Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)

Event Comment: Tickets delivered by Miss Barnes, Mrs Nevill, Gibson, Blandy, Leslie, Bayne, Finney, Stevens will be taken. Afterpiece: Not acted these 2 years [not acted since 5 June 1777]. Receipts: #57 1s. (39/2/0; 17/11/6; 0/7/6; tickets: none listed)

Event Comment: This Farce was wrote on purpose to Shew Mrs Barry in an Irish part. She did not succeed so well in it as was expected but upon the Whole the Farce was well perform'd & met with great Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly. See Account of the Irish Widow" in British Theatre article, London Magazine, Oct. 1772.] Paid Mr Rochfort for men's cloaths #7 7s. (Treasurer's Book). [The account in Town and Country Magazine of the afterpiece: "Upon the whole it is very indifferent production and as it did not meet with the applause that was expected, no one has adopted the bantling. The many are of opinion that Garrick had a hand in it, as it is got up to the best advantage, and a new dance is introduc'd between the acts to put the audience in a good humour for the succeeding scenes. Mrs Sutton is the principal dancer in the Irish Fair, in which she displayed great spirit and activity. The piece concludes with a song sung by Mrs Barry, which we think injudiciously alloted to her, as her forte does not consist in singing."] Receipts: #200 9s. 6d. (Treasurer's Book)

Event Comment: Benefit for Mrs Chambers and Mrs Clarke. Mainpiece: Written by Mrs Cowley, and performed at the Theatre-Royal, Covent-Garden with universal Applause. Never Acted there

Event Comment: A riot caused the acting of Cato to cease in Act IV. See The Weekly Packet 1 March, The Evening Post 22-25 Feb., The Post Boy 22-25 Feb. The most complete account appeared in Read's Original Weekly Journal, 1 March: The Night before had been the Third Night of a New Comedy, written by a young Gentleman of good Interest, and well respected, and the Boxes were bespoke for Monday Night, but a certain Ruler of that House, remarkable for Ill-Nature and Immorality, stop'd the Run of the Play, and caus'd the Tragedy of Cato to be given out...and tho' he was earnestly expostulated with on the Injustice of such a Proceeding, yet he obstinately persisted in his Resolution, which the Friends of the Author of the New Play very much resented: But this was not all, for when Cato came to be play'd, Mr Wilks, Mrs Oldfield, and Mrs Porter, who have principal Parts had given them to some of the inferior Players, which was look'd on as Riding the Audience, who would no longer Brook what they look'd on as an Insult, but with their hisses, Catcalls, &c. deafen'd the House, and drown'd the Shrill Pipes of the Actors; insomuch that the loudest Rant in Lee or Shakespear had been no more to be prefer'd to it, than the Noise of a Flagelot to the whistling of a Tempest; till the End the Players were obliged to retreat to their Fastnesses, unable any longer to Stand their Assaults; for they were storm'd with Orange-Peals, &c. as well as bombarded with Hisses Huzzas and Catcalls. Nor wou'd the Audience suffer them to Capitulate or receive any Offers of Submission, but calling for a Dance, put an End to the Play, in the middle of the 4th Act

Event Comment: Benefit for Mrs Bach (Widow of the late [J. C] Bach). Tickets, half a guinea each, to be had of Mrs Bach, at Zoffany's, Albemarle-street, near Piccadilly

Event Comment: Benefit for Edwin. Public Advertiser, 29 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Altered from Beaumont and Fletcher [i.e. from Fletcher alone]. Afterpiece: Not acted these 6 years [acted 28 May 1782]

Event Comment: Tickets delivered by Brigg, Pemberton, Bourk, Aberdein, Newbold, Smith, Miss Tidswell, Mrs Haskey, Mrs Heard [Account-Book adds: Mills] will be admitted. [The afterpiece was perhaps changed. On the Kemble playbill it is deleted, but no substitute play is given. The Account-Book lists The Lyar.] Receipts: #220 181. 6d. (43/4/0; 21/0/0; 0/2/6; tickets: 156/12/0)

Event Comment: Mainpiece: Not acted these 3 years [thus on playbill of 9 Mar., but acted 1 Oct. 1784]. Receipts: #216 15s. 6d. (212/8/6; 4/7/0)

Event Comment: By Permission of the Lord Chamberlain. [Author of Address unknown.] 1st piece: By the Author of Love in a Village, &c. [Isaac Bickerstaffe]; not acted these 16 years [1st acted at DL, 24 Nov. 1770], by Veterans of the Stage. 2nd piece: By the late Samuel Foote, Esq. 3rd piece: By Garrick; not acted these 12 years. The Doors to be opened at 6:00. To begin at 7:00

Event Comment: Benefit for Mrs Martyr. 1st piece: Never performed here. [Miss Thornton is identified by MS annotation on Kemble playbill. Address by Horatio Edgar Robson (European Magazine, May 1786, p. 369).] 2nd piece: Not acted these 7 years. 3rd piece: Written by Henry Fielding. Morning Herald, 19 Apr.: Tickets to be had of Mrs Martyr, No. 31, Tavistock-street, Covent Garden. Receipts: #280 6s. 6d. (138/15/6; 3/6/0; tickets: 138/5/0) (charge: #105)

Event Comment: Benefit for Kemble. Mainpiece: Not acted these 2 years. "Mrs Siddons spoke the speech on mercy as it certainly should be spoken--but as in truth we never heard it spoken--as a reply to 'On what compulsion must I?' From every other Portia it has always appeared as a recitation, prepared for the occasion" (Morning Chronicle, 8 Apr.). Morning Chronicle, 20 Mar.: Tickets to be had of Kemble, No. 19, Charles-street, Covent-garden. Receipts: #284 2s. 6d. (160/19/0; 20/17/6; 1/1/0; tickets: 101/5/0) (charge: #107 0s. 5d.)

Event Comment: Mainpiece: Acted but twice these 30 years. By Particular Desire. Tickets deliver'd out by Taswell, Woodburn, Simpson, Delaboyde, and Mrs Sibilla for the Conscious Lovers, will be taken

Event Comment: Benefit for Mrs Bulkley. 2nd piece: Never acted here. 4th piece: 1st time at this Theatre

Event Comment: Benefit for Edwin. Public Advertiser, 2 May: Tickets to be had of Edwin, No. 2, Piazza., Covent Garden. Mainpiece: Not acted these 6 years. Miss Younge having refused performing the Part of Viola, Mrs Robinson has kindly undertaken that Character at a short Notice; and Mr Edwin humbly hopes she will be honoured by the Indulgence of the Public. Receipts: #304 0s. 6d. (211/3/6; tickets: 92/17/0) (charge: #105)

Event Comment: Mainpiece: Never acted here. Benefit for Mrs Wells [whose 1st appearance in tragedy was as Jane Shore at DL, 30 Apr. 1783; her 2nd was as Isabella at DL, 30 Apr. 1784, on which night she spoke the Address noted above]

Event Comment: Mainpiece: Not acted these 3 years. Paid Mrs Pope in full for her allowance for cloathing last Season #250. Receipts: #249 14s. (243/12/6; 6/1/6)

Event Comment: Mainpiece: Not acted these 3 years. [acted 21 Jan. 1789. Mrs Esten has 1st acted Belvidera at Bath in the season of 1786-87]. Afterpiece [1st time; M. INT 2, by John Cartwright Cross. Larpent MS 883; not published. Prologue by John Taylor (his Taylor, Poems, I, 43). Rees' 1st appearance at this theatre was on 14 May 1788]: The Overture and the whole of the Music by Dibdin. Books of the Songs to be had at the Theatre. [Most of these songs had originally appeared in Dibdin's "table entertainment," The Oddities, 1st performed at the Lyceum, 7 Dec. 1789.] Receipts: #244 18s. 6d. (234.8.0; 10.10.6)

Event Comment: Mainpiece: Not acted these 3 years. [acted 21 Jan. 1789. Mrs Esten has 1st acted Belvidera at Bath in the season of 1786-87]. Afterpiece [1st time; M. INT 2, by John Cartwright Cross. Larpent MS 883; not published. Prologue by John Taylor (his Taylor, Poems, I, 43). Rees' 1st appearance at this theatre was on 14 May 1788]: The Overture and the whole of the Music by Dibdin. Books of the Songs to be had at the Theatre. [Most of these songs had originally appeared in Dibdin's "table entertainment," The Oddities, 1st performed at the Lyceum, 7 Dec. 1789.] Receipts: #244 18s. 6d. (234.8.0; 10.10.6)

Event Comment: Mainpiece [1st time; tc 5]: Altered from [The Picture, by Philip] Massinger [by Henry Bate; incidental music by William Shield. Prologue by William Pearce (see text)]. With New Dresses, Scenery, &c. Afterpiece: Written by O'Keeffe. London Chronicle, 10 Nov., prints the words of the Chorus, and also of a song sung by Quick, Poor Hillario, once so jolly, and of one sung by Mrs Martyr, Would you view the loveliest rose. Receipts: #209 16s. (205/3; 4/13)

Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Event Comment: Benefit for Miss Reynolds. [Afterpiece usually acted as The Man of Quality.

Event Comment: Mainpiece: Not acted these 2 years. With the Procession from the Abbey at the Coronation of Anne Bullen. Receipts: #207 2s. (204/14; 2/8)

Event Comment: Mainpiece: Not acted these 5 years