SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs Cibber gave it up some days ago Cross"/1) | (@(roleclean,performerclean) "Mrs Cibber gave it up some days ago Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23849 matches on Performance Comments, 8748 matches on Event Comments, 4828 matches on Performance Title, 3733 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-Pope; Roderigo-Knight; Cassio-Macready; Brabantio-Hull; Lodovico-Toms; Duke-Thompson; Gratiano-Powel; Montano-Claremont; Iago-Murray; Emilia-Mrs Fawcett; Desdemona-Mrs Pope.
Cast
Role: Iago Actor: Murray
Role: Emilia Actor: Mrs Fawcett
Role: Desdemona Actor: Mrs Pope.

Afterpiece Title: Harlequins Treasure or Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Cast
Role: Cook Actor: Mrs Henley
Role: Pleasure Actor: Mrs Martyr
Role: Virtue Actor: Mrs Mountain
Role: Arabian Girl Actor: Mrs Clendining
Role: A Garden@song Actor: Mrs Clendining
Event Comment: RRichd 3d (by Mossop) & Anatomist was put up but: Mossop being taken ill, after many Messages it was resolv'd to do ye Con. Lovers & Harl. Ranger. Small bills were printed & deliver'd at ye Doors to signify the Change & all went well. Mr Rich's Ent: of ye Sorcerer came out this day (Cross). Receipts: #120 (Cross). [The small bill referred to by Cross read as follows:] @Theatre Royal in Drury Lane@This night being the@11th of February@Richard the Third@(On Account of the Indisposition of a Principal Performer)@Is Oblig'd to be Chang'd to@The Conscious Lovers@and@Harlequin Ranger@with Dancing@By Mad Auretti@

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Indiana Actor: Mrs Pritchard
Role: Phillis Actor: Mrs Clive
Role: Mrs Sealand Actor: Mrs Cross
Role: Isabella Actor: Mrs Bennet
Role: Lucinda Actor: Mrs Mills

Afterpiece Title: Harlequin Ranger

Cast
Role: Other characters Actor: Johnson, Mrs +Simpson.

Performances

Mainpiece Title: King Henry The Fourth Part I

Performance Comment: Falstaff-Quin; King-Mills; Prince-W. Mills; Hotspur-Milward; Glendower-Cibber; Kate-Miss Holliday; Hostess-Mrs Cross; Carries-Johnson, Miller.
Cast
Role: Glendower Actor: Cibber
Role: Hostess Actor: Mrs Cross

Afterpiece Title: Harlequin Restord

Cast
Role: Somerset Actor: Roberts

Performances

Mainpiece Title: The Man Of Mode

Performance Comment: As17390206, but Sir Fopling-Cibber Jr; Old Bellair-Turbutt; Lady Woodvill-Mrs Cross; Orangewoman-_.
Cast
Role: Sir Fopling Actor: Cibber Jr
Role: Lady Woodvill Actor: Mrs Cross
Role: Loveit Actor: Mrs Clive
Role: Harriet Actor: Mrs Mills
Role: Lady Woodville Actor: Mrs Cross
Role: Emilia Actor: Mrs Butler
Role: Belinda Actor: Mrs Chetwood
Role: Lady Townly Actor: Mrs Grace
Role: Pert Actor: Mrs Pritchard
Role: Busy Actor: Mrs Hamilton.

Afterpiece Title: Robin Goodfellow

Dance: Muilment

Performances

Mainpiece Title: Rehearsal

Performance Comment: Bayes-Cibber Jr; Smith-Delane; Johnson-Mills; Other Characters-Johnson, Macklin, Neale, Havard, Ridout, Taswell, Arthur, Turbutt, Winstone, Leigh, Green, Wright, Ray, Woodburn, Miss Woodman, Mrs Cross, Miss Story, Miss Cole; Vocal Parts-Beard, Lowe, Johnson, Ray, Raftor; Particularly the Representation of a Battle of the Two Operatical Generals-Per gli Signori Giovanni and Tomasino detti Beard, Lowe; With the Additional reinforcement of Mr Bayes's New Rais'd Troops-.

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

Performances

Mainpiece Title: Redemption 0 Triumph Of Truth 0

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O first created beam-Chorus (Samson); Nasce al bosco-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious Orgies-Mrs Ambrose (Judas Maccabaeus); He gave them Hailstones-Double Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Mrs Ambrose; The horse and his rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; O had I Jubal's Lyre-Mrs Ambrose (Joshua); Jehovah crowned-Miss Lockhart; He comes!-Chorus (Esther); Angels ever bright and fair-Mrs Ambrose (Theodora); Welcome mighty King-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was eyes unto the blind-Kelly (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Ambrose (Rodelinda); Glory be to the Father-Chorus (Jubilate); God save Great George our King-.

Music: As17890311

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: SSt. James's Evening Post, 2 June, quoted in Grub St. Journal, 7 June: Sir, As Mr Cibber has had various ill-natured reflections cast upon him, for selling his share of the patent for Drury-Lane house, and for not making it over to his son; it will be a piece of justice to inform the publick, that the reason which he gave for such a conduct was, that he chose to convert it into ready money, that he might make a proportionable division of what fortune he may happen to have among all his children. Craftsman, 2 June: We have likewise received undoubted Intelligence from [dl], that a considerable Body of malcontent Players, under the Command of that puissant Captain, Mr The@@lus C@@r, have lately enter'd into a mutinous Association against their Masters, the Patentees, and still continue in a State of Hostility; which hath prevented any Plays being acted there this Week

Performances

Mainpiece Title: Griselda

Event Comment: To be Lett. Elegantly Furnish'd, the House of the Late Colley Cibber, Esq: in Berkley Square, the Corner of Bruton Street (Public Advertiser). Receipts: #106 3s. Gave Porters of the several Inns, #3 14s. (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Cast
Role: Hostess Actor: Mrs Pitt
Role: Lady Piercy Actor: Mrs Vincent

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The Northern Lass

Performance Comment: Sir Philip-Wilks; Trydewell-Mills; Sir Paul-Johnson; Wigin-Bullock; Anvil-Bowen; Howdee-Cibber; Nonsense-Norris; Bulfinch-Cross; Northern Lass-Mrs Bicknell.
Cast
Role: Howdee Actor: Cibber
Role: Bulfinch Actor: Cross
Role: Northern Lass Actor: Mrs Bicknell.

Performances

Mainpiece Title: Henry Iv Part Ii

Performance Comment: King-Mills; Prince-W. Mills; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Falstaff-Harper; Pistol-Cibber; Lancaster-A. Hallam; Gloster-Cross; York-Mil ward; Justice-Boman; Poins-Oates; Bardolph-Shepard; Hostess-Mrs Shireburn; Doll-Miss Mann. A new Prologue upon the Company's Return to the Theatre Royal, spoken by Mills .
Cast
Role: Pistol Actor: Cibber
Role: Gloster Actor: Cross
Role: Hostess Actor: Mrs Shireburn

Song:

Dance:

Performances

Mainpiece Title: Henry IV Part I

Performance Comment: Falstaff-Quin; King-Mills; Prince-W. Mills; Hotspur-Milward; Glendower-Cibber; Carriers-Johnson, Miller; Worcester-Berry; Northumberland-Boman; Vernon-Cross; Blunt-Sal way; Mortimer-Hewit; Douglass-Winstone; Westmoreland-Turbutt; Francis-Master Arne; Bardolph-Sheppard; Poins-Mecklin; Gadshill-Este; Peto-Raftor; Kate-Miss Holliday; Hostess-Mrs Shireburn .
Cast
Role: Glendower Actor: Cibber
Role: Vernon Actor: Cross
Role: Hostess Actor: Mrs Shireburn

Afterpiece Title: The Burgo Master Trickd

Dance: 11: The Black Joke. III: Revellers. IV: Pierots. By Poitier, Nivelon, Essex, Pelling, Chose, Davenport, James, Mrs Walter, Mrs Pelling, Miss Mann, Miss Brett

Performance Comment: III: Revellers. IV: Pierots. By Poitier, Nivelon, Essex, Pelling, Chose, Davenport, James, Mrs Walter, Mrs Pelling, Miss Mann, Miss Brett .

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: Henry VIII-Harper; Wolsey-Mills; Buckingham-W. Mills; Surrey-Cibber; Cranmer-Milward; Gardiner-Johnson; Sands-Miller; Norfolk-Hewitt; Suffolk-Boman; Lord Chamberlain-Corey; Campeius-Shepard; Abergavenny-Salway; Capucius-Turbutt; Cromwell-Cross; Butts-Griffin; Surveyor-Oates; Queen Katherine-Mrs Thurmond; Anna Bullen-Miss Holliday .
Cast
Role: Surrey Actor: Cibber
Role: Abergavenny Actor: Salway
Role: Cromwell Actor: Cross
Role: Queen Katherine Actor: Mrs Thurmond

Afterpiece Title: Colombine Courtezan

Cast
Role: Plumb Actor: Cross
Role: Colombine Actor: Mrs Clive
Role: Colombine's Maid Actor: Mrs Pritchard

Dance: As17341010

Performances

Mainpiece Title: King Henry The Viiith

Performance Comment: Henry VIII-Quin; Wolsey-Mills; Buckingham-W. Mills; Surrey-Cibber; Queen Katherine-Mrs Thurmond; Cranmer-Milward; Gardiner-Johnson; Sands-Miller; Anna Bullen-Miss Holliday; Norfolk-Berry; Suffolk-Boman; Chamberlain-Winstone; Abergavenny-Salway; Campeius-Shepard; Cromwell-Cross .
Cast
Role: Surrey Actor: Cibber
Role: Queen Katherine Actor: Mrs Thurmond
Role: Abergavenny Actor: Salway
Role: Cromwell Actor: Cross

Afterpiece Title: Colombine Courtezan

Cast
Role: Colombine Actor: Mrs Clive

Dance: Le Chasseur Royal by Denoyer, Mlle Roland, &c. French Peasants by Poitier and Mlle Roland. By Essex and Mrs Walter

Performance Comment: French Peasants by Poitier and Mlle Roland. By Essex and Mrs Walter .

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Mills; Macduff-Milward; Banquo-W. Mills; Lenox-Cibber; Lady Macbeth-Mrs Butler; Hecate-Johnson; Duncan-Boman; Malcolm-Cross; Seyward-Winstone; Seyton-Berry; 1st Murderer-Harper; Lady Macduff-Miss Hollyday; Witches-Miller, Griffin, Shepard.
Cast
Role: Lenox Actor: Cibber
Role: Lady Macbeth Actor: Mrs Butler
Role: Malcolm Actor: Cross

Afterpiece Title: The Harlots Progress

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Music: Vocal and Instrumental Music-; proper to the Play. The Vocal Parts-Stoppelaer, Mrs Clive

Performance Comment: The Vocal Parts-Stoppelaer, Mrs Clive.

Dance: Thurmond, Dukes, Levier, Villeneuve

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Performances

Mainpiece Title: Redemption selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon on 26 And 27 May 1784

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .

Performances

Mainpiece Title: Redemption A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration In westminster abbey And At The pantheon On 26 And 27 May 1784 0 Messiah

Afterpiece Title: Redemption 1

Performance Comment: Overture (Occasional Oratorio)-; Oh! first created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Sga Storace (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; Oh! Had I Jubal's lyre-Miss Hagley (Joshua); Jehovah crowned-Reinhold; He comes!-Chorus (Esther); Angels ever bright and fair-Sga Storace (Theodora); Welcome mighty King-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest harmony-Mrs Crouch (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Kelly (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was Eyes unto the Blind-Sga Storace (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: As17900219

Performances

Mainpiece Title: Redemption 0 Selected From The Works Of handel By dr Arnold

Performance Comment: Principal Vocal Parts-Kelly, Reinhold, Incledon, Master Welsh (from Bath), Dignum, Sedgwick, Morelli, Miss Barclay (pupil of Linley; 1st appearance in public), Mrs Bland, Miss Hagley, Mrs Crouch; Leader of the Band-Shaw.

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O! First created beam-Chorus (Samson); He layeth the beams-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Lord what is man-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Bland (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious orgies-Miss Barclay (Judas Maccabaeus); He gave them hail@stones-Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye sons of Israel-Chorus; Oh! had I Jubal's lyre-Miss Barclay (Joshua); Jehovah crown'd-Reinhold, Chorus (Esther); Angels ever bright and fair-Master Welsh (Theodora); Welcome mighty king-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch, Mrs Bland, Chorus (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-(Coronation Anthem).

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

Performances

Mainpiece Title: The First Grand Selection 0 Of Sacred Music From The Works Of handel Lallegro Ed Il Pensieroso 0

Performance Comment: As17920224, but Principal Vocal Parts- Mrs _Addison.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Loathsome urns-Bartleman (Time and Truth); Great Jehovah's awful word-Mrs Second (Israel in Egypt); Lord of eternity-Chorus; Behold the nations-Bartleman; O Baal-Chorus (Deborah); Total eclipse-Harrison; O first created beam-Chorus (Samson); From mighty Kings-Mrs Billington (Judas Maccabaeus); He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; In sweetest harmony-Mrs Billington; O fatal day-Chorus (Saul); The smiling dawn-Mrs Second (Jephtha); Fallen is the foe-Chorus (Judas Maccabaeus); Gentle airs-Harrison (Athalia); Then round about the starry throne-Chorus (Samson); O worse than death, Angels ever bright and fair-Mrs Billington (Theodora); Fix'd in his everlasting seat-Chorus (Samson).

Afterpiece Title: Grand Selection 3

Performance Comment: Fifth Grand Concerto-; Tyrants would-Mrs Billington, Chorus (Athalia); Pleasure my former ways-Harrison (Time and Truth); No more to Ammon's God-Chorus; Ye sacred priests, Farewell ye limpid springs-Mrs Billington (Jephtha); He layeth the beams-Bartleman (Ezio); The Lord shall reign-Chorus; For the horse of Pharaoh-Harrison; Sing ye to the Lord-Mrs Billington; The horse and his rider-Chorus (Israel in Egypt).

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso 0 Grand Selection 0

Afterpiece Title: LAllegro ed il Pensieroso 2

Performance Comment: As17920224, but These delights if thou canst give-_Page, Hindle; +There let the pealing organ-Chorus; These pleasures melancholy give-Mrs Billington; I'll to the well@trod stage anon-_.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture (Ariadne)-; The mansion of peace-Harrison (Webbe); Jehovah crown'd-Hindle; He comes-Chorus (Esther, Handel); O had I Jubal's Lyre-Mrs Second (Joshua, Handel); Together let us range the fields-Mrs Billington, Harrison (Boyce); I rage I melt I burn, O ruddier than the cherry-Bartleman; Wretched lovers-Chorus (Acis and Galatea, Handel); The soldier tir'd-Mrs Billington (Arne); Let their celestial concerts-Chorus (Samson, Handel).

Performances

Mainpiece Title: Redemption Grand Selection 0

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O First Created Beam-Chorus (Samson); He layeth the beams-Bellamy [Ezio]; When his loud Voice-Chorus (Jephtha); Where e'er you walk-Harrison [Semele]; How excellent thy Name-Chorus (Saul); Speak ye who best can tell-Dignum [Ptolomy]; Abraham enough-Miss Leak [Susanna]; Jehovah is my Shield-Miss Poole [Occasional Oratorio]; Blest be the Man-Chorus (Joseph); Pious orgies-Mrs Harrison (Judas Maccabaeus); He gave them Hailstones-Double Chorus; The Lord is a Man of War-Bellamy, Dignum; Moses and the Children of Israel-Chorus; Sing unto the Lord-Mrs Harrison; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye sons of Israel-Chorus; Oh! had I Jubal's lyre-Miss Poole (Joshua); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Angels ever bright-Master Welsh [Theodora]; Welcome mighty King-Chorus (Saul); March in Judas Maccabaeus-; In sweetest harmony-Mrs Harrison, Chorus [Saul]; Their bodies are buried in Peace-Chorus [Funeral Anthem]; Dead March-(Saul); Lord remember David-Harrison [Sosarme]; The Sword that's drawn-Bellamy [Occasional Oratorio]; God save the King-Chorus.

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger-Miss Poole [Alcina]; There beneath a lowly shade-Miss Leak [Alexander Balus]; He was eyes unto the Blind-Harrison [Siroe]; Hosannah to the son of David-Chorus [Athalia]; He was brought as a Lamb-Bellamy [Deidamia]; He sitteth at the Right Hand of God-Chorus [Te Deum]; Holy Lord God Almighty-Mrs Harrison [Rodelinda]; Glory be to the Father-Chorus [Jubilate].Jubilate].

Song: As17930220

Music: End Part II: concerto on the Piano Forte-Dussek

Event Comment: Ye King keeps his birth Day (Cross). Mainpiece: By Desire. Receipts: #190 (Cross)

Performances

Mainpiece Title: King Lear

Cast
Role: Cordelia Actor: Mrs Bellamy
Role: Goneril Actor: Mrs Bennet
Role: Regan Actor: Mrs Cross.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: only Lettice Actor: Mrs Clive
Role: Lettice Actor: Mrs Clive
Role: Mrs Highman Actor: Mrs Bennet
Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Lucy Actor: Mrs Wrighten, first time.
Role: Polly Actor: Mrs Smith
Role: Mrs Peachum Actor: Mrs Love
Role: Diana Trapes Actor: Mrs Bradshaw

Afterpiece Title: A Trip to Scotland

Cast
Role: Mrs Filagree Actor: Mrs Bradshaw
Role: Landlady Actor: Mrs Love

Dance: II: A Dance, as17730506

Event Comment: DDaily Post, 29 May: We are assur'd that there will be no more Plays acted this Season at [dl], and we hear that there was Yesterday no Play acted...as had been advertiz'd for that Day; the Occasion we are inform'd was, that at Midnight on Saturday last several persons arm'd took Possession of the same, by Direction from some of the Patentees, and lock'd up and barricado'd all the Doors and Entrances thereunto, against the whole Company of his Majesty's Comedians, as also against Mr Cibber, Jun. notwithstanding he had paid to one of the Patentees several hundred Pounds for one third Part of the Patent, Cloaths, Scenes, &c. and all Rights and Privileges thereunto annexed, for a certain Term not yet expired. Mr Cibber, Jun. and the rest of the Company of Comedians, and this Morning to wait upon his Grace the Duke of Grafton, Lord Chamberlain of his Majesty's Houshold, with their humble Petition, and the Representation of their Cast, and to beg his Grace's Favour and Protection

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Harlots Progress

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber