SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Purdon"/1) | (@(roleclean,performerclean) "Mrs Purdon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23320 matches on Performance Comments, 4239 matches on Event Comments, 4199 matches on Performance Title, 9 matches on Author, and 4 matches on Roles/Actors.
Event Comment: LLondon Evening Post, 1 Jan. 1737: Last Night the Beggar's Opera (about the Playing of which, as much Noise has been made, as about several of our Modern Treaties) was perform'd...to a crowded Audience; the House being full by Four. There was a prodigious uproar, with Clappin, Hissing, Catcalls, &c. Mrs Clive, who play'd the Part of Polly, when she came forward, address'd herself to the House, saying, Gentlemen, I am very sorry it should be thought I have in any Manner been the Occasion of the least Disturbance; and then cry'd in so moving a Manner, that even Butchers wept. The she told them, She was almost ready with the Part of Lucy, and at all Times shou'd be willing to play such Parts as the Town should direct, and desir's to know if they were willing she should go on with the Part of Polly; she behaving in so humble a Manner, the House approv'd of her Behavious by a general Clap. [For Occasional Prompter XI, see Daily Journal, 31 Dec.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Polly-Mrs Clive; Macheath-Berry; Peachum-Mechlin; Lockit-Harper; Mat-Turbutt; Filch-Este ; Lucy-Mrs Pritchard; Mrs Peachum-Mrs Marshall; Diana-Mrs Grace; Ben-Marshall; Jemmy-Cole; Paddington-Raftor; Bagshot-Cross; Jack-Leigh; Ned-Wright; Wat-Gray; Beggar-Oates; Player-Winstone; Mrs Coaxer-Mrs Villeneuve; Mrs Slammekin-Miss Mann; Dolly-Miss Brett; Sukey-Mrs Walter; Mrs Vixen-Mrs Bennet; Molly-Mrs Thynne; Betty-Mrs Anderson; Jenny-Mrs Grace.
Cast
Role: Polly Actor: Mrs Clive
Role: Lucy Actor: Mrs Pritchard
Role: Mrs Peachum Actor: Mrs Marshall
Role: Diana Actor: Mrs Grace
Role: Mrs Coaxer Actor: Mrs Villeneuve
Role: Mrs Slammekin Actor: Miss Mann
Role: Sukey Actor: Mrs Walter
Role: Mrs Vixen Actor: Mrs Bennet
Role: Molly Actor: Mrs Thynne
Role: Betty Actor: Mrs Anderson
Role: Jenny Actor: Mrs Grace.

Dance: With proper Dances-

Event Comment: A New Comedy Written by Mrs Sheridan. This play was well Acted, but the subject seem'd to displease. The three first Acts pass'd off tolerably; in 4 Act they begun to hiss, & continued it to the End of the play. When Mr Havard went forward & Address'd the Audience &c. as follows Ladies & Gentn as Some passages in the play had given offence, they should be omitted the Next Night. Much hissing, & many Cry'd out No more! no more &c. (Hopkins). Much Hiss'd (Cross Diary). A new Comedy (The Dupe) wrote by Mrs Sheridan.--This play was very well acted,--but the subject much displeased.--in 4th act much hissing, and so on to the end. When Mr Havard told the audience as some passages in the play had given offence, they should be omitted the next night, much hissing and many cried out, "No more, No more." (Hopkins Diary-MacMillan). Receipts: #167 18s. (MacMillan)

Performances

Mainpiece Title: The Dupe

Performance Comment: Characters-Yates, Havard, King, Packer, Watkins, Strange, Mrs Clive, Mrs Palmer, Mrs Lee, Mrs Pritchard Sir John Woodall-Yates; Sharply-King; Friendly-Havard; Wellford-Packer; Mrs Etherdown-Mrs Pritchard; Mrs Friendly-Mrs Clive; Emily-Mrs Palmer; Rose-Mrs Lee; Servants-Watkins, Strange; Prologue-Havard; Epilogue-Mrs Clive (Genest, V, 41).

Dance: III: The Irish Lilt, as17630922

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Performance Comment: parts by Smith, Shuter, Bensley, Quick, Kniveton, Morris, Wignell, Mrs Mattocks, Mrs Bulkley, Mrs Green, Mrs Gardner, Miss Miller. Prologue and Epilogue. Lord Seaton-Smith; Col. Ramsay-Bensley; Governor Anderson-Shuter; Bull-Quick; Squeezem-Kniveton; Varnish-Morris; Nicholas-Wignell; Lady Seaton-Miss Miller; Mrs Frankly-Mrs Mattocks; Miss Melville-Mrs Bulkley; Mrs Markam-Mrs Green; Lucy-Mrs Gardner; Prologue-Mrs Bulkley; Epilogue-Mrs Mattocks (Edition of 1772).
Cast
Role: Mrs Frankly Actor: Mrs Mattocks
Role: Miss Melville Actor: Mrs Bulkley
Role: Mrs Markam Actor: Mrs Green
Role: Lucy Actor: Mrs Gardner
Role: Prologue Actor: Mrs Bulkley
Role: Epilogue Actor: Mrs Mattocks

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Ferguson
Role: Lettice Actor: Mrs Green.
Event Comment: [In mainpiece the playbill assigns Mrs Peachum to Mrs Webb, but on the Kemble playbill her name is deleted and a MS annotation substitutes Mrs Davenett's.] Receipts: #157 19s. 6d. (156/10/6; 1/9/0)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Capt. Machcath-Brett (1st appearance in that character); Peachum-Wilson; Lockit-Booth; Mat o' the Mint-Mahon; Jemmy Twitcher-Webb; Wat Dreary-Jones; Crook finger'd Jack-Doyle; Ben Budge-Ledger; Harry Paddington-Darley; Jailer-Stevens; Drawer-Helme; Filch-Mrs Wilson; Lucy-Mrs Kennedy; Mrs Peachum-Mrs Davenett Diana Trapes-Mrs Pitt; Jenny Diver-Mrs Morton; Mrs Slammekin-Miss Platt Mrs Vixen-Mrs Lewis; Dolly Trull-Miss Morris; Sukey Tawdry-Miss Cleland Mrs Coaxer-Mrs Whitfield; Molly Brazen-Miss Stuart; Betty Doxey-Miss Francis; Polly-Miss Harper. hathi.

Afterpiece Title: Retaliation

Cast
Role: Lucy Actor: Mrs Wilson
Role: Emelia Actor: Mrs Mattocks

Dance: In Act III of mainpiece a Hornpipe by Miss Matthews

Event Comment: Benefit for Mrs Jordan. Mainpiece [1st time; C 5, based partly on Die Indianer in England, by August Friedrich Ferdinand von Kotzebue. Prologue, Epilogue by the author (see text)]: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis]. Receipts: #706 5s. 6d. (350.16.6; 42.4.0; odd and after-money: 7.4.6; tickets: 306.0.6) (charge: free)

Performances

Mainpiece Title: The East Indian

Performance Comment: Characters by R. Palmer, Barrymore, Kemble, C. Kemble, Aickin, Wewitzer, Hollingsworth, Bannister Jun., Fisher, Webb, Evans, Miss Stuart, Mrs Powell, Mrs Jordan, Miss Pope, Mrs Sparks, Miss Tidswell. [Cast from text (J. Bell, 1800): Lord Listless-R. Palmer; Modish-Barrymore; Rivers-Kemble; Beauchamp-C. Kemble; Walsingham-Aickin; Friponeau-Wewitzer; Squeez'em-Hollingsworth; Frank-Bannister Jun.; Trifle-Fisher; John-Webb; Robert-Evans; Lady Clara Modish-Miss Stuart; Mrs Ormond-Mrs Powell; Zorayda-Mrs Jordan; Miss Chatterall-Miss Pope; Mrs Slip@slop-Mrs Sparks; Mrs Blab@all-Miss Tidswell; Lady Hubbub-Mrs Cuyler; Mrs Tiffany-Mrs Coates; Anne-Mrs Jones; [For Prologue (spoken this night?) see17990501.] Epilogue-Mrs Jordan.
Cast
Role: Mrs Ormond Actor: Mrs Powell
Role: Zorayda Actor: Mrs Jordan
Role: Mrs Slip@slop Actor: Mrs Sparks
Role: Mrs Blab@all Actor: Miss Tidswell
Role: Lady Hubbub Actor: Mrs Cuyler
Role: Mrs Tiffany Actor: Mrs Coates
Role: Anne Actor: Mrs Jones
Role: Epilogue Actor: Mrs Jordan.

Afterpiece Title: The Romp

Performance Comment: Young Cockney-Bannister Jun. (1st appearance in that character); Barnacle-Suett; Old Cockney-Hollingsworth; Capt. Sightly-Dignum; Priscilla Tomboy-Mrs Jordan; Penelope-Miss DeCamp; Miss La Blonde-Miss Heard.
Cast
Role: Priscilla Tomboy Actor: Mrs Jordan
Event Comment: The United Company. The date of the first performance is not known, but it had been acted by the time the January 1692@3 issue of the Gentleman's Journal appeared in March (on page 1 of that issue, the editor states that We are now in March): Mr Southerne's New Comedy, call'd, The Maid's last Prayer, or Any rather than fail, was acted the 3d time this evening, and is to be acted again to morrow. It discovers much knowledge of the Town in its Author; and its Wit and purity of Diction are particularly commended (p. 28). The first song in the play, Tho you make no return to my passion, composed by Henry Purcell, was sung, according to the printed play, by Mrs Hodgson; by Mrs Dyer, according to Thesaurus Musicus, First Book, 1693. The second song, composed by Samuel? Akeroyd, was sung by Mrs Ayliff (Thesaurus Musicus, The First Book, 1693). Another song, No, no, no, no, resistance is but vain, written by Anthony Henley, composed by Henry Purcell, and sung by Mrs Ayliff and Mrs Hodgson, Act IV, is in Purcell's Works, Purcell Society, XX (1916), xiv-xv. A song, Tell me no more I am deceiv'd, written by William Congreve, set by Henry Purcell, and sung by Mrs Ayliff, is in Works, XX (1916), xv-xvi. According to the London Gazette, No. 2852, 9-13 March 1692@3, the play was published "this day" (13 March 1692@3)

Performances

Mainpiece Title: The Maid's Last Prayer; Or, Any Rather Than Fail

Performance Comment: Edition of 1693: Prologue-Mrs Barry; Granger-Powell; Gayman-Boman; Garnish-Alexander [Verbruggen]; Lord Malepert-Doggett; Sir Ruff Rancounter-Bright; Sir Symphony-Bowen; Capt. Drydrubb-Underhill; Jano-Betty Allinson; Lady Malepert-Mrs Barry; Lady Trickitt-Mrs Bracegirdle; Lady Susan Malepert-Mrs Montford; Maria-Mrs Rogers; Wishwell-Mrs Betterton; Siam-Mrs Leigh; Florence-Mrs Kent; Judy-Mrs Rachel Lee; Christian-Perin; Footman, Porter-Pinkyman.
Cast
Role: Prologue Actor: Mrs Barry
Role: Lady Malepert Actor: Mrs Barry
Role: Lady Trickitt Actor: Mrs Bracegirdle
Role: Lady Susan Malepert Actor: Mrs Montford
Role: Maria Actor: Mrs Rogers
Role: Wishwell Actor: Mrs Betterton
Role: Siam Actor: Mrs Leigh
Role: Florence Actor: Mrs Kent
Role: Judy Actor: Mrs Rachel Lee
Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment">Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Barry; Lockit-Thompson; Mat-Bannister; Ben Budge-Palmer; Peachum-Shuter; Filch-Weston; Jemmy Twitcher-Smith; Crook@finger'd Jack-Lyngs; Wat Dreary-Newton; Robin o Bagshot-Gardner; Nymming Ned-Pynn; Harry Paddington-Loveman; Player-Strange; Beggar-Castle; Lucy-Mrs Mahon (being her first appearance on that Stage); Mrs Peachum-Mrs Johnson; Mrs Slammekin-Mrs Gardner; Molly Brazen-Mrs Burden; Dolly Trull-Mrs Kirby; Betty Doxy-Mrs Palmer; Polly-Mrs Dancer.
Cast
Role: Lucy Actor: Mrs Mahon
Role: Mrs Peachum Actor: Mrs Johnson
Role: Mrs Slammekin Actor: Mrs Gardner
Role: Molly Brazen Actor: Mrs Burden
Role: Dolly Trull Actor: Mrs Kirby
Role: Betty Doxy Actor: Mrs Palmer
Role: Polly Actor: Mrs Dancer.

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Event Comment: Mainpiece [by Oliver Goldsmith]: Never Perform'd Before. [Quick, mentioned by Genest, does not appear on the playbill. The Edition of 1768 casts Mrs White as Landlady, and Cushing as Butler. It does not include Morris or Morgan, but adds Post@Boy-Quick; Bailiff-R. Smith; Dubardieu-Holtom. (See 1 Feb.) The Theatrical Monitor, No XI (6 Feb.), reviews the mainpiece in a lukewarm, judicial manner.] Receipts: #227 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Performance Comment: Parts by Powell, Shuter, Woodward, Bensley, Clarke, Dunstall, Morris, Morgan, Cushing, Mrs Mattocks, Mrs Pitt, Mrs Green, Mrs White, Mrs Bulkley. Croaker-Shuter; Honeywood-Powell; Lofty-Woodward; Leontine-Bensley; Sir William Honeywood-Clarke; Jarvis-Dunstall; Bailiff-R. Smith; Postboy-Quick; Miss Richland-Mrs Bulkley; Olivia-Mrs Mattocks; Mrs Croaker-Mrs Pitt; Mrs Garnet-Mrs Green (Genest, V, 189);Also Morris, Morgan, Cushing, Mrs White.Also Morris, Morgan, Cushing, Mrs White.
Cast
Role: Miss Richland Actor: Mrs Bulkley
Role: Olivia Actor: Mrs Mattocks
Role: Mrs Croaker Actor: Mrs Pitt
Role: Mrs Garnet Actor: Mrs Green

Afterpiece Title: The Chaplet

Cast
Role: Laura Actor: Mrs Mattocks
Role: Pastora Actor: Mrs Thompson.
Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Performance Comment: Parts-Woodward, Shuter, Morris, Lewes, R. Smith, Davis, Dunstall, Perry, Quick, Wignell, Fox, Herbert, Mrs Green, Mrs Gardner, A Young Gentlewoman, who never appeared on any stage, Mrs Mattocks, Mrs Bulkley. With a Prelude-; Marcourt-Woodward; Cross-Shuter; Landlord-Morris; Luke-Lewes; Fleece-R. Smith; Buck-Davis; Kitchen-Dunstall; Col. Frankly-Perry; Ostler-Quick; Snarl-Wignell; Passengers-Fox, Herbert; Mrs Cross-Mrs Green; Landlady-Mrs Gardner; Sally-A Young Gentlewoman who never appeared on any stage; Miss Mary Linley, afterwards Mrs Tickell (Winston MS 10); Lettice-Mrs Mattocks; Charlotte-Mrs Bulkley; Passengers-Miss Pearce, Mrs Copin; With a Prelude, Dapperwit-Dyer; Jenkins-Hull; Townly-Wroughton (Edition of 1770).

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-DuBellamy; Mopsus-Dunstall; Cymon-Hamilton; Corydon-Wignell; Arcas-Davis; Phillida-Mrs Baker.
Cast
Role: Phillida Actor: Mrs Baker.

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Event Comment: [In mainpiece the playbill retains Mrs Goodall and Mrs Kemble, but "Mrs Barresford [was] the substitute for Mrs Kemble in Margaret, and Mrs Taylor [read] Adelaide [sic] in the absence of Mrs Goodall" (London Chronicle, 16 Sept.). In afterpiece the playbill retains Mrs Kemble as Cowslip, but "Miss George supplied Mrs Kemble's place" (Public Advertiser, 16 Sept.).] The last Night [of the Season]

Performances

Mainpiece Title: The Battle Of Hexham

Performance Comment: As17890813, but Principal Characters-Mrs _Goodall, Mrs Taylor, Mrs +Barresford, Mrs _Kemble, _Baddeley, _Iliff, _Milbourn; Other Vocal Parts-_Lyons, Miss _Francis.

Afterpiece Title: The Agreeable Surprise

Cast
Role: Mayoress Actor: Mrs Edwards.
Role: Maud Actor: Mrs Kemble
Role: Emma Actor: Mrs Bannister.
Role: Baroness de Fortsheim Actor: Mrs Webb
Role: Lisette Actor: Mrs Taylor
Role: Eleanora Actor: Mrs Kemble
Event Comment: Account-Book: Paid Mrs Booth, washing bill, #1 14s. 7d. Receipts: #283 3s. (188.19; 94.1; 0.3)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Mr Peachum-Dowton; Lockit-Hollingsworth; Captain Macheath-Kelly; Filch-Suett; Jemmy Twitcher-Wentworth; Crook@finger'd Jack-Fisher; Wat Dreary-Evans; Robin of Bagshot-Chippendale; Nimming Ned-Sparks; Harry Paddington-Ryder; Mat o'the Mint-Trueman; Ben Budge-Maddocks; Mrs Peachum-Mrs Walcot; Polly Peachum-Miss Stephens; Lucy Lockit-Miss DeCamp; Diana Trapes-Mrs Sparks; Mrs Coaxer-Mrs Jones; Dolly Trull-Mrs Benson; Mrs Vixen-Mrs Cuyler; Betty Doxy-Mrs Mills; Jenny Diver-Mrs Roffey; Mrs Slammekin-Miss Tidswell; Suky Tawdry-Mrs Maddocks; Molly Brazen-Mrs Coates.
Cast
Role: Mrs Peachum Actor: Mrs Walcot
Role: Diana Trapes Actor: Mrs Sparks
Role: Mrs Coaxer Actor: Mrs Jones
Role: Dolly Trull Actor: Mrs Benson
Role: Mrs Vixen Actor: Mrs Cuyler
Role: Betty Doxy Actor: Mrs Mills
Role: Jenny Diver Actor: Mrs Roffey
Role: Mrs Slammekin Actor: Miss Tidswell
Role: Suky Tawdry Actor: Mrs Maddocks
Role: Molly Brazen Actor: Mrs Coates.

Afterpiece Title: Blue-Beard

Cast
Role: Fatima Actor: Mrs Crouch
Role: Beda Actor: Mrs Bland

Dance: In III: Hornpipe-Garman

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.
Cast
Role: Diana Actor: Mrs
Role: Mercury Actor: Mrs Jennings
Role: Nymphs attending Diana Actor: The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier
Role: Mrs Fitz Actor: Gerald, Mrs Frazier
Role: The River Thames Actor: Mrs Moll? Davis
Role: Peace Actor: Mrs Mary? Knight
Role: Plenty Actor: Mrs Charlotte? Butler
Role: Sylvia Actor: Mrs Davis
Role: Daphne Actor: Mrs Knight
Role: Two African Women Actor: Mrs Butler, Mrs Hunt

Afterpiece Title: Calisto's Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.
Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Performance Comment: Edition of 1694: Prologue-Mr Powel; Epilogue-Sancho, Mary the Buxome; Duke Richardo-Cibber; Cardenio-Bowman; Ambrosio-Verbruggen; Don Quixot-Boen; Manuel-Powel; Pedro Rezio-Freeman; Bernardo-Trefuse; Diego-Harris; Page to the Duke-Lee; Sancho Pancha-Underhil; Dutchess-Mrs Knight; Luscinda-Mrs Bowman; Dulcinea del Toboso-Lee; Marcella-Mrs Bracegirdle; Don Rodriguez-Mrs Kent; Teresa Pancha-Mrs Lee; Mary-Mrs Verbruggen.
Cast
Role: Dutchess Actor: Mrs Knight
Role: Luscinda Actor: Mrs Bowman
Role: Marcella Actor: Mrs Bracegirdle
Role: Don Rodriguez Actor: Mrs Kent
Role: Teresa Pancha Actor: Mrs Lee
Role: Mary Actor: Mrs Verbruggen.
Event Comment: Comedy by Mrs Griffith, never before acted. [Not well received the first night, but clarified and improved the second Victor, History of the Theatres, III, 59. Prologue and Epilogue printed in Public Advertiser, 28 Jan.

Performances

Mainpiece Title: The Platonic Wife

Performance Comment: Parts by: Powell, Holland, Griffith, Lee, Havard, Moody, Parsons, Ackman, Mrs Clive, Miss Pope, Mrs Hopkins, Mrs Cross, Mrs Lee, Mrs Hippisley, Mrs Yates. With a Prologue and an Epilogue. Prologue-; Lord Frankland-Powell; Sir William Belville-Holland; Sir Harry Wilmot-Griffith; Mr Frankland-Lee; Ambrose-Havard; Patrick-Moody; Nicodemus Nicodemus-Parsons; Footman-Ackman; Lady Fanshaw-Mrs Clive; Emilia-Miss Pope; Clarinda-Mrs Hopkins; Frontage-Mrs Cross; Betty-Mrs Lee; Lucy-Mrs Hippisley; Lady Frankland-Mrs Yates; Epilogue-Mrs Clive (Genest, V, 65, suggests the character Fantange instead of Frontage), Published edn., 1765, lists the character Fontange.
Cast
Role: Lady Fanshaw Actor: Mrs Clive
Role: Clarinda Actor: Mrs Hopkins
Role: Frontage Actor: Mrs Cross
Role: Betty Actor: Mrs Lee
Role: Lucy Actor: Mrs Hippisley
Role: Lady Frankland Actor: Mrs Yates
Role: Epilogue Actor: Mrs Clive
Event Comment: Afterpiece: A New Comic Opera. The Music by Hooke, [text attributed to Thomas Bridges. Prologue spoken in the character of Flora by Mrs Gardner. At the conclusion Dido hangs herself in her own garters. She is cut down and gives her hand to Iarbas.

Performances

Mainpiece Title: The Brothers

Cast
Role: Sophia Actor: Mrs Didier
Role: Fanny Actor: Mrs Granger
Role: Lucy Actor: Mrs Collett
Role: Lady Dove Actor: Mrs Gardner

Afterpiece Title: Dido

Performance Comment: Parts-Dibdin, Phillips, Vandermere, Cornelys, Robson, Hamilton, Farrell, Mas. Sewett, Groves, Mrs Didier, Miss Ambrose, Mrs Granger, Mrs Collett, Mrs Jewell. Prologue-Mrs Gardner; Eneas-Dibdin; Achates-Robson; Neptune-Phillips; Eolus-Hamilton; Vulcan-Vandermere; Iarbas-Cornelys; Antheus-Farrell; Cupid-Mas. Sewett; Dido-Mrs Didier; Juno-Miss Ambrose; Nanny-Mrs Granger; Iris-Mrs Collins; Venus-Mrs Jewell (Edition of 1771).

Dance: End: Double Hornpipe-Mas. and Miss West

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Dighton; Peachum-L'Estrange; Lockit-Connell; Filch-Dutton; Ben Budge-Owen; Waiter and Gaoler-Besford; Mat o' th' Mint-Gaudry (of CG); Lucy-Mrs Greville; Mrs Peachum-Mrs Henley; Diana Trapes-Mrs Connell; Mrs Vixen-Mrs Elcock; Jenny Diver-Mrs Waldron; Molly Brazen-Miss Barrymore; Mrs Coaxer-Mrs Robinson; Polly-Mrs Pinto (last appearance on the stage [but see CG 22 Apr.]). hathi.but see CG 22 Apr.]). hathi.
Cast
Role: Lucy Actor: Mrs Greville
Role: Mrs Peachum Actor: Mrs Henley
Role: Diana Trapes Actor: Mrs Connell
Role: Mrs Vixen Actor: Mrs Elcock
Role: Jenny Diver Actor: Mrs Waldron
Role: Mrs Coaxer Actor: Mrs Robinson
Role: Polly Actor: Mrs Pinto

Afterpiece Title: All the World's a Stage

Performance Comment: Sir Gilbert Pumpkin-Connell; Harry Stukely-Cross; Charles Stanley-Benson; Waiter-Johnstone; Hostler-Stevens; William-Jones; Cymon-Owen; Diggory-Dutton; Jenny (the new character)-Mrs Waldron; Miss Sprightly-Mrs Benson; Miss Bridget Pumpkin-Mrs Henley .

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

Event Comment: Benefit for Mrs Inchbald. Mainpiece: By Permission of Colman [proprietor of the HAY, owner of the copyright of the play, and author of Epilogue]. Morning Chronicle, 22 Apr.: Tickets to be had of Mrs Inchbald, No. 10, Great Russel-street, Covent Garden. Receipts: #107 8s. (71/17/6; 5/1/6; tickets: 30/9/0) (charge: #105)

Performances

Mainpiece Title: I'll Tell You What

Performance Comment: Principal Characters by Wroughton, Pope, Aickin, Davies, Quick, Bensley (of DL); Mrs Bates, Mrs Inchbald, Mrs Davenett, Mrs Wells. [Cast from General Advertiser, 22 May, and text (G. G. J. and J. Robinson, 1786): Major Cyprus-Wroughton; Charles Euston-Pope; Colonel Downright-Aickin; Sir George Euston-Davies; Mr Euston-Quick; Anthony Euston-Bensley; Lady Harriet Cyprus-Mrs Bates; Lady Euston-Mrs Inchbald; Bloom-Mrs Davenett; Mrs Euston-Mrs Wells.] Original Epilogue [spoken by Mrs Wells (General Advertiser, 22 May)] . Original Epilogue [spoken by Mrs Wells (General Advertiser, 22 May)] .
Cast
Role: Lady Harriet Cyprus Actor: Mrs Bates
Role: Lady Euston Actor: Mrs Inchbald
Role: Bloom Actor: Mrs Davenett
Role: Mrs Euston Actor: Mrs Wells.

Afterpiece Title: Tom Thumb

Cast
Role: Huncamunca Actor: Mrs Kennedy
Role: Glumdalca Actor: Mrs Webb
Role: Dollalolla Actor: Mrs Martyr

Dance: As17851112

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: Betterton's Company. The date of the first performance is not known, but the Prologue refers to The World in the Moon, suggesting a premiere during (or shortly after) the run of that opera. Since The Innocent Mistress was advertised in the Post Boy, 29-31 July 1697, this fact points also to a late June premiere. A song, When I languished and wished, set by John Eccles and sung by Mrs Hodgson, is in Wit and Mirth, Second Edition, 1707. Gildon, English Dramatick Poets, p. iii: This is a diverting Play, and met with good Success, tho' acted in the hot Season of the Year. A Comparison Between the Two Stages (1702), p. 20: Tho' the Title calls this Innocent, yet it deserves to be Damn'd for its Obscenity

Performances

Mainpiece Title: The Innocent Mistress

Performance Comment: Edition of 1697: Sir Charles Beauclair-Betterton; Sir Francis Wildlove-Verbruggen; Searchwell-Knap; Beaumont-Hodgson; Spendall-Bowman; Lyonell-Freeman; Cheatall-Bowen; Gentil-Harris; Flywife-Underhill; Bellinda-Mrs Barry; Mrs Beauclair-Mrs Bracegirdle; Arabella-Mrs Prince; Lady Beauclair-Mrs Lee; Peggy-Mrs Howard; Eugenia-Mrs Lawson; Dresswell-Mrs DuQua; Mrs Flywife-Mrs Lassel; Jenny-Mrs Willis; Prologue by Mr Motteux-Mr Verbruggen; Epilogue by Mr Motteux-Mr Scudamore.
Cast
Role: Bellinda Actor: Mrs Barry
Role: Mrs Beauclair Actor: Mrs Bracegirdle
Role: Arabella Actor: Mrs Prince
Role: Lady Beauclair Actor: Mrs Lee
Role: Peggy Actor: Mrs Howard
Role: Eugenia Actor: Mrs Lawson
Role: Dresswell Actor: Mrs DuQua
Role: Mrs Flywife Actor: Mrs Lassel
Role: Jenny Actor: Mrs Willis
Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: Lady Townly Actor: Mrs Oldfield
Role: Lady Grace Actor: Mrs Porter
Role: Lady Wronghead Actor: Mrs Thurmond
Role: Jenny Actor: Mrs Cibber
Role: Mrs Motherly Actor: Mrs Moore
Role: Myrtilla Actor: Mrs Grace
Role: Mrs Trusty Actor: Mrs Mills
Role: Epilogue Actor: Mrs Oldfield.
Event Comment: Mainpiece: At the Particular Desire of several persons of Quality. [Mrs Macklin doubled in Mrs Peachum and Diana Trapes.] Afterpiece: Containing his Surprizing Victory over Glumdalca, Queen of the Giants; His Magnificent reception in King Arthur's Courtv; His Marriage with the Princess Huncamunca; With the fatal Jealousy of Queen Dollalolla. And many other Historical Passages

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Polly-Mrs Mozeen; Macheath-Lowe; Peachum-Macklin; Lockit-Berry; Filch-Raftor; Mat-Blakes; Player-Bransby; Beggar-Winstone; Ben Budge-Simpson; Bagshot-Leigh; Crookfinger Jack-Usher; Nimming Ned-Wright; Dreary-Bransby; Drawer-Gray; Mrs Peachum-Mrs Macklin; Mrs Slammekin-Miss Minors; Jenny Diver-Miss Royer; Sukey Tawdry-Mrs Yates; Mrs Vixen-Miss Cole; Dolly Trull-Miss Pitt; Molly Brazen-Miss Copin; Mrs Coaxer-Mrs Horsington; Diana Trapes-Mrs Macklin; Lucy-Mrs Clive; In Act III, Hornpipe-Yates.
Cast
Role: Polly Actor: Mrs Mozeen
Role: Mrs Peachum Actor: Mrs Macklin
Role: Mrs Slammekin Actor: Miss Minors
Role: Sukey Tawdry Actor: Mrs Yates
Role: Mrs Vixen Actor: Miss Cole
Role: Mrs Coaxer Actor: Mrs Horsington
Role: Diana Trapes Actor: Mrs Macklin
Role: Lucy Actor: Mrs Clive

Afterpiece Title: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Performance Comment: Tom Thumb-Miss Macklin; King-Blakes; Grizzle-Yates; Queen Dollalolla-Mrs Macklin; Huncamunca-Taswell; Glumdalca-I. Sparks.
Cast
Role: Queen Dollalolla Actor: Mrs Macklin
Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Performances

Mainpiece Title: The Brothers

Performance Comment: Parts by Woodward, Smith, Yates, Clarke, Dyer, Bensley, Hull, Dunstall, Perry, Quick, Fox, Wignell, Bates, Holtom, Mrs Bulkley, Mrs Mattocks, Mrs Green, Miss Ward, Miss Valois, Mrs Yates. With Prologue and Epilogue. Captain Ironsides-Woodward; Belfield Jun-Smith; Sir Benjamin Dove-Yates; Belfield Sen-Clarke; Paterson-Dyer; Philip-Bensley; Old Goodwin-Hull; Jonathan-Dunstall; Francis-Perry; Skiff-Quick; Lady Dove-Mrs Green; Violetta-Mrs Bulkley; Lucy Waters-Mrs Mattocks; Fanny Goodwin-Miss Ward; Kitty-Miss Valois; Sophia-Mrs Yates (playbill matched with Edition of 1770); Playbill also lists Fox, Wignell, Bates, Holtom (presumably as sailors.); With Prologue-Smith; Epilogue-Mrs Yates (playbill and 1770 Edn.). See Bill for 25 Jan. 1770.
Cast
Role: Lady Dove Actor: Mrs Green
Role: Violetta Actor: Mrs Bulkley
Role: Lucy Waters Actor: Mrs Mattocks
Role: Sophia Actor: Mrs Yates
Role: Epilogue Actor: Mrs Yates

Afterpiece Title: The Contrivances

Cast
Role: Betty Actor: Mrs Pitt
Role: Arethusa Actor: Mrs Baker.
Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.

Afterpiece Title: The Miller of Mansfield

Cast
Role: Kate Actor: Mrs Millidge
Role: Margery Actor: Mrs Bradshaw
Event Comment: [The playbill assigns Mrs Page to Mrs Wilson, and Mrs Ford to Miss Younge, but on the Kemble playbill both these names are deleted. Mrs Whitfield's name is written above Mrs Wilson's, but the name of Miss Younge's substitute has been cut by the binder; she was almost certainly Mrs Mattocks (see 25 Jan. 1782).] Receipts: #155 1s. (149/18; 5/3)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Wroughton; Sir Hugh Evans-Edwin; Doctor Caius-Whitfield; Mr Page-Hull; Host of the Garter-Booth; Fenton-Robson; Justice Shallow-Wilson; Simple-Joules; Bardolph-Baker; Pistol-Cushing; Slender-Quick; FalstafF-Henderson; Mrs Page-Mrs Whitfield; Ann Page-Miss Morris; Mrs Quickly-Mrs Pitt; Mrs Ford-Mrs Mattocks .
Cast
Role: Mrs Page Actor: Mrs Whitfield
Role: Mrs Quickly Actor: Mrs Pitt
Role: Mrs Ford Actor: Mrs Mattocks

Afterpiece Title: The Son-in-Law

Cast
Role: Dolce Actor: Mrs Davenett

Dance: As17811101

Event Comment: Mainpiece [1st time; CO 3]: Written by [John] O'Keeffe. The Music by Shield. With a new French Medley Overture, new Dresses, &c. The Words of the Songs to be had at the Theatre. [Mrs T. Kennedy was from the Newcastle theatre.]

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Davies, Wewitzer, Egan, Johnstone; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs T. Kennedy [on playbill of ij Nov.: 1st appearance on this stage], Mrs Webb, Mrs Bannister. [Cast from text (Dublin: W. Wilson, 1785), and Gazetteer, 17 Nov.: Lackland-Lewis; Lapoche-Quick; Sir Shenkin ap Griffin-Edwin; Sir John Bull-Wilson; Lord Winlove-Davies; Colonel Epaulette-Wewitzer; Drunken Butler-Egan; Robin-Darley; Henry-Johnstone; French Inn-keeper-Gaudry; Jockey-Kennedy; Postboy-Jones; Waiters-Helme, Thompson; Mrs Casey-Mrs Kennedy; Celia-Miss Wheeler; Nanette-Mrs Martyr; Miss Bull-Mrs T. Kennedy; Lady Bull-Mrs Webb; Rosa-Mrs Bannister.] hathi. hathi.
Cast
Role: Mrs Casey Actor: Mrs Kennedy
Role: Nanette Actor: Mrs Martyr
Role: Miss Bull Actor: Mrs T. Kennedy
Role: Lady Bull Actor: Mrs Webb
Role: Rosa Actor: Mrs Bannister.

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bonnor; Young Wilding-Davies; Beaufort-Cubitt; Sir Jasper Wilding-Thompson; Quildrive-Kennedy; Dapper-Jones; Old Philpot-Quick; Corinna-Miss Stuart; Maria-Mrs T. Kennedy .
Cast
Role: Maria Actor: Mrs T. Kennedy

Dance: End of mainpiece The Belle of the Village, as17840917