SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Martha Smith"/1) | (@(roleclean,performerclean) "Mrs Martha Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23514 matches on Performance Comments, 4493 matches on Event Comments, 4262 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid Cooper (printer) #42 8s., and Mrs Lynn for a Lady's white and gold Flower'd suit of Cloaths #12 12s. (Account Book). Receipts: #141 16s

Performances

Mainpiece Title: The Fox

Performance Comment: Volpone-Smith; Mosca-Bensley; Voltore-Hull; Corvino-Clarke; Corbacchio-Shuter; Sir Politic Wou'dbe-Kniveton; Peregrine-R. Smith; Bonario-Wroughton; Lady Wou'dbe-Mrs Gardner; Caelia-Miss Miller.
Cast
Role: Volpone Actor: Smith
Role: Peregrine Actor: R. Smith
Role: Lady Wou'dbe Actor: Mrs Gardner

Afterpiece Title: Harlequin Sorcerer

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Hotspur-Smith; King Henry-Bensley (1st appearance in that character); Worchester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir Walter Blunt-Hurst; Prince John-Lamash; Westmorland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Sheriff-Griffiths; Gadshill-Holcroft; Peto-Nash; Prince of Wales-Palmer; Falstaff (1st time [at this theatre])-Henderson; Hostess-Mrs Bradshaw; Lady Piercy (1st time)-Mrs Cuyler.
Cast
Role: Hotspur Actor: Smith
Role: Hostess Actor: Mrs Bradshaw
Role: Lady Piercy Actor: Mrs Cuyler.

Afterpiece Title: The Quaker

Cast
Role: Cicely Actor: Mrs Love
Role: Floretta Actor: Mrs Wrighten.

Dance: End II: Comic Dance-the Miss Stageldoirs

Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performance Comment: King Arthur-Smith; Oswald-Brereton; Merlin-Aickin; Osmond-Farren; Conon-Packer; Albanact-Wrighten; Aurelius-R. Palmer; Guillamar-Griffiths; Grimbald-Bannister; Philidel-Miss Field; Cupid-Sga Romanzini (1st appearance on this stage); Emmeline-Miss Farren. [Edition of 1781 (W. Strahan [et al]) adds: Ã?olus-Danby; Matilda-Miss Barnes; and specifies Honour-Vernon [but he had withdrawn from the stage (see17811009); the part was probably acted by Du-Bellamy]; Venus-Miss Phillips; Airy Spirits-Miss Collett, Miss Wright.] hathi. hathi.
Cast
Role: King Arthur Actor: Smith

Afterpiece Title: Who's the Dupe

Cast
Role: Charlotte Actor: Mrs Wrighten
Role: Miss Doiley Actor: Mrs Brereton

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

Performance Comment: ; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten .
Event Comment: Benefit for Mrs Powell. 2nd piece [1st time; M. INT 1, author unknown. MS not in Larpent MS; not published]: Founded on a recent fortunate Event [the escape of Sir William Sidney Smith from The Temple, Paris, on 24 Apr. 1798 (European Magazine, June 1798, p. 395)]. With appropriate Scenery, and Machinery. [3rd piece in place of The Children in the Wood, advertised on playbill of 19 May.] Times, 15 May: Tickets to be had of Mrs Powell, No. 43, Craven-street, Strand. Receipts: #548 17s. (233.4.6; 61.4.6; 0.17.0; tickets: 253.11.0) (charge: #214 12s. 1d.)

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17980409, but added; Mrs Powell [the only time her name is in the playbill of this play (and see17971214)]; Wentworth_; Gibbon_; Original Epilogue-Mrs Jordan; (for that night only) a new Additional Dialogue[, written by M. G. Lewis, Esq., Author of the Play,-Mrs Jordan, Mrs Powell.

Afterpiece Title: The Escape

Performance Comment: Characters-Palmer, Caulfield, Trueman, Maddocks, Hollingsworth, Roffey, Male; Vocal Parts-Sedgwick, Dignum; Principal Dancer-Sga Bossi DelCaro. [Cast not known, except for Sir Sidney Smith-Palmer (Monthly Mirror, June 1798, p. 368.]

Afterpiece Title: The Shipwreck

Cast
Role: Sally Shamrock Actor: Mrs Bland.
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Cast
Role: Monimia Actor: Mrs Spencer

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Principal Vocal Characters Actor: Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna
Role: Colembine Actor: Mrs Parker
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Goddess of Silence Actor: Mrs Follett
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment">Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Barry; Lockit-Thompson; Mat-Bannister; Ben Budge-Palmer; Peachum-Shuter; Filch-Weston; Jemmy Twitcher-Smith; Crook@finger'd Jack-Lyngs; Wat Dreary-Newton; Robin o Bagshot-Gardner; Nymming Ned-Pynn; Harry Paddington-Loveman; Player-Strange; Beggar-Castle; Lucy-Mrs Mahon (being her first appearance on that Stage); Mrs Peachum-Mrs Johnson; Mrs Slammekin-Mrs Gardner; Molly Brazen-Mrs Burden; Dolly Trull-Mrs Kirby; Betty Doxy-Mrs Palmer; Polly-Mrs Dancer.
Cast
Role: Jemmy Twitcher Actor: Smith
Role: Lucy Actor: Mrs Mahon
Role: Mrs Peachum Actor: Mrs Johnson
Role: Mrs Slammekin Actor: Mrs Gardner
Role: Molly Brazen Actor: Mrs Burden
Role: Dolly Trull Actor: Mrs Kirby
Role: Betty Doxy Actor: Mrs Palmer
Role: Polly Actor: Mrs Dancer.

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.

Afterpiece Title: The Miller of Mansfield

Cast
Role: Kate Actor: Mrs Millidge
Role: Margery Actor: Mrs Bradshaw
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Moody; Sir John Lambert-Packer; Seyward-Brereton; Col. Lambert-Jefferson; Maw@Worm-A Young Gentleman (3rd appearance upon any stage [Baker]); Darnley-Bensley; Lady Lambert-Miss Sherry; Old Lady Lambert-Mrs Bradshaw; Charlotte-Mrs Abington (1st appearance this season).

Afterpiece Title: A ChristmasTale

Performance Comment: Floridor-Vernon; Bonoro-Bannister; Faladel-Parsons; Nigromant-Legg; Tycho-Dodd; Robinette-Mrs Wrighten; Camilla-Mrs Baddeley; The Other Characters-Hurst, Burton, Lamash, R. Palmer, Wright, Fawcett, Kear, Master Pulley, Miss Platt, Mrs Scott, Miss Jarratt, Edition of 1776 (T. Becket) specifies: Radel-Lamash; Messengers-R. Palmer, Master Pulley; Good and Evil Spirits, in various characters-Hurst, Burton, Wright, Carpenter, Miss Platt, Mrs Scott, Miss Jarratt, Mrs Johnston, Mrs Bradshaw; Account-Book adds: Chorus Singers-Follett, Chaplin, Reynoldson, Webbe, Mrs J. Smith, Miss Collett, Mrs Love, Mrs Pitt, Miss Abrams, Miss Boyd.
Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: A Concert, etc. As translated into French from The Beggar's Opera. [According to the Daily Advertiser of 17 Feb. the play was performed. N.B. Mrs Knight played three parts.

Performances

Mainpiece Title: L'opera Du Gueux

Performance Comment: Dubutin-Costo; Delateur-Fern; Tourneclef-Smith; Comedian-Johnson; Gueux-Edwards; Mathieu [Dubutin in Daily Advertiser]-Daniel; Laronneau-Jackson [Morgan in earlier notices]; Jaques-Brown; Henry du Chemin-Johnson; Mme Delateur-Mrs Knight; Mlle Manon@Delateur-Miss Davis; Mlle Cajoleuse-Miss Rawlinson [Mrs Jackson in earlier notices]; Dorothee Coureuse-Mrs Anderson; Mlle Grondant-Mrs Butler; Babeau Catin-Miss Stevens; Janneton du Plongeon-Mrs Knight; Mlle Sans Corps-Miss Cotterel [Mrs Williams in earlier notices]; Susanne Pimpante-Mrs Daniel; Manon Effrontee-Mrs Adams; Diane de la Friperie-Mrs Knight; Mlle Lucie-Miss Talbot.

Dance: HHornpipe-Greniere; End: Dance al la Ronde in the French Manner,-the Characters of the Opera

Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Performance Comment: Edition of 1680: Wellman-Smith; Friendly-Williams; Mr Shatter-Bowman; Trickwell-Jevorn; Mr Dashit-Lee; Glisten-Bright; Jock-Mumford; Corina-Mrs Barry; Marinda-Mrs Butler; Diana-Mrs Price; Ample-Anybody; Mrs Dashit-Mrs A. Lee [Elinor Leigh]; Mrs Dunwell-Mrs Norice.
Cast
Role: Wellman Actor: Smith
Role: Corina Actor: Mrs Barry
Role: Marinda Actor: Mrs Butler
Role: Diana Actor: Mrs Price
Role: Mrs Dashit Actor: Mrs A. Lee
Role: Mrs Dunwell Actor: Mrs Norice.
Event Comment: Written by Mrs A. Behn. Benefit Mrs Seal

Performances

Mainpiece Title: The Rover

Performance Comment: Rover-Giffard; Hellena-Mrs Seal; Angelica-Mrs Giffard; Belvil-Huddy; Frederick-W. Williams; Antonio-Bardin; Pedro-Smith; Stephano-Machen; Phillippo-Collet; Sancho-R. Williams; Blunt-Penkethman; Florinda-Mrs Purden; Valeria-Mrs Mountfort; Moretta-Mrs Thomas; Callis-Mrs Palmer; Lucetta-Mrs Kirk.
Cast
Role: Hellena Actor: Mrs Seal
Role: Angelica Actor: Mrs Giffard
Role: Pedro Actor: Smith
Role: Florinda Actor: Mrs Purden
Role: Valeria Actor: Mrs Mountfort
Role: Moretta Actor: Mrs Thomas
Role: Callis Actor: Mrs Palmer
Role: Lucetta Actor: Mrs Kirk.

Song: A Song-Miss Thornowets; Susan's Complaint-Miss Mountfort

Dance: PPierrots-; Shepherds and Shepherdesses-

Event Comment: Mainpiece: A Comedy by Mrs E. Griffith, acted for first time. New Scenes, Dresses, Decorations, etc. Neville MS Diary: While I stood at the Pit door of Drury Lane Playhouse, took occasion to say that now they (meaning the present venal House of Commons) had expelled Mr Wilkes they would proceed to do everything that is bad. For which one present (I suppose a friend of the Court) said they would proceed to send me to Newgate if it should come to their ears

Performances

Mainpiece Title: The School For Rakes

Performance Comment: Parts by: Holland, King, Reddish, Cautherly, Dodd, Palmer, Baddeley, Mrs Baddeley, Mrs Clive. Prologue, Epilogue. Frampton-Reddish; Lord Eustace-Cautherly; Sir William Evans-Holland; Willis-Dodd; Capt. Loyd-King; Col. Evans-Palmer; Robert-Baddeley; Mrs Winifred-Mrs Clive; Harriet-Mrs Baddeley; Betty-Mrs Smith; Prologue-King; Epilogue (by Garrick)-Mrs Clive (Edition of 1769).
Cast
Role: Mrs Winifred Actor: Mrs Clive
Role: Harriet Actor: Mrs Baddeley
Role: Betty Actor: Mrs Smith
Role: Epilogue Actor: Mrs Clive

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Mrs Johnston

Dance: I: The Wake, as17680929

Event Comment: Benefit for T. Smith, Furkins, Roffe [sic], Miss Stede, Mrs Hartle. Tickets deliver'd by Morgan, Stephenson, Claridge, Bagg, Wilkinson, Whatley, Pullin, Miss Brown, Mrs Griffiths, and Mrs Walters will be taken. No charges. House received 1!2 value of Tickets and the Receipts. @Tickets Box Pit Gallery Value 1!2 Value @T. Smith 10 48 75 #17 4s. #8 12s. @Furkins 10 20 24 #7 18s. #3 19s. @Rose 27 48 29 #6 17s. #8 8s. 6d. @Miss Stede 6 13 50 #8 9s. #4 4s. 6d. @Morgan 3 10 35 #5 15s. #2 17s. 6d. @Mrs Hartle 40 69 104 #30 15s. #15 7s. 6d. @Stephenson 21 66 129 #28 1s. #14 6d. @Claridge 15 16 19 #8 1s. #4 6d. @Bagg 3 4 9 #2 5s. #1 2s. 6d. @Wilkinson 30 13 5 #9 19s. #4 19s. 6d. @Whatley -- 4 33 #3 18s. #1 19s. @Pullen 2 41 64 #13 1s. #6 10s. 6d. @Miss Brown 11 37 31 #11 8s. #5 14s. @Mrs Griffiths -- 25 21 #5 17s. #2 18s. 6d. @Mrs Walters 2 19 83 #11 13s. #5 16s. 6d. @Money Value #48 5s. 6d. @Box 180 Pit 433 Gallery 711 Total House Value #229 6s. 6d. 1!2 Value #90 10s. 6d.@ [The house made no charges, but received the half value from each beneficiary as listed above (Account Book). About 1,324 Tickets given out. Capacity of the house must have been about 1,700 at this time. See 14 April.

Performances

Mainpiece Title: The Miser

Performance Comment: As17681227, but Harriet-Mrs Dyer.
Cast
Role: Harriet Actor: Mrs Dyer.
Role: Lappet Actor: Mrs Green
Role: Mrs Wisely Actor: Mrs Ferguson
Role: Wheedle Actor: Mrs Evans
Role: Mariana Actor: Mrs Bulkley.

Afterpiece Title: Harlequin Dr Faustus

Cast
Role: Shade of Helen Actor: Mrs Baker
Role: Lady Relish Actor: Mrs Dyer

Dance: III: A Hornpipe-Miss Stede, scholar to Fishar

Event Comment: Benefit for Dunstall and Mrs Dunstall. Mainpiece: Not acted these two years. [See 25 Jan. 1751.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Dunstall, 1st time; Ford-Ryan; Page-Ridout; Fenton-Gibson; Shallow-Collins; Caius-Stoppelaer; Slender-Bennet; Rugby-C. Smith; Evans-Arthur; Mrs Page-Mrs Barrington; Anne Page-Mrs Baker; Simple-Bencraft; Robin-Miss Mullart; Mrs Quickly-Mrs Pitt; Pistol-Cushing; Nym-Holtom; Bardolph-Wignel; Host-Marten; Mrs Ford-Mrs Bland.
Cast
Role: Rugby Actor: C. Smith
Role: Mrs Page Actor: Mrs Barrington
Role: Anne Page Actor: Mrs Baker
Role: Mrs Quickly Actor: Mrs Pitt
Role: Mrs Ford Actor: Mrs Bland.

Afterpiece Title: The Double Disappointment

Cast
Role: Jeremy Actor: R. Smith

Dance: IItalian Peasants, as17531120; Les Taileurs, as17531210

Event Comment: Receipts: #41 13s. 6d. Paid J. Powell 6 nights Renters to instant: #72 6s.; Guards 6 nights #4 4s.; Mrs Rich 6 nights to instant #31 10s.; C. Rich ditto #6; J. Rich #20; Mr Gum for Scenemen #6 9s. 3d.; Performers 5 nights #185 11s. 6d.; Servants 6 nights #23 13s. [The expenditures for renters (100) at 2s. 4d. each per acting night, is a weekly constant. The amount for Mrs Rich of #5 5s. each acting night as well as that of #1 for C. Rich each acting night, is a constant. These will not be further recorded, nor will the nightly constant of 13s. for the guards, and 5s. 4d. nigthly for the barber.

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Elder Wou'dbe-a Gentleman, 1st appearance on any stage [Hull]; Young Wou'dbe-Dyer; Balderdash-Marten; Clearaccount-Collins; Fairbank-Anderson; Comic-Perry; Trueman-Smith; Richmore-Ridout; Subtleman-Dunstall; Alderman-Bennet; Captain-Wignel; Frisure-Holtom; Teague-Barrington; Mrs Midnight-Mrs Copin; Mrs Clearaccount-Mrs Ferguson; Constance-Mrs Vincent; Aurelia-Mrs Hamilton.
Cast
Role: Trueman Actor: Smith
Role: Mrs Midnight Actor: Mrs Copin
Role: Mrs Clearaccount Actor: Mrs Ferguson
Role: Constance Actor: Mrs Vincent
Role: Aurelia Actor: Mrs Hamilton.

Afterpiece Title: The Contrivances

Performance Comment: Rovewell-Lowe; Arethusa-Mrs Baker.
Cast
Role: Arethusa Actor: Mrs Baker.

Dance: Comic Dance,The Threshers-Leppie, Granier, Mlle Capdeville

Event Comment: Receipts: #138. The weekly bill for the scenemen doubled this week, #18 16s. Paid Meares as per bill #6 18s. 1d.; Paid Mrs Buck for 13 days salary as dresser at 1s. 6d. per day; 19s. 6d.; Paid Mr Buck for making 13 Tambourines for The Fair, #2 15s.; Paid Mrs Lucy Gwynn a bill for cleaning silks, &c., 17s

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Cimberton-Shuter; Tom (with song in character)-Dyer; Humphrey-Anderson; Daniel-Collins; Lucinda-Mrs Baker; Phyllis-Mrs Vincent; Mrs Sealand-Mrs Stephens; Isabella-Mrs Ferguson; Indiana-Mrs Ward.
Cast
Role: Myrtle Actor: Smith
Role: Lucinda Actor: Mrs Baker
Role: Phyllis Actor: Mrs Vincent
Role: Mrs Sealand Actor: Mrs Stephens
Role: Isabella Actor: Mrs Ferguson
Role: Indiana Actor: Mrs Ward.

Afterpiece Title: The Fair

Song: Lowe

Event Comment: Benefit for Mrs Hamilton. Mainpiece: Not acted in 10 years. [See 16 Jan. 1753.] Afterpiece: By Desire of several Ladies of Quality. Ladies send servants by 3 o'clock. Receipts: #56 16s. plus #154 13s. from tickets (Box 203; Pit 514; Gallery 268) (Account 8ook). Charges: #64 5s. (Account Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Sparks; Copper Capt.-Smith, 1st time; Don Juan-Hull; Duke-Anderson; Cacafogo-Marten; Alonzo-Perry; Sanchio-Davies; Old Woman-Shuter; Maid-Weller; Lorenzo-Holtom; 1st Lady-Mrs Copin; 2nd Lady-Mrs Ferguson; 3rd Lady-Miss Davies; Altea-Mrs Pitt; Clara-Mrs Lee; Margaretta-Mrs Vincent; Estifania-Mrs Hamilton; New Epilogue in the character of Estifania-Mrs Hamilton.

Afterpiece Title: The Contrivances

Performance Comment: Arethusa-Mrs Storer, 1st appearance here in 8 years; Rovewell-Mattocks; after the Farce Mrs Storer will sing Ellen-a-Roon.

Dance: LLes Charboniers, as17601216

Event Comment: Benefit for Redman, Lewis, Dibdin. Hussey, Miss Cokayne. Mainpiece: Not acted these 5 years. [See 18 May 1757.] Tickets deliver'd by Rawlins, Dufour, and Mrs Gwinn, and others will be accepted

Performances

Mainpiece Title: The City Wives Confederacy

Performance Comment: Moneytrap-Shuter; Gripe-Lewis; Dick-Smith; Clip-Redman; Jessamin-Bennet; Brass-Dyer; Mrs Amlet-Mrs Pitt; Araminta-Mrs Barrington; Flippantia-Mrs Vincent; Corinna-Miss Cokayne; Mrs Clogitt-Mrs Copin; Clarissa-Mrs Dyer.
Cast
Role: Dick Actor: Smith
Role: Mrs Amlet Actor: Mrs Pitt
Role: Araminta Actor: Mrs Barrington
Role: Flippantia Actor: Mrs Vincent
Role: Mrs Clogitt Actor: Mrs Copin
Role: Clarissa Actor: Mrs Dyer.

Afterpiece Title: The Devil to Pay

Cast
Role: Nell Actor: Mrs Green.
Role: Lady Loverule Actor: Mrs Pitt

Dance: III: The Pierrots-Hussey, Dufour; End: The Taylors, as17620107

Event Comment: Paid from treasurer's funds #16 12s. for a Lottery Tickett No. 5,603. Paid for playing the Organ 9 nights in the Oxonian in Town #2 5s. (Account Book). [Colman seems to have been dissatisfied with Mrs Lessingham's performance, for the Harvard Extra Illustrated Vol. of Genest (opposite p. 185) contains a MS note dated Tuesday Morning: "Mrs Bulkley's compliments to Mr Hull, as she is ready in the part of Mrs Sullen he need not call any rehearsal on her account." Presumably this note was written to the prompter the following Tuesday (24 Nov.). The next performance this season of the Stratagem did not occur, however, until 22 April 1768, at which time Mrs Bulkley played Mrs Sullen, for the 1st time.] Receipts: #155 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Smith; Aimwell-Bensley; Bonniface-Dunstall; Forigard-Barrington; Sullen-Gibson; Gibbet-Bennet; Scrub-Shuter; Sir Charles Freeman-DuBellamy; Dorinda-Mrs Mattocks; Cherry-Miss Ward; Mrs Sullen-Mrs Lessingham, 1st time (playbill).
Cast
Role: Archer Actor: Smith
Role: Dorinda Actor: Mrs Mattocks
Role: Mrs Sullen Actor: Mrs Lessingham, 1st time

Dance: IV: A New Comic Dance, as17671021

Event Comment: Benefit for Vernon. Rec'd Mrs Johnston's rent 1 year to Lady Day #6. Paid Powney (stationer) #7 2s. 6d.; Ray (linen draper) #25 6s. 6d.; Vaughan (haberdasher) #4 10s. 6d.; Norfolk (glazier) #2 3s.; Barrow and Co. Oil #54 15s. 6d.; Pryer (turner) #5 18s. 6d.; Carter (scowerer) #9 8s. 6d.; Evans for Spermacetti Candles #5; Watch Rate half year #18 15s.; Cubit (tinman) #2 6d. Receipts: #160 10s. Charges: #66 16s. Profits to Vernon: #93 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Mat@O@Mint-Kear; Ben Budge-Burton; Player-Whitfield; Beggar-Waldron; Filch-Parsons; Peachum-Moody; Lockit-Bransby; Lucy-Mrs Wrighten; Polly-Mrs Smith; Diana Trapes-Mrs Bradshaw; Mrs Peachum-Mrs Love; In Act III, a Hornpipe-Mrs Sutton; To conclude with a Country Dance-.
Cast
Role: Lucy Actor: Mrs Wrighten
Role: Polly Actor: Mrs Smith
Role: Diana Trapes Actor: Mrs Bradshaw
Role: Mrs Peachum Actor: Mrs Love
Role: a Hornpipe Actor: Mrs Sutton

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Vernon; Trippit-Lamash; Mrs Gadabout-Miss Platt; Gayless-Davies; Kitty Pry-Mrs Davies; Melissa-Miss Hopkins; Justice-Griffiths; Cook-Wright.
Cast
Role: Mrs Gadabout Actor: Miss Platt
Role: Kitty Pry Actor: Mrs Davies

Dance: End Opera: The Grand Garland Dance, as17760311

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.
Cast
Role: Lord Townly Actor: Smith
Role: Lady Wronghead Actor: Mrs Hopkins
Role: Miss Jenny Actor: Mrs Davies
Role: Mrs Motherly Actor: Mrs Cross
Role: Trusty Actor: Mrs Johnston
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16. Whether this is the premiere is not known. A song, Amintas that true-hearted swain, with music by John Bannister, is in Choice Ayres, Songs, and Dialogues, 2d. Ed., 1675. Downes, Roscius Anglicanus, p. 34: The Jealous Bridegroom, Wrote by Mrs Bhen, a good Play and lasted six Days; but this made its Exit too, to give Room for a greater. The Tempest. Note, In this Play, Mr Otway the Poet having an Inclination to turn Actor; Mrs Bhen gave him the King in the Play, for a Probation Part, but he being not us'd to the Stage; the full House put him to such a Sweat and Tremendous, Agony, being dash't, spoilt him for an Actor

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performance Comment: Edition of 1671: Prologue-; Epilogue-a Woman; King-Westwood [ThomasOtway, however, played it the first night]; Philander-Smith; Alcippus-Betterton; Orgulious?-Norris; Alcander-Young; Pisaro-Cademan; Fallatius-Angel; Cleontius-Crosby; Gallatea-Mrs Jennings; Erminia-Mrs Betterton; Aminta-Mrs Wright; Olinda-Mrs Lee; Isilia-Mrs Clough.
Cast
Role: Philander Actor: Smith
Role: Gallatea Actor: Mrs Jennings
Role: Erminia Actor: Mrs Betterton
Role: Aminta Actor: Mrs Wright
Role: Olinda Actor: Mrs Lee
Role: Isilia Actor: Mrs Clough.