Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Event Comment: Receipts: #37 0s. 6d. Probable attendance: boxes, 18 paid and 14 orders; Pit, 133 paid and 21 orders; slips, 17 paid and 5 orders; first gallery, 134 paid and 8 orders; second gallery, 92 paid and 2 orders

Event Comment: Written by Shakespear. Receipts: #18 3s. Probable attendance: boxes, 13 paid and 8 orders; pit, 35 paid and 21 orders; slips, 10 paid and 11 orders; first gallery, 86 paid and 56 orders; second gallery, 60 paid and 2 orders

Event Comment: Benefit Boheme. And the Flyings, Sinkings, and usual Decorations. N.B. Mr Boheme continuing indispos'd, the Tragedy of King Lear cannot be acted. Receipts: money #30 18s.; tickets #57 5s. Probable attendance: boxes, 6 by money and 49 by tickets; pit, 59 by money and 246 by tickets; slips, 9 by money; first gallery, 97 by money and 81 by tickets; second gallery, 51 by money

Event Comment: Receipts: #78 14s. 6d. Probable attendance: boxes, 71 paid and 22 orders; pit, 2U2 paid and 9 orders; slips, 8 paid and 9 orders; first gallery, 205 paid and 8 orders; second gallery, 165 paid

Event Comment: Written by Shakespear. Receipts: #28 15s. Probable attendance: boxes, 34 paid and 15 orders; pit, 60 paid and 20 orders; slips, 6 paid and 4 orders; first gallery, 113 paid and 50 orders; second gallery, 88 paid and 5 orders

Event Comment: Receipts: #30 2s. Probable attendance: boxes, 28 paid and 1 order; pit, 42 paid and 15 orders; slips, 6 paid and 1 order; first gallery, 109 paid and 7 orders; second gallery, 77 paid and 6 orders

Event Comment: Mainpiece: Written by Mr Otway. Receipts: #43 6s. Probable attendance: boxes, 23 paid and 13 orders; pit, 122 paid and 17 orders; slips, 11 paid and 3 orders; first gallery, 122 paid and 12 orders; second gallery, 95 paid and 3 orders

Event Comment: Benefit Quin. Receipts: money #82 7s. 6d.; tickets #106 8s. Probable attendance: boxes, 128 by money and 250 by tickets; stage, 45 by money; pit, 66 by money and 260 by tickets; slips, 12 by money; pidgeon holes, 3 by money; first gallery, 180 by money and 49 by tickets; second gallery, 119 by money

Event Comment: Receipts: #32 11s. Probable attendance: boxes, 22 paid and 7 orders; pit, 85 paid and 8 orders; slips, 11 paid and 1 order; first gallery, 116 paid and 9 order; second gallery, 115 paid

Event Comment: Written by Shakespear. Receipts: #27 15s. Probable attendance: boxes, 27 paid and 12 orders; stage, 2 paid; pit, 77 paid and 25 orders; slips, 6 paid and 5 orders; first gallery, 93 paid and 20 orders; second gallery, 80 paid and 4 orders

Event Comment: Written by Shakespear. Receipts: #38 17s. 6d. Probable attendance: boxes, 17 paid and 4 orders; pit, 125 paid and 27 orders; slips, 9 paid and 3 orders; first gallery, 150 paid and 26 orders; second gallery, 132 paid

Event Comment: Receipts: #59 4s. 6d. Probable attendance: boxes, 20 paid and 14 orders; pit, 150 paid and 20 orders; slips, 7 paid and 1 order; first gallery, 214 paid and 5 orders; second gallery, 155 paid

Event Comment: Written by Mr Otway. Receipts: #21 10s. Probable attendance: boxes, 25 paid and 9 orders; pit, 43 paid and 18 orders; slips, 4 paid; first gallery, 96 paid and 4 orders; second gallery, 62 paid

Event Comment: Benefit Poet Trapwit. By his own particular Desire. N.B. The Spectators are desir'd to take no Notice of the Tragedy, but attend very closely to the Comedy, there being several fresh Jokes new cloath'd at Second Hand for the Use of that Night. As there is little Hope of a great Demand of Tickets, or Places for that Evening, the Doors will be open'd by Six o'Clock in the Morning, and constant Attendance the whole Day given, for fear any Application shou'd be made for either. [The Daily Advertiser also carries a notice to the effect that "Copper-Plate Tickets representing the Murder of Common Sense" will be available.]

Event Comment: An Oratorio. With several New Additions. Pit and Boxes to be put together. No person to be admitted without tickets, which will be deliver'd this day at the Office of the Theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half past Four, Pit and Boxes at Five. To begin at Half an Hour after Six. [Customary note for all oratorios this season.

Event Comment: By Command of his Majesty. The first night the King went to the play, which was civilly on a Friday, not on the opera night, as he used to do, the whole audience sang God Save the King in chorus. For the first act, the press was so great at the door that no ladies could go to the Boxes, and only the servants appeared there, who kept places: at the end of the second act the whole mob broke in and seated themselves; yet all this zeal is not likely to last, though he so well deserves it (Walpole to Montagu, 24 Nov.)

Event Comment: The Second Night

Event Comment: A new Comic Opera. Composed by Piccini. By Command of their Majesties. Note: The above is the second part of the favorite opera of La Buona Figliuola

Event Comment: MMiss Morris was a pupil of Mr Colman's--She was very much approved by the public in the character of Juliet. On the sixth night of her appearance on the stage she was taken ill, and died before the end of this season. See the Bill for her Benefit (Hopkins MS Notes). Afterpiece: Not acted these 6 years. [See 19 May 1762.] [The Occasional Prologue, by Colman, is Larpent MS 288, which introduces Miss Morris as Juliet, and stresses the qualms and fears of a new performer.] Receipts: #227 19s. 6d. (Account Book). Lloyd's Evening Post, 28-30 Nov.: Sir: The managers of both theatres have of late, in order to put a stop to the Public complaint against a dearth of actors, given trials to several stage candidates that seemed to have any promising requisite. Such experiments have not proved fruitless. The most brilliant and interesting of which was the young lady's appearance on Covent Garden Theatre last night, in the character of Juliet. So great was her terror, on presenting herself for the first time before a crowded audience, that, deprived of all her powers, she fell down on the stage in a swoon. The first act in consequence, was all terror on her side, all compassion and anxiety on that of the audience. But having had time between the first and second Acts to recover from her panic, she shone forth in the Balcony Scene the most pleasing promise of a young tragic actress that has been seen for half a century past, and continued so throughout. Her person is genteel, her tone of voice insinuating, variable, and melodious; her recitation is just and sensible; very affecting in the pathetic parts; condescending, free, and polite are the familiar speeches with the Nurse. She is happily devoid of all stage whine, and tragedy Cant. The manner she has been rudimented in does great honour to her instructors, who have so judiciously prevented the so excellent actor of this verily a Shakespeare's Juliet, from being sophisticated by the studied tricks, and false ornamenting of mistaken modern and degenerate art

Event Comment: At the Desire of Several Persons of Quality. Music by Giardini. Second Gallery 3s. 6d. All Profits will be given to Charity

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sga Frasi. Boxes 10s. 6d. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. To begin at Twelve. Doors open at 11:00 a.m

Event Comment: Oratorio composed by Handel. Tickets to be had and places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The Doors to be opened at Five o'Clock. To Begin at Half past Six. N.B. Those ladies who had Side Boxes last year, are humbly requested if they intend to continue them the ensuing season, to give immediate notice to Mr Johnston to have them secured. [The Westminster Magazine (March) commented: "One of those whims by which the public are continually influenced, has made it the ton to resort to this theatre to hear and see Miss Linley, the syren of Bath. This young lady who is greatly indebted to nature for the eclat with which she is followed, and not a little to the fortuitous concurrence of remarkable incidents in her life has drawn crowded houses incessantly; and this success has been insured by the constant attendance of his Majesty and the Royal family at this theatre."

Event Comment: Benefit for Pinto and Eichner. To begin at 7:00 p.m. Pit and Boxes 10s. 6d. Gallery 5s. Second Gallery 3s

Event Comment: Afterpiece: Not acted these 10 years [acted 18 Feb. 1789]. With new Scenery, Dresses, and Decorations. Musick by late Mr Linley. The Scenery of First Part by Greenwood and his assistants, of Second Part by Marinari and his assistants. The Machinery and Decorations by Cabanel, Johnston, Jacobs. The Dresses by Johnston, Gay, Miss Rein. [Synopsis of plot (T. Becket, 1797).] Account-Book, 24 Dec.: Parrot bought and Cage for Robinson Crusoe #3 5s. 6d.; Paid Hunt, fireworker #2 3s. Receipts: #326 9s. (257.1; 62.13; 6.15)