SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Pix"/1) | (@(roleclean,performerclean) "Mrs Pix")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23319 matches on Performance Comments, 4242 matches on Event Comments, 4199 matches on Performance Title, 29 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Bannister. 2nd piece [1st time; SAT 1, author unknown. Larpent MS 877; not published. Author of Prologue unknown]. [Monologue by George Colman, ynger (European Magazine, Aug. 1790, p. 151.] Gazetteer, 7 Aug.: Tickets to be had of Mrs Bannister, No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Spanish Barber

Cast
Role: Rosina Actor: Mrs Bannister.

Afterpiece Title: Taste and Feeling: A Dramatic Caricature

Performance Comment: !! Characters by Bannister Jun., Davies, Cubitt, Iliff, Chapman, Barrett, Evatt, Abbott, Farley, Baddeley, Mrs Webb, Mrs Edwards, Mrs Powell, Mrs Brooks. Cast adjusted from London Chronicle, 8 July 1791: Mr Robert Gout-Bannister Jun.; Ned Howard-Iliff; Landlord-Chapman; William-Barrett; Mr Gout-Baddeley; Lady Anecdote-Mrs Webb; Lucy-Mrs Edwards; Mrs Gout-Mrs Powell; Harriet-Mrs Brooks; Prologue-Bannister Jun.
Cast
Role: Lady Anecdote Actor: Mrs Webb
Role: Lucy Actor: Mrs Edwards
Role: Mrs Gout Actor: Mrs Powell
Role: Harriet Actor: Mrs Brooks

Afterpiece Title: The Liar

Cast
Role: Miss Grantham Actor: Mrs Brooks.
Role: Lady Dunder Actor: Mrs Webb
Role: Harriet Actor: Mrs Kemble
Role: Mrs Peery Actor: Mrs Powell.
Role: Lucy Actor: Mrs Kemble.
Role: Miss Biddy Actor: Mrs Kemble
Role: Tag Actor: Mrs Webb.

Entertainment: Monologue. End I 3rd piece: Liberty; or, Two Sides of the Water-Bannister Jun

Event Comment: [In mainpiece the playbill retains Mrs Mattocks, but "Mrs Davenport undertook the part of Mrs Fancourt at a very short notice, on account of the sudden indisposition of Mrs Mattocks" (Morning Herald, 9 Dec.).] Receipts: #254 1s. (252.1; 2.0)

Performances

Mainpiece Title: The Town Before You

Performance Comment: As17941206, but Mrs Fancourt-Mrs Davenport in place of Mrs Mattocks; Mrs_ Platt Prologue listed on playbill, but probably omitted; Epilogue as17941206. Mrs_ Platt Prologue listed on playbill, but probably omitted; Epilogue as17941206.

Afterpiece Title: Hercules and Omphale

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Pope; Governor-Richardson; Blandford-Macready; Capt. Driver-Davenport; Stanmore-Williamson; Aboan-Harley; Imoinda-Mrs Pope.
Cast
Role: Imoinda Actor: Mrs Pope.

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: Benefit for Farley, Mrs Chapman & Mrs Mills. 1st piece: Not acted these 3 years. 2nd piece [1st time; M. INT 1]. 3rd piece: With Alterations and Additions. Not acted these 20 years [acted 29 Oct. 1781.] Receipts: #313 12s. 6d. (95.13.0; 3.1.6; tickets: 214.18.0)

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Lord Arthur D'Aimurle-Lewis; Dickins (1st time)-Emery; Timolin-Johnstone; Sir Hans Burges-Munden; George Burges-Fawcett; Lord Torrendale (1st time)-Waddy; Robin-Townsend; Leillet-Farley; Augusta (1st time)-Mrs Chapman; Fanny Dickins (1st time)-Mrs Mills; Miss Clare-Mrs Follett; Poor Woman-Mrs Whitmore; Lady Torrendale (1st time)-Miss Chapman.
Cast
Role: Augusta Actor: Mrs Chapman
Role: Fanny Dickins Actor: Mrs Mills
Role: Miss Clare Actor: Mrs Follett
Role: Poor Woman Actor: Mrs Whitmore

Afterpiece Title: Saturday Night at Sea; or, Tars at Anchor

Afterpiece Title: The Norwood Gipsies

Performance Comment: Harlequin-Bologna Jun.; Squire Breakneck-Farley; Beggar-Townsend; (with) A Beggar I am of low degree-Townsend; Natty Sammy-Simmons; Justice Smallwit-Whitmore; Deputy Paunch-Hawtin; Baker-Blurton; Captain Swagger-Coombs; Highwaymen-Dyke, Blurton [i.e. doubled Baker]; Waiters-Webb, Rees Jun.; Serjeant-Claremont; Corporal-L. Bologna; Countrymen-Abbot, Rees; Pierrot (for that night only)-Laurent (1st appearance on this stage); Hunter and Huntress-Mrs Martyr, Mrs Atkins; (with) Tantara-Mrs Martyr, Mrs Atkins; Gipsies-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; (with) O who has seen the miller's wife-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; Pierrot's Wife-Mrs Watts; Mother to Columbine-Mrs Whitmore; Nurse-Mrs Lloyd; Deputy's Lady-Mrs Gilbert; Columbine-Mrs Mills.

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performance Comment: Edition of 1693: Sir Charles Romance-Freeman; Sir Quibble Quere-Bright; Tom Romance-Powel; Dr Guiacum-Sandford; Frederick-Williams; Rice ap Shinken-Bowman; Dick Stockjobb-Underhill; Hotspur-Hudson [Hodgson]; Quickwit-Dogget; Cummington-Bowen; Fulvia-Mrs Bracegirdle; Sophronia-Mrs Barry; Mrs Stockjobb-Mrs Bowman; Madam Squeamish-Mrs Knight; Marmalette-Mrs Lee; Prologue-Mr Dogget [with a Fools Cap with Bells on his Head; Epilogue-.
Cast
Role: Fulvia Actor: Mrs Bracegirdle
Role: Sophronia Actor: Mrs Barry
Role: Mrs Stockjobb Actor: Mrs Bowman
Role: Madam Squeamish Actor: Mrs Knight
Role: Marmalette Actor: Mrs Lee
Event Comment: The United Company. The date of the premiere is not certain, but the fact that a song in the play, composed by Henry Purcell and sung by Mrs Hudson, is in the Gentleman's Journal, January@February 1693@4 (advertised in the London Gazette, No 2955, 5-8 Marcn 1693@4) suggests that the play had its premiere in February. The play was advertised in the London Gazette, No 2959, 19-22 March 1693@4. The music for additional songs was composed by Henry Purcell: The danger is over, sung by Mrs Hudson, is in Joyful Cuckoldom, ca. 1695; I sighed and owned my love, sung by Mrs Ayliff, is in Thesaurus Musicus, Book III, 1695. See also Purcell's Works, Purcell Society, XX (1916), i-iii. Two songs were composed by John Eccles: Still, I'm grieving, sung by Mrs Bracegirdle; and Give then royal maid your sorrows o're, sung by Mrs Cibber, are in Thesaurus Musicus, 1695. Gentleman's Journal, March 1694 (advertised in London Gazette, No 2964,5-9 April 1694): Mr Southern's new Play call'd The Fatal Marriage; or, The Innocent Adultery, has been so kindly receiv'd, that you are by this time no stranger to its merit. As the world has done it justice, and it is above my praise, I need not expatiate on that subject. [See also 22 March 1693@4.

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Performance Comment: Edition of 1694: Prologue-Mrs Bracegirdle; Count Baldwin-Kynaston; Biron-Williams; Carlos-Powell; Villeroy-Betterton; Frederick-Verbruggen; Fernando-Doggett; Fabian-Mich. Lee; Jaqueline-Bowen; Sampson-Underhill; Bellford-Harris; Pedro-Freeman; Isabella-Mrs Barry; Julia-Mrs Knight; Villeria-Mrs Bracegirdle; Nurse-Mrs Lee; Epilogue-Mrs Verbruggen.
Cast
Role: Prologue Actor: Mrs Bracegirdle
Role: Isabella Actor: Mrs Barry
Role: Julia Actor: Mrs Knight
Role: Villeria Actor: Mrs Bracegirdle
Role: Nurse Actor: Mrs Lee
Role: Epilogue Actor: Mrs Verbruggen.
Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

Performance Comment: Edition of 1696: Prologue-Mrs Bowman [in Man's Cloaths; Epilogue-Mr Dogget [drest as a Beau, by Mr Motteux; Sir Charles Frankford-Boman; Sir Roger Marwood-Scudamore; Lovewell-Hudson [Hodgson]; Freeman-Freeman; Squire Wouldbe-Doget; Charlot-Mrs Bracegirdle; Juliana-Mrs Boman; Bellafira-Mrs Martyn; Urania-Mrs Barry; Dowdy-Mrs Bowtel; Mrs Beldam-Mrs Lee; Doll-Mrs Lawson.
Cast
Role: Prologue Actor: Mrs Bowman
Role: Charlot Actor: Mrs Bracegirdle
Role: Juliana Actor: Mrs Boman
Role: Bellafira Actor: Mrs Martyn
Role: Urania Actor: Mrs Barry
Role: Dowdy Actor: Mrs Bowtel
Role: Mrs Beldam Actor: Mrs Lee
Role: Doll Actor: Mrs Lawson.
Event Comment: Rich's Company. The date of the premiere is not known, but the second edition (1700) states: The first appearance of this Play was on a Wednesday in Lent; for then (it seems) the Town look for a bad Entertainment. [As the play was advertised in the Flying Post, 2 April 1700, the first performance probably occurred in early March.] A Prologue by Sir Charles Sedley which may have been intended for this play is in Sedley's Works, ed. V. de Sola Pinto (London, 1928), I, 46-47, 288-89. A song in this play, separately printed ca. 1700, indicates that the music was composed by Daniel Purcell and that the song was sung by Mrs Erwin

Performances

Mainpiece Title: The Reform'd Wife

Performance Comment: Edition of 1700: Sir Solomon Empty-Johnson; Freeman-Wilks; Careless-Toms; Clerimont-Mills; Doctor-Haines; Astrologer-Fairbank; Astra-Mrs Knight; Clarinda-Mrs Rogers; Sylvia-Mrs Temple; Lady Dainty-Mrs Verbruggen; Mrs Friendly-Mrs Powell; Fidelia-Mrs Moor; Cloe-Mrs Stephens; Pert-Mrs Baker; Prologue-; Epilogue-the Sickly Lady.
Cast
Role: Astra Actor: Mrs Knight
Role: Clarinda Actor: Mrs Rogers
Role: Sylvia Actor: Mrs Temple
Role: Lady Dainty Actor: Mrs Verbruggen
Role: Mrs Friendly Actor: Mrs Powell
Role: Fidelia Actor: Mrs Moor
Role: Cloe Actor: Mrs Stephens
Role: Pert Actor: Mrs Baker
Event Comment: Mainpiece: [By Mrs Eliza Haywood.] By Reason of the Indisposition of an Actress, the Part of the Wife is to be perform'd by Mrs Haywood, the Author. Afterpiece (Daily Post, 10 Aug.): A new Dramatic Entertainment...design'd by Mr Theo. Cibber, with new Music compos'd and adapt'd by Mr Jones, which proper Judges allow to be the best of the kind now extant

Performances

Mainpiece Title: A Wife To Be Let

Performance Comment: Edition of 1735 lists: Fairman-Boman; Graspall-Evans; Sir Harry Beaumont-W. Wilks; Captain Gaylove-Bridgwater; Courtly-Oates; Toywell-Th. Cibber; Sneaksby-Parler; Shamble-Harper; Tim-Peplow; Widow Statley-Mrs Willis; Mrs Graspall-Mrs Haywood; Celemena-Mrs Tenoe; Marilla-Mrs Lindar; Amadea-Mrs Brett; Dogood-Mrs Davison; Prologue-Th. Cibber; Epilogue-Mrs Haywood.
Cast
Role: Widow Statley Actor: Mrs Willis
Role: Mrs Graspall Actor: Mrs Haywood
Role: Celemena Actor: Mrs Tenoe
Role: Marilla Actor: Mrs Lindar
Role: Amadea Actor: Mrs Brett
Role: Dogood Actor: Mrs Davison
Role: Epilogue Actor: Mrs Haywood.

Afterpiece Title: Apollo and Daphne

Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Performance Comment: As17420914[, but Nell-Mrs Phillips]..
Cast
Role: Nell Actor: Mrs Phillips

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard

Event Comment: Benefit Mrs Woffington. Mainpiece: By the late Mr Taverner, never acted there before. Tickets deliver'd out for the 19th of February, and 5 March will be taken this night

Performances

Mainpiece Title: The Artful Husband

Performance Comment: Sir Harry Freelove-Mills; Winwife-Giffard; Stockwell-Yates; Frank Flash-Neale; Mrs Winwife-Mrs Giffard; Ned-Blakes; Lady Upstart-Mrs Furnival; Mademoiselle-Mrs Macklin; Mrs Decoy-Mrs Bridges; Steward-Taswell; Butler-Winstone; John-Usher; Robin-Bransby; Mrs Prink-Miss Cole; Betty-Miss Pitt; Belinda-Mrs Woffington; with a New Epilogue in Man's clothes-Mrs Woffington , addressed to the Young Gentlemen, who call themselves the Town.

Afterpiece Title: The Stage Coach

Dance: Salomon, Signora Padouana

Event Comment: [Benefit on one-half value of tickets basis to nine ticket holders. The General Advertiser notice lists beneficiaries as Harrington (Prompter); Stede, Carr, Mrs Bland, Mrs Rowley.] Tickets deliver'd by Mrs Daniel, Mrs Dumont, &c will be taken. /For Box Pit Gallery Value Half-Value/Harrington 7 29 22 #8 6s. #4 3s./Stede 7 52 59 #15 9s. #7 14s. 6d./Carr 6 53 46 #14 1s. #7 0s. 6d./Mrs Rowley 27 77 44 #22 14s. #11 7s./Mrs Dumont 36 31 32 #16 17s. #8 8s. 6d./Mrs Bland 9 56 91 #19 15s. #9 17s. 6d./Mrs Dupre 5 33 42 #10 8s. #5 4s./Mrs Daniel .. 45 109 #17 13s. #8 16s. 6d./Mrs Hitchcock 34 58 31 #20 6s. ........./Totals 131 434 476 #145 9s. #62 11s. 6d./ [Mrs Hitchcock seems to have received the full value of her tickets.] This Day is Publish'd A Treatis on the Passions so far as they regard the stage, with a critical inquiry into the Theatrical Merit of Mr G k, Mr Q n, and Mr B y, the first considered in the part of Lear, the last two oppos'd in Othello. By S. Foote, Esq

Performances

Mainpiece Title: The Committee

Performance Comment: As17461017, but Day-Arthur; Obadiah-Morgan; Mrs Day-Mrs Bland; Arabella-Mrs Rowley; Mrs Chat-Mrs Daniel.
Cast
Role: Mrs Day Actor: Mrs Bland
Role: Arabella Actor: Mrs Rowley
Role: Mrs Chat Actor: Mrs Daniel.
Role: Ruth Actor: Mrs Pritchard
Role: Arbella Actor: Mrs Hale

Afterpiece Title: Phebe

Cast
Role: Phebe Actor: Mrs Dunstall

Dance: The English Boy, English Girl

Event Comment: Benefit for Mrs Clive-She did Zara (Cross). Farce (not acted these 2 years) with Alterations and an Additional Scene. Part of Pit laid into Boxes. [None behind scenes.] Tickets of Mrs Clive in Henrietta St., Covent Garden, and at The Stage Door. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Garrick; Zara-Mrs Clive first time, and by Desire"; Gonzales-Havard; Garcia-Palmer; Almeria-Miss Bellamy; King-Berry.

Afterpiece Title: Bayes in Petticoats

Performance Comment: Witling-Woodward; Sir Albany Odelove-Shuter; Prompter-Cross; Mrs Hazard-Mrs Clive; Tom-Mozeen; Miss Giggle-Miss Minors; Miss Crochet-Miss Hippisley; Miss Sidle-Mrs Simpson; Mrs Dawdle-Mrs Toogood; Gatty-Mrs Bennet; Corydon-Beard; Miranda-Miss Thomas; Marcella-Mrs Clive; with Dancing-Devisse, Mlle Auretti, Mlle Auguste; with an Epilogue-Mrs Clive.
Cast
Role: Mrs Hazard Actor: Mrs Clive
Role: Miss Sidle Actor: Mrs Simpson
Role: Mrs Dawdle Actor: Mrs Toogood
Role: Gatty Actor: Mrs Bennet
Role: Marcella Actor: Mrs Clive
Role: with an Epilogue Actor: Mrs Clive.
Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Performance Comment: Parts-Barry, Sparks, Smith, Ridout, Usher, Mrs Bland, Mrs Vincent, Miss Kennedy, Mrs Griffith, Miss Nossiter. [ Basilius-Sparks; Pyrocles-Barry; Musidorus-Smith; Amphialus-Usher; Philanax-Ridout; Euristus-Anderson; Dametas-Redman; Thyrsis-Holtam; Gynecia-Mrs Bland; Pamela-Miss Kennedy; Philoclea-Miss Nossiter; Cecropia-Mrs Vincent; Eugenia-Mrs Griffith; Phebe-Miss Mullart; Prologue-Sparks; Epilogue-Mrs Bland [[Edition of 1754).][Edition of 1754).]
Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Performances

Mainpiece Title: The Way Of Ye World

Performance Comment: Mirabel-Palmer; Fainall-Havard; Sir Wilful-Yates; Witwood-OBrien; Lady Wishfort-Mrs Clive; Mrs Fainall-Mrs Davies; Mincing-Mrs Simson; Waitwell-Bransby; Petulant-Blakes; Foible-Mrs Bennet; Millamant-Mrs Pritchard; Mrs Marwood-Mrs Hopkins.
Cast
Role: Lady Wishfort Actor: Mrs Clive
Role: Mrs Fainall Actor: Mrs Davies
Role: Mincing Actor: Mrs Simson
Role: Foible Actor: Mrs Bennet
Role: Millamant Actor: Mrs Pritchard
Role: Mrs Marwood Actor: Mrs Hopkins.

Song: III: A Cantata-Miss Young

Event Comment: MMr Foote, the author of the Farce play'd Majr Sturgeon. Mrs Clive Hiss'd, in Mrs Sneak (Hopkins). Mrs Clive not liked in Mrs Sneak (Hopkins Diary-MacMillan). [Mainpiece by Brooke.] Afterpiece: A Farce in 2 acts, never acted there. Receipts: #170 5s. (MacMillan)

Performances

Mainpiece Title: The Earl Of Essex

Cast
Role: Countess of Nottingham Actor: Mrs Hopkins
Role: Rutland Actor: Mrs Yates
Role: Queen Actor: Mrs Pritchard

Afterpiece Title: The Mayor of Garratt

Performance Comment: Parts by Foote, Baddeley, Weston, Bransby, Moody, Clough, Vaughan, Fox, Mrs Lee, Mrs Clive. Major Sturgeon-Foote; Jerry Sneak-Weston; Sir Jacob Jollup-Baddeley; Bruin-Moody; Mug-Foote; Mrs Sneak-Mrs Clive; Roger-Clough; Snuffle-Vaughan; Heeltap-Bransby; Lint-Castle; Mrs Bruin-Mrs Lee; Mob-Fox, Marr, Watkins, Strange (Edition of 1764).
Cast
Role: Mrs Sneak Actor: Mrs Clive
Role: Mrs Bruin Actor: Mrs Lee

Dance: IV: The Provancalle, as17631014

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Afterpiece: For the last time this season. Tickets deliver'd for Hamlet will be taken. The Dragon of Wantly cannot be perform'd on account of indisposition of Mrs Pinto. Charges #67 9s. 6d. [Profit to each beneficiary #2 19s. 6d. plus income from tickets: Legg #84 2s. (Box 129; Pit 251; Gallery 142); Mrs Lampe and Mrs Jones combined #74 15s. (Box 102; Pit 219; Gallery 164).] Paid Bryan a bill for writing parts #1 1s. 6d. Paid Cooper (printer) #27 2s. Paid Condell for Coach hire, the last command by order of Mr Beard 2s. (Account Book). Before 5 went to ye Play...It was played tolerably well; Cleopatra very well by Mrs Bellamy, Octavia (for ye 1st time) by Mrs Mattocks, Antony by Smith, Vent. by Gibson not badly. We had ye Dances, Rural Love and ye Wapping Landlady (Neville MS Diary). Receipts: #76 8s. (Account Book)

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Smith; Ventidius-Gibson; Dolabella-Clarke; Alexas-Dyer; Serapion-Gardner; Charmion-Mrs Stephens; Iras-Mrs Godwin; Cleopatra-Mrs Bellamy; Octavia-Mrs Mattocks (1st time).
Cast
Role: Charmion Actor: Mrs Stephens
Role: Iras Actor: Mrs Godwin
Role: Cleopatra Actor: Mrs Bellamy
Role: Octavia Actor: Mrs Mattocks

Afterpiece Title: Midas

Cast
Role: Juno Actor: Mrs Stephens
Role: Nysa Actor: Mrs Mattocks
Role: Daphne Actor: Mrs Baker

Dance: III: Rural Love, as17661120; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: [Alter'd from +Lionel and Clarissa. Mrs Wrighten made her first appearance in the Stage in Diana. A very fine Voice--Aukward & Clumsy figure--Well faced (Hopkins Diary). Mrs Wrighten's first Appearance (Cross Diary). New Scenes, Dresses and Decorations. Greater part of the Music entirely New (playbill)

Performances

Mainpiece Title: lionel And Clarissa; Or, The School For Fathers

Performance Comment: Parts-Vernon, Aickin, Parsons, Dodd, Bannister, Fawcett, Mrs Baddeley, Miss Radley, Mrs Bradshaw, Mrs Dorman, A Young Gentlewoman, her first appearance. Lionel-Vernon; Col. Oldboy-Parsons; Jessamy-Dodd; Sir John Flowerdale-Aickin; Jenkins-Bannister; Harman-Fawcett; Clarissa-Mrs Baddeley; Diana-Mrs Wrighten, first appearance; Jenny-Miss Radley; Lady Mary Oldboy-Mrs Bradshaw; Servant?-Mrs Dorman (MacMillan, p. 272).

Afterpiece Title: [The Old Maid

Performance Comment: Clerimont-Cautherly; Harlow-Packer; Capt. Cape-Baddeley; Mrs Harlow-Miss Pope; Miss Harlow-Mrs Cross.
Cast
Role: Mrs Harlow Actor: Miss Pope
Role: Miss Harlow Actor: Mrs Cross.
Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Performances

Mainpiece Title: Polly

Performance Comment: [Principal Parts by Du-Bellamy, Parsons, Davies, Massey, Fearon, Egan, Griffiths, Kenny, Bannister, Mrs Hitchcock, Mrs Davies, Mrs Love, Miss Hale, Miss Platt, A Young Gentlewoman (1st appearance Mrs Colles]). [Cast from text (T. Evans, 1777): Cawwawkee-DuBellamy; Ducat-Parsons; Culverin-Davies; Vanderbluff-Massey; Pohetohee-Fearon; Hacker-Egan; Capstern-Griffiths; Laguerre-Kenny; Morano-Bannister; Jenny Diver-Mrs Hitchcock; Trapes-Mrs Davies; Mrs Ducat-Mrs Love; Damaris-Miss Hale; Flimzy-Miss Platt; Polly-A Gentlewoman; [Characters in the Introduction: Poet-Davies; Players-Fearon, T. Davis; Signora Crotchetta-Miss Platt.

Afterpiece Title: Polly Honeycombe

Cast
Role: Mrs Honeycombe Actor: Mrs Gardner
Role: Nurse Actor: Mrs Love
Role: Polly Honeycombe Actor: Mrs Hitchcock.

Dance: End I: a Dance of Pirates-(see17770611; III: Dance of Indians- (see17770611. [These were danced in all subsequent performance.

Event Comment: Benefit for Mrs Bradshaw, Mrs Love, Mrs Booth & Miss Field. Mainpiece: With the Grand Triumphal Entryv. Afterpiece: View of the Grand Campv as 6 Nov. 1779. Tickets delivered by Collins will be taken. Public Advertiser, 4 May: Tickets to be had of Mrs Bradshaw at Nichole's, baker, Bridges Street; of Mrs Love at Mrs Baker's, Gerrard-street; of Mrs Booth and Miss Field, No. 10, corner of Martlet Court, Bow-street, Covent Garden. Receipts: #201 6s. (41.13.0; 15.8.6; 3.0.6; tickets: 141.4.0) (charge: #93 7s. 10d.)

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Parisatis Actor: Mrs Sharp
Role: Sisigambis Actor: Mrs Davenett
Role: Statira Actor: Mrs Robinson.

Afterpiece Title: The Camp

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Parsons; O'Daub-Moody; Mons Bluard-Baddeley; William-Davies; Serjeant Drill (1st time)-Gaudry; Nancy-Miss Field (1st appearance in that character); Nell-Mrs Wrighten; other Characters-Burton, Wrighten, Waldron, Wright, Holcroft, Fawcett, Philimore, Norris, Mrs Cuyler, Miss Collett, Mrs Colles.
Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Performance Comment: Principal Characters by Wroughton, Lee Lewes, Quick, Wilson, Wewitzer, Davies, Mahon, Lewis; Mrs Morton, Mrs Lewis, Mrs Webb, Mrs Abington. [Cast from text (C. Dilly, 1783): Elder Loveless-Wroughton; Welford-Lee Lewes; Savil-Quick; Morecraft-Wilson; Poet-Wewitzer; Traveller-Davies; Captain-Mahon; Younger Loveless-Lewis; Servants-Fearon, Helme; Widow-Mrs Morton; Martha-Mrs Lewis; Abigail-Mrs Webb; The Lady-Mrs Abington.] Prologue spoken by Lee Lewes. Epilogue spoken by Mrs Abington. [These were spoken as here assigned, at all subsequent performances.] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Mrs Abington. [These were spoken as here assigned, at all subsequent performances.] hathi.
Cast
Role: Widow Actor: Mrs Morton
Role: Martha Actor: Mrs Lewis
Role: Abigail Actor: Mrs Webb
Role: The Lady Actor: Mrs Abington.

Afterpiece Title: Rosina

Cast
Role: William Actor: Mrs Kennedy
Role: Phoebe Actor: Mrs Martyr
Role: Dorcas Actor: Mrs Pitt
Role: Rosina Actor: Mrs Bannister

Dance: As17820927

Event Comment: Benefit for Mrs Mattocks. Tickets delivered for the 24th of April will be taken. Public Advertiser, 16 Apr.: Tickets [for 24 Apr.] to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Mainpiece: Written by Richard Steele. 3rd piece [1st time; ENT I, author unknown. Larpent MS 830; not published]. Receipts: #253 17s. 6d. (159.12.0; 8.9.6; tickets: 85.16.0)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Campley-Lewis; Lord Hardy-Pope; Sable-Quick; Lord Brumpton-Gardner; Trusty-Hull; Puzzle-Thompson; Cabinet-Macready; Recruits-Rock, Ledger, Painter, Evatt, Lee; Tom-Blanchard; Trim, (with) The Cries of London and Dublin-Ryder; Lady Charlotte-Miss Brunton; Mademoiselle D'Epingle-Miss Fontenelle (Their 1st appearance in those characters); Lady Brumpton-Mrs Bernard; Kate Matchlock (for that night only)-Mr Edwin; Mrs Fardingale-Mrs Webb; Tattleaid-Miss Stuart; Visiting Ladies-Mrs Platt, Mrs Davenett, Miss Rowson, Mrs Rock; Lady Harriet-Mrs Mattocks.

Afterpiece Title: Annette and Lubin

Performance Comment: Lubin-Mrs Martyr; Lord of the Manor-Helme; Bailiff-Cubitt; Annette-Mrs Mountain.
Cast
Role: Lubin Actor: Mrs Martyr
Role: Annette Actor: Mrs Mountain.

Afterpiece Title: Saint George's Day; or, Britons Rejoice

Performance Comment: Principal Characters by Bannister, Hull, Bernard, Cubitt, Blanchard, Mr Webb, Mrs Mountain. [Cast from Larpent MS: Jack-Bannister; Nutmeg-Hull [in MS: Fearon]; Captain Legout-Bernard [in MS: Mrs Martyr]; Tom Gunnel-Cubitt [in MS: Wewitzer]; Dumplin-Blanchard; Lady Sullabub-Mrs Webb; Harriott-Mrs Mountain.
Cast
Role: Lady Sullabub Actor: Mrs Webb
Role: Harriott Actor: Mrs Mountain.

Song: End 3rd piece: God save the King-; with Grand Accompaniment [on the organ]-Greatorex [, as performed at the Oratorios see17890320

Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Performance Comment: As17941003, but Antonio-Munden; The Page (with a song)-Mrs Clendining (1st appearance in that character); Marcelina-_; Agnes-_.
Cast
Role: The Page Actor: Mrs Clendining
Role: Victoria Actor: Mrs Mountain
Role: Catalina Actor: Mrs Arnold
Role: Isabel Actor: Mrs Platt
Role: Lorenza Actor: Mrs Martyr.

Afterpiece Title: The Irish Widow

Performance Comment: Thomas-Munden (1st appearance in that character); Nephew-Macready; Whittle-Powel; Sir Patrick O'Neal-Rock; Bates-Davenport; Servants-Abbot, Blurton, Simmons; Kecksey-Bernard; Widow Brady (for that night only; with Garrick's original Epilogue Song)-Mrs Greville (late of the Theatre Royal, Drury Lane).
Cast
Role: Widow Brady Actor: Mrs Greville

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Performance Comment: Principal Musical Characters-Townsend, Linton, Street, Williamson, Miss Kirton, Mrs Castelle, Mrs Arnold, Miss Stuart, Mrs Norton, Miss Leserve, Mrs Masters, Mrs Clendining. [Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]

Afterpiece Title: The Poor Soldier

Performance Comment: As17940919, but Dermot (for that night only)-Mrs Clendining; Fitzroy (with Old Towler)-Incledon.
Cast
Role: Dermot Actor: Mrs Clendining
Role: Norah Actor: Mrs Mountain
Role: Kathlane Actor: Mrs Martyr.

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Performance Comment: =) sung in character-Mrs Clendining.
Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).
Cast
Role: Emilia Actor: Mrs Litchfield
Role: Desdemona Actor: Mrs Pope

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-