Event Comment: Tickets delivered by Nash, Helme, Daglish, Dale, Brigg, Barthrope, Master Pulley, Mrs Lewis, Mrs Byrne will be taken. [In mainpiece the playbill retains Du-Bellamy as Lord Aimworth and Williames as Mervin, but on the Kemble playbill their names are deleted and MS annotations substitute Williames and Fawcett. This was Mrs Cargill's last appearance in London. Subsequently she acted in India.] Receipts: #231 17s. 6d. (32/8/0; 22/9/6; 0/15/0; tickets: 176/5/0)

Event Comment: Mainpiece: With Alterations in the Dialogue and New Music [i.e. 6 new songs by John O'Keeffe with music by Michael Arne: 3 sung by Fairfield, and 1 each by Theodosia, Farmer Giles and Fanny. They are printed in London Chronicle, 26 Sept. and in Town and Country Magazine, Sept. 1782,p. 452]. The Words of the New Songs will be given at the Boxes. Afterpiece: 6th time [i.e. in continuation of the reckoning for the previous season]. [Brett was from the HAY.] Receipts: #271 10s. 6d. (269/4/6; 2/6/0)

Event Comment: Benefit for Newbold and Miss Bird. [2nd piece: Prologue by George Colman, the elder.]

Event Comment: Benefit for Brother Wright. By Particular Desire of the Caveac Lodge of Free and Accepted Masons

Event Comment: Receipts: #155 14s. (121/12; 33/15; 0/7). Orders and Free #67 17s

Event Comment: Benefit for Mrs Crouch. Morning Chronicle, 6 Apr.: Tickets to be had of Mrs Crouch, No. 3, Adam-street, Adelphi. Afterpiece: Not acted these 9 years [acted 24 Jan. 1778]. Receipts: #314 9s. 6d. (117/11/0; 10/18/6; 1/7/0; tickets: 184/13/0) (charge: #108 0s. 10d.)

Event Comment: Benefit for Miss Phillips. Tickets to be had of Miss Phillips, at the West-End of Dorville's-Row. Afterpiece: Written by O'KeefFe, set to music by Shield, and performed with greatest applause at the Theatre-Royal, Covent-Garden

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Event Comment: Benefit Hallam, Rob. William, and Miss Tynte. Written by Shakespear. Th. Cibber (Lives and Characters, pp. 49-49): I remember, some Years ago, on Mr Giffard's coming from Ireland (then a young Actor) Mr Booth performed the Character of Hotspur one Night, when Mr Giffard played the Part of the Prince of Wales ; Mr Booth knowing Mr Giffard must be naturally prejudiced in favour of Mr Thomas Elrington, to whose Performance in Hotspur he had many times attended with no small Admiration-Mr Booth, piqued on this Occasion, exerted himself in a particular Manner, and played the whole Part with such Fire, and Engergy of Spirit, as rouzed his Auditors to an Extravagance of Applause, and made Mr Giffard confess (as he has often done in my Hearing) that, notwithstanding his Prepossession in favour of Mr Elrington,-Mr Booth, in Power, Spirit, and Judgment, went far beyond him in this Part; as he afterwards, with Admiration confessed,-he did in every other

Event Comment: Benefit Burkhead and Carnaby. At the Desire of several Ladies of Quality

Event Comment: Benefit for Arthur and Mrs Vincent. Charges #60. Deficit to the actors #6 12s. 6d. apiece, covered by income from tickets: Arthur #31 9s.; Mrs Vincent #43 4s. [Afterpiece a farce taken from Beaumont & Fletcher. Not Printed. In which was introduced the Judgment of Paris, a musical piece.] Mainpiece: Not acted these 7 years. Tickets to be had of Arthur in Duke's Court, and of Mrs Vincent at the Cock and Turk's Head in Bedford St., Covent Garden. Receipts: #46 15s

Event Comment: New Scenes and Habits. Ladies send servants by 3 o'clock. The Music compiled from Favourite Airs of the most celebrated Composers. Books of the opera to be had at the Theatre. [See note 16 Oct. 1764. Edition of 1765 states music by Samuel Arnold.

Event Comment: Benefit for Mrs Green. Charges #64 5s. Balance to Mrs Green #16 9s. 6d. plus #42 12s. from tickets (Box 93; Pit 85; Gallery 66). Receiv'd Hamilton's and Redman's deficiencies for last season (Account Book). Receipts: #80 14s

Event Comment: Benefit for Miss Twist and Miss Wewitzer. Tomorrow (Eleventh Night) the New Comedy of She Stoops to Conquor. Charges #69 6s. 6d. Profit to each beneficiary #13, plus income from tickets: Miss Wewitzer #41 4s. (Boxes 45; Pit 123; Gallery 115); Miss Twist #42 6s. (Boxes 77; Pit 83; Gallery 106). Paid Whitefield for cloaths bought #53 17s. 6d. (Account Book). Receipts: #96 4s. 6d