SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs Second"/1) | (@(roleclean,performerclean) "Mrs Second")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23387 matches on Performance Comments, 4951 matches on Event Comments, 4329 matches on Performance Title, 99 matches on Roles/Actors, and 9 matches on Author.
Event Comment: Lady Bristol to Lord Bristol, 3 Nov.: I am just come home from a dull empty opera, tho' the second time; the first was full to hear the new man, who I can find out to be an extream good singer; the rest are all scrubbs except old Durastante, that sings as well as ever she did. Letter Books of John Hervey, III, 108

Performances

Mainpiece Title: Semiramis

Event Comment: Preface to edition of 1734: The Second Night the particular Things objected to, being taken out, the Play was acted from Beginning to End, without one single Mark of Displeasure in the Audience

Performances

Mainpiece Title: The Ladys Revenge

Cast
Role: Lady Traffick Actor: Mrs Hallam
Role: Angelina Actor: Mrs Buchanan
Role: Laetitia Lovejoy Actor: Mrs Bullock
Role: Betty Actor: Mrs Younger

Dance: By Malter and Mlle Salle

Event Comment: At the Desire of several Persons of Quality. Mainpiece: As 17 Dec. 1733. Second Piece: As 19 Jan

Performances

Mainpiece Title: Wit Without Money

Cast
Role: Widow Actor: Mrs Heron
Role: Isabella Actor: Mrs Charke
Role: Lucy Actor: Mrs Grace

Afterpiece Title: The Burgomaster Trickd

Dance: As17340129

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Second Piece: As 19 Jan

Performances

Mainpiece Title: Othello Moor Of Venice

Cast
Role: Miranda Actor: Mrs Butler
Role: Isabinda Actor: Mrs Clark
Role: Patch Actor: Mrs Grace

Afterpiece Title: The Burgomaster Trickd

Event Comment: Mainpiece and Second Piece: As 31 Jan

Performances

Mainpiece Title: The Scornful Lady

Cast
Role: Scornful Lady Actor: Mrs Heron
Role: Abigail Actor: Mrs Charke
Role: Widow Actor: Mrs Grace

Afterpiece Title: The Burgomaster Trickd

Dance: As17340129

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Second Piece: As 19 Jan

Performances

Mainpiece Title: The Old Batchelor

Cast
Role: Laetitia Actor: Mrs Heron
Role: Belinda Actor: Mrs Butler
Role: Araminta Actor: Mrs Shireburn
Role: Lucy Actor: Mrs Grace

Afterpiece Title: The Burgomaster Trickd

Dance: As17340129

Event Comment: At the particular Desire of several Ladies of Quality. Second Piece: As 19 Jan

Performances

Mainpiece Title: The Albion Queens

Cast
Role: Queen Elizabeth Actor: Mrs Butler
Role: Queen Mary Actor: Mrs Heron
Role: Douglass Actor: Mrs Charke

Afterpiece Title: The Burgomaster Trickd

Dance: As17340129

Event Comment: Mainpiece: Taken from the French of Moliere. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: The Mother in law

Afterpiece Title: The Burgomaster Trickd

Dance: As17340129

Event Comment: First Piece: A new Dramatick Entertainment in Musick. [Music by Handel.] Second Piece: An Opera. With several Additions, intermix'd with Choruses. Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 21. 6d. [King and Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Terpsicore

Afterpiece Title: Pastor Fido

Event Comment: By Command of his Royal Highness. Written by the late Sir John Vanbrugh. Daily Journal, 2 Dec.: We hear that the Tragedy of Junius Brutus is not to be acted a second Time for the benefit of the Author, till after the Meeting of Parliament

Performances

Mainpiece Title: The Provokd Wife

Dance: La Coquette & Les Jaloux (new) by Denoyer, Poitier, and Mlle Roland. With New Habits

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves Or Harlequin And His Company Of Comedians Slaves

Performance Comment: Compos'd of three Different Plays, representing an Idiom of the French Stage, in General, beginning with a Prologue: The First Piece call'd Arcacambis, a Tragedy. The Second L'Ecole des Maris, a Comedy in Three Acts, written by Moliere. The Third Harlequin Always Harlequin, of the Italian Theatre. Cast not listed .

Dance:

Event Comment: Grub St. Journal, 26 Feb. 1736: The second night (so well was this Comedy receiv'd by the Town) the audience of about 5l. was dismiss'd. Daily Journal, 29 April: We hear . . . The Double Deceit . . . was not acted last Night, on Account of a Letter sent by Mr Walker, who had a principal Part in it, acquainting Mr Rich, that he had study'd his Part, but could not make himself Master of it, and therefore desired he wou'd provide some body else to do it. N.B. The Part is about Eight Lengths, and was above eight Weeks in Mr Walker's Hands

Performances

Mainpiece Title: The Double Deceit

Performances

Mainpiece Title: The Relapse

Performance Comment: As17341017, but Hoyden-Mrs Clive .
Cast
Role: Hoyden Actor: Mrs Clive
Role: Berinthia Actor: Mrs Heron
Role: Amanda Actor: Mrs Butler

Afterpiece Title: An Old Man Taught Wisdom

Cast
Role: Lucy Actor: Mrs Clive, but see17350421

Music: Select Pieces between the Acts composed by Handel, Geminiani, and others. First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne

Performance Comment: First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne .

Dance: I: Drunken Peasant by Le Brun. II: English Maggot by Villeneuve and Mrs Walter. III: Black Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Performance Comment: II: English Maggot by Villeneuve and Mrs Walter. III: Black Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327.

Song: rv: Mock Italian-English Ballad by Roberts

Event Comment: Benefit J. Roberts. By Desire. For the Entertainment of the Ancient and Honourable Society of Non-Common Pleas, Mainpiece: Written by the Author of George Barnwell. Second and Third Pieces: Both written by the Author of Pasquin. To begin exactly at Half an Hour after Six, and all will be over by Half an Hour after Nine. Tickets (containing the Prologue to the Register, by way of Ode to the New Year, with the Musick engrav'd on a Copper Plate) may be had of Mr Henry Roberts, Engraver, at the Star over-against the Vine Tavern in Holborn, and at the Theatre in the Hay-Market. Daily Advertiser, 2 May: Sir, As at every one of our Theatres this Day there is a Benefit for Persons under Misfortunes, 'tis humbly hop'd that the more humane Pursuers o Pleasure will suspend their Curiosity for Vaux Hall for one Day, (out of a hundred) in Favour of so many Unfortunate, who have but the Chance of one single Night to relieve them from Afflictions which perhaps they have long labour'd under. And, as I have somewhere read, So humane Worth to God like Heights they'll raise, For the Preserver shares the Maker's Praise. I believe it is fully known, without troubling you with farther Particulars, that among the Number above mention'd, is included, Sir, Your very humble Servant, John Roberts

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Historical Register

Afterpiece Title: Eurydice Hissd

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par LAmour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: In Chelsea. The First play in French, the second in English

Performances

Mainpiece Title: Lenfant Prodigue

Afterpiece Title: Squire Lubberly

Event Comment: AA Compleat List (1747), pp. 182-83: [After some resentment at Quin's refusing a part in Fatal Retirement, 12 Nov.]. When coming on one Night to play the Part of Pierre...and he was treated in the same Manner, he came forward, and speaking to the Audience said, 'That he had met with Insults of that kind for several Nights past, and that he judged they came from the Friends of the Author of a Play lately acted at that House, called Fatal Retirement; that the Author of it desired him to read it before it was acted, which he did, at his Requests, and likewise, at his Request, gave him his sincere Opinion of it, which was, that it was the very worst Play he had read in his Life; and therefore he had refused to act a Part in it, &c.' After his Speech was ended, he found a thundering Applause from the Audience, and went thro' the whole Play without any farther Disturbance. But we ought not entirely to form out Judgment of its being the very worst Play, from what this Gentleman was pleased to say of it, in the Heat of his Resentment for being ill-treated; nor wonder that an Audience should applaud a Sentence which condemned an Author, at a Time when it was the Fashion to condemn them all, right or wrong, without being heard; and when Parties were made to go to new Plays to make Uproars, which they called by the odious Name of The Funn of the first Night. For the Afterpiece, A Compleat List, p. 183: And on the very Night I am speaking of it, at the End of the Play, was acted for the first [second] Time a new Farce, called, An Hospital for Fools, of which one single Word was not heard that the Actors spoke, the Noise of these First-Night Gentlemen was so great; however, the Actors went thro' it, and the Spectatbrs might see their Mouths wag, and that was all

Performances

Mainpiece Title: Venice Preservd

Cast
Role: Belvidera Actor: Mrs Giffard

Afterpiece Title: An Hospital for Fools being generally Insisted on by last Nights Audience

Song:

Dance: As17391116

Event Comment: A New Opera, [Text by Rolli. Music by Handel.] Boxes a half guinea. Pit 5s. First Gallery 3s. Second Gallery 2s. 6:30 P.M

Performances

Mainpiece Title: Deidamia

Event Comment: By Desire. Receipts: #133 12s. 6d. (Account Book); #160 (Rylands MS.). London Daily Post and General Advertiser, 23 March: On Saturday Night last, in the Entertainment of Orpheus and Eurydice, the Audience were aggreably surpriz'd with the Representation of a new Machine, in Imitation of the Travelling Chaise without Horses, the Performance of which was so extraordinary, and gave such a general Satisfaction, that the Spectators would not be contented 'till they saw it a second Time pass round the Stage

Performances

Mainpiece Title: The Rehearsal

Event Comment: This being the last Time of performing, many Persons of Quality and others, are pleas'd to make great Demands for Box Tickets, which encourage me (and hope will give no Offence) to put the Pit and Boxes together, at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6:30 p.m

Performances

Mainpiece Title: Lallegro Ed Il Penseroso

Performances

Mainpiece Title: Alexander In Persia

Performance Comment: Burney, History of Music, IV, 446, lists: Angelo Maria Monticelli, Soprano, first man; Andreoni, soprano, second man; (Amorevolli) tenor; Signora Visconti, 1st woman; Signora Panichi, 2nd woman; Signora Tedeschi, 3rd Woman. The part of Amorevoli omitted (Walpole to H. Mann, 2 Nov.). Libretto lists: Monticelli, Signora Visconti, Signora Moscovita, Amorevale; airs by Lampugnani, Pescetti, Leo, Hasse.
Event Comment: By Desire. Daily Advertiser, 23 Dec.: On Saturday night last, at Covent Garden Playhouse, one William Wright, a young Man, who was in the Shilling Gallery, disapproving of Signora Domitilla's Dancing between the second the Third Acts, was without any Provocation, kick'd, beat, and abus'd etc

Performances

Mainpiece Title: The Distrest Mother

Cast
Role: Distrest Mother Actor: Mrs Cibber
Role: Hermione Actor: Mrs Horton
Role: Cephisa Actor: Mrs Hale
Role: Cleone Actor: Mrs Mullart

Dance: TTambourine-Cooke; Characters of Dancing, as17421025; Les Savoyards-Villeneuve, Sga Domitilla; La Provencale, as17421105

Event Comment: Author's second Benefit. He did not get above #30 each Benefit (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Wedding Day

Cast
Role: Clarinda Actor: Mrs Pritchard
Role: Charlotte Actor: Mrs Woffington
Role: Mrs Useful Actor: Mrs Macklin
Role: Lucina Actor: Mrs Bennet
Role: Mrs Plotwell Actor: Mrs Cross

Dance: II: Les Chasseurs-Checo Torinese, Chiaretta Aquilanti, Mlle Bonneval; IV: Les Moisoneurs de la Styrie, as17421201

Event Comment: The Second Night. 7 p.m

Performances

Mainpiece Title: Hamlet

Cast
Role: Queen Actor: Mrs Macklin
Event Comment: The Second Night [sung in Italian (Dean, Handel's Dramatic Oratorios, p. 239)]

Performances

Mainpiece Title: Deborah

Music: Concerto on the Organ-