SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Latter"/1) | (@(roleclean,performerclean) "Mrs Latter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23370 matches on Performance Comments, 5749 matches on Event Comments, 4298 matches on Performance Title, 9 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Mahmoud

Cast
Role: Desra Actor: Mrs Bland

Afterpiece Title: A Dramatic Cento

Performance Comment: Selected from the following Pieces, composed by the late Mr Storace. Overture, Five times by the taper-Sga Storace, Miss Granger, Master Welsh, Suett (The Iron Chest); Little Taffine-Mrs Bland (The Three and the Deuce); Of plighted Faith-Palmer, Kelly, Mrs Crouch (The Siege of Belgrade); The Silver Waters-Sedgwick (The Pirates); Go not my Love-Miss Leak (The Three and the Deuce); Listen listen-Dignum, Sedgwick, Miss DeCamp, Chorus (The Iron Chest).

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

Performances

Mainpiece Title: The Husband His Own Cuckold

Performance Comment: Edition of 1696: Prologue by Mr Congreve-Mr Betterton; Epilogue-Mrs Bracegirdle by Mr Dryden.

Performances

Mainpiece Title: Love Makes A Man

Cast
Role: Elvira Actor: Mrs Haughton.
Role: Honoria Actor: Mrs Thomas.
Role: Angelina Actor: Mrs Giffard
Role: Louisa Actor: Mrs Seal

Afterpiece Title: The What Dye Call It

Performance Comment: Peascod-W. Penkethman; Son to the late Mr Penkethman; Kitty-Mrs Giffard; With an Epilogue-Penkethman; riding on an Ass. riding on an Ass.
Cast
Role: Kitty Actor: Mrs Giffard
Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Holman; Gloster-Harley; Belmour-Macready; Ratcliffe-Davies; Catesby-Evatt; Derby-Thompson; Porter-Rock; Shore-Pope//Alicia-Mrs Fawcett; Jane Shore-Mrs Pope .
Cast
Role: Shore Actor: PopeAlicia-Mrs Fawcett
Role: PopeAlicia Actor: Mrs Fawcett
Role: Jane Shore Actor: Mrs Pope

Afterpiece Title: HARLEQUIN AND FAUSTUS or The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Performance Comment: parts by Smith, Shuter, Bensley, Quick, Kniveton, Morris, Wignell, Mrs Mattocks, Mrs Bulkley, Mrs Green, Mrs Gardner, Miss Miller. Prologue and Epilogue. Lord Seaton-Smith; Col. Ramsay-Bensley; Governor Anderson-Shuter; Bull-Quick; Squeezem-Kniveton; Varnish-Morris; Nicholas-Wignell; Lady Seaton-Miss Miller; Mrs Frankly-Mrs Mattocks; Miss Melville-Mrs Bulkley; Mrs Markam-Mrs Green; Lucy-Mrs Gardner; Prologue-Mrs Bulkley; Epilogue-Mrs Mattocks (Edition of 1772).
Cast
Role: Mrs Frankly Actor: Mrs Mattocks
Role: Miss Melville Actor: Mrs Bulkley
Role: Mrs Markam Actor: Mrs Green
Role: Lucy Actor: Mrs Gardner
Role: Prologue Actor: Mrs Bulkley
Role: Epilogue Actor: Mrs Mattocks

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Ferguson
Role: Lettice Actor: Mrs Green.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Polly-Mrs Clive; Lucy-Mrs Pritchard; Peachum-Macklin; Lockit-Harper; Mat-Turbutt; Filch-Raftor; Ben-Marshall; Jemmy-Cole; Bagshot-Rolar; Jack-Leigh; Ned-Peploe; Wat-Woodburn; Beggar-Winstone; Player-Hill; Mrs Peachum-Mrs Marshall; Diana-Mrs Grace; Mrs Coaxer-Miss Tollet; Mrs Slammekin-Mrs Grace; Dolly-Mrs Hill; Sukey-Mrs Brett; Mrs Vixen-Mrs Bennet; Molly-Miss Thynne; Betty-Mrs Woodward; Jenny-Miss Wilson; Macheath-Beard.
Cast
Role: Polly Actor: Mrs Clive
Role: Lucy Actor: Mrs Pritchard
Role: Mrs Peachum Actor: Mrs Marshall
Role: Diana Actor: Mrs Grace
Role: Mrs Coaxer Actor: Miss Tollet
Role: Mrs Slammekin Actor: Mrs Grace
Role: Dolly Actor: Mrs Hill
Role: Sukey Actor: Mrs Brett
Role: Mrs Vixen Actor: Mrs Bennet
Role: Betty Actor: Mrs Woodward

Dance: Lilliputians , Scholars of Livier

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: Betterton's Company. The date of the first performance is not known, but the Prologue refers to The World in the Moon, suggesting a premiere during (or shortly after) the run of that opera. Since The Innocent Mistress was advertised in the Post Boy, 29-31 July 1697, this fact points also to a late June premiere. A song, When I languished and wished, set by John Eccles and sung by Mrs Hodgson, is in Wit and Mirth, Second Edition, 1707. Gildon, English Dramatick Poets, p. iii: This is a diverting Play, and met with good Success, tho' acted in the hot Season of the Year. A Comparison Between the Two Stages (1702), p. 20: Tho' the Title calls this Innocent, yet it deserves to be Damn'd for its Obscenity

Performances

Mainpiece Title: The Innocent Mistress

Performance Comment: Edition of 1697: Sir Charles Beauclair-Betterton; Sir Francis Wildlove-Verbruggen; Searchwell-Knap; Beaumont-Hodgson; Spendall-Bowman; Lyonell-Freeman; Cheatall-Bowen; Gentil-Harris; Flywife-Underhill; Bellinda-Mrs Barry; Mrs Beauclair-Mrs Bracegirdle; Arabella-Mrs Prince; Lady Beauclair-Mrs Lee; Peggy-Mrs Howard; Eugenia-Mrs Lawson; Dresswell-Mrs DuQua; Mrs Flywife-Mrs Lassel; Jenny-Mrs Willis; Prologue by Mr Motteux-Mr Verbruggen; Epilogue by Mr Motteux-Mr Scudamore.
Cast
Role: Bellinda Actor: Mrs Barry
Role: Mrs Beauclair Actor: Mrs Bracegirdle
Role: Arabella Actor: Mrs Prince
Role: Lady Beauclair Actor: Mrs Lee
Role: Peggy Actor: Mrs Howard
Role: Eugenia Actor: Mrs Lawson
Role: Dresswell Actor: Mrs DuQua
Role: Mrs Flywife Actor: Mrs Lassel
Role: Jenny Actor: Mrs Willis

Performances

Mainpiece Title: At kings She Woud And She Woud Not

Performance Comment: Don Manuel-Waldron; Don Phillip-Bensley; Octavio-Barrymore; Trappanti-King; Soto-Baddeley; Host-Burton; Alguazile-Maddocks; Don Lewis-Caulfield; Corrigidore-Fawcett; Hyppolita-Mrs Jordan; Rosara-Miss Heard; Flora-Miss Collins; Viletta-Miss Pope.
Cast
Role: Hyppolita Actor: Mrs Jordan

Afterpiece Title: Ozmyn and Daraxa

Performance Comment: [Characters by Suett, Sedgwick, Barrymore, Dignum, Bannister Jun., Phillimore, Maddocks, Burton, Mrs Crouch, Miss DeCamp, Mrs Bland. Cast from Songs (C. Lowndes 1793]): Don Pedrilla-Suett; Ferdinand-Sedgwick; Alonzo de Zuniga-Barrymore; Ozmyn-Dignum; Orviedo-Bannister Jun.; Corrigidore-Phillimore; Officer-Maddocks; Vasquez-Burton; Daraxa-Mrs Crouch; Elvira-Miss DeCamp; Laida-Mrs Bland; General Chorus-Danby, Shaw, Welsh, Dorion, Brown, Dorion Jun., Mrs Shaw, Mrs Bramwell, Mrs Edwin, Mrs Butler, Mrs Gaudry.

Dance: In afterpiece: Miss Menage, the Miss D'Egvilles

Performances

Mainpiece Title: The Confederacy

Cast
Role: Clarissa Actor: Mrs Bullock
Role: Araminta Actor: Mrs Vincent
Role: Corinna Actor: Mrs Laguerre
Role: Flippanta Actor: Mrs Younger
Role: Mrs Amlet Actor: Mrs Martin
Role: Mrs Cloggit Actor: Mrs Cook

Afterpiece Title: Apollo and Daphne

Performance Comment: Apollo-Glover; Nymphs-Mrs Ogden, Mrs Pelling, Miss Rogers, Miss Baston; Daphne-Mrs Laguerre; Burgomaster-Laguerre; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Harlequin-Lun; Peasants-Newhouse, De la Garde Jr, Du Pre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Forrester; Venus-Mrs Wright; Diana-Miss Norsa; Silenus-Leveridge; Bacchus-Salway; Frenchman-I.e Sac; Spaniard-Du Pre; Polonese-Pelling; French Woman-Miss Rogers; Polonese Woman-Mrs Ogden; Flora-Mrs Laguerre, but see17331124.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: See17361027, but Macheath-Walker; Polly-Miss Bincks; Lucy-Mrs Reynolds.
Cast
Role: Lucy Actor: Mrs Reynolds.

Afterpiece Title: Apollo and Daphne or The Burgomaster Trickd

Performance Comment: Apollo-Glover; Daphne-Mrs Laguerre; Nymphs-Mrs LeBrun, Mrs Ogden, Mrs Delorme, Miss Norman; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Kilby; Scaramouch-Bencraft; Harlequin-Lun; Peasants-Bencraft, Bodine, Dupre Jr; Women Peasants-Mrs Forrester, Miss Horsington, Miss Dancy; with The Triumphs of Love: Venus-Mrs Wright; Diana-Miss Hillyard; Silenus-Leveridge; Bacchus-Laguerre; Pan-Salway; Zaphyrus-Glover; Frenchman-Desse; Spaniard-Tench; Polonese-Richardson; Frenchwoman-Mlle Delorme; Spanish Woman-Mrs Moreau; Polonese Woman-Mrs Ogden; Flora-Mrs Laguerre.
Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress Or A Woman Once In The Right

Performance Comment: Edition of 1693: Sir Charles Romance-Freeman; Sir Quibble Quere-Bright; Tom Romance-Powel; Dr Guiacum-Sandford; Frederick-Williams; Rice ap Shinken-Bowman; Dick Stockjobb-Underhill; Hotspur-Hudson [Hodgson]; Quickwit-Dogget; Cummington-Bowen; Fulvia-Mrs Bracegirdle; Sophronia-Mrs Barry; Mrs Stockjobb-Mrs Bowman; Madam Squeamish-Mrs Knight; Marmalette-Mrs Lee; Prologue-Mr Dogget [with a Fools Cap with Bells on his Head; Epilogue-.
Cast
Role: Fulvia Actor: Mrs Bracegirdle
Role: Sophronia Actor: Mrs Barry
Role: Mrs Stockjobb Actor: Mrs Bowman
Role: Madam Squeamish Actor: Mrs Knight
Role: Marmalette Actor: Mrs Lee
Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

Performance Comment: Edition of 1696: Prologue-Mrs Bowman [in Man's Cloaths; Epilogue-Mr Dogget [drest as a Beau, by Mr Motteux; Sir Charles Frankford-Boman; Sir Roger Marwood-Scudamore; Lovewell-Hudson [Hodgson]; Freeman-Freeman; Squire Wouldbe-Doget; Charlot-Mrs Bracegirdle; Juliana-Mrs Boman; Bellafira-Mrs Martyn; Urania-Mrs Barry; Dowdy-Mrs Bowtel; Mrs Beldam-Mrs Lee; Doll-Mrs Lawson.
Cast
Role: Prologue Actor: Mrs Bowman
Role: Charlot Actor: Mrs Bracegirdle
Role: Juliana Actor: Mrs Boman
Role: Bellafira Actor: Mrs Martyn
Role: Urania Actor: Mrs Barry
Role: Dowdy Actor: Mrs Bowtel
Role: Mrs Beldam Actor: Mrs Lee
Role: Doll Actor: Mrs Lawson.
Event Comment: Benefit Mrs Woffington. Mainpiece: By the late Mr Taverner, never acted there before. Tickets deliver'd out for the 19th of February, and 5 March will be taken this night

Performances

Mainpiece Title: The Artful Husband

Performance Comment: Sir Harry Freelove-Mills; Winwife-Giffard; Stockwell-Yates; Frank Flash-Neale; Mrs Winwife-Mrs Giffard; Ned-Blakes; Lady Upstart-Mrs Furnival; Mademoiselle-Mrs Macklin; Mrs Decoy-Mrs Bridges; Steward-Taswell; Butler-Winstone; John-Usher; Robin-Bransby; Mrs Prink-Miss Cole; Betty-Miss Pitt; Belinda-Mrs Woffington; with a New Epilogue in Man's clothes-Mrs Woffington , addressed to the Young Gentlemen, who call themselves the Town.

Afterpiece Title: The Stage Coach

Dance: Salomon, Signora Padouana

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).
Cast
Role: Emilia Actor: Mrs Litchfield
Role: Desdemona Actor: Mrs Pope

Afterpiece Title: The Genoese Pirate or Black Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-

Performances

Mainpiece Title: The City Heiress Or Sir Timothy Treatall

Performance Comment: Edition of 1682: The Prologue by Mr Otway-Mrs Barry; Sir Timothy Treatall-Nokes; Tom Wilding-Betterton; Sir Anthony Meriwill-Lee; Sir Charles Meriwill-Williams; Dresswell-Boman; Fopington-Jevon; Lady Galliard-Mrs Barry; Charlot-Mrs Butler; Diana-Mrs Corror; Mrs Clacket-Mrs Norice; Mrs Closet-Mrs Lee; Epilogue by a Person of Quality-Mrs Butler.
Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock marriage

Performance Comment: Edition of 1696: Prologue-Miss Cross; Epilogue-Mrs Knight; Lord Goodland-Disney; Fairly-Horden; Willmot-Powell; Belfont-Verbruggen; Sir Simon Barter-Johnson; Sir Arthur Stately-Lee; Lady Barter-Mrs Knight; Marina-Mrs Rogers; Clarinda-Mrs Verbrugen; Flavia-Mrs Finch; Betty-Mrs Newman; Alice-Mrs Clark; Landlady-Bullock; Quaker-Mrs Powell; Daughter-Mrs Urwin.
Cast
Role: Epilogue Actor: Mrs Knight
Role: Lady Barter Actor: Mrs Knight
Role: Marina Actor: Mrs Rogers
Role: Clarinda Actor: Mrs Verbrugen
Role: Flavia Actor: Mrs Finch
Role: Betty Actor: Mrs Newman
Role: Alice Actor: Mrs Clark
Role: Quaker Actor: Mrs Powell
Role: Daughter Actor: Mrs Urwin.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lovers Luck

Performance Comment: Edition of 1696: Prologue-Mr Hodgson; Sir NicholasPurflew-Bright; Alderman Whim-Underhil; Bellair-Betterton; Breviat-Freeman; Goosandelo-Bowman; Eager-Bowen; Sapless-Dogget; Jacona-Mrs Ayloff; Mrs Purflew-Mrs Bracegirdle; Mrs Plyant-Mrs Bowman; Vesuvia-Mrs Lee; Sprightly-Mrs Lawson; Landlady-Mrs Perin.
Cast
Role: Jacona Actor: Mrs Ayloff
Role: Mrs Purflew Actor: Mrs Bracegirdle
Role: Mrs Plyant Actor: Mrs Bowman
Role: Vesuvia Actor: Mrs Lee
Role: Sprightly Actor: Mrs Lawson
Role: Landlady Actor: Mrs Perin.

Performances

Mainpiece Title: The Mourning Bride

Cast
Role: Leonora Actor: Mrs Shireburn
Role: Almeria Actor: Mrs Thurmond
Role: Zara Actor: Mrs Butler

Afterpiece Title: Merlin or The Devil of Stone Henge

Performance Comment: Merlin-Laguerre; Spirits-Mrs Cibber, Mrs Clive; Ghost of Faustus-Salway; Harlequin Faustulus-Le Brun; Harlequin's Servant-Nivelon; Italian-Lalauze; Fanner-Mechlin; Italian Lady-Cibber; Country Lass-Mrs Clive; Italian Lady's Servant-Mrs Laguerre; Shepherds-Pelling, Davenport; Shepherdesses-Mrs Pelling, Mrs Davenport; Pluto-Denoyer; Furies-Livier, Villeneuve, Pelling, Davenport; but edition of 1734 lists: Merlin-Laguerre; Ghost of Faustus-Salway; Spirits-Mrs Cibber, Mrs Clive; Mountebank's Zany-Salway; Country Girl-Mrs Clive; Time-Salway .

Entertainment: [By Lewis Theobald and John Galliard.] With New Habits, Scenes, Machines, and other Decorations. No Money under the full Price to be taken during the whole Time of the Performance. The advanc'd Money to be return'd to those who go out before the Overture of the Entertainment begins. 5s., 3s., 2s., 1s

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Mattocks; Sailor-DuBellamy; Dorcas-Mrs Thompson; Sally-Miss Brown; first time. With Hornpipe-Miss Twist.
Cast
Role: Dorcas Actor: Mrs Thompson

Performances

Mainpiece Title: Which Is The Man

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Robson, Jones, W. Bates, Lee Lewes; Mrs Mattocks, Mrs Morton, Mrs Wilson, Miss Satchell, Miss Platt, Mrs Davenett, Miss Younge. [Cast from text (C. Dilly, 1782): Fitzherbert-Henderson; Beauchamp-Lewis; Belville-Wroughton; Pendragon-Quick; Visitors-Robson, Jones, W. Bates; Lord Sparkle-Lee Lewes; Sophy Pendragon-Mrs Mattocks; Clarinda-Mrs Morton; Kitty-Mrs Wilson; Julia-Miss Satchell; Mrs Johnson-Miss Platt; Tiffany-Mrs Davenett; Lady Bell Bloomer-Miss Younge; Ladies-Miss Stuart, Mrs Poussin, &c. The designation "Visitors" is taken from a MS annotation on the BM playbill (CG, Vol. III). Prologue, not listed on playbill, spoken by Lee Lewes; it was presumably, spoken at all subsequent performances.] hathi. it was presumably, spoken at all subsequent performances.] hathi.

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

Cast
Role: Venus Actor: Mrs Martyr
Role: Pallas Actor: Mrs Morton
Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four. Mainpiece [1st time; C 5, by Richard (later) Sir Richard? Ford. Kemble Mem.: Altered by R. Ford from the Humourous Lieutenant. Epilogue by Henry William? Bunbury. Larpent MS 894; not published]: Altered from Beaumont and Fletcher (recte Fletcher alone). Oracle, 25 Feb.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #346 8s. 6d. (102.18.0; 13.5.0; 3.6.6; tickets: 226.19.0) (charge: free)

Performances

Mainpiece Title: The Greek Slave Or The School For Cowards

Performance Comment: Characters-Williames, Palmer, Aickin, Bannister Jun., Suett, Burton, Bland, R. Palmer, Haymes, Phillimore, Fawcett, Webb, Mrs Jordan, Mrs Booth, Miss Palmer, Mrs Gawdry; Partial cast suggested by Genest, VII, 18: Antigonus-Williames; Demetrius-Palmer; Leontius-Aickin; Humourous Lieutenant[in Larpent MS: Vertigo]-Bannister Jun.; Celia-Mrs Jordan; Leucippe-Mrs Booth;[. Larpent MS lists the other parts: Charinthus, Timon, Ambassador, Varus, Clodius, Physician., but no other female parts; Epilogue-Mrs Jordan.

Afterpiece Title: The Pannel

Cast
Role: Marcella Actor: Mrs Goodall
Role: Aurora Actor: Mrs Kemble
Role: Beatrice Actor: Mrs Jordan
Role: Leonarda Actor: Mrs Booth.

Performances

Mainpiece Title: Tom Essence Or The Modish Wife

Performance Comment: Edition of 1677: Prologue-; Old Monylove-Percival; Courtly-Crosby; Loveall-Norris; Stanly-Gillow; Tom Essence-Lee; Laurence-Richards; Mrs Monylove-Mrs Hughes; Theodocia-Mrs Barry; Luce-Mrs Osburn; Mrs Essence-Mrs Gibbs; Betty-Mrs Napper; Epilogue-Mrs Gibbs.
Cast
Role: Mrs Monylove Actor: Mrs Hughes
Role: Theodocia Actor: Mrs Barry
Role: Luce Actor: Mrs Osburn
Role: Mrs Essence Actor: Mrs Gibbs
Role: Betty Actor: Mrs Napper
Role: Epilogue Actor: Mrs Gibbs.

Performances

Mainpiece Title: Love For Money Or The Boarding School

Performance Comment: Edition of 1691: Prologue-; Epilogue-Mr Mountfort, Mrs Butler; Sir Rowland Rakehell-Underhill; Jack Amorous-Mountfort; Will Merriton-Hodson; Old Merriton-Freeman; Nedd Bragg alias Captain Bouncer-Powel; Old Zachary Bragg-Bright; Deputy Nincompoop-Dogget; Monsieur Le Prate-Bowen; Singing Master-Kirkham; Dancing Master-Bowman; Presbyterian Parson-Peire; Lady Addleplot-Anthony Leigh; Lady Straddle-Mrs Richardson; Mirtilla-Mrs Bracegirdle; Miss Jenny-Mrs Knight; Miss Molly-Mrs Davies; Betty Jiltall-Mrs Butler; Crowstich-Mrs Cory; Teareshift-Mrs Osborn; Oyley-Mrs Leigh.
Cast
Role: Epilogue Actor: Mr Mountfort, Mrs Butler
Role: Lady Straddle Actor: Mrs Richardson
Role: Mirtilla Actor: Mrs Bracegirdle
Role: Miss Jenny Actor: Mrs Knight
Role: Miss Molly Actor: Mrs Davies
Role: Betty Jiltall Actor: Mrs Butler
Role: Crowstich Actor: Mrs Cory
Role: Teareshift Actor: Mrs Osborn
Role: Oyley Actor: Mrs Leigh.

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirable-Wilks; Fainall-W. Mills; Petulant-Boman; Witwoud-Cibber; Sir Wilful-Harper; Waitwell-Shepard; Millamant-Mrs Horton; Mrs Marwood-Mrs Thurmond; Mrs Fainall-Mrs Heron; Lady Wishfort-Mrs Mills; Foible-Mrs Shireburn; Mincing-Mrs Walter.
Cast
Role: Millamant Actor: Mrs Horton
Role: Mrs Marwood Actor: Mrs Thurmond
Role: Mrs Fainall Actor: Mrs Heron
Role: Lady Wishfort Actor: Mrs Mills
Role: Foible Actor: Mrs Shireburn
Role: Mincing Actor: Mrs Walter.

Afterpiece Title: The Lottery