Event Comment: Benefit for Dunstall. Mainpiece: Not acted these 7 years. [See 29 Nov. 1764.] Afterpiece: Not acted these 3 years. [See 2 Dec. 1769.] Charges: #64 5s. Profit to Dunstall #1 1s. 6d., plus #170 17s. from tickets (Box 433; Pit 410; Gallery 36). Paid Whitefield a quarter year's salary #25, and Sarjant ditto, #10. Paid Mrs Carne half year's salary #15 all due Lady Day last (Account Book). Receipts: #65 6s. 6d

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Event Comment: Paid Whitefield quarter year's salary due Xmas last #25, and Sarjant quarter year's salary due same time, #10. Advanc'd cash to Lee Lewes as per note #50 (Account Book). Receipts: #215 2s

Event Comment: Benefit for Miss Twist and Miss Wewitzer. Tomorrow (Eleventh Night) the New Comedy of She Stoops to Conquor. Charges #69 6s. 6d. Profit to each beneficiary #13, plus income from tickets: Miss Wewitzer #41 4s. (Boxes 45; Pit 123; Gallery 115); Miss Twist #42 6s. (Boxes 77; Pit 83; Gallery 106). Paid Whitefield for cloaths bought #53 17s. 6d. (Account Book). Receipts: #96 4s. 6d

Event Comment: The Masque of the Fairy Prince oblig'd to be deferr'd till Tuesday. Paid Whitefield for making cloaths &c. #72 10s. 5d. (Account Book). Receipts. #129 13s. (Account Book)

Event Comment: Benefit for Bensley. Afterpiece: Not acted these 2 years. [See 26 May 1770.] Last time of performing till the Holidays. Charges #67 17s. 6d. Profit to Bensley #82 7s., plus #62 13s. from tickets (Box 244; Pit 11). Paid Palmer (wax chandler) #105 18s.; Whitefield for Cloaths made #57 10s.; Pattinson (tallow chandler) #32 10s. (Account Book). Receipts: #150 4s. 6d. (Account Book)

Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Event Comment: In order to prevent Confusion among the Carriages, Ladies and Gentlemen are humbly requested to order their Servants to set down and take up with their Horses' Heads towards Pali-Mall. Servants are particularly desired not to croud the Doors, or to come up till called for. 1st piece: In three Scenes of Dialogue

Event Comment: 1st piece [1st time; PREL I, by George Colman elder; also ascribed to George Keate. Larpent MS 565; not published]: In Three Scenes of Dialogue. 2nd piece: The Music compiled by Dr Pepusch. 3rd piece [1st time; B. BALL I (see king's, 29 Mar.)]: Ballet Tragi-Comique by Signior Novestris [i.e. George Colman, the elder]. The Music by Signior Gluck. With New Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino. Morning Chronicle, 9 Aug.: Bannister with great good sense played chastely, and suffered the burlesque to arise out of his serious performance of Polly, not attempting to render the character ridiculous by making it more outre than it was rendered by his voice and figure

Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Event Comment: Mainpiece: Never perform'd. New Scenes and Dresses (playbill). This Comedy was written by Mr Obrien. It was very much hiss'd from the 2d Act & with the greatest difficulty we got thro' the Play amidst Groans hisses &c. They would not Suffer it to be given out again. After many Altercations between the Audience Mr G. & Mr King by the Author's Consent the Play was withdrawn (Hopkins Diary). [Macmillan's note from Kemble briefer. See long review of The Duel in British Theatre article, London Magazine, Dec. 1772, and Town and Country same month.] Paid Mr Scott (c[opper] laceman) #83 9s.; Mr Waller (hosier) #17 18s. 6d.; Mr Hatsell (mercer) #80 19s.; Mr Barrow & Co. for oil, #45 13s.; Mr Cropley (linen draper) #73 14s.; Mr Cubitt (tinman) #15 19s. (Treasurer's Book). Receipts: #241 4s. (Treasurer's Book)

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Event Comment: Mainpiece: Not acted these 20 years. [See 11 Nov. 1752.] Characters New Dressed in the Habits of the Times. This play is alter'd by Mr Colman and receiv'd with Some Applause, but it don't seem to hit the present Taste a few hisses at the End (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #630 1s. 6d.; Widow Hunter #2 2s.; King's glass bill #3 17s. 6d. (Treasurer's Book). [Mainpiece reviewed and contrasted with the original in the Westminster Magazine for Jan.: "Upon the whole we cannot esteem this a striking comedy, even with the assistance it has now received,--the fine manner in which it is got up, and the great expence which the managers have been at in habiting the whole dramatis personae in splendid and characteristic Old English dresses. All the actors except Mr King and Mr Parsons performed but indifferently. Bensley is the worst Old Man we ever saw. He presents the countenace of a sickly old woman; and the uniform goggle of his eye, by which he means to express infirmity and distress is the look of a man in anguish from the colic. Mr Palmer, Mr Brereton, and Mr Davis have a bloated vulgarity about them, which should ever deter the manager from assigning them the parts of cavaliers or men of fashion. Baddeley, as usual, overdid his part, and Mr Yates, as usual, was not very perfect in his."] Receipts: #192 11s. (Treasurer's Book)

Event Comment: After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book).*c1775 10 27 dl After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book)

Event Comment: Not Acted these Thirty Years. Written originally in French by Moliere. Original Weekly Journal, 28 June: On Friday 7-Night one Mr Kelley, an Irish Gentleman, was kill'd by Mr Ryan, one of the Actors of Lincolns-Inn-Fields Theatre; the Accident happen'd thus: Mr Ryan being at the Sun-Eating House in Long Acre at Supper; Mr Kelley, who before had terrified several Companions by drawing his Sword upon Persons whom he did not know, came up into the Room drunk, and abused Mr Ryan, who returned him very civil Usage, and desired his Absence: This did not satisfie Mr Kelley, who drew his Sword, made three Passes at Mr Ryan, before he could get his own Sword, which lay by in the Window; at last finding his own Life in Danger, He drew and ran Mr Kelley in the left Side, who fell down and immediately died

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50