Event Comment: Benefit for Miss Catley. No Part of the Pit can on any Account be laid into the Boxes. Public Advertiser, 3 Mar.: Tickets to be had of Miss Catley at Wilson's, Watchmaker, No. 150, Drury-Lane. Receipts: #302 3s. (209.13; tickets: 92.10) (charge: free)

Event Comment: Benefit for Fawcett, Legg & Kear. Morning Chronicle, 3 May: Tickets to be of Fawcett, Craven Buildings, Drury-Lane; of Legg, Market-street, St James's Market; of Kear, No: 2, Stephen-street, Tottenham Court Road. Tickets delivered for Wednesday the 7th Inst. will be taken. Receipts: #229 1s. (36.12; 10.12; 0.0; tickets: 181.17) (charge: #64 15s.)

Event Comment: A new Comic Opera; the Music by Paisiello [and "other eminent Composers" (libretto)]; under the Direction of Giordani. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office, Union Court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Coffee Room will be open with Tea, Coffee, Lemonade, Orgeat, Ice, Creams, &c. which will be furished by Weltje, of St. James's Street. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are respectfully intreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. [Public Advertiser, 13 Feb. 1778, prints a letter outlining a scheme-never realized-of having occasional plays at king's on non-opera nights acted by performers from both dl and cg, and by "the young Nobility of both Sexes."

Event Comment: Benefit for Miss Walpole. Public Advertiser, 15 Apr.: Tickets to be had of Miss Walpole, No. 150, Drury-lane. Receipts: #153 5s. (56.19; 26.13; 0.12; tickets: 69.1) (charge: #105)

Event Comment: Benefit for Farren and Miss Sherry. Mainpiece: With the grand Triumphal Entry. Tickets delivered by Thompson will be taken. Public Advertiser, 22 Apr.: Tickets to be had of Farren at Rumler's, Clare-court, Drury-lane; of Miss Sherry at Nichol's, Baker, Bridges-street, Covent Garden. Receipts: #265 7s. (84.5; 15.9; 0.1; tickets: 165.12) (charge: #75 12s. 6d.)

Event Comment: Benefit for Waldron and Miss Abrams. Public Advertiser, 8 May: Tickets to be had of Waldron, No. 16, Glanville-street, Rathbone Place; of Miss Abrams, Little Bridges-street, Drury-lane. Receipts: #182 0s. 6d. [63.6.0; 23.15.0; 0.2.6; tickets: 94.17.0) (charge: #74 3s. 6d.)

Event Comment: A new Comic Opera. The music entirely new by Sacchini. With entire new Scenes, Dresses and Decorations both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [see 5 June 1779]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The door in Market Lane for Chairs only. Public Advertiser, 31 Oct.: To prevent mistakes Ladies who have not honoured the Director with the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the Office of the Theatre, in order to [permit] their Tickets being engraved. The Renters' Shares proposed to be granted on this Theatre are now made out, and particulars prepared, at Messrs Wallis and Parker's, Norfolk-street, Strand, who are impowered by the Proprietors to dispose in single Shares of those which remain unsubscribed for. The annual Subscriptions are receiving by Johnson at the Office of the Theatre in Union-court, Haymarket

Event Comment: Announced by the playbill, but "Not perform'd on Acct. of Mr Garrick's Death (at 8 o'Clo'Morng)" (MS annotation on Kemble playbill). See also Public Advertiser, 21 Jan.: Drury Lane Theatre was shut up last night on [this] melancholy Occasion

Event Comment: [Mainpiece in place of The Double Deception, announced on playbill of 26 Apr.] MS annotation on Kemble playbill: I believe this was the last time Miss Younge acted at Drury Lane. See C. G. T. November 10th, 1779. Receipts: #107 10s. 6d. (66.17.0; 32.16.0; 7.17.6)

Event Comment: Benefit for Fawcett and Sga Crespi. Morning Chronicle, 12 May: Tickets to be had of Fawcett, Craven Buildings, Drury-Lane; of Sga Crespi, No. 26, Poland-street, Oxford-street. Receipts: #194 3s. 6d. (32.8.0; 14.5.6; 0.10.0; tickets: 147.0.0) (charge: #105)

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by various eminent Composers [Anfossi, Myslivecek and Piccinni]. Amongst them several airs by Handel. Under the Direction of Bertoni. With entire new Scenes, Dresses and Decorations, both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. and 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughtout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. To prevent mistakes, Ladies who have not sent the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the office of the Theatre, in order to [permit] their Tickets being engraved. Subscriptions are received by Johnson in Union Court, Hay Market

Event Comment: Public Advertiser, 25 Feb.: For the better Accommodation of the Subscribers to the Opera, the painted Room and Staire-case will be lighted, and the door from thence to Market-lane open after the Opera for Ladies Chairs only. The Regulation relative to the servants, by desire of many of the Subscribers, is laid aside [see 27 Nov. 1779]

Event Comment: The last Night of this Season. [On this night Bannister was also acting at dl; on his arrival at the hay he made the following apology, "The instant the opera was finished at Drury Lane I hastened with all possible expedition to execute my duty." But the performance of the 3rd piece was so long delayed that the final curtain did not fall until 12 o'clock (Morning Herald, 17 Sept.).

Event Comment: Benefit for Fawcett and Butler. Morning Herald, 27 Apr.: Tickets to be had of Fawcett, Craven-buildings, Drury-lane; of Butler, next door to the stage-door, Little Russel-street, Covent-garden. Receipts: #281 16s. 6d. (43/0/0; 8/1/6; 0/8/0; tickets: 230/7/0) (charge: #109 2s. 6d.)

Event Comment: A new Comic Opera [1st time; com 2, by Filippo Livigni, with alterations by Antonio Andrei]: The Music entirely new by Bertoni. [Bartolini was from the Opera, Milan.] The Music and Orchestra under the direction of Giardini. New Scenes and Decorations by Novosielski. Entirely new dresses by Lupino. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Command of Their Majesties no Persons to be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The Door in Market-lane for Chairs only. Subscription tickets will be admitted every Opera Night (Benefits excepted) during the Season

Event Comment: A Serious Opera [1st time; ser 3, by Giovanni de Gamerra; a pasticcio, with music by Anfossi, Gluck, Alessandri, Martini, Sarti, Giordani]; the Music under the Direction of Anfossi. With new Scenes, painted by Novosielski, new Dresses and Decorations, both for the Opera and Dances. By their Majesties Command, no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Subscribers' Tickets are ready to be delivered at the Office in Unionstreet. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses Heads towards Pall-Mall. The Door in Market-lane for Chairs only

Event Comment: The Subscription being now at an end for the present season, those of the Subscribers who may wish to retain their Boxes on any particular night are respectfully intreated to signify their intentions in the morning, by sending their commands to No. 3, Market-lane, Pall-mall, that such boxes may not be disposed of to others

Event Comment: To prevent inconvenience to the Nobility and Gentry in getting to their carriages they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses heads towards Pall-mall. The Doors in Market-lane for chairs only

Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Event Comment: Benefit for Chapman and Williames. Morning Chronicle, 2 May: Tickets to be had of Chapman, No. 5, Prince's-street, Drury-Lane; of Williames, No. 2, Duke's Court, Bow-street. Receipts: #283 6s. (59/4/0; 16/11/6; 0/18/6; tickets: 206/12/0) (charge: #109 5s. 7d.)

Event Comment: Benefit for Staunton and Wright. Morning Chronicle, 3 May: Tickets to be had of Staunton, No. 54, Drury-Lane; or Wright, Bennet-street, Westminster. Receipts: #227 (49/3; 25/8; 0/0; tickets: 152/9) (charge: #105 15s. 2d.)

Event Comment: Benefit for Stevens and Miss Besford. Tickets delivered for The Brothers will be admitted. Morning Chronicle, 13 May: Tickets to be had of Stevens, No. 54, Drury-Lane; of Miss Besford, No. 5, Bow-street, Covent Garden. Receipts: #167 15s. (75/16; 6/17; tickets: 85/2) (charge: #105)

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Event Comment: "Friday night, about 20 minutes before eight o'clock, on the conclusion of the third act, a very serious alarm took place at Drury Lane Theatre. A fire broke out at an oil-shop, the corner of Little Brydges-street. The flames appearing through the windows at the back of the upper gallery, the alarm of fire spread through many parts of the house. [The audience was dismissed, those in the boxes] passing over the stage into Russel-street...Some of the box and pit company continued for a time on the stage with the performers, some of whom were dressed in character, others half dressed, and the appearance [was] truly motley" (Public Advertiser, 5 Feb.). Receipts: #133 12s. (129.10; "An Alarm of Fire prevented the 2nd Acct."; 3.12; tickets not come in: 0.10)

Event Comment: A new Comic Opera; the music by Paisiello. Under the direction of Storace. [Sga Storace was from the Opera, Vienna.] Morelli "was an actor such as the Italian stage has seldom witnessed. He was, I used to think, in his prime, quite upon a par with King of Drury Lane Theatre. Like him, he was distinguished for neat articulation, and an unremitting attention to the business of the whole stage" (Boaden, Kemble, I, 449). Receipts: #165 19s. 6d. [non-subscription]