Event Comment: Paid Mr Hatsell [Mercer] 3 bills in full of last season #122 17s.; Nichols [sic] (rope maker) #18; Barrett (wax chandler) #28 3s. 6d. Receipts: #92 6s. 6d. (Treasurer's Book)

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Event Comment: Benefit for Havard. House charges #74 10s. [Profit to Havard #131 13s.] Paid Medlam (smith's) bill #79 13s.; printer's bill #8 12s.; 5 Trumpets, 2 Flutes #1 15s.; Chorus singers #2 5s. 6d. (Treasurer's Book). Receipts: #216 3s. (Treasurer's Book)

Event Comment: Steele's Censorium. For other accounts, see Loftis, pp. 108-9, and Blanchard, pp. 69, 108, 120

Event Comment: Benefit Hallam, Rob. William, and Miss Tynte. Written by Shakespear. Th. Cibber (Lives and Characters, pp. 49-49): I remember, some Years ago, on Mr Giffard's coming from Ireland (then a young Actor) Mr Booth performed the Character of Hotspur one Night, when Mr Giffard played the Part of the Prince of Wales ; Mr Booth knowing Mr Giffard must be naturally prejudiced in favour of Mr Thomas Elrington, to whose Performance in Hotspur he had many times attended with no small Admiration-Mr Booth, piqued on this Occasion, exerted himself in a particular Manner, and played the whole Part with such Fire, and Engergy of Spirit, as rouzed his Auditors to an Extravagance of Applause, and made Mr Giffard confess (as he has often done in my Hearing) that, notwithstanding his Prepossession in favour of Mr Elrington,-Mr Booth, in Power, Spirit, and Judgment, went far beyond him in this Part; as he afterwards, with Admiration confessed,-he did in every other

Event Comment: Benefit for Havard. Receipts: #200 (Cross)

Event Comment: Benefit for Clarke. Mr Clarke begs leave to inform his Friends, from his violent Indisposition, and Incapacity to perform for his Benefit, Mr Yates offered his assistance to play the character of Scrub; but unfortunately Mr Yates is attacked by a violent fit of the Gout, and prevented from fulfilling his kind Intentions. Mr Quick has readily consented to play the part for Mr Clarke. Mr Clarke hopes his present severe Indisposition, which has prevented his playing for several Months past, will be considered by his Friends as a sufficient Apology for his not performing at his Benefit, and solicits their Patronage this Evening. Morning Chronicle, 22 Apr.: Tickets to be had of Clarke, No. 15, Great Russel-street, Covent Garden. Receipts: #101 16s. 6d. (98/4/6; 3/12/0; tickets: none listed) (charge: #105)

Event Comment: By Subscription. With a new Prologue and Epilogue. Admission as 14 Dec. 1703. [A Folger Library broadside appears to be a program for this concert. It lists in Act I The Druid's Song from Bonduca, two songs by Mrs Tofts, a song from The Fairy Queen, and a dance; in Act II The Frost Music from King Arthur, two dances, and a song by Mrs Tofts; in Act III an Ode on the Glorious Beginning of Her Majesty's Reign, set by Daniel Purcell and performed by Leveridge, Hughes, Mrs Lindsey, and Mrs Campion; a song by Mrs Tofts, The Sacrifice from King Arthur, and a Grand Dance.

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Daily Advertiser, 4 Oct.: Yesterday Morning Mr James Todd, who represented the Miller's Man on Friday Night...and fell in one of the flying Machines from the very top of the Stage by the breaking of the Wires, by which accident his Skull was fractur'd, died in a miserable manner. Susan Warwick, who represented the Miller's Wife, lies at the point of Death at the Infirmary at Hyde-Park Corner: The two other Persons who fell in the same Machine are like to recover, [In London Daily Post and General Advertiser, 2 Oct.: All these unhappy People were Servants belonging to the Theatre, and only Representatives in the different Characters of Mr Lun, Mr Nivelon, Mr Salway, and Mrs Moreau.

Event Comment: Benefit for Poitier. On Account of the Dancing No Building on the Stage. Tickets and places to be had of Mr Poitier, at Mr Piddington's, Coach-Maker, in Great Queen Street, Lincoln's Inn Fields, where Mr Poitier hopes his Friends will favour him with their Commands, as this is the last Benefit he proposes taking

Event Comment: Benefit for Mr Giffard and Mrs Giffard. Mainpiece [by Thomas Baker]: Not acted these 15 years. [See 11 July 1738.] At the Desire of several Ladies of Quality. Afterpiece: A Farce of Two Acts never performed before, taken from a Comedy of the Celebrated Mr Otway. Tickets to be had of Giffard at No. 11 in Craven's Buildings, Drury Lane, and at the stage door

Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Event Comment: Written by Mr Congreve. Tickets delivered out for the 14th will be taken. Benefit Mrs Butler

Event Comment: Benefit for King. Tickets to be had of Mr King, at his lodgings in Broad Court, Bow Street; and of Mr Varney, at the Stage Door. The New Hippocrates, wrote by Dr Hiffernan--wretched, but went off quietly (Hopkins MS Notes)

Event Comment: Afterpiece: A Pantomine not acted these two years. [See 22 Sept. 1768.] Alterations to The Elopement (Cross Diary). [The Rejoicing Night Scene described in Town and Country Magazine (from Theatre No XXI) as representing Ludgate Street and St Paul's with Houses illuminated.

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #30 5s. 6d. Daily Journal, 11 Jan.: [On Sunday] Night the Corpse of Mr Boheme...was interr'd at Greenwich. The Pall was supported by Mr Quin, Mr Ryan, and 4 other Comedians

Event Comment: The Afterpiece a New Pantomime with New Music, Habits, Scenes, Machines and Decorations. Full Prices. [This note continued on all subsequent bills for Elopement this season. It will not be further mentioned here.

Event Comment: Benefit for Jones, Walker, Mrs Simson and Mrs Cross. Paid tallow chandler's 9th Bill #34 12s. 9d. (Treasurer's Book). [The pantomime charges of #10 10s. were deducted by order of the managers according to a marginal note in the Treasurer's Book, so actual charges were only #64 4s.] Receipts: #175 14s. 6d. Charges: #74 14s. Profits to Jones, Walker, Mrs Simson and Mrs Cross: #100 6d. (Treasurer's Book)

Event Comment: Benefit Rob. Williams, Mrs Whitherilt [Mrs Wetherilt], Mrs Boman, Miss Davison. Afterpiece: Set to Musick by Mr Eccles

Event Comment: Benefit for the Author of the Prologue, Epilogue and Pastoral Dialogue. Mainpiece: Written by Mr Addison. A New Pastoral Dialogue for the benefit of ye Author of ye Dialogue, Cook ye Poet (Cross). [The Prologue was on comic poetry (spoken by Ryan); the Epilogue was on the Comic Characters of Women (spoken by Mrs Bland). See published version (London, 1753 "to which is prefixed an Ode to John Rich, Esq:"--British Museum 11795 K 31).