Event Comment: The Maid of the Mill [advertised in Public Advertiser, 19 Sept.] is obliged to be deferred on account of the Indisposition of Mrs Crouch. Paid Booth tailor, #4 6s. 6d.; Scenemen #5 4s.; Carpenters #3 16s.; Renters' Income #30 [this last paid daily]. Receipts: #111 8s. 6d. (71.11.0; 39.4.0; 0.13.6)

Event Comment: Mainpiece: Not acted these 20 years [not acted since 2 Nov. 1761]. With new Scenes, Dresses, and Decorations. In Act I a Grand Banquetv. In Act II the Trial of Queen Katharinev. In V a Procession to the Christening of Princess Elizabethv. [These were included in all subsequent performances.] Mrs Siddons's Queen Katharine was "too laboured -particularly the Trial Scene, where the words came so slow and measured that they seemed to be distilled" (Public Advertiser, 29 Nov.). Receipts: #260 11s. (248.12; 11.6; 0.13)

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Afterpiece: Not acted these 10 years. Public Advertiser, 12 Dec.: Tickets to be had of Mrs Jordan, Gower-street, Bedford-square. Receipts: #282 6s. (143.1.0; 22.19.6; 0.10:6; tickets: 115.15.0) (charge: #107 9s. 7d.)

Event Comment: Benefit for Mrs Webb. Afterpiece: Not acted these 2 years

Event Comment: [This was Mrs Inchbald's last appearance on the stage.

Event Comment: [Extra night] Benefit for the Widow Fearon, and her Eight Orphan Children. Tickets to be had of Mrs Fearon, No. 6, Spur-street, Leicester-Fields; and of Brandon, at the Theatre, where Places for the Boxes may be taken. [Fearon had died 30 Sept. 1789.] Receipts: none listed

Event Comment: Mainpiece: Not acted these 6 years. Afterpiece [1st time: CO 2, by John O'Keeffe; altered by the author from his The Czar. Larpent MS 881; not published]: In which will be introduced a few Scenes and Songs from The Czar, performed last season [on 8 Mar. 1790]. The Music composed and compiled by Shield. Books of the Songs to be had at the Theatre. [Mrs Harlowe was from Sadler's Wells.] Receipts: #194 11s. 6d. (181.18.6; 12.13.0)

Event Comment: Benefit for a Fund for the Relief of those whose Infirmities oblige them to retire from the Stage. The whole Pit will be laid into the Boxes. Those Ladies and Gentlemen who have seats in the Pit are earnestly requested to be early at the Theatre, and Servants are desired to attend at half past Four o'Clock to keep Places. "The fine tragic powers of [Mrs Siddons] and Kemble were but wasted on the turgid trumpery of the play...But Kemble in this scene [end of Act III] was so impassioned and transcendent that it killed all the rest of the piece. The scorn of Mrs Siddons at his dissimulation--her haughty bearing and marking emphasis, with the piercing powers of her eye, are all treasured where they should be" (Oracle, 16 May). Receipts: #117 14s. (107.11.0; 9.12.6; 0.10.6; tickets: none listed, but Oracle, 17 May, reports that tickets were purchased for as much as one guinea and a half) (charge: free)

Event Comment: Benefit for Marshall, Miss Williams & Mrs Warrell. Oracle, 3 June: Tickets to be had of Marshall, No. 11, York-street, York-buildings; of Miss Williams, No. 14, Martlett-court, Bow-street, Covent-Garden; of Mrs Warrell, No. 48, Carey-street, Lincoln's-inn-fields. Receipts: #147 9s. 6d. (14.16.6; 4.1.0; tickets: 128.12.0)

Event Comment: In consequence of the Indisposition of a principal Performer [Mrs Goodall (Diary, 29 July)] The Battle of Hexham [advertised on playbill of 27 July] is unavoidably postponed

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Churton. The Doors to be opened at 5:15. To begin at 6:15. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Mrs Churton, No. 33, New-Bond-street; of Wye, Masquerade Warehouse, Panton-street; and of Rice, at the Theatre, where Places for the Boxes may be taken

Event Comment: Benefit for Mrs Crouch. Morning Herald, 5 Mar.: Tickets to be had of Mrs Crouch, No. 4, Pall-Mall. Receipts: #455 1s. 6d. (166.0.0; 45.2.6; 3.11.6; tickets: 240.7.6) (charge: #175 7s. 6d. )

Event Comment: [In mainpiece the playbill retains Mrs Goodall as the Queen, but she "being indisposed, Mrs Whitfield performed, or rather attempted the Queen" (Thespian Magazine, Aug. 1792, p. 53).

Event Comment: Mainpiece: Not acted these 7 years [not acted since 21 Apr. 1784. Mrs Bateman is identified in Kemble Mem.]. Receipts: #201 1s. 6d. (156.7.6; 41.11.0; 3.3.0)

Event Comment: [In mainpiece the playbill retains Packer as Melanthon and Mrs Siddon as Euphrasia , but "Mrs Powell was the substitute for Mrs Siddons, and acquitted herself very ably. Melanthon was read by Maddocks [which part can be doubled with Greek Herald ]" (Thespian Magazine, June 1793, p. 3).] Receipts: #109 5s. (101.0; 8.5)

Event Comment: Benefit for the Orphan Daughters of the late Mr Wrighten, prompter. [In mainpiece the playbill retains Mrs Kemble as Charlotte, but "Mrs Ward read Charlotte " (Thespian Magazine, June 1793, p. 3).] Receipts: #548 12s. 6d. (137.4.6; 32.11.0; 2.17.0; tickets: 376.0;0) (charge: #147 11s. 6d.)

Event Comment: Benefit for Pope. Mrs Pope not being sufficiently recovered from her Indisposition to perform to-night, Mrs Mattocks has kindly undertaken the part of Lydia Languish , and Margaret of Anjou [advertised on playbill of 1 May] is unavoidably obliged to be changed to The Soldier's Festival. Morning Herald, 8 Apr.: Tickets to be had of Pope at his house, Half-moon-street, Piccadilly. Receipts: #216 16s. 6d

Event Comment: [As Miss Logan Mrs Gibbs had 1st appeared at the hay, 18 June 1783. She had acted later at the Royalty.

Event Comment: Afterpiece: The Music composed by Storace. [In afterpiece the playbill assigns Nelly to Miss Redhead, but on the BM playbill (Harris, Vol. IV) her name is deleted and a MS annotation substitutes Mrs Bramwell's.] Paid Chorus to 25th Inst. #22 10s.; Supernumeraries #32 9s. Powell: Jew rehearsed at 10. Receipts: #436 10s. 6d. (356/2/0; 77/1 9/0; 1/5/6; tickets not come in: 1/4/0)

Event Comment: Benefit for Mrs Powell. The Last Night of Mrs Siddons's appearing this Season. 2nd piece [1st time; M. INT 1]. Morning Chronicle, 20 Apr.: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-garden. Receipts: #544 4s. (179.17.6; 61.9.6; 13.1.6; tickets: 289.15.6) (charge: #231 4s. 4d.)

Event Comment: Benefit for Mrs Kemble. 1st piece: Not acted these 7 years. 2nd piece [1st time; MF 1, by Robert Benson]: The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. Morning Chronicle, 25 Aug.: Tickets to be had of Mrs Kemble, No. 9, Haymarket,

Event Comment: [As Miss P. Farren Mrs Knight had 1st appaared in London on 15 May 1777 at the hay.] "[Knight's] simplicity is the type of nature, untainted With buffoonery; and what we very rarely meet with, his attention was so wholly engrossed by the business of the scene as to make him appear unconscious of being before an audience" (Morning Chronicle, 26 Sept.). Receipts: #248 3s. 6d. (240.2.6; 8.1.0)

Event Comment: [Account-Book: Tickets delivered by Claremont, Blurton, Ledger, Mrs Egan, Miss Leserve will be admitted.] Receipts: #255 3s. 6d. (101.10.6; 7.0.6; tickets: 146.12.6)

Event Comment: "In point of voice, there are few women so highly favoured as Mrs Litchfield [whose 1st appearance at cg was on 27 May 1796]; through every gradation of tone it is perfect, combining strength and melody, it is equal to any task which the theatre (large and extensive as it is) can impose. It is suited to the firmness of declamation, the tenderness of pathos, and the burst of indignant passion" (Monthly Mirror, Oct. 1797, p. 226). The Epilogue is not listed on the playbill, but "The audience would not be satisfied without the original Epilogue [by Miles Peter Andrews], which Lewis came forward and spoke" (True Briton, 21 Sept.). [Afterpiece in place of The Poor Soldier, advertised on playbill of 18 Sept.] Receipts: #225 0s. 6d. (195.14.0; 29.6.6)

Event Comment: Mainpiece: Not acted these 20 years [acted 4 Jan. 1786. Mrs Johnstone, who is identified in Thespian Dictionary, 1805, was from the Birmingham theatre]. Receipts: #222 6s. (200.13; 21.13)