Event Comment: usual Entertainments at this Place are cut off till further Notice: the Reason of which, together with the true State of the Theatre, will in a few Days be laid before the Public by the Proprietors

Event Comment: "At the conclusion of the Opera on Saturday, a scene of riot and tumult took place which the King's Theatre has not witnessed since the celebrated discords between 'Tweedle-dum and Tweedle-dee' in the days of Handel and Bononcini. At the commencement of the last dance hostilities commenced by hissing and hooting from the pit and boxes...The dancers, however, were not dismayed, but continued their evolutions, though the noise was so great that they derived but little aid from the music. At last a body of malcontents, among whom were several stars and ribbons, sallied from the pit and took possession of the stage, from which they drove the light-heeled troops, and immediately began to perform a ballet tragique. The chamber of Ifigenia was despoiled of all its ornaments, and side scenes, and patent lamps; Roman tents and triumphal cars danced on the stage in all the mazes of confusion, nor did they cease, till they had demolished everything they found that was moveable. Mr Carnevale came forward to inform the audience that Mr Gallini could not be found...The ostensible reason given for this riot, which in our opinion is not to be justified on any pretense, is that Mr Gallini has not engaged dancers of sufficient eminence" (Public Advertiser, 10 Feb.)

Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Event Comment: From the late unfortunate calamity at the King's Theatre [see 16 June], the Subscribers are respectfully acquainted that as many Operas will be represented at this Theatre as can from this Evening to the 11th of July, the day on which most of the Performers' Contracts expire. Mr Gallini humbly requests it may be observed that on account of there not being Boxes enough to accomodate the Subscribers, as at the late Opera House, in order to avoid partiality, no particular Places or Boxes can be allotted to the respective Subscribers. The Entrance into the Theatre will be from Covent-Garden and Hart-street only, the doors from Bow-street will, from necessity, be shut up. Pit and Boxes 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "Covent--Garden, on Saturday night, had the honour of entertaining this noble Foreigner--but by some accident they did not agree...The Gallery, only, was filled" (World, 29 June)

Event Comment: This was a semi-private rehearsal, with Davide as Pirro. "Yesterday evening an act of Pyrrhus was rehearsed on the stage of this theatre' (London Chronicle, 24 Feb.). "The Theatre is not yet ready entirely for the Public" (Oracle, 24 Feb.) [see 26 Mar.]. On 22 Feb. the newspapers carried a statement from the theatre that "the rehearsal announced for Wednesday Evening is...deferred for a few days." But this deferment was set aside. The Lord Chamberlain having refused a license for the performance of opera at this theatre, Pirro was not publicly performed

Event Comment: The Nobility and Gentry are most respectfully informed that, in consequence of the calamity that has befallen the Pantheon [see 14 Jan.], the Italian Operas are necessarily removed for the remainder of the present season to this Theatre, where preparations are now making to accomodate the Subscribers; and of the first Representation notice will be given in a few days [see 14 Feb.]

Event Comment: king's "On 28th March 1795, I saw the Opera Aci & Galathea by Bianchi. The music is very rich in parts for the wind instruments, and I rather think one would hear the principal melody better if it were not so richly scored. The Opera is too long, especially since Banti has to keep everything going all by herself; for Brida is a good youngster with a beautiful voice but very little musical feeling; and Rovedino, and the good old Braghetti, and the wretched Seconda Donna-they all deserved, and received, not the least applause. The orchestra is larger this year, but just as mechanical and badly placed as it was before, and indiscreet in its accompaniments; in short, it was the 3rd time that this Opera was performed, and everyone was dissatisfied. It happened that, when the 2nd Ballet began, the whole public suddenly became dissatisfied and yelled 'off-off-off,' because they wanted to see the new Ballet which Madam Hilligsberg had given at her Benefice 2 days earlier. Everyone was embarrassed-there was an interval lasting half an hour-until at last a dancer came forward and said, very submissively: 'Ladies and Gentlemen: since the performer [sic, instead of proprietor] Mr Taylor cannot be found, the whole Ballet Company promises to perform the desired ballet next week, for which, however, the Impresario must pay Madam Hilligsberg #300.'That satisfied them, and they then yelled, 'go on-go on;' and thus the old Ballet was performed' (Haydn, 293)