Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Mrs Jerrold"/1) | (@(roleclean,performerclean) "Mr and Mrs Jerrold")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
24294 results for: Keyword - Mr and Mrs Jerrold
We found 23602 matches on Performance Comments, 7596 matches on Event Comments, 4621 matches on Performance Title, 27 matches on Author, and 0 matches on Roles/Actors.

24276
17 September 1783 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 1st piece [1st time; c 5, author unknown. Authors and speakers of Prologue and Epilogue unknown]. 2nd piece [1st time; m.int i, author unknown]. 3rd piece [1st time; f 2, by Walley Chamberlain Oulton, altered from The Letter Writers, by Henry Fielding. MSS of none of these pieces in Larpent; none of them published]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: Cheapside; Or, All In The City

Performance Comment: Principal Characters by Benson, Johnson (from the Theatre Royal, Dublin), Pressly, Robson, Bailey (from the Theatre Royal, York), Jacobs (from the Theatre Royal, Edinburgh); Miss Hemet, Miss Dudley, Miss Dancer, Mrs Hyam. Cast not known. With a new Prologue and Epilogue .

Afterpiece Title: The Sailor's Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

24277
07 January 1784 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; P 2, author unknown. MS not in Larpent; synopsis of action in Public Advertiser, 8 and 9 Jan.]: With new Scenes, Dresses and Decorations. To conclude with a Representation of the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Music partly new [by William Shield, with overture by Carl Friedrich Baumgarten] and partly compiled from the best Masters. The Scenes designed and executed by Greenwood. Nothing under Full Price will be taken. Books of the Pantomime to be had at the Theatre. Account-Book, 4 June: Paid the Author of Harlequin Junior a Compliment on the Success #30. Receipts: #261 5s. 6d. (257/10/0; 3/8/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Conscious Lovers

Cast
Role: Mr Sealand Actor: Aickin
Role: Luanda Actor: Miss Wheeler
Role: Isabella Actor: Mrs Hedges
Role: Mrs Sealand Actor: Mrs Love

Afterpiece Title: Harlequin Junior; or, The Magis Cestus

Performance Comment: Characters by Wright, Williamson, Burton, Staunton, Williames, R. Palmer, Waldron, Chaplin, Phillimore, Wilson, Alfred, Spencer, Kenny, Grimaldi; Mrs Burnett, Miss Burnett, Miss Tidswell, Miss Barnes, Miss Cranford, Miss M. Stageldoir. [Partial cast from Parker's General Advertiser, 8 Jan.: Old Harlequin-Wright; Magician-Staunton; Sailor-Williames; Clown-Grimaldi; Spirit-Miss Cranford; Colombine-Miss M. Stagedoir. Playbill of 10 Nov. 1788 lists the other parts: Harlequin, German Officer, French Gentleman, Valet, Miller, Landlord, Cook, Daemon, Taylor; Old Colombine, French Ladies.] hathi. Old Colombine, French Ladies.] hathi.
Cast
Role: Colombine Actor: Miss M. Stagedoir. Playbill of 10 Nov. 1788 lists the other parts: Harlequin, German Officer, French Gentleman, Valet, Miller, Landlord, Cook, Daemon, Taylor

Song: In Act II of mainpiece a song by Miss Phillips

24278
13 January 1784 @ Drury Lane Theatre

Event Comment: Grimaldi being extremely ill, and it being uncertain when he may be able to perform, Wright has undertaken to supply his Character of the Clown, and Hamoir that of the Old Harlequin, and hope the Public will accept them with their usual kind Indulgence. In afterpiece: Repulse of the Spaniards, as 7 Jan. Receipts: #219 16s. (213/17; 5/4; tickets not come in: 0/15)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

Performance Comment: Characters by Hamoir, Williamson, Burton, Barrymore, Williames, R. Palmer, Waldron, Fawcett, Chaplin, Phillimore, Wilson, Alfred, Spencer, Chapman, Wright; Mrs Burnett, Miss Burnett, Miss Tidswell, Miss Barnes, Miss Cranford, Miss M. Stageldoir [for cast, etc., see17840107] .

24279
27 February 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door, for Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: L'allegro Il Penseroso

Performance Comment: Principal Vocal Parts by Norris, Reinhold; Miss George, Mrs Kennedy. 1st Violin by Richards .

Afterpiece Title: The Coronation Anthems

24280
05 March 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Vocal Parts and 1st Violin as17840227.

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

24281
10 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: [entertainments Of Music And Dancing] A Grand Symphony By The Celebrated Band Of The Opera House

Performance Comment: The Peasant Metamorphosed, as17840430 Hornpipe, as17840430 A Grand Instrumental Concert. The Country Squabble, as17840430 New Pastoral Pas de Deux by Duquesney Jun. and Mlle Constance (from the Theatre Royal, Paris). The Rival Clowns, as17840430, but added: Mrs Dagville; in which Orpheo, as17840430.

24282
25 May 1784 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and housekeeper. Tickets delivered for She Would and She Would Not will be admitted. Receipts: #291 16s. 6d. (61/18/6; tickets: 229/18/0) (charge: #105)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Cast
Role: Hostess Actor: Mrs Pitt
Role: Lady Percy Actor: Mrs Lewis

Afterpiece Title: Rosina

Cast
Role: William Actor: Mrs Kennedy
Role: Phoebe Actor: Mrs Martyr
Role: Dorcas Actor: Mrs Pitt
Role: Rosina Actor: Mrs Bannister

Dance: End of mainpiece The Charms of a Camp, as17840521

Song: End of Act II of mainpiece Tally Ho! by Mrs Martyr; End of Act iv Poor ThomasDay by Edwin, Davies, Brett

Performance Comment: by Mrs Martyr; End of Act iv Poor ThomasDay by Edwin, Davies, Brett .

24283
15 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: A New Pantomime [don Juan]

Performance Comment: Characters by Simonet, Henry, Menage, Mrs Dagville, Miss Cooper, the two Miss Simonets, and Clown-Delpini .
Cast
Role: , and Clown Actor: Delpini

Afterpiece Title: The Deserter

24284
26 December 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

24285
12 May 1786 @ Haymarket Theatre

Event Comment: Benefit for Mrs Pinto (formerly Miss Brett). [And see 26 Apr. 1785.]

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: Not specified

24286
15 October 1787 @ Covent Garden

Event Comment: [Mainpiece in place of The Grecian Daughter, advertised on playbill of 12 Oct.] Afterpiece: As originally Performed. With new Dresses, the Original Music, Scenery and Decorations. "When the hissing began there was an attempt by the Clown to put the audience in humour, by rolling over and over across the stage with a woman, or a man dressed in women's clothes. If this were a coup d'oeil for the Galleries, it was certainly an insult to the Boxes...We are glad to say that obscenity failed to rescue folly" (World, 16 Oct.). Receipts: #262 4s. (261.3; 1.1)

Performances

Mainpiece Title: Othello

Cast
Role: Emilia Actor: Mrs Morton
Role: Desdemona Actor: Mrs Pope.

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: [Edition of 1739 (Tho. Wood) lists the parts: Orpheus, Pluto, Ascalax, Furies, Friends, Harlequin, Pantaloon, Gawkey, Drudge, Taylor, Shoemaker, Drawer, Hostler, Porter, Eurydice, Rhodope, Nymphs, Bacchants, Colombine, Mrs Mannerly, Witch, Frothwell, Maid, Dwarf Woman.]

24287
12 February 1788 @ Covent Garden

Event Comment: [As mainpiece the playbill announces Love in a Village, but "Mrs Billington was taken ill & Rule a Wife was substituted" (MS annotation on BM playbill: cg, Vol. VI); as afterpiece St. Patrick's Day, but in the Account-Book (which also notes the change of mainpiece) it is deleted, and Three Weeks after Marriage substituted.] Receipts: #141 16s. (135.15.6; 6.0.6)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

24288
21 September 1789 @ Covent Garden

Event Comment: Afterpiece: As now representing in Paris with uncommon Applause. With the original French Music, new Dresses, Scenery, Machinery, and Decorations. Receipts: #229 19s. 6d. (228.13.0; 1.6.6)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Lady Capulet Actor: Mrs Platt
Role: Nurse Actor: Mrs Pitt
Role: Juliet Actor: Mrs Achmet

Afterpiece Title: The Death of Captain Cook

Performance Comment: Cast from text (T. Cadell, 1789), and Parke, I, 115: Terreeobo-Blurton; Pareea-Byrne; Koah-Delpini; Captain Cook-Cranfield; His Lieutenant-Evatt; Priest-Darley; Lieutenant of the Marines-Ratchford; Emai-Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.
Cast
Role: Emai Actor: Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Song: As17890914, but Vocal Parts-Lee, W. _Thompson, Miss +MacGeorge, Mrs +Lefevre

Performance Comment: _Thompson, Miss +MacGeorge, Mrs +Lefevre.

24289
04 December 1789 @ Covent Garden

Event Comment: [The playbill announces The Beggar's Opera (in place of The Maid of the Mill, advertised on playbill of 3 Dec., but "deferred on account of the Indisposition of Johnstone") and The Touchstone. But "Mrs Billington was taken ill & The Merry Wives of Windsor with The Deserter & Devil on Two Sticks were substituted for B. Opera & Touchstone" (MS annotation on BM bill: cg, Vol. VII). World, 5 Dec., states that The Mayor of Garratt was the afterpiece, but the Account-Book lists The Devil upon Two Sticks.] Receipts: #126 18s. (115.0.6; 11.17.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Devil upon Two Sticks

Dance: The Deserter-[, See17891113

24290
07 March 1794 @ Covent Garden

Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .
Cast
Role: Leader of the Band Actor: G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest

24291
14 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940312but added: Mrs Bland. Leader as17940312ART I. God save the King (CORONATION ANTHEMS). He layeth the beams. O had I Jubal's Lyre (JOSHUA). Let me wander (L'ALLEGRO). Gird on thy sword (SAUL). Deeper and deeper; Waft her Angels (JEPHTHA). Let the bright Seraphim, accompanied on the trumpet by Hyde (SAMSON). For unto us (THE MESSIAH). PART II. Ye sons of Israel (JOSHUA). Why do the Nations (THE MESSIAH). What tho' I trace (SOLOMON). Welcome! Welcome! (SAUL). Mad Bess (Purcell). Concerto on the violin by Giornovichi. Pleasure my former ways (TIME AND TRUTH). O magnify the Lord. Tears such as (DEBORAH). Hallelujah for the Lord (THE MESSIAH). PART III. Lord, remember David. Heart the seat of soft delight (ACIS AND GALATEA). He gave them hailstones (ISRAEL IN EGYPT). Why does the God of Israel sleep [SAMSON]. See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT) .
Cast
Role: Leader of the Band Actor: Shaw. PART I. Zadock the Priest

24292
15 December 1798 @ King's Theatre

Event Comment: Medonte announced, but Morning Chronicle, 17 Dec.: By the sudden indisposition of Madame Banti, there was no opera on Saturday night. Ibid, 18 Dec.: Bills were posted up all over London in the forenoon, and a respectful card sent to the house of each subscriber. Morning Herald, 18 Dec., carries a statement signed by Pere Elisee saying that "about two o'clock, Saturday morning last, I was called out of my bed by a message that Mrs Banti was taken dangerously ill," that she so continues, and that as her physician he is "of opinion it will not be safe for her to quit her sick bed for several days yet to come.

Performances

Mainpiece Title: None

24293
28 January 1800 @ King's Theatre

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement, as18000111; End Opera: [Ballet (composed by D'Egville with music by Bossi]), Hylas et Temire [subsequently entitled Hylas et Temire][; ou, La Statue Animee-Deshayes, Laborie, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Performance Comment: Hilligsberg, Mrs D'Egville, Mme Rose Didelot.

24294
18 February 1800 @ King's Theatre

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: Hylas et Temire-[see18000128]; End Opera: Les Jeux d'Egle, as18000111, but Mlle J. _Hilligsberg, Mrs _D'Egville, Mme Rose _Didelot

Performance Comment: _Hilligsberg, Mrs _D'Egville, Mme Rose _Didelot.