SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Pix"/1) | (@(roleclean,performerclean) "Mrs Pix")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23319 matches on Performance Comments, 4242 matches on Event Comments, 4199 matches on Performance Title, 29 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom; Or, The Defeated Widow

Performance Comment: Possibly by Mrs Aphra Behn or ThomasBetterton. Edition of 1677: Prologue-Mrs Currar; Sir Oliver Santloe-A. Leigh; Peter Santloe-Bowman; Sanders-Gilloe; Noble-Crosby; Hadland-Williams; Sir Gregory Lovemuch-Persivall; Gazer-Norris; Noddy-John Lee; Sam-Richards; Lady Santloe-Mrs Norris; Clarina-Mrs Gibbs; Widow Laudwell-Mrs Osborne; Eugenia-Mrs LeGrand; Mrs Hadland-Mrs Currar.
Cast
Role: Prologue Actor: Mrs Currar
Role: Lady Santloe Actor: Mrs Norris
Role: Clarina Actor: Mrs Gibbs
Role: Widow Laudwell Actor: Mrs Osborne
Role: Eugenia Actor: Mrs LeGrand
Role: Mrs Hadland Actor: Mrs Currar.
Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Performance Comment: Edition of 1680: Wellman-Smith; Friendly-Williams; Mr Shatter-Bowman; Trickwell-Jevorn; Mr Dashit-Lee; Glisten-Bright; Jock-Mumford; Corina-Mrs Barry; Marinda-Mrs Butler; Diana-Mrs Price; Ample-Anybody; Mrs Dashit-Mrs A. Lee [Elinor Leigh]; Mrs Dunwell-Mrs Norice.
Cast
Role: Corina Actor: Mrs Barry
Role: Marinda Actor: Mrs Butler
Role: Diana Actor: Mrs Price
Role: Mrs Dashit Actor: Mrs A. Lee
Role: Mrs Dunwell Actor: Mrs Norice.
Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock-marriage

Performance Comment: Edition of 1696: Prologue-Miss Cross; Epilogue-Mrs Knight; Lord Goodland-Disney; Fairly-Horden; Willmot-Powell; Belfont-Verbruggen; Sir Simon Barter-Johnson; Sir Arthur Stately-Lee; Lady Barter-Mrs Knight; Marina-Mrs Rogers; Clarinda-Mrs Verbrugen; Flavia-Mrs Finch; Betty-Mrs Newman; Alice-Mrs Clark; Landlady-Bullock; Quaker-Mrs Powell; Daughter-Mrs Urwin.
Cast
Role: Epilogue Actor: Mrs Knight
Role: Lady Barter Actor: Mrs Knight
Role: Marina Actor: Mrs Rogers
Role: Clarinda Actor: Mrs Verbrugen
Role: Flavia Actor: Mrs Finch
Role: Betty Actor: Mrs Newman
Role: Alice Actor: Mrs Clark
Role: Quaker Actor: Mrs Powell
Role: Daughter Actor: Mrs Urwin.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lover's Luck

Performance Comment: Edition of 1696: Prologue-Mr Hodgson; Sir NicholasPurflew-Bright; Alderman Whim-Underhil; Bellair-Betterton; Breviat-Freeman; Goosandelo-Bowman; Eager-Bowen; Sapless-Dogget; Jacona-Mrs Ayloff; Mrs Purflew-Mrs Bracegirdle; Mrs Plyant-Mrs Bowman; Vesuvia-Mrs Lee; Sprightly-Mrs Lawson; Landlady-Mrs Perin.
Cast
Role: Jacona Actor: Mrs Ayloff
Role: Mrs Purflew Actor: Mrs Bracegirdle
Role: Mrs Plyant Actor: Mrs Bowman
Role: Vesuvia Actor: Mrs Lee
Role: Sprightly Actor: Mrs Lawson
Role: Landlady Actor: Mrs Perin.
Event Comment: Benefit Mrs Nokes

Performances

Mainpiece Title: The Metamorphosis Of The Beggar's Opera

Performance Comment: Macheath-Mrs Nokes; Peachum-Mrs Martin; Lockit-Mrs Mullart; Filch-Miss Palms; Mat-Mrs Kirk; Crookfinger'd Jack-Miss Wood; Ben Budge-Mrs Hayns; Robin-Mrs Clarke; Harry-Mrs Williams; Polly-Stopler; Lucy-Mullart; Mrs Peachum-Reynolds; Jenny-Lacey; Mrs Slammekin-Jones; Suky-Dove; Molly-Wells; Dolly-Hicks; Mother Rye-Reynolds.
Cast
Role: Macheath Actor: Mrs Nokes
Role: Peachum Actor: Mrs Martin
Role: Lockit Actor: Mrs Mullart
Role: Mat Actor: Mrs Kirk
Role: Ben Budge Actor: Mrs Hayns
Role: Robin Actor: Mrs Clarke
Role: Harry Actor: Mrs Williams
Role: Mrs Peachum Actor: Reynolds
Role: Mrs Slammekin Actor: Jones

Afterpiece Title: Damon and Phillida

Cast
Role: Phillida Actor: Mrs Nokes.
Event Comment: Benefit Mrs Hamilton, and the Little Chimney-Sweepers, her Sons. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Hector-Penkethman; Sir Thomas-W. Giffard; Lovewell-Rosco; Dorante-Norris; Marquis-Bardin; Cogdie-Martin; Lady Wealthy-Mrs Giffard; Mrs Security-Mrs Wetherilt; Mrs Favorite-Miss Tollet; Betty-Mrs Woodward; Mrs Topknot-Mrs M. Giffard; Angelica-Mrs Hamilton .

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson-Hulett; Nell-Mrs Hamilton; Sir John-Jenkins; Lady Loverule-Miss Jones .
Cast
Role: Nell Actor: Mrs Hamilton

Dance: III: Pierrots by Vallois and Delagarde. V: Scotch Dance, as17350329

Song: II: Watermen's Song in Britannia by the two Masters Hamilton. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .
Event Comment: Benefit Mrs Mills. At the particular Desire of several Ladies of Quality. [Part of the Stage will be formed into Side-Boxes.

Performances

Mainpiece Title: The Funeral

Performance Comment: Hardy-Milward; Lady Brumpton-Mrs Roberts; Trim-Macklin; Sable-Johnson; Campley-Mills; Harriet-Mrs Mills; Charlotte-Mrs Butler; Brumpton-Winstone; Trusty-Berry; Puzzle-Shepard; Tom-Yates; Cabinet-Ridout; Swagger-Ray; Madem D'Epingle-Mrs Chetwood; Tattleaid-Mrs Macklin; Mrs Fardingale-Mrs Woodward; Mrs Matchlock-Marten.
Cast
Role: Lady Brumpton Actor: Mrs Roberts
Role: Harriet Actor: Mrs Mills
Role: Charlotte Actor: Mrs Butler
Role: Madem D'Epingle Actor: Mrs Chetwood
Role: Tattleaid Actor: Mrs Macklin
Role: Mrs Fardingale Actor: Mrs Woodward
Role: Mrs Matchlock Actor: Marten.

Afterpiece Title: The Devil to Pay

Performance Comment: See17400416 but Sir John (with The Early Horn)-Beard; Nell-Mrs Pritchard; Jobson-Berry; Lady Loverule-Mrs Bennet; Butler-Raftor.
Cast
Role: Nell Actor: Mrs Pritchard
Role: Lady Loverule Actor: Mrs Bennet

Music: I: Preamble on Kettle Drums-Master Ferg; with Handel's Water Musick-

Dance: II: La Jalouzie-Desnoyer, Lalauze, Mlle Chateauneuf; III: Muilment; V: Le Tambourine-Mlle Chateauneuf

Song: IV: English Captain (as17400325-Beard

Event Comment: Benefit Mrs Woffington. Six rows of the pit will be laid into the Boxes, and Boxes will be built on stage. Tickets of Hobson at the stage door

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Performance Comment: Townly-Garrick, 1st time; Manly-Delane; Sir Francis-Yates; Lady Grace-Mrs Mills; Lady Wronghead-Mrs Roberts; Basset-Neale; Squire Richard-Green; John Moody-Winstone; Poundage-Turbutt; Miss Jenny-Mrs Ridout; Mrs Motherly-Mrs Egerton; Myrtilla-Mrs Horsington; Trusty-Mrs Bennet; Lady Townly-Mrs Woffington, 1st time.

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Cibber Jun?.; Sir Jasper-Arthur; Leander-Morland; Dr Hellebore-Green; Davy-Taswell; James-Woodburn; Harry-Collins; Robert-Gray; Charlotte-Mrs Ridout; Dorcas-Mrs Dunstall.
Cast
Role: Charlotte Actor: Mrs Ridout
Role: Dorcas Actor: Mrs Dunstall.
Event Comment: Benefit Macklin. Mainpiece written by the late Lord Lansdown. With the Original Songs, new set by Mr Arne, and to be sung by Mr Lowe and Mrs Clive. Never acted there before. Afterpiece wirtten by the late Mr Pope, Mr Gay, and Dr Arbuthnot. Servants will be allowed to keep places on the stage; and those ladies who have taken places are humbly desired to send for tickets to prevent mistakes. Tickets to be had of Macklin at his house in Bow St., and of Hobson at the stage door

Performances

Mainpiece Title: The She Gallant; Or, Once A Lover And Always A Lover

Performance Comment: Sir John Airy-Macklin; Sir Toby Tickle-Yates; Vaunter-Neale; Monsieur-Blakes; Lady Dorimen-Mrs Macklin; Lucinda-Mrs Clive; Constantia with a New occasional Epilogue, in men's Clothes-Mrs Woffington; Miranda-Miss Edwards; Bellamour-Havard; Philabel-Mills; Frederick-Winstone; Courtall-Usher; Mons. Frisure-Blakes; Angelica-Mrs Bennet; Diana-Miss Minors; Melissa-Miss Pitt; Dorinda-Miss Cole; Placket-Mrs Cross; Mrs Japan-Mrs King; Mrs Lawn-Miss Royer.
Cast
Role: Lady Dorimen Actor: Mrs Macklin
Role: Lucinda Actor: Mrs Clive
Role: in men's Clothes Actor: Mrs Woffington
Role: Angelica Actor: Mrs Bennet
Role: Placket Actor: Mrs Cross
Role: Mrs Japan Actor: Mrs King
Role: Mrs Lawn Actor: Miss Royer.

Afterpiece Title: Three Hours after Marriage

Dance: Muilment, the Mechels

Event Comment: A Concert, etc. As translated into French from The Beggar's Opera. [According to the Daily Advertiser of 17 Feb. the play was performed. N.B. Mrs Knight played three parts.

Performances

Mainpiece Title: L'opera Du Gueux

Performance Comment: Dubutin-Costo; Delateur-Fern; Tourneclef-Smith; Comedian-Johnson; Gueux-Edwards; Mathieu [Dubutin in Daily Advertiser]-Daniel; Laronneau-Jackson [Morgan in earlier notices]; Jaques-Brown; Henry du Chemin-Johnson; Mme Delateur-Mrs Knight; Mlle Manon@Delateur-Miss Davis; Mlle Cajoleuse-Miss Rawlinson [Mrs Jackson in earlier notices]; Dorothee Coureuse-Mrs Anderson; Mlle Grondant-Mrs Butler; Babeau Catin-Miss Stevens; Janneton du Plongeon-Mrs Knight; Mlle Sans Corps-Miss Cotterel [Mrs Williams in earlier notices]; Susanne Pimpante-Mrs Daniel; Manon Effrontee-Mrs Adams; Diane de la Friperie-Mrs Knight; Mlle Lucie-Miss Talbot.

Dance: HHornpipe-Greniere; End: Dance al la Ronde in the French Manner,-the Characters of the Opera

Event Comment: Benefit for Mrs Cibber. Afterpiece: A Dramatic piece of one act taken from the French. Never perform'd before. The characters in it to be newdress'd. Pit and boxes laid together and amphitheatre on stage. Tickets deliver'd for 3 March will be taken. [See, 20 March. The note in Have at you all; or, The Drury Lane Journal (19 March) seems to comment on this performance: Those heroic full-bottomed perukes, whose bushy expanse is spread over the whole back of the wearer, have lately been exploded on the stage, and a more natural, I mean a less enormous covering for the head substituted in its stead. Unfortunately Mr Barry this night chose to appear in one of the most curiously frizzled out and of the fullest tragical flow I ever saw: When in the last act it was our heroes turn to be kill'd, honest Ryan being eager to dispatch him, just as he was to plump down upon the carpet, entangled his hand in the vast profusion of Macbeth's hair; and by jerking back his sword after the concluding stab, away came poor periwig along with it, while our hero was left expos'd, in the last agonies of death-bare headed. Ryan in the meanwhile with some confuconfusion contemplated Full-Bottom, which he held dangling in his hand, but sadly tumbled out of curl; at length he good naturedly adjusted it on the bald pate of the tyrant, who was then enabled to make his dying speech with proper regularity and decorum."

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Barry; Macduff-Ryan; King-Gibson; Malcolm-Usher; Donalbaine-Miss Morrison; Fleance-Miss Mullart; Angus-Bennet; Seyward-Anderson; Young Seyward-Bransby; Lenox-Redman; Seyton-Paddick; Banquo-Sparks; Rosse-Ridout; Murderers-Stoppelaer, Marten; Hecate-Arthur; Witches-Dunstall, Collins, Cushing; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Cibber (first time); Original Music-; the vocal parts-Lowe, Howard, Legge, Baker, Mrs Arne, Mrs Lampe, Mrs Storer, Miss Falkner, Miss Young, Mrs Vincent; dances- add decorations incident of the play.

Afterpiece Title: The Oracle

Performance Comment: Principal parts-Dyer, Mrs Elmy, Mrs Cibber; Dance (incident to the piece)-Miss Hilliard; New Prologue-Barry.

Dance: GGrand Comic Ballet, as17511216

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Performances

Mainpiece Title: The Mistake

Performance Comment: Parts-Garrick, Woodward, Bransby, Palmer, Yates, Taswell, Burton, Blakes, Mrs Clive, Mrs Davies, Mrs Bennet, Mrs Pritchard. Don Carlos-Garrick; Sancho-Woodward; Lopez-Yates; Lorenzo-Palmer; Leonora-Mrs Pritchard; Jacintha-Mrs Clive (Genest, IV, 408).

Afterpiece Title: The Englishman in Paris

Song: II: The Cantata of Cimon and Iphigenia-Beard

Event Comment: KKing did Tom (Well) Mrs Clive being taken ill-Mrs Abington did Phillis & I borrow Mrs Baker from Rich to do Lucinda. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Fleetwood1st time; Myrtle-Palmer; Sir John-Burton; Sealand-Havard; Cimberton-Philips; Humphrey-Blakes; Daniel-Vaughan; Tom-King (from Dublin); Phyllis-Mrs Abington; Lucinda-Mrs Baker (from cg); Mrs Sealand-Mrs Cross; Isabella-Mrs Bennet; Indiana-Mrs Cibber; In Act II Singing-Miss Young.
Cast
Role: Phyllis Actor: Mrs Abington
Role: Lucinda Actor: Mrs Baker
Role: Mrs Sealand Actor: Mrs Cross
Role: Isabella Actor: Mrs Bennet
Role: Indiana Actor: Mrs Cibber

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Performance Comment: Sancho-King; Don Carlos-Garrick; Lopez-Yates; Lorenzo-Palmer; Leonora-Mrs Pritchard; Jacintha-Mrs Clive, with Mrs Davies and Bransby in the bill also.

Afterpiece Title: Every Woman in Her Humour

Performance Comment: Principal parts-King, Yates, Moody, Austin, Packer, Mrs Clive, Miss Macklin, Miss Pritchard, Miss Haughton, Mrs Bennet, Miss Hippisley, Miss Simson, Mrs Bradshaw, Mrs Yates.

Dance: TThe Cow Keepers, as17600313

Event Comment: Benefit for Costollo, Mrs Pitt, Stede. Tickets deliver'd by Mrs Stephens will be taken. Mainpiece: Not Acted these 2 Years. [See 9 May 1759.] Afterpiece: Not acted these 6 years. [See 7 May 1756.] Receipts: #54 19s. 6d. plus income from tickets: Stede #36 10s. (Box 20; Pit 120; Gallery 135); Costollo #80 11s. (Box 77; Pit 340; Gallery 103); Mrs Pitt #52 18s. (Box 6; Pit 178; Gallery 247); Mrs Stephens #11 10s. (Box 17; Pit 23; Gallery 38). Total from tickets #181 9s. (Box 120; Pit 661; Gallery 523). [The charges were borne by Stede, Costollo and Mrs Pitt. Mrs Stephens receipts were clear. Of the charges Costollo bore half, and Stede and Mrs Pitt each bore one quarter.] Charges: #63 (Account Book)

Performances

Mainpiece Title: Cleone

Performance Comment: Sifroy-Ross; Glanville-Sparks; Beaufort-Gibson; Beaufort Jun-Dyer; Paulet-Clarke; Ragozin-Anderson; Isabella-Mrs Elmy; Cleone-Mrs Ward, 1st time.
Cast
Role: Isabella Actor: Mrs Elmy
Role: Cleone Actor: Mrs Ward, 1st time.

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck (this night only)-Foote, in which he will speak a Prologue; Subtle-Costollo; Sir John-Gibson; Mrs Subtle-Mrs Pitt; Classic-Anderson; Lucinda-Miss Macklin; Song on the Guitar-Miss Macklin; Minuet-Miss Macklin, Leppie.
Cast
Role: Mrs Subtle Actor: Mrs Pitt

Dance: III: A Comic Dance-a young Gentleman, a young Gentlewoman (Scholars of Leppie); End: The last new Comic Dance-Maranesi, Mlle Capdeville

Event Comment: Benefit for Mrs Yates. Farce in 2 acts written by Murphy for Mrs Yates (Genest, V, 67)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17641023, but Monimia-Mrs Yates; Acasto-Bransby; Florella-Mrs Hippisley.
Cast
Role: Monimia Actor: Mrs Yates
Role: Florella Actor: Mrs Hippisley.

Afterpiece Title: The Choice

Performance Comment: Parts-Yates, Packer, Havard, Mrs Lee, Mrs Yates, with Epilogue Sir Wm Loveworth-Yates; Young Loveworth-Havard; Woodvil-Packer; Clarissa-Mrs Yates; Mrs Woodvil-Mrs Lee; Watchit-Mrs Bradshaw; Epilogue-Mrs Yates (Genest, V, 67).

Dance: I: The Medley, as17641120; End: The Irish Lilt, as17641011

Event Comment: A New Pantomime of Mr Messinks went off with great Applause (Hopkins Diary). Music By Dibdin. New Scenes, Habits, and Machines. Nothing under Full Prices will be taken. [Repeated.] Paid 4 days salary list at #85 12s. 11d., #342 11s. 8d.; Miss Mansell on acct #5 5s.; Mr Clinch ditto, #6 6s.; Dr Arne for Mrs Bradley 2 nights per order #5 5s.; Stopages nil (Treasurer's Book). [Full description of the New Pantomime is given in the Westminster Magazine (January 1773): Harlequin born to the Pigmies comes to manhood, gets a job from the Register Office in a Nobleman's family where he meets Colombine. They love, and elope, a chase ensues through several noted places in London, which are detailed in the review. The union of the lovers is finally consended to, and all closes with dancing. "Some of the paintings in the scenery are well executed; and the generality of Mr Dibdin's music deserves equal praise." In it Mrs Wrighten gives a ludicrous imitation of Miss Catley's manner of singing. The reviewer's general thesis about the London stage of this period, given first in the preliminary number, 1 Jan. 1773 continues: "The Stage seems now buried in universal darkness...The Publick for several weeks, has been fed with the lean carcass of two villainous pantomimes."] Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Cast
Role: Lucy Actor: Mrs Egerton
Role: Milwood Actor: Mrs Hopkins
Role: a Song Actor: Mrs Scott.

Afterpiece Title: The Pigmy Revels; or, Harlequin Foundling

Performance Comment: Harlequin-Rooker; Colombine-Mrs Sutton; Others-Messink, Grimaldi, Ackman, Keen, Wright, Burton, Kear, Waldron, W. Palmer, Wrighten, Jacobs, Griffith, Jones, Master Cape, Lings, Watkins, Mrs Wrighten, Mrs Bradshaw, Miss Lings, Miss Platt, Mrs Millidge, Miss Collett, Mrs S. Smith; Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.
Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Mattocks; Sailor-DuBellamy; Dorcas-Mrs Thompson; Sally-Miss Brown; first time. With Hornpipe-Miss Twist.
Cast
Role: Dorcas Actor: Mrs Thompson
Event Comment: Benefit for Mrs Bulkley. Mainpiece: A New Comedy [by a Lady] never perform'd in this Kingdom. As performed with Universal Applause at the Theatre Royal in Dublin. [The Edition of 1774 lists the Irish Actors. The characters are: Mowbray, Sir Thomas O'Shaughnesy; Admiral Swivel; Leslie; Egerton; Capt. Egerton; Issacher; Donald M'Pherson; Strap; Elfrida Audley; Henrietta Egerton; Mrs Ornel; Mrs Issacher; Jenny, a Mantua Maker, a Maid; French servants and porters. Genest suggests a casting for ten of the characters.] Charges: #66 6s. 6d. Profit to Mrs Bulkley #33 17s., plus #93 13s. from tickets Box 232; Pit 177; Gallery 91). Paid Mrs Carne half year' salary due Lady day last #15. Paid half year's water rent due Xmas last #4. Receipts: #100 3s. 6d. (Account Book)

Performances

Mainpiece Title: The South Briton

Performance Comment: Principal Characters-Shuter, Lewis, Wroughton, Hull, Dunstall, Fox, Kniveton, Quick, Lewes, Miss Barsanti, Miss Dayes, Mrs P. Green, Mrs Helme, Mrs Bulkley.

Afterpiece Title: The Apprentice

Dance: IV: A Double Hornpipe-Mas. Blurton, Miss Besford; End I Farce: A Minuet-Aldridge, Mrs Bulkley

Performance Comment: Blurton, Miss Besford; End I Farce: A Minuet-Aldridge, Mrs Bulkley.
Cast
Role: A Minuet Actor: Aldridge, Mrs Bulkley.

Monologue: Interlude.End: True Blue. As 26 March

Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Woodcock-Weston; Sir William, first time-J. Aickin; Young Meadows-DuBellamy; Eustace-Owenson; Rosetta-Mrs Smith; Hodge-King; Margery-Miss Pope; Lucinda-Mrs Scott; Deborah Woodcock-Mrs Love; [Mrs Smith and J. Aickin acted their parts for first time.] [In Act I, a Dance [incidental to the opera-.
Cast
Role: Rosetta Actor: Mrs Smith
Role: Lucinda Actor: Mrs Scott
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: The Register Office

Cast
Role: Mrs Doggerel Actor: Miss Pope
Role: Margery Moorpout Actor: Mrs Love

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Event Comment: Mainpiece: Not acted these 2 years. Account-Book: Paid Mrs Barry on account for finding her own Dresses #50. Receipts: #133 1s. 6d. (131.15.6; 1.6.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Lewis (1st appearance in that character); Manly-Clarke; Squire Richard-Quick; John Moody-Dunstall; Count Basset-Lee Lewes; Sir Francis Wronghead-Macklin; Lady Grace-Mrs Lessingham; Lady Wronghead-Miss Macklin (1st appearance in that character); Miss Jenny-Mrs Mattocks; Lady Townly-Mrs Barry; Edition of 1776 (T. Lowndes) adds: Mrs Motherly-Mrs Poussin; Myrtilla-Mrs Whitefield; Mrs Trusty-Mrs Willems.

Afterpiece Title: The Padlock

Dance: End: The Merry Sailors, as17761106

Event Comment: Mainpiece [1st time; C 3, by Sarah Gardner. Prologue by the author (London Chronicle, 11 Aug.). Larpent MS 435; not published; synopsis of plot in London Magazine, Aug. 1777, p. 433. For a description of the difficulties attending the reception of this play, from a recently discovered MS by Mrs Gardner, see Theatre Notebook, VII, 76-81]

Performances

Mainpiece Title: The Advertisement; Or, A Bold Stroke For A Husband

Performance Comment: Principal Parts by Parsons, Egan, Jackson, R. Palmer, Fearon, Blissett, Walker, Edwin, Mrs Colles, Miss Hale, Miss Platt, Mrs Love, Mrs Gardner. Cast from Public Advertiser, 12 Aug.: Doctor Obstetric-Parsons; Capt. O'Cannon-Egan; Jack Steerage-Jackson; George Wydham-R. Palmer; Sir William Wydham-Fearon; Careful-Blissett; MacLocust-Walker; Snap-Edwin; Mrs Epigram-Mrs Colles; La Bronze-Miss Hale; Lydia Fanlove-Miss Platt; Landlady-Mrs Love; Widow Holdfast-Mrs Gardner; Prologue-Mrs Gardner.
Cast
Role: Mrs Epigram Actor: Mrs Colles
Role: Landlady Actor: Mrs Love
Role: Widow Holdfast Actor: Mrs Gardner
Role: Prologue Actor: Mrs Gardner.

Afterpiece Title: The Citizen

Cast
Role: Corinna Actor: Mrs W. Palmer
Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Mainpiece: Not acted these 3 years. Public Advertiser, 1 May: Tickets to be had of Mrs Bradshaw, at Nichol's, baker, Bridge Street, Covent Garden; of Mrs Love, No. 36, Gerrard Street, Soho; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #120 1s. 6d. (31.10.0; 20.13.0; 0.7.6; tickets: 67.11.0) (charge: #66 7s.)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: The Plain Dealer-Bensley; Lord Plausible-Parsons; Major Oldfox-Moody; Freeman-Palmer; Vernish-Packer; Jerry Blackacre-Yates; Couns. Quillet-Baddeley; Oakam-Wright; Novel-King; Widow Blackacre-Mrs Hopkins; Olivia-Miss Pope; Eliza-Mrs Johnston; Lettice-Mrs Bradshaw; Fidelia-Mrs Robinson (1st appearance in that character).
Cast
Role: Widow Blackacre Actor: Mrs Hopkins
Role: Eliza Actor: Mrs Johnston
Role: Lettice Actor: Mrs Bradshaw
Role: Fidelia Actor: Mrs Robinson

Afterpiece Title: The Quaker

Cast
Role: Cicely Actor: Mrs Love
Role: Floretta Actor: Mrs Wrighten.

Song: As17790503

Cast
Role: i> Actor: Mrs Wrighten
Role: Sweet Echo Actor: Mrs Wrighten
Event Comment: Benefit for Mrs Bulkley. 2nd piece [1st time; c 2, by James Brown Williamson. MS: Larpent 630; not published. Prologue probably by the author; Epilogue by the author; speakers' names (Public Advertiser, 3 Sept.)]

Performances

Mainpiece Title: The Triumph Of Honour

Cast
Role: Wife Actor: Mrs Edwin
Role: Dorigen Actor: Mrs Bulkley

Afterpiece Title: The Lawyer

Performance Comment: Principal Characters by Palmer, Williamson, Wewitzer, R. Palmer, Egan; Mrs Inchbald, Mrs Lloyd, Miss Langrish, Mrs Bulkley. [Cast from European Magazine, Aug. 1783, p. 151: Hammond-Palmer; Charles Powys-Williamson; Carbon-Wewitzer; Simon-R. Palmer; Patrick-Egan; Emily-Mrs Inchbald; Fidget-Mrs Lloyd; Honoria-Miss Langrish; Belinda-Mrs Bulkley (misprinted Mrs Wrighten).] New Prologue [spoken by Williamson] and Epilogue [spoken by Mrs Bulkley] . New Prologue [spoken by Williamson] and Epilogue [spoken by Mrs Bulkley] .
Cast
Role: Emily Actor: Mrs Inchbald
Role: Fidget Actor: Mrs Lloyd
Role: Belinda Actor: Mrs Bulkley

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Performances

Mainpiece Title: Robin Hood

Performance Comment: Principal Characters by Johnstone, Davies, Quick, Edwin, Wilson, Brett, Cubitt, Darley, Mrs Kennedy [1st Act only]; Miss Wheeler, Mrs Martyr, Mrs Wilson, Mrs Bannister. [Cast from textQ. Almon, 1784): Edwin-Johnstone; Robin Hood-Davies; Little John-Quick; Ruttekin-Edwin; Baron Fitzherbert-Wilson; Scarlet-Brett; Bowman-Cubitt; Outlaws-Darley, Doyle, Baker, &c.; Allen a Dale-Mrs Kennedy; Stella-Miss Wheeler; Clorinda-Mrs Martyr; Annette-Mrs Wilson; Angelina-Mrs Bannister; Lasses-Mrs Davenett, Miss Brangin, &c]..
Cast
Role: Allen a Dale Actor: Mrs Kennedy
Role: Clorinda Actor: Mrs Martyr
Role: Annette Actor: Mrs Wilson
Role: Angelina Actor: Mrs Bannister
Role: Lasses Actor: Mrs Davenett, Miss Brangin, &c

Afterpiece Title: St

Performance Comment: Patrick's Day. Justice Credulous-Quick; Doctor Rosy-Wewitzer; Serjeant Trounce-Booth; Lieutenant O'Connor-Egan; Bridget-Mrs Pitt; Lauretta-Mrs Morton .
Cast
Role: Bridget Actor: Mrs Pitt
Role: Lauretta Actor: Mrs Morton