it dated 19 Jan. 1691@2. Probably the play was given in early February 1692. A song, How long must women wish in vain, the music by Robert King, is in Comes Amoris, The Fourth Book, 1693. Gentleman's Journal, March 1692: We have had lately a new Play, called, The Innocent Impostors. It hath been acted four times. Mr Shadwell Poet-Laureat, usher'd it into the Stage. It is said that the Author of it is not one of the Laity; therefore since he desires not to be known, I shall not presume to let you know his Name, tho the Play being Historical, and altogether of the Tragick kind, and withal treated with all the decency imaginable, can never be inglorious to its ingenious Author

Performances

Mainpiece Title: The Rape; Or, The Innocent Impostors

Performance Comment: Edition of 1692: Prologue-Mr Betterton; Epilogue By Mr Shadwell-Mrs Bracegirdle; Gunderic-Betterton; Genselaric-Williams; Briomer-Hodgson; Albimer-Zibber; Rodoric-Freeman; Almeric-Harris; Agilmond-Mrs Butler; Valdaura-Mic. Lee; Amalazontha-Mrs Betterton; Rhadegonda-Mrs Lee; Eurione-Mrs Bracegirdle; Merinda-Mrs Richardson.
Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: [By Charles Shadwell.] Never Acted before. [Tickets given out for this day for Tamerlane as a benefit for Corey and Elrington will be taken on 7 March.

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Performance Comment: Edition of 1710 lists: Flip-Leigh; Mizen-Pack; Worthy-Booth; Rovewell-Powell; Sir Charles Pleasant-Bickerstaff; Cribidge-Elrington; Easie-Cory; Indent-Knepp; Scruple-Freeman; Arabella Zeal-Mrs Bradshaw; Dorcas Zeal-Mrs Sabtlow; Belinda-Mrs Moor; Jenny Private-Mrs Spillar; Jiltup-Mrs Hunt; Advocate-Mrs Finch; Maid-Mrs Shirburn; Barmaid-Mrs Cox; Prologue-; Epilogue-Mrs Santlow.
Cast
Role: Arabella Zeal Actor: Mrs Bradshaw
Role: Dorcas Zeal Actor: Mrs Sabtlow
Role: Belinda Actor: Mrs Moor
Role: Jenny Private Actor: Mrs Spillar
Role: Jiltup Actor: Mrs Hunt
Role: Advocate Actor: Mrs Finch
Role: Maid Actor: Mrs Shirburn
Role: Barmaid Actor: Mrs Cox
Role: Epilogue Actor: Mrs Santlow.
Related Works
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Charles Shadwell
Event Comment: Written by the ingenious Mr Shadwell, late Poet Laureat

Performances

Mainpiece Title: The Volunteers; Or, The Stock Jobbers

Performance Comment: Sir Nicholas-Pack; Colonel Hackwell-Norris; Blunt-Cross; Captain Hackwell-Booth; Welford-Mills; Nickum-Bullock Jr; Hop-Burkhead; Teresia-Mrs Saunders; Eugenia-Mrs Bradshaw; Clara-Mrs Porter; Winifred-Miss Willis; Mrs Hackwell-Mrs Powell; Sir T Kastril-Bullock.
Cast
Role: Teresia Actor: Mrs Saunders
Role: Eugenia Actor: Mrs Bradshaw
Role: Clara Actor: Mrs Porter
Role: Mrs Hackwell Actor: Mrs Powell
Related Works
Related Work: The Volunteers; or, The Stock-Jobbers Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Dutchess of Malfey Actor: Mrs Betterton
Role: Cariola Actor: Mrs Norris
Role: Old Lady Actor: Mrs Osborn
Role: Julia Actor: Mrs Shadwell.
Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Performance Comment: [Edition of 1688: No actors' names. Prologue. The Epilogue, spoke by her that acts Barzana Mrs Barry].
Event Comment: Receipts: #224 18s. 6d. Advanc'd to Mrs Ward #20. Paid Sarjant on acct of salary #5; Paid Ridout one third of the surplus of this night's receipt being #144 18s. 6d. than the #80 allow'd for the charge: #48 2s. 6d. This morning I was at Mr Shadwell's for his Orders [for free theatre tickets] & took all my sisters to Covent Garden Gallery to see the Jovial Crew & Rape of Proserpine, which was full of noisy holiday people (Hailey, Brietzcke Diary, Vol. 197, p. 544)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17600116, but Followers of Ceres-Mrs White, Mrs _Dawson.
Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Holman; Alcibiades-Farren; Lucullus-Quick; Lucius-Wewitzer; Sempronius-Davies; Ventidius-Palmer; Old Athenian-Fearon; Flavius-Hull; Cephis-Kennedy; Painter-Stevens; Poet-Booth; Jeweller-Gardner; Apemantus-Wroughton; Melissa-Mrs Inchbald; Phryne-Miss Stuart; Evandra-A Young Lady (1st appearance on any stage [Mrs Duill]) .Mrs Duill]) .
Cast
Role: Melissa Actor: Mrs Inchbald
Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): Thomas Shadwell
Related Work: Timon of Athens Author(s): Thomas Shadwell

Afterpiece Title: Tom Thumb

Cast
Role: Huncamunca Actor: Mrs Kennedy
Role: Glumdalca Actor: Mrs Webb
Role: Dollalolla Actor: Mrs Martyr

Dance: In Act II of mainpiece a Banquet and Masquerade Dance [performers not listed]; End of mainpiece Leap Year, as17851010

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.
Cast
Role: Celania? Actor: Mrs Gosnell
Role: Heraclia Actor: Mrs Shadwell
Role: Leucippe Actor: Mrs Long
Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performance Comment: Edition of 1682: Prologue- Spoken to Anna Bullen by a Person of Quality; King Harry-Smith; Cardinal-Gillow; Northumberland-Wiltshire; Piercy-Betterton; Rochford-Jos. Williams; Anna Bullen-Mrs Barry; Lady Diana Talbot-Mrs Petty; Epilogue-.
Cast
Role: Anna Bullen Actor: Mrs Barry
Role: Lady Diana Talbot Actor: Mrs Petty
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Silent Woman; the best comedy, I think, that ever was wrote; and sitting by Shadwell the poet, he was big with admiration of it. Here was iy Lord Brouncker and W. Pen and their ladies in the box....Knepp did her part mighty well

Performances

Mainpiece Title: The Silent Woman

Performance Comment: Epicoene-Mrs Knepp. For a previous cast, see16661210.
Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17501227, but Uncle-Simson; Maria-Mrs Ward.
Cast
Role: Maria Actor: Mrs Ward.
Role: Lucy Actor: Mrs Green
Role: Millwood Actor: Mrs Pritchard

Afterpiece Title: The Lying Valet

Cast
Role: Melissa Actor: Mrs Bennet
Role: Kitty Actor: Mrs Green.

Dance: IV: Comic Dance, as17501231

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Event Comment: Mainpiece: 32nd Night [i.e. in continuation, erroneously, of the reckoning for the preceding season, when it was acted 28 times]. With new Music, Scenes, Dresses, and Decorations. The Music (with a few Exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. "Covent-garden is the National Theatre. I was there on 10th Dec. and saw an opera called The Woodman. It was the very day on which the life story of Madam Billington, both from the good as well as from the bad sides was announced [i.e. Memoirs of Mrs Billington, and An Answer to the Memoirs of Mrs Billington, both anonymous, both predated 1792]...She sang rather timidly this evening, but very well all the same. The first tenor [Incledon] has a good voice and quite a good style, but he uses the falsetto to excess. He sang a trill on high C and ran up to G. The 2nd tenor [Johnstone] tries to imitate him, but could not make the change from the falsetto to the natural voice, and apart from that is most unmusical...But the cast is entirely used to him. The leader is Herr Baumgartner [sic], a German who, however, has almost forgotten his mother-tongue. The Theatre is very dark and dirty, and is almost as large as the Vienna Court Theatre. The common people in the galleries of all the theatres are very impertinent; they set the fashion with all their unrestrained impetuosity, and whether something is repeated or not is determined by their yells. The parterre and all the boxes sometimes have to applaud a great deal to have something good repeated. That was just what happened this evening, with the Duet in the 3rd Act, which was very beautiful; and the pro's and contra's went on for nearly a quarter of an hour, till finally the parterre and the boxes won, and they repeated the Duet. Both the performers stood on the stage quite terrified, first retiring, then again coming forward. The orchestra is sleepy" (Haydn, 273-74). Receipts: #194 11s. (191.8; 3.3)

Performances

Mainpiece Title: The Woodman

Performance Comment: [Principal Characters-Quick, Johnstone, Darley, Blanchard, Incledon, Gray, Cross, Mrs Martyr, Mrs Webb, Miss Barnett, Mrs Billington (with additional music)Together let us range the fields (Crouch, II, 129), a duet with Incledon; Se ti perdo (see17920522); Court me not to scenes of pleasure (BUC, 1089)]; (1st appearance in this opera); Rest of the Vocal Parts-Mrs Mountain, Miss Broadhurst, Mrs Harlowe, Miss Stuart, Mrs Watts, Miss Francis, Mrs Arnold, Mrs Davenett, Mrs Bock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Masters, Mrs Platt, Mrs Ratchford, Mrs Byrne, Miss Leserve. [Cast adjusted from text (T. Cadell, 1791): Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop-Darley; Medley-Blanchard; Wilford-Incledon; Bob-Gray; Filbert-Cross; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Webb; Polly-Miss Barnett; Emily-Mrs Billington; Kitty Maple-Miss Stuart; Bridget-Mrs Cross.

Afterpiece Title: Modern Antiques

Cast
Role: Mrs Camomile Actor: Miss Chapman
Role: Belinda Actor: Mrs Harlowe
Role: Flounce Actor: Mrs Rock
Role: Nan Actor: Mrs Cross
Role: Mrs Cockletop Actor: Mrs Mattocks.
Event Comment: Afterpiece [1st time; P 2, by Thomas John Dibdin; pantomime by Charles Farley]: With new Scenery, Machinery, Tricks, Dresses, and Decorations. The Overture, Airs and Chorusses by Attwood. The Pantomime Music by Attwood, Mountain, and Ealy [recte Eley]. The Scenery by Phillips, Lupino, Hollogan, Blackmore, Thorne, Wilkins, &c. The Machinery and Tricks by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #364 (353.12; 10.8)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Performance Comment: [Principal Characters by Bologna Jun., Bologna, Simpson, Simmons, Whitmore, Hawtin, Dyke, Wilde, Blurton, Claremont, Klanert, the Master Blackmores, Platt, Abbot, T. Cranfield, Powers, Lewiss, Davies, L. Bologna, Letteney, Lee, Delahoy, Wilkins, Farley, Miss Lupino, Miss Cranfield, Miss Denny, Mrs Watts, Mrs Bologna, Mrs Whitmore, Mrs Gilbert, Miss Gray, Miss Leserve, Mrs Norton, Mrs Masters, Mrs Lloyd, Miss Burnett, Miss Walcup, Mrs Blurton, Miss Bologna, Miss Cox, Mrs Crow, Miss Davenett recte Dibdin], Mrs Ward, Miss Coombes, Miss Standen, Mrs Wybrow. Vocal Characters-Townsend, Hill, Emery, Street, Gray, Linton, Thomas, Russel, Curties, J. Linton, Oddwell, Little, Tett, Master Ramage, Master Goodwin, Mrs Chapman; [Cast from Songs (J. Barker, 1799): Harlequin Woodcutter-Bologna Jun.; Lout-Bologna; Tasner-Simpson; Phisgig-Simmons; Pantaloon-Whitmore; Landlord-Hawtin; Haymakers-Wilde, Blurton, Platt, T. Cranfield, Powers, Lewiss, L. Bologna; Dutch Lover-Klanert; Beadle-Abbot; Dutch Servant-Davies; Man Milliner-Lee; Brisk-Farley; Sailor-Townsend; Officer of Volunteers-Hill; Recruits-Street, Gray, Linton, Thomas, Russel, Curties; Haymakers-Mrs Watts, Mrs Bologna, Miss Burnett, Miss Bologna, Miss Cox, Mrs Crow; Harlequin's Mother-Mrs Whitmore; Landlady-Mrs Gilbert; Market Women-Miss Leserve, Mrs Norton, Mrs Blurton; Old Maid-Mrs Lloyd; Columbine-Mrs Wybrow; unassigned-Dyke, Claremont, the Master Blackmores, Letteney, Delahoy, Wilkins, Emery, J. Linton, Master Goodwin, Miss Lupino, Miss Cranfield, Miss Denny, Miss Gray, Mrs Masters, Miss Walcup, Miss Dibdin, Miss Standen, Mrs Chapman.

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Cast
Role: Isabinda Actor: Mrs Mountain
Role: Patch Actor: Mrs Mattocks
Role: Scentwell Actor: Mrs Platt

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Event Comment: [Miss Arne, who is identified by MS annotation on Kemble playbill, had previously appeared as a chorus singer; see 27 Oct. 1794. In mainpiece the playbill assigns Mrs Peachum to Mrs Hopkins, Suky Tawdry to Mrs Maddocks, Mrs Coaxer to Miss Stageldoir, but "Mrs Hopkins being ill, Mrs Maddocks play'd Mrs Peachum; Mrs Hedges Suky Tawdry for Mrs Maddocks; Miss Stageldoir Ill, Mrs Jones play'd Mrs Coaxer. [In afterpiece] Jones Ill, Lyons Snuffle; Evans 4th Mob for Lyons [both these characters omitted from playbill]" (Powell).] Powell: Mayor of Garratt rehearsed at 12; New Ballet at 12. Receipts: #174 10s. (121.14; 51.2; 1.14)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Mr Peachum-Moody; Lockit-Hollingsworth; Capt. Macheath-Kelly; Filch-Suett; Crookfinger'd Jack-Lyons; Wat Dreary-Evans; Robin of Bagshot-Cooke; Nimming Ned-Welsh; Harry Paddington-Phillimore; Mat o' the Mint-Trueman; Ben Budge-Burton; Beggar-Waldron; Player-Benson; Drawer-Banks; Turnkey-Webb; Mrs Peachum-Mrs Maddocks; Polly Peachum-A Young Lady (1st appearance on any stage [Miss Arne]); Lucy Lockit (1st time)-Miss DeCamp; Diana Trapes-Mrs Booth; Mrs Coaxer-Mrs Jones; Dolly Trull-Miss Chatterley; Mrs Vixen-Mrs Iliff; Betty Doxy-Miss Redhead; Jenny Diver-Mrs Bramwell; Mrs Slammekin-Miss Tidswell; Suky Tawdry-Mrs Hedges; Molly Brazen-Mrs Butler.
Cast
Role: Mrs Peachum Actor: Mrs Maddocks
Role: Diana Trapes Actor: Mrs Booth
Role: Mrs Coaxer Actor: Mrs Jones
Role: Mrs Vixen Actor: Mrs Iliff
Role: Jenny Diver Actor: Mrs Bramwell
Role: Mrs Slammekin Actor: Miss Tidswell
Role: Suky Tawdry Actor: Mrs Hedges
Role: Molly Brazen Actor: Mrs Butler.

Afterpiece Title: The Mayor of Garratt

Performance Comment: Sir Jacob Jollup-Waldron; Major Sturgeon-Bannister; Jerry Sneak-Bannister Jun.; Heeltap-Burton; Lint-Suett; Bruin-Benson; Snuffle-Lyons; Mrs Sneak-Mrs Goodall; Mrs Bruin-Miss Tidswell.
Cast
Role: Mrs Sneak Actor: Mrs Goodall
Role: Mrs Bruin Actor: Miss Tidswell.

Dance: In III: Hornpipe-G. D'Egville

Event Comment: Mainpiece [1st time; C 4, by George Colman elder. Prologue by the author (Morning Chronicle, 13 Oct.). Scenery by Rooker (ibid. 1 Sept.). Larpent MS 490; not published; synopsis of plot in London Magazine, Sept. 1779, pp. 405-7]. "The first three acts want business, and the denouement is rather suddenly brought about...The greatness of the task of performing a character of which Mrs Abington had been announced as the intended representative seemed to inspire [Miss Farren] with additional zeal, and helped her to gain additional credit" (Morning Chronicle, 1 Sept.)

Performances

Mainpiece Title: The Separate Maintenance

Performance Comment: Principal Characters-Palmer, Dimond, Aickin, Gardner, Stevens, Kenny, Jackson, Edwin, Parsons, Mrs Webb, Mrs Hitchcock, Mrs Lloyd, Mrs Poussin, Miss Wood, Mrs Lefevre, Miss Hale, Miss Twist, Mrs Cuyler, Miss Farren. [Cast from Gazetteer, 1 Sept.: Leveret-Palmer; Lord Newbery-Dimond; Touchwood-Aickin; Fraction-Gardner; Jacky Minim-Edwin; Lord Oldcastle-Parsons; Lady Oldcastle-Mrs Webb; Miss English-Mrs Hitchcock; Mrs Frankly-Mrs Lloyd; Lady Didapper-Mrs Poussin; Grace-Miss Wood; Mrs Fustian-Mrs Lefevre; Mrs Revel-Mrs Cuyler; Lady Newbery-Miss Farren; Stevens, Kenny, Jackson, Miss Hale, Miss Twist; [Larpent MS 490 lists the parts as above, and adds: Buckle, Varnish, Mons Epingle, Mrs Coiff. Prologue-Palmer. [This was spoken, as here assigned at all subsequent performances.]This was spoken, as here assigned at all subsequent performances.]

Afterpiece Title: The Mayor of Garratt

Cast
Role: Mrs Bruin Actor: Mrs W. Palmer
Role: Mrs Sneak Actor: Mrs Webb.

Dance: As17790818

Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Cast
Role: Monimia Actor: Mrs Spencer

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Principal Vocal Characters Actor: Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna
Role: Colembine Actor: Mrs Parker
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Goddess of Silence Actor: Mrs Follett
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: Principal Characters-Lewis, Wroughton, Lee Lewes, Aickin, Whitfield, Robson, Edwin, L'Estrange, Thompson, Wewitzer, Fearon, Booth, Jones, W. Bates, Quick, Mrs Hartley, Mrs Mattocks, Mrs Morton, Miss Morris, Miss Stewart, Mrs Poussin, Mrs Webb, Mrs White, Miss Younge; [Cast from text (T. Cadell, 1782): Doricourt-Lewis; +Sir George Touchwood-Wroughton; +Flutter-Lee Lewes; +Saville-Aickin; +Villers-Whitfield; +Courtall-Robson; +Silvertongue-Edwin in text: $W. Bates]; Gentlemen-L'Estrange, Thompson; +French Valet-Wewitzer; +Porter-Fearon; +Dick-Stevens; +Mountebank-Booth; +Crowquill-Jones; +Hardy-Quick; +Lady Frances Touchwood-Mrs Hartley; +Mrs Racket-Mrs Mattocks; +Miss Ogle-Mrs Morton; +Kitty Willis-Miss Stewart; +Lady-Mrs Poussin; +Letitia Hardy-Miss Younge; W. Bates, Miss Morris, Mrs Webb, Mrs White are unassigned; +Prologue-Edwin; Epilogue-Miss Younge. [These were spoken as here assigned, at all subsequent performances.]These were spoken as here assigned, at all subsequent performances.]

Afterpiece Title: Cross Purposes

Cast
Role: Mrs Grub Actor: Mrs Green.
Event Comment: Mainpiece [1st time; C 5, by John Philip Kemble]: Taken from [The Rover, by] Mrs Behn, with considerable Alterations. With new Dresses and Decorations. Receipts: #165 14s. 6d. (133.8.0; 31.14.0; 0.12.6)

Performances

Mainpiece Title: Love In Many Masks

Performance Comment: [Characters-Barrymore, R. Palmer, Wroughton, Kemble, Whitfield, Bannister Jun., Suett, Phillimore, Benson, Lyons, Webb, Maddocks, Alfred, Master Gregson, Master Grimaldi, Miss Gawdry, Fairbrother, Mrs Powell, Mrs Jordan, Mrs Kemble, Mrs Ward, Mrs Hedges, Mrs Heard, Miss Tidswell, Miss Barnes. Cast from text (T. and J. Egerton [1790]): Don Antonio-Barrymore; Don Pedro-R. Palmer; Belville-Wroughton; Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; Stephano-Suett; Sancho-Phillimore; Philippo-Benson; Sebastian-Lyons; Biskey-Webb; Officer-Maddocks; Soldier-Alfred; Antonio's Page-Master Gregson; Helena's Page-Master Grimaldi; Blunt's Boy-Miss Gawdry; Taylor-Fairbrother; Florinda-Mrs Powell; Helena-Mrs Jordan; Valeria-Mrs Kemble; Angelica-Mrs Ward; Moretta-Mrs Hedges; Callis-Mrs Heard [in text: Mrs Booth]; Lucetta-Miss Tidswell; Flower Girl-Miss Barnes.

Afterpiece Title: The Deaf Lover

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp