Event Comment: Benefit Mr and Mrs Hale. Mainpiece not acted these 14 years [see 15 May 1734]

Event Comment: Afterpiece not acted these 6 years [see 8 Oct. 1741]

Event Comment: Mainpiece a reviv'd Comedy, not acted these 5 years [see 1 May 1741]

Event Comment: Mainpiece not acted these 5 years [see 27 April 1742.

Event Comment: Benefit Marten and White. Mainpiece never acted there before. [See 7 July 1738. Care will be taken to prevent tickets illegitmately sold from being admitted.

Event Comment: Mainpiece not acted these six years. Receipts: #116 19s. 6d

Event Comment: Not acted these 16 years. Nothing under the full price will be taken

Event Comment: Benefit Mrs Clive. Mainpiece written by Beaumont and Fletcher, never acted there. Servants allow'd to keep places on the stage which will be form'd into front and side boxes, and so commodiously enclos'd as to prevent the Ladies from taking cold. Ladies send servants by three. Tickets of Mrs Clive at her House in Great Queen Street, Lincoln's Inn Fields, and of Hobson at the stage door

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Event Comment: Benefit Macklin. Mainpiece: By Particular Desire. The Farce never before acted. Tickets to be had of Macklin at his House in Bow St; and of Hobson at the stage door where places may be taken for the Boxes.--General Advertiser. [Afterpiece by Charles Macklin.

Event Comment: Mainpiece: Reviv'd not acted these 3 years. [See 16 May 1748.] Written by Shakespeare. Receipts: #50 (Cross)

Event Comment: Mainpiece: Reviv'd.Not acted these 6 years [see 14 May 1746]. Afterpiece: Less noise (Cross). Receipts: #60 (Cross)

Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the Chapel, in Little Wild St., and of Hobson at the stage door. Tickets deliver'd out for Jane Shore will be taken. A Pamphlet having lately appeared in Ridicule of the late performance of Othello at Drury Lane, to which was subjoined an Advertisement in my name,from whence Occasion has been taken to assert, that I was the publisher, the Publick may be assured that advertisement was inserted without my knowledge or consent, that I am entirely ignorant of the Author, nor am the least concerned in that mean invidious affair. F. Stamper (General Advertiser). [Stamper possibly refers to A satirical Dialogue Humbly address'd to the Gentlemen who deformed the play of Othello; with a Prologue and Epilogue, much more suitable to the occasion than their own. London: River, 1751, listed in the Register of Books, Gentleman's Magazine, March 1751, p. 142. Stamper may also be alluding in some way to a Modern Character introduced in the Scenes of Vanbrugh's Aesop as it was acted at a late private representation of King Henry IV, performed gratis at the Little Opera House in the Haymarket, 3rd edn. 1751, written by F. Stamper. It was published because the farce was hissed off the stage. The Character is a Spouter who tries to instruct Aesop in heroics.] Receipts: #210 (Cross)

Event Comment: Mainpiece: By Sir John Vanbrugh not acted these 6 years. [See 27 Feb. 1748.

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Event Comment: By Authority. Not acted there before. Tickets delivered out by Miss Barton will be taken. Also an additional Reinforcement of Mr Bayes's new raised Troops

Event Comment: Each of these 3 acts apiece, Alter'd by Garrick, from Shakespear-Applauded. Mrs Clive fell down in ye Farce, and accus'd Woodward wth doing it on purpose (Cross). [The Bill lists neither cast nor characters for either piece, but advertises them with proper music, songs, dances, and decorations. Beginning with 23 Jan. the Bill lists actors names. Casts here taken from the 1756 ed.] Receipts: #180 (Cross)

Event Comment: Benefit for Arthur. To prevent any obstruction in the performance, no building on Stage. Afterpiece: Written by Mr Arthur. [Last acted there 23 Sept. 1741.

Event Comment: Mainpiece: With Alterations. Not acted for 20 years. [See 28 April 1747. Some slight alterations were made by Dr Hawksworth (Genest, IV, 478).] The songs of the Interlude will be printed and deliver'd gratis at the Doors. This Day Publish'd Lilliput, a Dramatic Entertainment as it is performed at Drury Lane. Printed for Paul Vaillant, facing Southampton St. in the Strand, 1s. Receipts: #120 (Cross)

Event Comment: A Free Benefit for Ryan. Mainpiece: Not acted these 4 years. [See 3 April 1756.] Written by the late Mr Hughes. [For Afterpiece, see note.] Receipts: Door, #87 7s. Tickets #121 17s. (boxes 267; pit 286; gallery 122). (Account Book). [Ryan had advertised his benefit on 15 March to be The Siege of Damascus and a new Dramatic Satire called The Anniversary, being a Sequel to Lethe. On 16 March the following letter appeared in the Public Advertiser: "Upon reading Ryan's advertisement of a New Dramatic Satire, I was extremely pleas'd with a Description of the motive that occasioned it. He being last week at dinner with a set of particular friends, they inquired what Play and Farce he had chose this year for his Benefit. He inform'd them the Siege of Damascus and Lethe. Lethe, replied a Gentleman is very pleasing, but your friends have seen it, and you must fall into the fashion of having a new additional Scene; for a little bit of novelty may give assistance to its merit, and prove to your advantage. Why, then, said a facetious Gentleman, who sat very near him, Pray sir, do you write him one; 'twill cost you little trouble, and, you know, you are very capable. No more capable than yourself, Good Sir, answered the other; but to show I am full as willing, if you'll attempt to please his friends with one, upon my word I'll use my best endeavor to do the same, in writing of another. We need not fear Severity, for none will blame a friendly inclination to serve a man, who, I believe everyone wishes well. "Twas agreed, but Ryan judiciously observed, 'twould be a shame that two Gentlemen, each capable of writing to give an audience satisfaction, should condescend to make mere Lacqueys of their pens, and send them forth to hold the tail of Lethe; therefore if they should once begin, let them each write only one Hour longer, and they might raise a Structure of their own. They kindly undertook it, and in a Week sent him the piece he has now advertised."