Event Comment: The United Company. This play may have been revived during this month or earlier. A song, Come Jug my honey let's to bed, the music by Thomas Farmer, sung by Reading and Mrs Norris, was printed in Choice New Songs never before Printed [by Thomas D'Urfey, 1684]. Luttrell purchased a copy of this collection on 8 Jan. 1684@5 (Bindley Collection, William Andrews Clark@Jr@Library)

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Event Comment: Benefit for Miss Baker. [Ralph's Ramble (Larpent MS 254) seems patterned on the Farmer's Return from London. Ralph returns to the Mill and gives impressions, not all complimentary, of his trip to London. A Monologue in Couplets with a song.

Event Comment: The new Farce of The Farmer [advertised on playbill of 25 Oct., and see 31 Oct.] is obliged to be deferred on Account of the sudden Indisposition of a Principal Performer. Receipts: #154 17s. 6d. (150.11.6; 4.6.0)

Event Comment: [Afterpiece in place of The Farmer, advertised on playbill of 16 Feb.] Receipts: #203 11s. 6d. (199.13.6; 3.18.0)

Event Comment: The last Night of the Company's performing this Season. [As 2nd and 3rd pieces the playbill announces, respectively, The Maid of the Oaks and The Farmer, but they were not acted. Their substitutes are listed in the Account-Book, and both are reviewed in Morning Chronicle, 10 June.] Account-Book, 13 June: Received [stage] Forfeits #42; 20 June: Received from Their Majesties for the Box #60, from the Princess Royal for the Box #30; 10 July: Paid Lewis for Management from Lady Day 1785 to Midsummer 1788 #650. Receipts: #147 19s. 6d. (141.18.6; 6.1.0)

Event Comment: The Belle's Stratagem [advertised on playbill of 16 Oct.] is obliged to be deferr'd, on Account of the Indisposition of a Principal Performer. [Afterpiece in place of The Farmer, advertised as above.] Receipts: #162 19s. 6d. (161.4.0; 1.15.6)

Event Comment: The Dramatist [advertised on playbill of 27 Apr.] is obliged to be deferred, on account of the Insisposition of a principal Performer. [Afterpiece in place of The Farmer, advertised as above.] Receipts: #131 14s. 6d. (114.19.6; 16.15.0)

Event Comment: [Afterpiece in place of The Farmer, advertised on playbill of 3 Mar.] Receipts: #149 1s. 6d. (144.2.6; 4.19.0)

Event Comment: [Afterpiece in place of The Farmer, advertised on playbill of 24 Mar.] Receipts: #245 15s. (239.17; 5.18)

Event Comment: [Afterpiece in place of The Farmer, advertised on playbill of 15 Dec.] Receipts: #79 12s. 6d. (74.18.6; 4.14.0)