SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs Cibber gave it up some "/1) | (@(roleclean,performerclean) "Mrs Cibber gave it up some ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23604 matches on Performance Comments, 4936 matches on Event Comments, 4213 matches on Performance Title, 3624 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Billington. Tickets delivered for Monday the 8th of February will be received. Mainpiece [1st time; CO 3, by John O'Keeffe. Text 1st published in his Dramatic Works, Vol. III (T. Woodfall, 1798). Season of 1790-91 acted as The Fugitive]: With new Scenes, Dresses, and Decorations. The Music selected and composed by Shield, and consists of several Russian Melodies, and compositions of Handel, Sacchini, Pleyel, Rauzzini, Guglielmi, Weichsel, Dalayrac, Callcott, Reeve, Prati and Shield. Receipts: #366 9s. 6d. (255.2.6; 3.5.0; tickets: 108.2.0)

Performances

Mainpiece Title: The Czar

Performance Comment: Principal Characters-Bannister, Quick, Edwin, Blanchard, Darley, Rock, C. Powell, Egan, Johnstone, Mrs Martyr, Mrs Mountain, Mrs Billington. Cast from Airs (T. Cadell, 1790): The Czar-Bannister; Justice Applejack-Quick; Philip-Edwin; Count Couvanski-Blanchard; Commodore Swivel-Darley; Ballybough-Rock; Romadanowski-C. Powell; Slip-Egan; Lefort-Johnstone; Nib-Farley; Ellen-Mrs Martyr; Mrs Applejack-Mrs Mountain; Ottokesa-Mrs Billington.

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17891112, but Mrs Drugget-Mrs Pitt; Lady Racket-Mrs Mattocks.
Cast
Role: Mrs Drugget Actor: Mrs Pitt
Role: Lady Racket Actor: Mrs Mattocks.
Role: Dimity Actor: Mrs Rock

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

Event Comment: Benefit for Mrs Warrell and Darley. 1st piece: Not acted these 10 years [never previously acted at this theatre. Warrell was from the Bath theatre]. Receipts: #216 12s. (76.18; 4.15; tickets: 134.19)

Performances

Mainpiece Title: The Ladies Frolick

Performance Comment: Justice Clack-Quick; Oliver-Blanchard; Springlove-Bernard; Vincent-Warrell (1st appearance on this stage); Hilliard-Davies; Oldrents-Powel; Hearty-Darley; Meriel-Mrs Martyr; Amie-Miss Rowson; Rachel-Mrs Warrell.
Cast
Role: Meriel Actor: Mrs Martyr
Role: Rachel Actor: Mrs Warrell.

Afterpiece Title: The Comedy of Errors

Cast
Role: Mrs Subtle Actor: Mrs Powell
Role: Lucinda Actor: Mrs Mattocks.

Afterpiece Title: The Flitch of Bacon

Cast
Role: Eliza Actor: Mrs Warrell.

Dance: End I: Crutch Dance-Byrne, Mrs Goodwin

Song: In course: Dr Hayes's New Highland Laddie-Mrs Warrell; Between the acts 2nd piece: Alone by the Light of the Moon-Darley

Event Comment: Benefit for Mrs Kemble. 1st piece: Never [previously] acted here. 2nd piece [1st time; INT i, by Henry Siddons. Prologue by John Taylor (see text)]. Gazetteer, 28 Aug. 1790: This Day is published Modern Breakfast (1s.)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Marquis D'Almanza-Williamson; Duke Murcia-Ryder; Count Valentia-R. Palmer; Seville-Chapman; Granada-Evatt; Peasant-Bensley; Marchioness-Mrs Brooks; Amanthis-Mrs Kemble.
Cast
Role: Marchioness Actor: Mrs Brooks
Role: Amanthis Actor: Mrs Kemble.

Afterpiece Title: Modern Breakfast or All Asleep at Noon

Performance Comment: Principal Characters by Bannister Jun., Moss, Iliff, Evatt, Kemble, Mrs Whitfield, Miss Heard, Mrs Kemble. Cast from text (J. Debrett, 1790): Delmar-Bannister Jun.; Morecraft-Moss; Mr Hammond-Iliff; Risk-Evatt; Sir Ambrose Crab-Kemble; Miss Oglewell-Mrs Whitfield; Lucy-Miss Heard; Mrs Hammond-Mrs Kemble; Prologue-Mrs Kemble.
Cast
Role: Miss Oglewell Actor: Mrs Whitfield
Role: Mrs Hammond Actor: Mrs Kemble
Role: Prologue Actor: Mrs Kemble.

Afterpiece Title: The Follies of a Day

Cast
Role: Maria Actor: Mrs Goodall.
Role: Countess Actor: Mrs Bannister
Role: Susan Actor: Mrs Goodall.

Dance: End 2nd piece: A Double Hornpipe-Platt, Mrs Goodwin

Event Comment: Mainpiece: Not acted these 3 years. [acted 21 Jan. 1789. Mrs Esten has 1st acted Belvidera at Bath in the season of 1786-87]. Afterpiece [1st time; M. INT 2, by John Cartwright Cross. Larpent MS 883; not published. Prologue by John Taylor (his Taylor, Poems, I, 43). Rees' 1st appearance at this theatre was on 14 May 1788]: The Overture and the whole of the Music by Dibdin. Books of the Songs to be had at the Theatre. [Most of these songs had originally appeared in Dibdin's "table entertainment," The Oddities, 1st performed at the Lyceum, 7 Dec. 1789.] Receipts: #244 18s. 6d. (234.8.0; 10.10.6)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier (1st time)-Holman; Priuli-Hull; Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; Pierre (1st time)-Harley; Belvidera (1st time [in London])-Mrs Esten.
Cast
Role: Belvidera Actor: Mrs Esten.

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters by Bannister, Johnstone, Wilson, Blanchard, Bernard, Rees (1st appearance on this stage), Mrs Harlowe, Mrs Martyr. Cast from Songs (For the Author [1790]); Clueline-Bannister; Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Flambeau-Bernard; Whim-Rees; Squire Thicket-Incledon; Sophia-Mrs Harlowe; Peggy-Mrs Martyr; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written and composed (with new accompaniments) by Dibdin: PART I. The Lamplighter[, I'm jolly Dick the Lamplighter-Bernard; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; Tom Bowling[, Here a shere Hulk lies poor Tom Bowling-Bannister; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; [PART II. Hunting Song[, To Batchelor's Hall-Incledon; Sea Song[, Ben Backstay lov'd the gentle Anna-Bannister; The Portrait[, Come, Painter, with thy happiest flight-Incledon; The Soldier's Grave[, Of all Sensations Pity brings-Incledon; [Conclude with Rural Masquerade-[in which the following Airs will be sung in character; The Greenwich Pensioner[, 'Twas in the good ship Rover-Bannister; Indian Song[, Dear Yanco says, and true he says-Mrs Mountain; The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus; Occasional Prologue-Farren.

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Event Comment: Mainpiece: Not acted these 2 years. A new and accurate Edition of the Tragedy to be had at the Theatre. "[Mrs Siddons's] eyes possess a peculiar brilliancy and animation...Her voice is sonorous and variable" (Candid Strictures, 33). Receipts: #311 13s. (296.3; 13.0; 2.10)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Count Baldwin-Packer; Biron-Kemble; Carlos-Barrymore; Villeroy-Palmer; Sampson-Phillimore; Child-Master Daglish; Bellford-R. Palmer; Pedro-Alfred; Gentlemen-Fawcett, Fox; Servant-Webb; Officer-Maddocks; Isabella-Mrs Siddons (1st appearance these 2 years); Nurse-Mrs Booth.
Cast
Role: Isabella Actor: Mrs Siddons
Role: Nurse Actor: Mrs Booth.

Afterpiece Title: The Deuce is in Him

Cast
Role: Emily Actor: Mrs Goodall
Role: Bell Actor: Mrs Williames

Song: In III: Epithalamium-; Vocal Parts-Mrs Bland, Miss Hagley

Event Comment: Benefit for Quick. 1st piece: Written by Mrs Inchbald. 2nd piece: For that night only. 3rd piece: Written by Foote; 1st time at that Theatre. Morning Herald, 28 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #325 4s. 6d. (152.3.0; 5.10.6; tickets: 167.11.0) (charge: #105)

Performances

Mainpiece Title: Such Things Are

Performance Comment: Twineall-Lewis; Sir Luke Tremor-Quick; Elvirus-Holman; Haswell-Harley; Sultan-Farren; Lord Flint-Davies; Meanright-Macready; Zadan-Powel; 1st Keeper-Cubitt; Prisoner-Thompson; Lady Tremor-Mrs Mattocks; Aurelia-Mrs Mountain; Female Prisoner-Mrs Pope.
Cast
Role: Lady Tremor Actor: Mrs Mattocks
Role: Aurelia Actor: Mrs Mountain
Role: Female Prisoner Actor: Mrs Pope.

Afterpiece Title: Tony Lumpkins Ramble to Town

Performance Comment: Tony Lumpkin (with his Adventures, and the Disaster of Bet Bouncer, who on that occasion will make her 1st Appearance upon the Stage)-Quick; Bet Bouncer-Mrs Cross.
Cast
Role: Bet Bouncer Actor: Mrs Cross.

Afterpiece Title: The Cozeners

Performance Comment: Aircastle-Munden; Toby-Fawcett; O'Flannagan-Rock; Col. Gorget-Macready; Flaw-Thompson; Tom-Marshall; Doctor Hellebore-Powel; Paul Prig-Quick; Mrs Fleece'm-Mrs Webb; Mrs Aircastle-Mrs Platt; Lilley-Mrs Harlowe; Betsey Blossom-Mrs Martyr.
Cast
Role: Mrs Fleece'm Actor: Mrs Webb
Role: Mrs Aircastle Actor: Mrs Platt
Role: Lilley Actor: Mrs Harlowe
Role: Betsey Blossom Actor: Mrs Martyr.

Dance: End 1st piece: A Divertisement-Byrne, Ratchford, Mrs Ratchford, Mlle St.Amand

Event Comment: Benefit for Mrs Bannister, being her Last Appearance on the Stage. [Address by George Colman, ynger (Thespian Magazine, Oct. 1792, p. 102.

Performances

Mainpiece Title: A Mogul Tale

Performance Comment: The Mogul-Williamson; Johnny Atkins-Parsons; Dr Pedant-Wewitzer; Omar-Evatt; Zapphira-Miss Heard; Irene-Mrs Whitfield; Sheba-Mrs Cuyler; Fanny-Mrs Kemble.
Cast
Role: Irene Actor: Mrs Whitfield
Role: Sheba Actor: Mrs Cuyler
Role: Fanny Actor: Mrs Kemble.

Afterpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Cast
Role: Laura Actor: Mrs Bannister
Role: Mrs Cheshire Actor: Mrs Webb
Role: Cowslip Actor: Mrs Kemble.

Entertainment: Monologue End 2nd piece: a Serio, Comic, Poetic Paraphrase on Shakespear's Seven Ages-King; End 3rd piece: Occasional Farewell Address-Mrs Bannister

Event Comment: Mainpiece: Not acted these 3 years. [acted 21 Jan. 1789. Mrs Esten has 1st acted Belvidera at Bath in the season of 1786-87]. Afterpiece [1st time; M. INT 2, by John Cartwright Cross. Larpent MS 883; not published. Prologue by John Taylor (his Taylor, Poems, I, 43). Rees' 1st appearance at this theatre was on 14 May 1788]: The Overture and the whole of the Music by Dibdin. Books of the Songs to be had at the Theatre. [Most of these songs had originally appeared in Dibdin's "table entertainment," The Oddities, 1st performed at the Lyceum, 7 Dec. 1789.] Receipts: #244 18s. 6d. (234.8.0; 10.10.6)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier (1st time)-Holman; Priuli-Hull; Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; Pierre (1st time)-Harley; Belvidera (1st time [in London])-Mrs Esten.
Cast
Role: Belvidera Actor: Mrs Esten.

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters by Bannister, Johnstone, Wilson, Blanchard, Bernard, Rees (1st appearance on this stage), Mrs Harlowe, Mrs Martyr. Cast from Songs (For the Author [1790]); Clueline-Bannister; Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Flambeau-Bernard; Whim-Rees; Squire Thicket-Incledon; Sophia-Mrs Harlowe; Peggy-Mrs Martyr; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written and composed (with new accompaniments) by Dibdin: PART I. The Lamplighter[, I'm jolly Dick the Lamplighter-Bernard; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; Tom Bowling[, Here a shere Hulk lies poor Tom Bowling-Bannister; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; [PART II. Hunting Song[, To Batchelor's Hall-Incledon; Sea Song[, Ben Backstay lov'd the gentle Anna-Bannister; The Portrait[, Come, Painter, with thy happiest flight-Incledon; The Soldier's Grave[, Of all Sensations Pity brings-Incledon; [Conclude with Rural Masquerade-[in which the following Airs will be sung in character; The Greenwich Pensioner[, 'Twas in the good ship Rover-Bannister; Indian Song[, Dear Yanco says, and true he says-Mrs Mountain; The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus; Occasional Prologue-Farren.

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Event Comment: Mainpiece: Not acted these 2 years. A new and accurate Edition of the Tragedy to be had at the Theatre. "[Mrs Siddons's] eyes possess a peculiar brilliancy and animation...Her voice is sonorous and variable" (Candid Strictures, 33). Receipts: #311 13s. (296.3; 13.0; 2.10)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Count Baldwin-Packer; Biron-Kemble; Carlos-Barrymore; Villeroy-Palmer; Sampson-Phillimore; Child-Master Daglish; Bellford-R. Palmer; Pedro-Alfred; Gentlemen-Fawcett, Fox; Servant-Webb; Officer-Maddocks; Isabella-Mrs Siddons (1st appearance these 2 years); Nurse-Mrs Booth.
Cast
Role: Isabella Actor: Mrs Siddons
Role: Nurse Actor: Mrs Booth.

Afterpiece Title: The Deuce is in Him

Song: In III: Epithalamium-; Vocal Parts-Mrs Bland, Miss Hagley

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Lifes Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].
Cast
Role: Fanny Actor: Mrs Lee
Role: Landlady Actor: Mrs Platt
Role: Fruit Woman Actor: Mrs Watts
Role: Lady Torrendel Actor: Mrs Pope

Afterpiece Title: Rosina

Performance Comment: As17940924, but Rosina-Mrs Clendining.
Cast
Role: Rosina Actor: Mrs Clendining.
Role: Phoebe Actor: Mrs Martyr
Role: Dorcas Actor: Mrs Davenport

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Event Comment: Last Night of the Company's performing this Season. Account-Book: Tickets delivered by Mrs Shotter, Wyatt, Waller, Gawdrey, Ratchford, the Band, Coombes, Page, Wilkins, Robson (door-keeper), Warwhick, Dosel, Paskin, Wells, Ansell, King will be admitted. Receipts: #467 13s. 6d. (67.10.0; 3.14.0; tickets: 396.9.6)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Mrs Town Actor: Mrs Fawcett

Afterpiece Title: The Poor Sailor

Dance: Afterpiece: With a Treble Hornpipe-Ratchford, King, Mrs Ratchford

Event Comment: [as Miss Mahon Mrs Second has sung in the cg oratorios in 1789 and 1790.] Receipts: #189 5s. (187.5.6; 1.19.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop-Bowden; Medley-Townsend; Bob-Haymes; Ralph-Linton; Welford-Incledon; Dolly-Mrs Martyr; Miss Di Clacket-Mrs Davenport; Polly-Miss Gray; Bridget-Mrs Watts; Emily (with additional songs, accompanied on the clarionet by Mahon)-Mrs Second (1st appearance on any stage [i.e. in a speaking part]).i.e. in a speaking part]).
Cast
Role: Dolly Actor: Mrs Martyr
Role: Miss Di Clacket Actor: Mrs Davenport
Role: Bridget Actor: Mrs Watts
Role: Emily Actor: Mrs Second

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Lewis; Figaro-Macready; Antonio-Munden; Bazil-Powel; The Page (with a song)-Mrs Martyr; Countess-Miss Chapman; Marcelina-Mrs Gilbert; Agnes-Miss Logan; Susan-Mrs Pope.
Cast
Role: The Page Actor: Mrs Martyr
Role: Marcelina Actor: Mrs Gilbert
Role: Susan Actor: Mrs Pope.

Song: [One of Mrs Second's new songs was Hope thou cheerful ray of light (BUC 643).

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill assigns Acasto to Murray, but "An apology was made for Murray, who was prevented by illness from playing Acasto, which, at a short notice, was taken by Hull" (True Briton, 14 Oct.).] "This whole of [Mrs Spencer's] performance was marked by such unaffected simplicity that it was almost impossible to consider it as the mere fiction of the scene. This lady is really a great aquisition to the house" (True Briton, ibid). Receipts: #254 6s. 6d. (244.18.6; 9.8.0)

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Hull; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Spencer (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Monimia Actor: Mrs Spencer
Related Works
Related Work: The Fair Orphan Author(s): Colley Cibber

Dance: Ballet, as17971002, but Mrs _Watts

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.
Cast
Role: Mrs Oakly Actor: Mrs Abington
Role: Lady Freelove Actor: Mrs Sparks
Role: Toilet Actor: Mrs Cuyler.

Afterpiece Title: Between II and III of the aboveSylvester Daggerwood

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Dowton; Freeman-Surmont; Philip-Sparks; Tom-Ryder; Duke's Servant-R. Palmer; Sir Harry's Servant-Russell; Kitty-Miss Pope; Cook-Mrs Coates; Cloe-Mrs Mills; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Cook Actor: Mrs Coates
Role: Cloe Actor: Mrs Mills

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Sumbel (late Mrs Wells; who has generously volunteered her services for that Evening); Nerissa-A Young Lady (1st appearance on the stage [unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.
Cast
Role: Portia Actor: Mrs Sumbel

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, Bayswater, Under the Patronage of Her Majesty. Tickets to be had at the Hospital; of Longman and Wilkinson, Cheapside; Broderip andCo., Haymarket; and of Brandon at the Theatre, where Places for the Boxes may be taken. Many of the Re-Renters have generously relinquished their Privilege upon this Night. [Faulkner had acted at dl on 21 Dec. 1796, and Mrs Johnstone at cg on 4 Jan. 1798.] Receipts: none listed

Performances

Mainpiece Title: Lovers Vows

Performance Comment: Principal Characters-Faulkner (1st appearance on this stage), Basset, Barry Jun., The Young Gentleman who performed Wilford [on 23 Apr.], Thompson, Abbot, Webb, H. Johnston, Mrs Johnston [recte Mrs Johnstone] (2nd appearance on this stage), Mrs Hunter, Miss Leserve, Mrs H. Johnston [And see17981011.]; Epilogue-Barry Jun.

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Cast
Role: Imitations Actor: Mrs Sumbel

Performances

Mainpiece Title: Grief A la mode i

Performance Comment: . THE FUNERAL]. Campley-Lewis; Sable-Quick; Lord Brumpton-Powel; Trusty-Hull; Puzzle-Munden; Trim-Fawcett; Cabinet-Claremont; Tom-Blanchard; Lord Hardy-Pope// Lady Brumpton-Mrs Mattocks; Lady Charlotte-Miss Hopkins; Mademoiselle D'Epinglc-Miss Leserve; Mrs Fardingale-Mrs Leicester; Tattleaid-Miss Stuart; Lady Harriet-Mrs Esten .

Afterpiece Title: THE WARD OF THE CASTLE

Related Works
Related Work: The Ward of the Castle Author(s): Mrs. Burke

Song: As17931024

Performances

Mainpiece Title: The Comedy Of Errors

Cast
Role: Luciana Actor: Mrs Esten
Role: Adriana Actor: Mrs Mattocks
Role: Lesbia Actor: Mrs Platt.

Afterpiece Title: THE WARD OF THE CASTLE

Related Works
Related Work: The Ward of the Castle Author(s): Mrs. Burke

Dance: As17931022

Song: In Act III of mainpiece, as17931008; In afterpiece, as17931024

Performances

Mainpiece Title: Harlequin Hydaspes Or The Greshamite

Related Works
Related Work: Harlequin Hydaspes: or, The Greshamite Author(s): Mrs. Aubert
Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Mr Dryden Actor: Colley Cibber
Role: Epilogue by Mr Dryden Actor: Colley Cibber
Role: Englishman Actor: Cibber
Role: Alinda Actor: Mrs Oldfield
Role: Juletta Actor: Mrs Moor.
Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Performance Comment: Edition of 1697: First Prologue-Mrs Cross; Prologue on the Third Day-Mrs Verbruggen; Epilogue-Lord Foppington; Sir Novelty Fashion-Cibber; Young Fashion-Mrs Kent; Loveless-Verbruggen; Worthy-Powell; Sir Tunbelly Clumsey-Bullock; Sir John Friendly-Mills; Coupler-Johnson; Bull-Simson; Serringe-Haynes; Lory-Dogget; Amanda-Mrs Rogers; Berinthia-Mrs Verbruggen; Hoyden-Mrs Cross; Nurse-Mrs Powell.
Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Indiana Actor: Mrs Elmy
Role: Phyllis Actor: Mrs Clive
Role: Lucinda Actor: Mrs Ridout
Role: Isabella Actor: Mrs Bennet
Role: Mrs Sealand Actor: Mrs Bridges

Afterpiece Title: The Dragon of Wantley

Cast
Role: Margerina Actor: Mrs Clive
Role: Mauxalinda Actor: Mrs Mozeen.

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: Ye Q: a Box & a Box for ye Maids Honor Amphitrion. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not known, and it is doubtful that this one is the first; the premiere may have occurred early in October. The Songs and Music were published in 1690 and again in 1691, and have been edited by the Purcell Society, XVI (1906), iii-vi. Dedication, Edition of 1690: But what has been wanting on my part, has been abundantly supplied by the Excellent Composition of Mr Purcell; in whose person we have at length found an English Man equal with the best abroad. At least, my Opinion of him has been such, since his happy and judicious performances in the late opera [The Prophetess], and the experience I have had of him, in the setting my three Songs for this Amphitryon": To all which, and particularly to the composition of the Pastoral Dialogue, the numerous Quire of Fair Ladies gave so just an Applause on the Third Day. Cibber, Apology, I, 113: As we have sometimes great Composers of Musick who cannot sing, we have as frequently great Writers that cannot read; and though without the nicest Ear no Man can be Master of Poetical Numbers, yet the best Ear in the World will not always enable him to pronounce them. Of this Truth Dryden, our first great Master of Verse and Harmony, was a strong Instance: When he brought his Play of Amphytrion to the Stage, I heard him give it his first Reading to the Actors, in which, though it is true he deliver'd the plain Sense of every Period, yet the whole was in so cold, so flat, and unaffecting a manner, that I am afraid of not being believ'd when I affirm it

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Performance Comment: The music by Henry Purcell. Edition of 1690: Prologue-Mrs Bracegirdle; Jupiter-Betterton; Mercury-Lee; Phoebus-Bowman; Amphitryon-Williams; Sosia-Nokes; Gripus-Sandford; Polidas-Bright; Tranio-Bowen; Alcmena-Mrs Barry; Phaedra-Mrs Montfort; Bromia-Mrs Cory; Night-Mrs Butler; Epilogue-Phaedra.
Cast
Role: Prologue Actor: Mrs Bracegirdle
Role: Alcmena Actor: Mrs Barry
Role: Phaedra Actor: Mrs Montfort
Role: Bromia Actor: Mrs Cory
Role: Night Actor: Mrs Butler
Event Comment: By the Queen of Hungary's Company of Comedians. Side Boxes 4s. Front boxes 3s. Pit 2s. Gallery 1s. Note: Tickets deliver'd out for Romeo and Juliet, for Miss Cibber's Benefit, that could not come on Monday the 17th, will be taken on Wednesday the 26th and Thursday the 27

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mrs Charke; Polly-Miss Royer; Peachum-Haswell; Mrs Peachum-Mrs Mount; Lockit-Holtham; Mrs Slammekin-Mrs Chetwood; Diana Trapes [General Advertiser gives Mrs MacTrapes]-a lady from Tiperary; Lucy-a young Actress[ from Edinburgh. from Edinburgh.