SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Bulkley stays for Miss Valois"/1) | (@(roleclean,performerclean) "Mrs Bulkley stays for Miss Valois")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 26575 matches on Performance Comments, 7263 matches on Performance Title, 5462 matches on Event Comments, 9 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mrs Thompson's Night. Ninth Night of the Subscription

Performances

Mainpiece Title: La Serva Padrona

Performance Comment: Parts-Reinhold, Phillips, Mrs Thompson.
Event Comment: Mrs Abington Ill. Maid of the Oaks deferr'd. Paid Everard on note #30. Receipts: #221 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: As17751114, but Lady Elizabeth Gray-Mrs King; first time, and Original Epilogue-_.

Afterpiece Title: The Jubilee

Event Comment: [Mrs Lloyd is identified in playbill of 18 Aug. She has "the name of Lloyd, but [is] better known by the name of Mrs C@@we (who played several parts at the military theatre of Boston in America about two years ago)" (Morning Post, 16 July).

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Palmer; Old Philpot-Parsons; Sir Jasper-Massey; Young Wilding-R. Palmer; Beaufort-Wood; Quildrive-Stevens; Dapper-Jackson; Maria-A Young Gentlewoman (1st appearance on any stage [Mrs Lloyd]).Mrs Lloyd]).
Cast
Role: Beaufort Actor: Wood

Dance: As17790531

Event Comment: Benefit for Mrs Wrighten. Mainpiece: Not acted these 2 years. Receipts: #291 10s. 6d. (84.10.0; 7.2.0; 0.14.6; tickets: 199.4.0) (charge: none listed)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Mrs Lovemore-Miss Farren (1st appearance in that character); Muslin (1st time)-Mrs Wrighten; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Widow Belmour (with a song in character)-Mrs Abington.
Cast
Role: Mrs Lovemore Actor: Miss Farren
Role: Muslin Actor: Mrs Wrighten
Role: Lady Constant Actor: Mrs Brereton
Role: Mignionet Actor: Miss Hale
Role: Widow Belmour Actor: Mrs Abington.

Afterpiece Title: The Camp

Cast
Role: Nancy Actor: Miss Kirby
Role: Nell Actor: Mrs Wrighten

Dance: End: The Butterfly, as17800921

Song: Between the Acts: Tally Ho!-Mrs Wrighten

Performance Comment: -Mrs Wrighten.
Cast
Role: i> Actor: Mrs Wrighten.
Event Comment: [Mrs Barnes was from CG.] Receipts: #252 15s. (234/3; l8/7; 0/5)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17821108, but Alicia-Mrs Barnes (1st appearance on that stage) .
Cast
Role: Alicia Actor: Mrs Barnes
Role: Jane Shore Actor: Mrs Siddons

Afterpiece Title: The Alchymist

Cast
Role: Dame Pliant Actor: Miss Simson
Role: Doll Common Actor: Mrs Hopkins
Event Comment: [Mrs Siddons's 1st appearance as the Duchess of Braganza was at Bath, 8 Feb. 1780.] Receipts: #239 10s. (216/12/0; 22/0/6; 0/17/6)

Performances

Mainpiece Title: Braganza

Performance Comment: Valasquez-Smith; Ribiro-Palmer; Almada-Aickin; Mendoza-Barrymore; Lemos-Chaplin; Corea-Fawcctt; Antonio-Wrighten; Pizarro-R. Palmer; Ramirez-Packer; Duke of Braganza-Kemble; Duchess of Braganza-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Flitch of Bacon

Performance Comment: Captain Wilson-Bannister; Captain Greville-Dignum; Tipple-Suett; Justice Benbow-Packer; Kilderkin-Chaplin; Ned-Phillimore; Putty-Alfred; Major Benbow-Parsons; Eliza-Mrs Crouch .
Cast
Role: Eliza Actor: Mrs Crouch
Event Comment: "Mrs Crouch being suddenly indisposed, an apology was made for her absence" (Public Advertiser, 31 Mar.). Received Oratorio Rent at #28 a night, #308

Performances

Mainpiece Title: Redemption 0

Performance Comment: Vocal Parts, Violin As17870223, but Principal Vocal Parts-Mrs _Crouch.

Song: In Part III: I know that my Redeemer liveth-Mme Mara

Event Comment: [Mrs Henry is identified in European Magazine, Feb. 1788, p. 106.] Receipts: #218 15s. (210.2; 8.13)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17871107, but Beatrice-A Young Lady (1st appearance on any stage [Mrs Henry]).Mrs Henry]).
Cast
Role: Hero Actor: Mrs Inchbald

Dance: As17871107

Event Comment: [Mrs Siddons had 1st recited the Monody at Bath, 1 May 1779.

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: The Monody on the Death of Garrick

Performance Comment: Recited (1st time in London)-Mrs Siddons; The Music by Linley Sen?.-; To conclude with God save Great George our King-.
Cast
Role: Recited Actor: Mrs Siddons

Music: As17890311

Event Comment: The United Company. Lord Ashburnham's Diary: I went to the Play (the Rehearsal) where there was a great deal of company (Ashburnham MS 932; see 14 Dec. 1686). The play was reprinted in 1687. Cibber, Apology (ed. Lowe, I, 167): People were so fond of seeing her [Mrs Mountfort] a Man, that when the Part of Bays in the Rehearsal had for some time lain dormant, she was desired to take it up, which I have seen her act with all the true coxcombly Spirit and Humour that the Sufficiency of the Character required

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Mrs Mountfort may have played Bayes early as 1687.
Event Comment: At Mr Gibbin's and Mrs Violante's Great Booth

Performances

Mainpiece Title: Entertainments

Performance Comment: Mrs Violante.
Event Comment: Not Acted these Fourteen Years. Written by the late Mr Farquhar. N.B. In Consideration of the Diversion the French Children have given the Town, Mr Rich has engag'd their Stay in England for some time longer, and on Thursday next they will perform again. Receipts: #25 1s

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Song: A Dialogue between-Cook, a Gentlewoman, who never appear'd on any Stage before

Dance: Thurmond Jr, Mrs Bullock, Mrs Schoolding, Miss Smith

Event Comment: The Fifth Day. Neville MS Diary: Going into the first Gallery to hear the Prologue...was obliged to stay and see the Play. When the Epilogue was called for, Barry appeared and said, Mrs Dancer is so ill, she hopes you will excuse her." The gods were so brutish as to continue hissing and crying Off Off" All the while little Froment danced, who stood it very well. At last Mrs Dancer came on the stage and said I have been very ill all night. Otherwise I would not have requested this indulgence. The "Nos" and Clappers prevailing, at last she got off without speaking the Epilogue. The Farce was...purged of a little of its obscenity

Performances

Mainpiece Title: The Countess Of Salisbury

Cast
Role: Lord William Actor: Miss Palmer
Role: Countess Actor: Mrs Dancer
Role: Eleanor Actor: Mrs Burden

Afterpiece Title: The School Boy

Dance: End: Miss Froment

Event Comment: By Command of their Majesties. [This seems to be the night referred to by The Volunteer Manager in Theatrical Review of 1 January 1763 who condemns Miss Poitier's scandalous costume and indelicate actions: "Would any person suppose she could have the confidence to appear with her bosom so scandalously bare, that to use the expression of a public writer, who took some moderate notice of the circumstance, the breast hung flabbing over a pair of stays cut remarkably low, like a couple of empty bladders in an oil-shop. One thing the author of that letter has omitted, which, if possible is still more gross; and that is, in the course of Miss Poitier's hornpipe, one of her shoes happening to slipt down at the heel, she lifted up her leg, and danced upon the other till she had drawn it up. This had she worn drawers, would have been the more excusable; but unhappily, there was little occasion for standing in the pit to see that she was not provided with so much as a fig-leaf. The Court turned instantly from the stage-The Pit was astonished! and scarcely anything, but a disapproving murmur, was heard, from the most unthinking spectator in the twelvepenny gallery." Miss Poitier subsequently denied any impropriety in action, and sought hearing in the Theatrical Review. In the Volunteer Manager" section of the number for 1 March 1763 the editiors reaffirmed their stand on her indecency and refused to join further in a personal altercation.

Performances

Mainpiece Title: Love In A Village

Dance: II: The Sicilian Peasants, as17621125; Hornpipe-Miss Poitier

Event Comment: Paid Charlotte Lane for altering and mending a pair of black velvet breeches for Mr Wm. Smith, 1s. 6d.; For making a scarlet camblet frock, 8s.; for sewing silk, twist, buckram & stays, 4s. 6d.; for a velvet fall down collar, 3s. 6d.; 17 plain gilt buttons at 3d.-4s. 3d.; (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Flora

Performance Comment: Friendly-Lowe; Sir Thomas-Arthur; Hob-Dunstall; Flora-Miss Young.
Cast
Role: Flora Actor: Miss Young.

Dance: As17551101; Granier, Miss Hilliard

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Banquo-Hull [of CG]; Duncan-Packer; Ross-Aickin; Malcolm-R. Palmer; Macduff-Brereton; Hecate-Bannister; Witches-Parsons, Moody, Baddeley; Lady Macbeth-Mrs Siddons .
Cast
Role: Lady Macbeth Actor: Mrs Siddons

Afterpiece Title: The Guardian

Performance Comment: The Guardian-Hull [of CG]; Sir Charles Claclcit-Parsons; Young Clackit-Dodd; Lucy-Mrs Wilson; Harriet-Miss Kemble .
Cast
Role: Lucy Actor: Mrs Wilson
Role: Harriet Actor: Miss Kemble

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Performance Comment: [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.] hathi.
Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Characters by Kemble, Bensley, Palmer, Barrymore, C. Kemble, Caulfield, Whitfield, Maddocks, Benson, Packer, Trueman, Mrs Hopkins, Mrs Powell, Miss Miller, Mrs Siddons. Cast from text (C. Lowndes, 1795): Alexander-Kemble; Clytus-Bensley; Cassander-Palmer; Lysimachus-Barrymore; Hephestion-C. Kemble; Polyperchon-Caulfield; Perdiccas-Whitfield; Thessalus-Maddocks; Eumenes-Benson; Aristander-Packer; Slave-Trueman; Sysigambis-Mrs Hopkins; Statira-Mrs Powell; Parisatis-Miss Miller; Roxana-Mrs Siddons.
Cast
Role: Sysigambis Actor: Mrs Hopkins
Role: Statira Actor: Mrs Powell
Role: Parisatis Actor: Miss Miller
Role: Roxana Actor: Mrs Siddons.

Afterpiece Title: My Grandmother

Cast
Role: Charlotte Actor: Miss DeCamp

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Holman; Ghost-Farren; Horatio-Harley; Laertes-Middleton; King-Powel; Polonius-Munden; Ostrick-Bernard; Rosencraus-Macready; Guildenstern-Davies; Player King-Thompson; Marcellus-Evatt; Grave@Diggers-Quick, Rees; Ophelia-Miss Poole (1st appearance on any stage); Mad Bess-Miss Poole; Player Queen-Mrs Platt; Queen-Mrs Pope.
Cast
Role: Ophelia Actor: Miss Poole
Role: Mad Bess Actor: Miss Poole
Role: Player Queen Actor: Mrs Platt
Role: Queen Actor: Mrs Pope.

Afterpiece Title: Three Weeks after Marriage

Performance Comment: Sir Charles Racket-Lewis; Lovelace-Farley; Woodley-Macready; Drugget-Quick; Dimity-Mrs Fawcett; Mrs Drugget-Mrs Leicester; Nancy-Miss Grist; Lady Racket-Mrs Mattocks.
Cast
Role: Dimity Actor: Mrs Fawcett
Role: Mrs Drugget Actor: Mrs Leicester
Role: Nancy Actor: Miss Grist
Role: Lady Racket Actor: Mrs Mattocks.

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

Event Comment: Benefit for Miss Sherry & Sga Crespi. Tickets delivered by Harwood will be taken. Afterpiece: Not acted these 2 years [see 31 Mar.]. Public Advertiser, 17 Apr.: Tickets to be had of Miss Sherry, at Nicholl's, Baker, Bridge's-street, Covent Garden; of Sga Crespi, Poland-street, opposite the Back Door of the Pantheon. Receipts: #257 0s. 6d. (91.14.0; 23.0.6; 0.0.0; tickets: 142.6.0) (charge: #70 17s. 6d.)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17761125, but Lady Macduff-Miss Platt; Lady Macbeth-Miss Sherry.
Cast
Role: Lady Macduff Actor: Miss Platt
Role: Lady Macbeth Actor: Miss Sherry.

Afterpiece Title: The Register Office

Performance Comment: Irishman-Moody; Capt. LeBrush-Palmer; Gulwell-Packer; Scotchman-Parsons; Frenchman-Baddeley; Frankly-Davies; Harwood-Lamash [Public Advertiser: Wheeler]; Lord Brilliant-Fawcett; Williams-Wrighten; Margery Moorpout-Mrs Love; Maria-Miss Platt; Melpomene-Miss Stageldoir; Mrs Doggerel-Miss Pope.
Cast
Role: Margery Moorpout Actor: Mrs Love
Role: Maria Actor: Miss Platt
Role: Melpomene Actor: Miss Stageldoir
Role: Mrs Doggerel Actor: Miss Pope.

Dance: End II: a New Pastoral Ballet, composed by Helme, The Garden of Love-Helme, Sga Crespi, Miss Armstrong, Sga Ricci; End: Chaconne-Sga Crespi

Song: original Music by Matthew Locke-Bannister, Legg, Kear, Fawcett, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith, Gaudry

Performances

Mainpiece Title: At King's Much Ado About Nothing

Performance Comment: As17921102, but Margaret-Mrs Shaw.
Cast
Role: Margaret Actor: Mrs Shaw.
Role: Hero Actor: Mrs Kemble
Role: Beatrice Actor: Miss Farren
Role: Ursula Actor: Miss Heard.

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-R. Palmer; Mercury-Dignum; Gasconade-Baddeley; Simon-Moody; Snip-Suett; Corporal Bounce-Phillimore; Abram-Waldron; Forge-Burton; Taffy-Hollingsworth; Bog-Benson; Justices-Maddocks, Jones, Webb; Constable-Alfred; Clerk-Lyons; Old Woman-Mr Fawcett; Mrs Snip-Mrs Hopkins; Dolly Snip-Miss Pope; Sukey Chitterlin-Miss Collins.
Cast
Role: Forge Actor: Burton
Role: Mrs Snip Actor: Mrs Hopkins
Role: Dolly Snip Actor: Miss Pope
Role: Sukey Chitterlin Actor: Miss Collins.

Song: As17921102

Dance: As17921102; In afterpiece: Dances-the D'Egvilles, Menage, Chatterley, Webb, Melvin, Phillips, Bourk, Bidotti, Whitmell, Walker, Nokes, Keys, Miss Menage, the Miss D'Egvilles, Miss Phillips, Miss A. DeCamp, Miss Menage Jun., Miss Smith, Miss Haskey, Miss Whitmell, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Harris, Mrs Barrett, Mrs Bourk

Performance Comment: DeCamp, Miss Menage Jun., Miss Smith, Miss Haskey, Miss Whitmell, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Harris, Mrs Barrett, Mrs Bourk.
Event Comment: Benefit Mrs Younger. By Command of His Royal Highness. Part of the Stage (for the better Accommodation of the Ladies) will be form'd into Boxes. Receipts: money #79 9s. 6d; tickets #112 16s. [Prince of Wales present.

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17330127, but Parly-Miss Horsington.
Cast
Role: Parly Actor: Miss Horsington.

Dance: TTambourine-Miss Rogers; new Comic Dance-Nivelon, Mrs Laguerre, Pelling, Mrs Pelling, Newhouse, Miss LaTour, Delagarde, Mrs Ogden, LeSac, Miss Baston; French Peasant-Poitier, Miss LaTour; Scottish Dance-Glover, Mrs Laguerre, DuPre, Pelling, Delagarde, Mrs Ogden

Event Comment: Benefit for Wild, Miss Madden, Roffe, Ansell, and Miss Woolley. Tickets deliver'd by Symonds, Furkins, Hartle, Francis, Abbott, Walters, Miss Stede, the Widow Trott, the Widow Pullin, Mrs Hitchcock, Mrs Paddick, Mr Pilfold, Mr Doe, Claridge, and Reed will be taken. @ Tickets Box Pit Gallery Value 1!2 Value@ Wild 4 43 53 #12 15s. #6 7s. 6d.@ Miss Madden 41 17 29 #15 14s. #7 17s.@ Rose 23 55 35 #17 10s. #8 15s.@ Ansell 11 31 41 #11 10s. #5 15s.@ Wooley 3 28 56 #10 11s. #5 5s. 6d.@ Symonds 3 18 47 #8 3s. #4 1s. 6d.@ Furkins 9 9 9 #4 10s. #2 5s.@ Mrs Hartle 4 28 60 #11 4s. #5 12s.@ Francis .. 19 34 #6 5s. #3 2s. 6d.@ Abbott 12 60 53 #18 6s. 9 3s.@ Walters 3 44 106 #17 19s. #8 19s. 6d.@ Miss Stede 22 30 68 #16 6s. #8 8s.@ Miss Trott 17 10 10 #6 15s. #3 7s. 6d.@ Mrs Pullen 17 28 65 #14 19s. #7 9s. 6d.@ Mrs Hitchcock 29 42 16 #15 3s. #7 11s. 6d.@ Mrs Paddick .. 14 21 #4 4s. #2 2s@ Pilfold 27 200 67 #43 9s. #21 14s. 6d.@ Doe .. 18 39 #6 12s. #3 6s.@ Claridge 9 34 27 #10 1s. #5 0s. 6d.@ Reed .. .. .. .. .. .. ..@ Sharratt 1 8 10 #2 9s. #1 4s. 6d.@ Total 235 736 856 #254 15s. #127 7s. 6d.@ [A total of 1,817 seats given out in the three categories. Full capacity must have been nearly 2,250. No charges. House took half value of tickets.] Receipts: #13 2s. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Mrs Prim Actor: Mrs Pitt
Role: Ann Lovely Actor: Miss Macklin.

Afterpiece Title: The Chaplet

Cast
Role: Laura Actor: Mrs Mattocks
Role: Pastora Actor: Mrs Thompson.

Entertainment: III: A Minuet-Hussey, Miss Madden; End: A Hornpipe-Miss Stede (scholar to Fishar)

Event Comment: Benefit Kelly, Gwinn, Mrs Harrison. Receipts: money #18 3s. 6d.; tickets #171 19s

Performances

Mainpiece Title: Oroonoko

Performance Comment: As at lif, 9 Nov. 1732, but Lucy-Miss Binks; Governor-Paget; Stanmore Jr-Houghton; Planters-H. Bullock, Aston, Wilcox, Harrington.
Cast
Role: Lucy Actor: Miss Binks

Dance: I: Tambourine-Miss Rogers; In II: Hornpipe-Jones, Mrs Ogden; III: Scottish Dance-Glover, Mrs Laguerre, Dupre, Mrs Pelling, Delagarde, Mrs Ogden; V: Sleepy Dutchman and his Frow-Nivelon, Mrs Laguerre, introduced by Pelling, Newhouse, Delagarde, LeSac, Miss LaTour, Mrs Pelling, Mrs Ogden, Miss Baston

Dance: II: Singing in Italian-Kelly; IV: Singing in English-Kelly

Performances

Mainpiece Title: The Merry Wives Of Windsor

Dance: TTwo Pierrots-Poitier, Nivelon; Highlander and Mistress-Salle, Mrs Laguerre; A new Grand Warlike Dance with Moors-Glover, Pelling, Newhouse, Lanyon, Mrs Bullock, Mrs Ogden, Mrs Hill; in which will be introduced a new Polonese-Poitier, Miss LaTour; with Poitier beating a Preamble on the Kettle Drums. Flag Dance-Nivelon; A new French Peasant-Poitier, Pelling, Newhouse, Lanyon, DuPre, Delagarde, St.Luce, Miss LaTour, Mrs Bullock, Mrs Ogden, Miss Hill, Mrs Anderson; in Daily Courant

Performance Comment: Flag Dance-Nivelon; A new French Peasant-Poitier, Pelling, Newhouse, Lanyon, DuPre, Delagarde, St.Luce, Miss LaTour, Mrs Bullock, Mrs Ogden, Miss Hill, Mrs Anderson; in Daily Courant. in Daily Courant.

Song: Leveridge, Laguerre