Event Comment: Receipts: #124 17s. Barry's 1!3 of profits came to #14 19s. Miss White entered from the 4th Inst. 4 days at 3s. 4d.-13s. 4d. Paid Mrs Griffith for Flowers, a sash, and work for the dancers, #4 15s. Also paid her for a Crown and Garter for King Lear, 7s. One pair ear rings for Miss Condill #4 4s. Bought 3 1!2 doz. wax candles at 3s. per dozen, #5 8s. 6d. (Account Book)

Event Comment: William Blaythwaite to Sir Robert Southwell, 4 Sept. 1679 [describing a visit made on 3 Sept. 1679 by Sir Edward Dering, Mrs Helena Percival, Miss Helena, Miss Betty, and himself]: What we saw was the dancing on the ropes performed first by Jacob Hall and his company, then by a Dutch dancer, who did wonderful feats. From thence we went to the Elephant, who I think was more terrible than pleasant to the young spectators (Morley, Memoirs of Bartholomew Fair, p. 192)

Event Comment: [The Westminster Magazine for October gave a paragraph to a general discussion of the new performers whom Garrick introduced this month. Firske (actually Grist) the young man who played Othello on the seventeenth, Mrs King, Bensley, Yates, and the dancer Sga Paccini.

Event Comment: Charles II had rope-dancers perform in the Hall at Whitehall. (See Boswell, Restoration Court Stage, p. 25.

Event Comment: The King's Company. Pepys, Diary: Thence called Knepp from the King's house, where going in for her, the play being done, I did see Beck Marshall come dressed, off of the stage, and looks mighty fine, and pretty, and noble: and also Nell Gwyn?, in her boy's clothes, mighty pretty. But, Lord! their confidence! and how many men do hover about them as soon as they come off the stage, and how confident they are in their talk! Here I did kiss the pretty woman newly come, called Pegg Hughes?, that was Sir Charles Sidly's mistress, a mighty pretty woman, and seems, but is not, modest. Here took up Knepp into our coach, and all of us with her to her lodgings, and thither comes Bannister with a song of her's, that he hath set in Sir Charles Sidly's play [The Mulberry Garden] for her, which is, I think, but very meanly set; but this he did, before us, teach her, and it being but a slight, silly, short ayre, she learnt it presently. But I did get him to prick me down the notes of the Echo in The Tempest, which pleases me mightily. Here was also Haynes, the incomparable dancer of the King's house, and a seeming civil man, and sings pretty well

Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Event Comment: Sir Robert Southwell to Edward Southwell, 26 Aug. 1685 (in Morley, Bartholomew Fair, pp. 224-26): I think it not now so proper to quote you verses out of Persius, or to talk of Caesar and Euclide, as to consider the great theatre of Bartholomew Fair....You wou'd certainly see the garboil there to more advantage if Mr Webster and you wou'd read, or cou'd see acted, the play of Ben Jonson, call'd Bartholomew Fair:...The main importance of this fair is not so much for merchandize, and the supplying what people really want; but as a sort of Bacchanalia, to gratify the multitude in their wandring and irregular thoughts. Here you see the rope-dancers gett their living meerly by hazarding of their lives, and why men will pay money and take pleasure to see such dangers, is of separate and philosophical consideration. You have others who are acting fools, drunkards, and madmen, but for the same wages which they might get by honest labour, and live with credit besides. Others, if born in any monstrous shape, or have children that are such, here they celebrate their misery, and by getting of money forget how odious they are made

Event Comment: Intelligence Domestick and Foreign, 21-25 June 1695: One Phillips, a Dancer in the Playhouse, is Committed to Newgate for being one of those concerned in the Robbery of the Theatre in Dorset-Garden, and a great many of their Habits are recovered again, but plundered of their Silver and Gold Lace, Fringes, &c. [See also Wilson, Theatre Notes from the Newdigate Newsletters, p. 82.

Event Comment: Flying Post, 23-25 Aug. 1698: At Mr Barns's and Mr Appleby's Booth, over against the Cross-Daggers in Smithfield, is to be seen the most famous Rope-Dancers of Europe, who have brought over the Morocco Woman, the two German Maidens, and the Danish Woman and her Company, which out-does all Men and Women that ever danced yet on the Ropes, the German Maiden outdoing all Men and Women, that ever Danc'd before her, both for high leaping and fine Dancing, and whatever has been done by any person on the Ground, as side, upright, cross or back Capers, is performed by her on the Dancing Rope, and rises to that prodigious height, as will startle all that see her. William King, A Journey to London in the Year 1698 (2d edition, corrected, 1699), pp. 27-28: I was at Bartholomew Fair....I went to the Dancing on the Ropes, which was admirable. Coming out I met a man that would have took off my Hat, but I secur'd it, and was going to draw my Sword, Crying out, Begar! Damn'd Rogue! Morblew, &c. when on a sudden I had a hundred People about me, Crying here, Monsieur, see Jephtha's Rash Vow, here, Monsieur, see the Tall Dutch Woman, see the Tyger, says another; see the Horse and no Horse, whose Tayl stands where his Head should do; see the German Artist, Monsieur; see the Siege of Namur, Monsieur: So that betwixt Rudeness and Civility, I was forc'd to get into a Fiacre, and with an air of Hast, and a full Trot, got home to my Lodgings

Event Comment: Post Man, No 515, 15-17 Sept. 1698: At Mr Barnes's and Mr Appleby's Booth in the Coachyard near St Georges Church, Southwark, during the space of 14 days, is to be seen the most famous Rope Dancers of Europe, viz. the English, High German, Dutch, and Morocco Companies, who perform strange and wonderful things on the Rope, the German Maiden outdoing all Men and Women, that ever danc'd before her, both for high leaping and fine Dancing, and whatever has been done by any person on the Ground, as side, upright, cross or back Capers, is performed by her on the Dancing Rope, and rises to that prodigious height, as will startle all that see her

Event Comment: Post Boy, No. 716, 7-9 Nov. 1699: We hear that Monsieur Nivelong, the Famous Grotesque Dancer, is lately arrived from Paris, and that he designs to appear shortly on one of our English Stages

Event Comment: John Vanbrugh to the Earl of Manchester, 25 Dec. 1699: Miss Evans the dancer at the New Playhouse is dead too; a feaver Slew her in eight and forty hours. She's much lamented by the Towne as well as the House, who can't well bare her loss; Matters running very low with 'em this Winter; if Congreve's Play [The Way of the World] don't help 'em they are undone. 'Tis a Comedy and will be play'd about Six weeks hence, nobody has seen it yet. Liveridge is in Ireland, he Owes so much money he dare not come over, so for want of him we han't had one Opera play'd this Winter; tho' Purcell has set one New One and Fingar another. We have got the Woman from the Chesire Cheese upon the Stage, who has the best Voyce for't by much that has been there at any time. We have the Emperors Crooaed Eunuch here, Francisco. They give him a hundred and twenty Guineas for five times. He has sung Once and was well likt. Dogget was here last Week, they gave him thirty pound to act Six times, which he did and fill'd the house every time (The Complete Works of Sir John Vanbrugh [Bloomsbury: Nonesuch Press, 1928], IV, 4)

Event Comment: The proclamation against plays and interludes at bf was printed again in the London Post, 7-9 Aug. 1700. Nevertheless, entertainment occurred at the Fair: Flying Post, 13-15 Aug. 1700: At Barns's and Findley's Booth, between the Crown-Tavern and the Hospital-Gate, over-against the Cross Daggers in West-Smithfield (during the usual Time of Bartholomew Fair)...Four of the most Famous Companies ever in England, who perform such Curiosities in Dancing, Tumbling, and Vaulting, far surpassing any ever yet seen. Post Boy, 17-20 Aug. 1700: At the Monument Booth, over against the Fleece and Seven Stars, near the Crown Tavern in West Smithfield, will be perform'd by the famous Dutch Womans Companies of Rope-Dancers, at the same Ground where she was last Year

Event Comment: London Post, 13-16 Dec.: There being a French Scaramouch Dance betwixt the second and third Acts, a certain Person went in a Frolick, Incognito, up into the upper Gallery, and so pelted the Dancers with Oranges, that they were forced to quit the Stage, and the Play-house was all in an Uproar; but some of the Auditory perceiving who threw them, cryed out, fling him down into the Pit, which so startled him, that he was forced to make the best of his way down Stairs; however, a Constable having been sent for in the mean time, he was secured. Preface to Ximena (1719): The Fop's Fortune lagg'd on the Fourth Day and only held up its Head by the Heels of the French Tumblers

Event Comment: At Parker's Booth between the two Rope-Dancers

Event Comment: Benefit Shaw. Daily Journal, 16 April: On Thursday next Mr Wilks acts the Part of Sir Harry Wildair ...for the Benefit of his Son-in-Law, Mr Shaw, the Dancer at that House, and it will be the last Time that he will perform that Part

Event Comment: Benefit Miss Robinson, the Dancer. At the particular Desire of several Persons of Quality. Prologue: in The Poems of Henry Carey, p. 65. Epilogue: Written by Mr Welsted

Event Comment: DDaily Post, 12 June: On Friday last dies at his Lodgings at Newington Green...Mons Salle, a celebrated Dancer

Event Comment: Benefit Dubuisson and Delisle, Dancer

Event Comment: At the particular Desire of several Persons of Quality. Daily Advertiser, 25 Jan.: On Wednesday night last a Disturbance happen'd at Drury-Lane Playhouse, occasion'd by one of the principal Dancers not being there to dance at the end of the Entertainment, and after most of the People in the Pit and Galleries were gone, several Gentlemen in the Boxes pull'd up the Seats and Flooring of the same, tore down the Hangings, broke down the Partitions, all the Glasses and Sconces, the King's Arm over the middle front Box was pull'd down and broke to Pieces; they also destroy'd the Harpsichord, Bass Viol, and other Instruments in the Orchestra; the Curtain they cut to pieces with their Swords, forc'd their way into the lesser Green-Room, where they broke the Glasses, &c. and after destroying every thing they could well get asunder, to the amount of about three or four hundred Pounds Damage, left the House in a very ruinous Condition. [See also London Magazine, IX (1740), 47-48, 100.

Event Comment: Benefit Mechel, Mlle Mechel (the French Boy and Girl). Afterpiece: a new Pantomime Entertainment. [Tickets at Mechel's in Newport Street.] Receipts: money #70 8s. 6d.; seals #71 14s. (Account Book); #150 (Rylands MS.). [The two dancers were charged #60 for their benefit. This is the last entry in the incomplete Account Book.