SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs Lee\'sgreatBooth"/1) | (@(roleclean,performerclean) "Mrs Lee\'sgreatBooth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23435 matches on Performance Comments, 4416 matches on Event Comments, 4210 matches on Performance Title, 617 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Mrs Chambers. At the Desire of several Persons of Quality and Distinction

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17351120, but Cherry (by Desire)-Mrs Chambers, being the first Time of her appearing in the Dramatick Way; Aimwell-Havard; Dorinda-Miss Hughes .

Afterpiece Title: The Lover His Own Rival

Performance Comment: As17360325 Prologue and Epilogue sung by Mrs Roberts .

Dance: I: Richmond Maggot by Le Sac and Mrs Woodward. II: Dutch Skipper by Vallois and Mrs Bullock. IV: English Maggot by Haughton and Mrs Bullock

Performance Comment: II: Dutch Skipper by Vallois and Mrs Bullock. IV: English Maggot by Haughton and Mrs Bullock .

Song: III: English Song by Mrs Chambers. V: Italian Song by Mrs Chambers

Performance Comment: V: Italian Song by Mrs Chambers .
Event Comment: Benefit Woodward and Mrs Haughton. Tickets for Dove and Bowcher also taken

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Captain-Giffard; Leon-W. Giffard; Duke-Havard; Juan-Richardson; Cacafogo-Lyon; Sancho-Dove; Alonzo-Hamilton; Estifania-Mrs Giffard; Margaretta-Mrs Roberts; Altea-Miss Tollet; Old Woman-Penkethman .
Cast
Role: Estifania Actor: Mrs Giffard
Role: Margaretta Actor: Mrs Roberts

Afterpiece Title: The Lottery

Performance Comment: Jack Stocks-Woodward; Chloe-Mrs Roberts; Stocks-Lyon; Lovemore-Miss Jones .
Cast
Role: Chloe Actor: Mrs Roberts

Dance: II: Richmond Maggot by Le Sac and Mrs Woodward. III: Pierrots by Vallois and Delagarde. IV: Scot's Dance by Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock

Performance Comment: III: Pierrots by Vallois and Delagarde. IV: Scot's Dance by Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock .
Event Comment: Benefit for Mrs Pritchard. Part of Pit laid into Boxes

Performances

Mainpiece Title: The Mistake

Performance Comment: Parts-Garrick, King, Palmer, Yates, Bransby, Philips, Burton, Blakes, Mrs Clive, Mrs Davies, Mrs Bennet, Mrs Pritchard. [See parts assigned 22 April.]See parts assigned 22 April.]

Afterpiece Title: The Old Maid

Cast
Role: Miss Harlowe Actor: Mrs Kennedy
Role: Mrs Harlowe Actor: Miss Haughton
Role: Trifle Actor: Mrs Hippisley.

Dance: End: By Particular Desire of several persons of Quality a Minuet-Noverre, Mrs Palmer. *uö‘dl New Interlude, call'dThe Farmer's Return from London. Farmer-Garrick; Farmer's Wife-Mrs Bradshaw

Performance Comment: *uö‘dl New Interlude, call'dThe Farmer's Return from London. Farmer-Garrick; Farmer's Wife-Mrs Bradshaw.
Cast
Role: Farmer's Wife Actor: Mrs Bradshaw.
Event Comment: Benefit Vallois and Mrs Vallois. At the particular Desire of several Persons of Distinction. Afterpiece: Compos'd by Mons Roger, the late famous Pierrot of Drury-Lane. Taken from Ovid's Metamorphosis. With a new Scene

Performances

Mainpiece Title: The Wonder

Performance Comment: Briton-Delane; Felix-Giffard; Violante-Mrs Giffard; Lissardo-Penkethman; Flora-Mrs Roberts; but see17331211 . but see17331211 .
Cast
Role: Violante Actor: Mrs Giffard
Role: Flora Actor: Mrs Roberts

Afterpiece Title: Diana and Acteon

Performance Comment: Acteon-Vallois; Diana-Mrs Bullock; Companions of Acteon-Sandham, Delagarde, Evans; Followers-Excell, Dove, Morris, Presgrove; Companions of Diana-Mrs Vallois, Mrs Haughton, Miss Wherrit, Miss Sandham .

Dance: II: Minuet and a new Rigadoon by Vallois and Mrs Vallois. III: Scots Dance by Vallois and Mrs Bullock

Performance Comment: III: Scots Dance by Vallois and Mrs Bullock .
Event Comment: Benefit Jovan de Vallois and Mrs Woodward. At the Desire of several Persons of Quality and Distinction. [For a discussion of the stage, see Grub St. Journal, 17 April.]

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17350113, but Sir John-W. Giffard; Daniel-Woodward; Phillis-Mrs Hamilton; Lucinda-Mrs Woodward .
Cast
Role: Phillis Actor: Mrs Hamilton
Role: Lucinda Actor: Mrs Woodward
Role: Indiana Actor: Mrs Giffard
Role: Mrs Sealand Actor: Mrs Monlass
Role: Isabella Actor: Mrs Haughton

Afterpiece Title: Flora

Dance: II: Minuet and Louvre by Jouan de Vallois and Mrs Bullock. III: Pierrots by Vallois and Delagarde. V: Pastoral by Vallois and Mrs Bullock

Performance Comment: III: Pierrots by Vallois and Delagarde. V: Pastoral by Vallois and Mrs Bullock .

Song: In I: By Mrs Chambers

Event Comment: Benefit Mrs Haughton and the Widow of Joseph Giffard, Apothecary. At the particular Desire of several Persons of Distinction. Any Gentleman, or Lady, who design to serve the Widow of Mr Joseph Giffard, Apothecary, who is left with Five Children are desired to take their Tickets at Pidgeon's Coffee-House

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Cast
Role: Queen Actor: Mrs Haughton
Role: Ophelia Actor: Mrs Hamilton

Afterpiece Title: The Mock Doctor

Dance: III: La Follette c'est Ravize by Tench and Mrs Woodward. V: Scotch Dance by Mrs Bullock

Performance Comment: V: Scotch Dance by Mrs Bullock .

Song: II: A Song with French Horns by Miss Jones. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .
Event Comment: Benefit Mrs Hamilton. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Indian Emperor Or The Conquest Of Mexico By The Spaniards

Performance Comment: Montezuma-Johnson; Cortez-Giffard; Cydaria-Mrs Giffard; Almeria-Mrs Roberts; Guyomar-Richardson; Odmar-Rosco; Orbellan-Woodward; Vasquez-Havard; Pizarro-Hamilton; High Priest-Lyon; Alibech-Mrs Haughton .
Cast
Role: Cydaria Actor: Mrs Giffard
Role: Almeria Actor: Mrs Roberts
Role: Alibech Actor: Mrs Haughton

Afterpiece Title: The Lover His Own Rival

Performance Comment: As17360325 Prologue and Epilogue sung by Mrs Roberts .

Dance: II: Dutch Skipper by Vallois and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c

Performance Comment: V: Scot's Dance by Haughton, Mrs Bullock, &c .

Song: I: Warriours Song (King Arthur) and III: Watchman's Song (Britannia) by Two Masters Hamilton. IV: By Mrs Chambers

Performance Comment: IV: By Mrs Chambers .
Event Comment: For one Night Only Concert. Prices: 4s., 2s. 6d., after which will be perform'd (Gratis) a new Farce of Three Acts. To begin at 7 p.m. Tickets to be had of Mrs Hooper. [A new play by Mrs Hooper.

Performances

Mainpiece Title: The Cyclopedia

Related Works
Related Work: The Cyclopedia Author(s): Mrs. Hooper

Performances

Mainpiece Title: Queen Tragedy Restored

Performance Comment: Principal part-Mrs Hoper.
Cast
Role: Principal part Actor: Mrs Hoper.
Related Works
Related Work: Queen Tragedy Restored Author(s): Mrs. Hooper
Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

Related Works
Related Work: Queen Tragedy Restored Author(s): Mrs. Hooper

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir Francis Gripe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir George Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1st appearance on any stage).
Cast
Role: Patch Actor: Mrs Lee Lewes
Role: Isabinda Actor: Mrs Day

Afterpiece Title: The Advertisement or A New Way to Get a Husband

Performance Comment: Principal Characters-Lee Lewes, Wewitzer, Fennell, Mrs Lee Lewes, Mrs Day, Mrs Everard, Miss Brown; Larpent MS lists the parts: Alderman Goslin, Young Goslin, Harry, Thomas, Peruque, Mrs O'Trigger-Mrs Lee Lewes (Oracle, 8 Mar.) Mrs Courtney, Kitty, Mrs Snip, Betty.

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

Event Comment: Comedy by Mrs Griffith, never before acted. [Not well received the first night, but clarified and improved the second Victor, History of the Theatres, III, 59. Prologue and Epilogue printed in Public Advertiser, 28 Jan.

Performances

Mainpiece Title: The Platonic Wife

Performance Comment: Parts by: Powell, Holland, Griffith, Lee, Havard, Moody, Parsons, Ackman, Mrs Clive, Miss Pope, Mrs Hopkins, Mrs Cross, Mrs Lee, Mrs Hippisley, Mrs Yates. With a Prologue and an Epilogue. Prologue-; Lord Frankland-Powell; Sir William Belville-Holland; Sir Harry Wilmot-Griffith; Mr Frankland-Lee; Ambrose-Havard; Patrick-Moody; Nicodemus Nicodemus-Parsons; Footman-Ackman; Lady Fanshaw-Mrs Clive; Emilia-Miss Pope; Clarinda-Mrs Hopkins; Frontage-Mrs Cross; Betty-Mrs Lee; Lucy-Mrs Hippisley; Lady Frankland-Mrs Yates; Epilogue-Mrs Clive (Genest, V, 65, suggests the character Fantange instead of Frontage), Published edn., 1765, lists the character Fontange.
Cast
Role: Lady Fanshaw Actor: Mrs Clive
Role: Clarinda Actor: Mrs Hopkins
Role: Frontage Actor: Mrs Cross
Role: Betty Actor: Mrs Lee
Role: Lucy Actor: Mrs Hippisley
Role: Lady Frankland Actor: Mrs Yates
Role: Epilogue Actor: Mrs Clive
Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Performance Comment: Edition of 1694: Prologue-Mr Powel; Epilogue-Sancho, Mary the Buxome; Duke Richardo-Cibber; Cardenio-Bowman; Ambrosio-Verbruggen; Don Quixot-Boen; Manuel-Powel; Pedro Rezio-Freeman; Bernardo-Trefuse; Diego-Harris; Page to the Duke-Lee; Sancho Pancha-Underhil; Dutchess-Mrs Knight; Luscinda-Mrs Bowman; Dulcinea del Toboso-Lee; Marcella-Mrs Bracegirdle; Don Rodriguez-Mrs Kent; Teresa Pancha-Mrs Lee; Mary-Mrs Verbruggen.
Cast
Role: Dutchess Actor: Mrs Knight
Role: Luscinda Actor: Mrs Bowman
Role: Marcella Actor: Mrs Bracegirdle
Role: Don Rodriguez Actor: Mrs Kent
Role: Teresa Pancha Actor: Mrs Lee
Role: Mary Actor: Mrs Verbruggen.
Event Comment: [Extra night] Benefit for Lee Lewes. [Mrs Saunders is identified in Diary, 19 Nov. 1790.] Receipts: none listed

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Performance Comment: Don Manuel-Waldron; Don Philip-Benson; Octavio-Bland; Soto-Rock; Trappanti-Lee Lewes; Flora-Mrs Collins; Rosa-Mrs Rock; Viletta-Mrs Lee Lewes; Hyppolita-A Young Lady (1st appearance in London [Mrs Saunders]).Mrs Saunders]).
Cast
Role: Flora Actor: Mrs Collins
Role: Rosa Actor: Mrs Rock
Role: Viletta Actor: Mrs Lee Lewes

Afterpiece Title: A Merry Sketch of Folly and Fashion

Event Comment: A New Comedy Written by Mrs Sheridan. This play was well Acted, but the subject seem'd to displease. The three first Acts pass'd off tolerably; in 4 Act they begun to hiss, & continued it to the End of the play. When Mr Havard went forward & Address'd the Audience &c. as follows Ladies & Gentn as Some passages in the play had given offence, they should be omitted the Next Night. Much hissing, & many Cry'd out No more! no more &c. (Hopkins). Much Hiss'd (Cross Diary). A new Comedy (The Dupe) wrote by Mrs Sheridan.--This play was very well acted,--but the subject much displeased.--in 4th act much hissing, and so on to the end. When Mr Havard told the audience as some passages in the play had given offence, they should be omitted the next night, much hissing and many cried out, "No more, No more." (Hopkins Diary-MacMillan). Receipts: #167 18s. (MacMillan)

Performances

Mainpiece Title: The Dupe

Performance Comment: Characters-Yates, Havard, King, Packer, Watkins, Strange, Mrs Clive, Mrs Palmer, Mrs Lee, Mrs Pritchard Sir John Woodall-Yates; Sharply-King; Friendly-Havard; Wellford-Packer; Mrs Etherdown-Mrs Pritchard; Mrs Friendly-Mrs Clive; Emily-Mrs Palmer; Rose-Mrs Lee; Servants-Watkins, Strange; Prologue-Havard; Epilogue-Mrs Clive (Genest, V, 41).

Dance: III: The Irish Lilt, as17630922

Event Comment: The United Company. The date of the premiere is not certain, but the fact that a song in the play, composed by Henry Purcell and sung by Mrs Hudson, is in the Gentleman's Journal, January@February 1693@4 (advertised in the London Gazette, No 2955, 5-8 Marcn 1693@4) suggests that the play had its premiere in February. The play was advertised in the London Gazette, No 2959, 19-22 March 1693@4. The music for additional songs was composed by Henry Purcell: The danger is over, sung by Mrs Hudson, is in Joyful Cuckoldom, ca. 1695; I sighed and owned my love, sung by Mrs Ayliff, is in Thesaurus Musicus, Book III, 1695. See also Purcell's Works, Purcell Society, XX (1916), i-iii. Two songs were composed by John Eccles: Still, I'm grieving, sung by Mrs Bracegirdle; and Give then royal maid your sorrows o're, sung by Mrs Cibber, are in Thesaurus Musicus, 1695. Gentleman's Journal, March 1694 (advertised in London Gazette, No 2964,5-9 April 1694): Mr Southern's new Play call'd The Fatal Marriage; or, The Innocent Adultery, has been so kindly receiv'd, that you are by this time no stranger to its merit. As the world has done it justice, and it is above my praise, I need not expatiate on that subject. [See also 22 March 1693@4.

Performances

Mainpiece Title: The Fatal Marriage Or The Innocent Adultery

Performance Comment: Edition of 1694: Prologue-Mrs Bracegirdle; Count Baldwin-Kynaston; Biron-Williams; Carlos-Powell; Villeroy-Betterton; Frederick-Verbruggen; Fernando-Doggett; Fabian-Mich. Lee; Jaqueline-Bowen; Sampson-Underhill; Bellford-Harris; Pedro-Freeman; Isabella-Mrs Barry; Julia-Mrs Knight; Villeria-Mrs Bracegirdle; Nurse-Mrs Lee; Epilogue-Mrs Verbruggen.
Cast
Role: Prologue Actor: Mrs Bracegirdle
Role: Isabella Actor: Mrs Barry
Role: Julia Actor: Mrs Knight
Role: Villeria Actor: Mrs Bracegirdle
Role: Nurse Actor: Mrs Lee
Role: Epilogue Actor: Mrs Verbruggen.
Event Comment: MMr Foote, the author of the Farce play'd Majr Sturgeon. Mrs Clive Hiss'd, in Mrs Sneak (Hopkins). Mrs Clive not liked in Mrs Sneak (Hopkins Diary-MacMillan). [Mainpiece by Brooke.] Afterpiece: A Farce in 2 acts, never acted there. Receipts: #170 5s. (MacMillan)

Performances

Mainpiece Title: The Earl Of Essex

Cast
Role: Countess of Nottingham Actor: Mrs Hopkins
Role: Rutland Actor: Mrs Yates
Role: Queen Actor: Mrs Pritchard

Afterpiece Title: The Mayor of Garratt

Performance Comment: Parts by Foote, Baddeley, Weston, Bransby, Moody, Clough, Vaughan, Fox, Mrs Lee, Mrs Clive. Major Sturgeon-Foote; Jerry Sneak-Weston; Sir Jacob Jollup-Baddeley; Bruin-Moody; Mug-Foote; Mrs Sneak-Mrs Clive; Roger-Clough; Snuffle-Vaughan; Heeltap-Bransby; Lint-Castle; Mrs Bruin-Mrs Lee; Mob-Fox, Marr, Watkins, Strange (Edition of 1764).
Cast
Role: Mrs Sneak Actor: Mrs Clive
Role: Mrs Bruin Actor: Mrs Lee

Dance: IV: The Provancalle, as17631014

Event Comment: Benefit for Mrs Yates. Farce in 2 acts written by Murphy for Mrs Yates (Genest, V, 67)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17641023, but Monimia-Mrs Yates; Acasto-Bransby; Florella-Mrs Hippisley.
Cast
Role: Monimia Actor: Mrs Yates
Role: Florella Actor: Mrs Hippisley.

Afterpiece Title: The Choice

Performance Comment: Parts-Yates, Packer, Havard, Mrs Lee, Mrs Yates, with Epilogue Sir Wm Loveworth-Yates; Young Loveworth-Havard; Woodvil-Packer; Clarissa-Mrs Yates; Mrs Woodvil-Mrs Lee; Watchit-Mrs Bradshaw; Epilogue-Mrs Yates (Genest, V, 67).

Dance: I: The Medley, as17641120; End: The Irish Lilt, as17641011

Event Comment: IImogen for the first time by Mrs Yates. This Farce was the Comedy of Gilblas. Cut into Two Acts (Hopkins). Benefit for Mr Yates. No building on Stage. Receipts: #217 (MacMillan); charges: #64 4s. [Profit: #152 16s.

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17631201, but Imogen-Mrs Yates (first time, and for this night only); Masque-Tassoni, _Grimaldi.
Cast
Role: Imogen Actor: Mrs Yates
Role: Queen Actor: Mrs Bennet
Role: singing Actor: Mrs Vincent.

Afterpiece Title: The Counterfeits

Performance Comment: Parts-Yates, Palmer, Packer, Ackman, Baddeley, Miss Plym, Mrs Lee, Mrs Bennet, Mrs Bradshaw. Taken from Gil Blas, not printed, characters were perhaps Gil Blas-Yates; Don Lewis-Palmer; Melchoir-Baddeley; Aurora-Miss Plym; Laura-Mrs Lee; Bernarda-Mrs Bradshaw; Isabella-Mrs Bennet (Genest, V, 46); Parts-Packer, Ackman.

Dance: III: The Provancalle, as17631014; End I Farce: The Irish Lilt, as17630922

Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Holland. Part of Pit laid into Boxes. House Charges #67 1s. 6d. [Profit to Holland #201 8s. 6d.] Tragedy (never performed) written in the manner of Shakespeare [by Joseph Reed]. Rec'd stopages 16s. 6d. Paid salary list #294 2s. 8d.; Chorus singers 1 night #2 5s. 6d. (Treasurer's Book). Receipts: #268 10s. (Treasurer's Book). To see Dido, a Tragedy in Shakespere's style, performed for the first time, with Daphne and Amintor. This piece is the production of a Ropemaker of Chadwick, and being refused by the managers, was given to Holland to be played for his benefit. It went off with considerable applause and is by desire to be performed again. Powel and Yates were good in Aeneas and Dido. Holland played Narbel, Havard Bilias, and Bensley Anchises. We had a prologue spoken by King and an Epilogue spoken by Mrs Abington. Before the play began, by the light of my wax taper read No. 1564 of the London Chronicle, in which was Night' a pretty good ode (Neville MS Diary)

Performances

Mainpiece Title: Dido

Performance Comment: Parts-Holland, Powell, Havard, Bensley, Bransby, Strange, A Young Gentlewoman, Mrs Lee, Mrs Yates, Packer, Aickin, Fawcett; Prologue-King; Epilogue-Mrs Abington Aeneas-Powell; Cephales-Bensley; Gyas-Bransby; Sagertus-Fox; Norbal-Holland; Bilius-Havard; Adoam-Strange; Dido-Mrs Yates; Anna-Mrs Lee; Barce-Miss Simson (Winston MS 9, from Burney's News Cuttings).

Afterpiece Title: Daphne and Amintor

Cast
Role: Daphne Actor: Mrs Arne
Role: Dancing Actor: Miss _Reynolds, Mrs King.
Event Comment: Betterton's Company. The date of the first performance is not known, but the Prologue refers to The World in the Moon, suggesting a premiere during (or shortly after) the run of that opera. Since The Innocent Mistress was advertised in the Post Boy, 29-31 July 1697, this fact points also to a late June premiere. A song, When I languished and wished, set by John Eccles and sung by Mrs Hodgson, is in Wit and Mirth, Second Edition, 1707. Gildon, English Dramatick Poets, p. iii: This is a diverting Play, and met with good Success, tho' acted in the hot Season of the Year. A Comparison Between the Two Stages (1702), p. 20: Tho' the Title calls this Innocent, yet it deserves to be Damn'd for its Obscenity

Performances

Mainpiece Title: The Innocent Mistress

Performance Comment: Edition of 1697: Sir Charles Beauclair-Betterton; Sir Francis Wildlove-Verbruggen; Searchwell-Knap; Beaumont-Hodgson; Spendall-Bowman; Lyonell-Freeman; Cheatall-Bowen; Gentil-Harris; Flywife-Underhill; Bellinda-Mrs Barry; Mrs Beauclair-Mrs Bracegirdle; Arabella-Mrs Prince; Lady Beauclair-Mrs Lee; Peggy-Mrs Howard; Eugenia-Mrs Lawson; Dresswell-Mrs DuQua; Mrs Flywife-Mrs Lassel; Jenny-Mrs Willis; Prologue by Mr Motteux-Mr Verbruggen; Epilogue by Mr Motteux-Mr Scudamore.
Cast
Role: Bellinda Actor: Mrs Barry
Role: Mrs Beauclair Actor: Mrs Bracegirdle
Role: Arabella Actor: Mrs Prince
Role: Lady Beauclair Actor: Mrs Lee
Role: Peggy Actor: Mrs Howard
Role: Eugenia Actor: Mrs Lawson
Role: Dresswell Actor: Mrs DuQua
Role: Mrs Flywife Actor: Mrs Lassel
Role: Jenny Actor: Mrs Willis
Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

Performance Comment: Edition of 1696: Prologue-Mrs Bowman [in Man's Cloaths; Epilogue-Mr Dogget [drest as a Beau, by Mr Motteux; Sir Charles Frankford-Boman; Sir Roger Marwood-Scudamore; Lovewell-Hudson [Hodgson]; Freeman-Freeman; Squire Wouldbe-Doget; Charlot-Mrs Bracegirdle; Juliana-Mrs Boman; Bellafira-Mrs Martyn; Urania-Mrs Barry; Dowdy-Mrs Bowtel; Mrs Beldam-Mrs Lee; Doll-Mrs Lawson.
Cast
Role: Prologue Actor: Mrs Bowman
Role: Charlot Actor: Mrs Bracegirdle
Role: Juliana Actor: Mrs Boman
Role: Bellafira Actor: Mrs Martyn
Role: Urania Actor: Mrs Barry
Role: Dowdy Actor: Mrs Bowtel
Role: Mrs Beldam Actor: Mrs Lee
Role: Doll Actor: Mrs Lawson.
Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress Or A Woman Once In The Right

Performance Comment: Edition of 1693: Sir Charles Romance-Freeman; Sir Quibble Quere-Bright; Tom Romance-Powel; Dr Guiacum-Sandford; Frederick-Williams; Rice ap Shinken-Bowman; Dick Stockjobb-Underhill; Hotspur-Hudson [Hodgson]; Quickwit-Dogget; Cummington-Bowen; Fulvia-Mrs Bracegirdle; Sophronia-Mrs Barry; Mrs Stockjobb-Mrs Bowman; Madam Squeamish-Mrs Knight; Marmalette-Mrs Lee; Prologue-Mr Dogget [with a Fools Cap with Bells on his Head; Epilogue-.
Cast
Role: Fulvia Actor: Mrs Bracegirdle
Role: Sophronia Actor: Mrs Barry
Role: Mrs Stockjobb Actor: Mrs Bowman
Role: Madam Squeamish Actor: Mrs Knight
Role: Marmalette Actor: Mrs Lee
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lovers Luck

Performance Comment: Edition of 1696: Prologue-Mr Hodgson; Sir NicholasPurflew-Bright; Alderman Whim-Underhil; Bellair-Betterton; Breviat-Freeman; Goosandelo-Bowman; Eager-Bowen; Sapless-Dogget; Jacona-Mrs Ayloff; Mrs Purflew-Mrs Bracegirdle; Mrs Plyant-Mrs Bowman; Vesuvia-Mrs Lee; Sprightly-Mrs Lawson; Landlady-Mrs Perin.
Cast
Role: Jacona Actor: Mrs Ayloff
Role: Mrs Purflew Actor: Mrs Bracegirdle
Role: Mrs Plyant Actor: Mrs Bowman
Role: Vesuvia Actor: Mrs Lee
Role: Sprightly Actor: Mrs Lawson
Role: Landlady Actor: Mrs Perin.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the Songs were advertised in the Post Boy, 29-31 March 1698, and performance probably occurred in early March. One song, All things seem deaf to my complaints, set by John Eccles and sung by Mrs Bowman, was published in The A'lamode Musician, 1698. According to the Post Boy, 17-19 March 1697@8, another song, Fair Amoret is gone Astray, had its words written by Congreve, and, according to the Post Boy, 29-31 March 1698, the music set by John Eccles. A Comparison Between the Two Stages (1702), p. 20: Damn'd. Gildon, English Dramatick Poets, p. 173: I have little to say to this Play, for 'tis not fair to attack a Man that's down, tho' I do not think (considering what Plays have pleas'd) that this ought to have met with so severe a Fate

Performances

Mainpiece Title: The Pretenders Or The Town Unmaskd

Performance Comment: Edition of 1698: Lord Courtipell-Thurmond; Sir Wealthy Plainder-Underhill; Sir Bellamour Blunt-Kynaston; Vainthroat-Bowman; Breakage-Trefuse; Captain Bownceby-Bright; Nickycrack-Bowen; Prim-Baily; Widow Thoroshift-Mrs More; Minx-Mrs Peryng; Ophelia-Mrs Bowman; Sweetny-Mrs Lee; Nibs-Mrs Lawson; Doll-Mrs Willis; Prologue-Mrs Bowen coming upon the Stage in a great huff, follow'd by a Prompter, with a Paper in his hand, and a Boy with a Bottle and Glass; Epilogue-Mrs Moor.