SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr and Mrs Clarke"/1) | (@(roleclean,performerclean) "Mr and Mrs Clarke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23726 matches on Performance Comments, 7656 matches on Event Comments, 4624 matches on Performance Title, 27 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Royal Shepherd

Cast
Role: Alexander Actor: Champnes
Role: Agenor Actor: Mrs Dorman
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Cast
Role: Alexander Actor: Champnes
Role: Agenor Actor: Mrs Dorman
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Cast
Role: Alexander Actor: Champnes
Role: Agenor Actor: Mrs Dorman
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Performances

Mainpiece Title: Grief A la mode i

Performance Comment: . THE FUNERAL]. Campley-Lewis; Sable-Quick; Lord Brumpton-Powel; Trusty-Hull; Puzzle-Munden; Trim-Fawcett; Cabinet-Claremont; Tom-Blanchard; Lord Hardy-Pope// Lady Brumpton-Mrs Mattocks; Lady Charlotte-Miss Hopkins; Mademoiselle D'Epinglc-Miss Leserve; Mrs Fardingale-Mrs Leicester; Tattleaid-Miss Stuart; Lady Harriet-Mrs Esten .

Afterpiece Title: THE WARD OF THE CASTLE

Related Works
Related Work: The Ward of the Castle Author(s): Mrs. Burke

Song: As17931024

Event Comment: Miss Poole having a violent Cold and Hoarseness, LOVE IN A VILLAGE [advertised on playbill of 25 Oct.] is obliged to be deferr'd. [Afterpiece in place of THE MIDNIGHT HOUR, advertised as above.] Receipts: #173 8s. (138/5; 35/3)

Performances

Mainpiece Title: The Comedy Of Errors

Cast
Role: Luciana Actor: Mrs Esten
Role: Adriana Actor: Mrs Mattocks
Role: Lesbia Actor: Mrs Platt.

Afterpiece Title: THE WARD OF THE CASTLE

Related Works
Related Work: The Ward of the Castle Author(s): Mrs. Burke

Dance: As17931022

Song: In Act III of mainpiece, as17931008; In afterpiece, as17931024

Performances

Mainpiece Title: Harlequin Hydaspes Or The Greshamite

Related Works
Related Work: Harlequin Hydaspes: or, The Greshamite Author(s): Mrs. Aubert
Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Menenius-Shuter; Cominius-Gibson; Brutus-Davis; Sicinius-Casey; Minucius-Perry; Titus-DuBellamy; Tullus-Clarke; Galesus-Hull; Volusius-Gardner; Plebians-Barrington, Cushing, Dunstall, Stoppelaer, Quick; Volumnia-Miss Macklin; Veturia-Mrs Bellamy; In which will be introduced a Roman Ovation- after the manner of the Antients.
Cast
Role: Tullus Actor: Clarke
Role: Veturia Actor: Mrs Bellamy

Afterpiece Title: Love a la Mode

Dance: End: The Irish Lilt, as17670921

Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.
Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Mattocks; Sailor-DuBellamy; Dorcas-Mrs Thompson; Sally-Miss Brown; first time. With Hornpipe-Miss Twist.
Cast
Role: Dorcas Actor: Mrs Thompson
Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Edition of 1678: Prologue to Anthony and Cleopatra-; Marc Anthony-Hart; Ventidius-Mohun; Dollabella-Clarke; Alexas-Goodman; Serapion-Griffin; Another Priest-Coysh; Cleopatra-Mrs Boutell; Octavia-Mrs Corey; Epilogue-.
Cast
Role: Prologue to Anthony and Cleopatra Actor:
Role: Dollabella Actor: Clarke
Role: Cleopatra Actor: Mrs Boutell
Role: Octavia Actor: Mrs Corey
Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. [Only sagnificant changes from this regular notice will be recorded hereafter.] Paid Mrs Margaret Lamb 6 months interest on #315 due 8 Sept. #7 10s. (Account Book). Receipts: #155 15s. (Account Book). Estimate of a Constant@N.B. The Ground Rent and Taxes is calculated to be Paid in 150 Days.@Per Annum Per Day@To 50 Old Shares at 2s. --- #5@To 50 New Ditto at 2s. --- #5@T 50 New Ditto at 2s. --- #5@To Ground Rent for the Theatre #100@To Ditto for Buildings in Harte St. #30@To Ditto for Mr Thurmond's House in Bow Street Passage #25@ #155 #1 0s. 8d.@ #11 0s. 8d.@Taxes (Viz)@To Land and Window Taxes for Theatre #98 2s.@To Do for a House in Bow St. Passage #5 15s 6d.@To Poor's Rate for the Theatre #20@To Do for a House in Bow St. Passage #1 10s.@To Watch rate for the Theatre #8 6s. 8d@To Do for a House in Bow St. Passage 10s. 6d.@To Rector's rate for the Theatre #6 13s. 4d.@To Do for a House in Bow St. Passage 8s. 4d.@To Scavenger's Rate for the Theatre #6 17s. 4d.@To Do for a House in Bow St. Passage 6s. 4d.@To Water for the Theatre #4@ #152 10s.@ #1 4d.@To Renters, Ground Rent & Taxes #12 1s.@To Gawrds [sic] per Day 14s.@To Barbers Do 5s. 4d.@To Scenemen Do #2 10s.@To Music as Per List #4 9s 2d.@For 150 Days To Candles #3 3s.@Do To Coales 10s 10s.@Passages, Stage Etc. To Lamps #1 12s.@To Bills #1 7s.@To Advertisements 5s.@To Billsetters 4s. 6d.@#16 6s. Sallery [sic] #14 6s. Estimate To Wardrobe bill about #1 11s.@#2 Sallery #5 Estimate To Property Bill Do 7s.@To Chorus Singers Do 10s.@To Mr J. Rich #5 5s.@To Mr C. Rich #1@ #36 1s.@Nightly Charge@Musick List@Messrs Wood 5s.@Gillier 5s.@Miller 5s.@Chapman@ 3s. 4d.@Goodman 3s. 4d.@Woodson 5s.@Ward 6s. 8d.@Rolland 5s.@Rawlings 3s. 4d.@Vincent 6s. 8d.@Wrexell 5s.@Beale 5s.@Jones 4s. 2d.@Biche 3s. 4d.@Heron 4s. 2d.@Stockdon 3s. 4d.@Scovell 3s. 4d.@Lampe 3s. 4d.@Smart 3s. 4d.@Assistant Writer 10d.@Harpsicord 5s.@#4 9s. 2d.@Men Dressers Charg'd in the Wardrobe Bills@Messrs Mearns 2s. 6d.@Cason 2s.@Esbury 1s.@Fenwick 1s.@Winterton 1s.@Besford 1s.@Francis 1s.@Cawder 1s.@Hays 1s.@Hollingsworth 1s.@Cabell 1s.@Nicholls 1s.@Norris 1s.@Cole 1s.@16s. 6d.@Billstickers as per List@Messrs Abbott 2s.@Mislebrook 2s.@Dymuck 2s@Tidd 2s.@Gale 2s.@Cole 1s. 6d.@11s. 6d.

Performances

Mainpiece Title: The Jovial Crew Or The Merry Beggars

Performance Comment: Old Rents-Sparks; Hearty-Beard; Springlove-Clarke; Randal-Dunstall; Oliver-Dyer; Justice Clack-Shuter; Hilliard-Baker; Vincent-Mattocks; Meriel-Mrs Vincent; Rachel-Miss Brent, with dances incident to the Opera.
Cast
Role: Springlove Actor: Clarke
Role: Randal Actor: Dunstall
Role: Meriel Actor: Mrs Vincent

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Dunstall; Sir Jasper-Collins; Dorcas-Mrs Green.
Cast
Role: Dorcas Actor: Mrs Green.
Event Comment: At the particular Desire of several Brethren of the...Masons. Benefit Mr Heath, a Distress'd Brother and Citizen of London, and Mr Kilburne. Mainpiece: Written by the late Mr Farquhar

Performances

Mainpiece Title: Love And A Bottle

Performance Comment: Roebuck-a Freind to the Distress'd, anda Citizen of London; Leanthe-Mrs Vincent; Lovewell-Stevens; Mockmode-Salway; Lyrick-Arthur; Rigadoon-Bencraft; Pamphlet-Anderson; Brush-Clarke; Club-W. Hallam; Lucinda-Mrs Dancey; Bullfinch-Mrs Marshall; Pindress-Miss Horsington; Trudge-Stoppelaer.

Afterpiece Title: The Honest Yorkshireman

Song: ll theMasons' Songs-Brother Montgomery in his Tyler's Habiliments

Event Comment: Tickets deliver'd out for a Clergyman in distress and Mr Boval, will be taken this night. The Rev. Mr Smith sold 21 Box tickets, for which he receiv'd half value: #2 12s. 6d.; Mr Boval sold (Boxes 54; Pit 89; Gallery 47) #31 11s. His half value came to #15 15s. 6d. (Account Book). Bot by Ledley 20 Doz. Wax Candles at 31s. per: #31. (Account Book). Receipts: #128 19s. plus half value of tickets #18 8s. (Account Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Sparks; Bastard-Smith; Prince Henry-R. Smith; Salisbury-Anderson; Pembroke-Hull; Essex-Redman; Queen Elinor-Mrs Elmy; Lady Blanche-Mrs Vincent; Hubert-Ridout; King Philip-Clarke; Pandulph-Gibson; Austria-Buck; Chatillon-Davis; Dauphin-Dyer; Prince Arthur-Miss Mullart; Constance-Mrs Ward.
Cast
Role: Salisbury Actor: Anderson
Role: Queen Elinor Actor: Mrs Elmy
Role: Lady Blanche Actor: Mrs Vincent
Role: King Philip Actor: Clarke
Role: Pandulph Actor: Gibson
Role: Constance Actor: Mrs Ward.

Afterpiece Title: Thomasand Sally

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, adapted from Le Complaisant, by Antoine de Feriol comte de Pont-de-Veyle, and from Clavigo, by Johann Wolfgang von Goethe. It has been attributed to John Fenwick (Genest, VII, 360-61; London Chronicle, 14 Feb. 1798). But for Holcroft's acknowledgment of authorship see his Life, ed. Elbridge Colby, 1925, II, 170. Author of Prologue unknown. Epilogue by the author (Knapp, p. 88)]. Times, 12 Apr. 1798: This Day will be published He's Much to Blame (2s.). "Mrs Mattocks has of late habituated herself to a constant titter, which destroys the effect of her best scenes" (Times, 14 Feb.). Receipts: #249 1s. (240.5; 8.16)

Performances

Mainpiece Title: Hes Much To Blame

Performance Comment: Principal Characters by Lewis, Quick, Pope, Murray, Davenport, Clarke, Thompson, Rees, Blurton, Wilde, Abbot, Curties, Mrs Pope, Miss Betterton, Mrs Gibbs, Mrs Mattocks. [Cast from text (G. G. and J. Robinson. 1798): Sir George Versatile-Lewis; Lord Vibrate-Quick; Mr Delaval-Pope; Doctor Gosterman-Murray; Thompson-Davenport; Williams-Clarke; Master of the Hotel-Thompson; Jenkins-Rees; Waiter-Blurton; Harry-Abbot; Footman-Curties; Maria-Mrs Pope; Lady Jane-Miss Betterton; Lucy-Mrs Gibbs; Lady Jane's Woman-Mrs Norton; Lady Vibrate-Mrs Mattocks; unassigned-Wilde; Prologue-Whitfield; [This was spoken, as here assigned, at the 1st 9 performances only (see17980226).] Epilogue-Quick, Mrs Mattocks. [This was spoken, as here assigned (except on 5 and 7 June), at all subsequent performances.]This was spoken, as here assigned (except on 5 and 7 June), at all subsequent performances.]
Cast
Role: Williams Actor: Clarke
Role: Maria Actor: Mrs Pope
Role: Lucy Actor: Mrs Gibbs
Role: Lady Jane's Woman Actor: Mrs Norton
Role: Lady Vibrate Actor: Mrs Mattocks
Role: Epilogue Actor: Quick, Mrs Mattocks.

Afterpiece Title: Joan of Arc

Performance Comment: As17980212, but Female Choristers-Mrs Blurton [in place of Miss D'Evelyn].in place of Miss D'Evelyn].
Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Lord Townly-Powell; Manly-Clarke; Richard-Dibdin; Moody-Dunstall; Basset-Dyer; Sir Francis-Yates; Poundage-Bates; Servant-Holtom; Constable-Wignell; James-R. Smith; Lady Grace-Mrs Dyer; Lady Wronghead-Mrs Pitt; Mrs Motherly-Mrs Ferguson; Myrtilla-Miss Pearce; Trusty-Miss Mills; Miss Jenny-Mrs Mattocks, 1st time; Lady Townly-Mrs Yates.
Cast
Role: Manly Actor: Clarke
Role: Lady Grace Actor: Mrs Dyer
Role: Lady Wronghead Actor: Mrs Pitt
Role: Mrs Motherly Actor: Mrs Ferguson
Role: Miss Jenny Actor: Mrs Mattocks, 1st time
Role: Lady Townly Actor: Mrs Yates.

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Event Comment: Benefit for Clarke. Mainpiece: Not Acted this season. Charges #72 11s. 6d. Profit to Clarke #55 8s., plus #117 11s. from tickets (Box 239; Pit 284; Gallery 152). Paid Mr Murphy the balances for his 1, 2 & 3 nights of Alzuma #271 17s. (Account Book). Receipts: #122 19s. 6d

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith; Clytus-Clarke; Lysimachus-Hull; Hephestion-Wroughton; Cassander-Gardner; Thessalus-R. Smith; Polyperchon-Perry; Roxana-Miss Miller; Parisatis-Miss Pearce; Sysigambis-Mrs Vincent; Statira-Mrs Hartley (first time); Triumphal Entry into Babylon-.
Cast
Role: Alexander Actor: Smith
Role: Clytus Actor: Clarke
Role: Cassander Actor: Gardner
Role: Sysigambis Actor: Mrs Vincent
Role: Statira Actor: Mrs Hartley

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: DuBellamy.
Role: Ursula Actor: Mrs Green

Dance: End II: New Dance, as17730206

Event Comment: Admission: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes to taken of Mr Sarjant at the Stage Door of the Theatre. Play to begin exactly at o'clock. [This information, appearing at the foot of each bill, will not be repeatdd hereafter, except for significant differences.] Receipts: #111 5s. Deficit brought over from last season accounts, Journal T. Folio, 182, #164 0s. 6d. Paid Mr Lambert 3 month's salary to 15 Aug. last #25 (Covent Garden Cash Book). [Goldsmith's Bee (1759, p. 9) remarks on the better business used by Lovegold in the French theatre than used at cg: "Lovegold [in France] in the height of his passion stops to pick up a pin, quilting it in his coat, and snuffs out an extra candle." Implies that such subconscious revelations of the character of the miser might well be used by the English.

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Shuter; Frederick-Clarke; Clerimont-Ridout; James-Collins; Decoy-Marten; Ramilie-Dyer; Lappet-Mrs Green; Mrs Wisely-Mrs Copin; Wheedle-Miss Ferguson; Harriet-Mrs Vincent; Mariana-Mrs Hamilton.
Cast
Role: Frederick Actor: Clarke
Role: Lappet Actor: Mrs Green
Role: Mrs Wisely Actor: Mrs Copin
Role: Harriet Actor: Mrs Vincent
Role: Mariana Actor: Mrs Hamilton.

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Lowe; Jobson-Dunstall; Lady Loverule-Mrs Pitt; Nell-Mrs Green.
Cast
Role: Lady Loverule Actor: Mrs Pitt
Role: Nell Actor: Mrs Green.
Event Comment: Mainpiece: A New Tragedy [by Joseph Cradock] never performed. The Music composed by Mr Fisher. Words of the Epithalamium to be had at the Theatre. Paid Palmer (wax chandler) #140; Paid Buxton & Enderby (oyl merchants) #136 3s. (Account Book). Receipts: #220 16s. (Account Book)

Performances

Mainpiece Title: Zobeide

Performance Comment: Parts-Smith, Sevigny, Hull, Clarke, Owenson, Gardner, Thompson, Mrs Vincent, Mrs Yates, Prologue-; Epilogue-; In Act II: an Epithalamium-; vocals-Reinhold, Baker, Fox, Phillips, Mrs Woodman, Miss Valois, Miss Ogilvie, Mrs Lampe, Mrs Jones; Athamond-Smith; Indater-Savigny; Hermodon-Clarke; Seyfel-Hull; Haran-Owenson; Sulma-Mrs Vincent; Zobeide-Mrs Yates; Also unassigned-Gardner, Thompson (Edition of 1771).

Afterpiece Title: The Commissary

Cast
Role: Mrs Loveit Actor: Mrs Pitt
Role: Mrs Mechlin Actor: Mrs Gardner.
Event Comment: Benefit for Fawcett. 3rd piece [DO 2. Larpent MS 1251; not published]: Never acted at a Public Theatre [1st acted privately at Brandenburgh House, Hammersmith, 28 Feb. 1798]; Written by her Serene Highness the Margravine of Anspach. The Music partly by the Margravine, and partly by Sarti, Guglielmi, Paisiello, and Saphio. Grand Overture, La Chasse, by Reeve. The Scenery painted by Phillips, Lupino, Hollogan, &c. The Machinery by Sloper. The Dresses by Dick and Mrs Egan. Morning Chronicle, 17 Apr.: Her Serene Highness the Margravine of Anspach having, with unprecedented Kindness and Liberality, lent Mr Fawcett the Manuscript of the above magnificent and interesting Opera, he begs leave to state that nothing shall be wanted on his Part to render it as acceptable to the Public as it was to the Nobility who had the pleasure of seeing it at the Brandenburgh house Theatre. Ibid, 4 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho. Receipts: #532 6s. 6d. (239.1.6; 2.9.0; tickets: 290.16.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: As17980921, but Frank Oatland-Fawcett; Ellen-Miss Chapman; Miss Vortex-Mrs Mattocks.
Cast
Role: Frank Oatland Actor: Fawcett
Role: Miss Vortex Actor: Mrs Mattocks.
Role: Farmer Oatland Actor: Thompson
Role: Landlord Actor: Whitmore
Role: Jessy Oatland Actor: Mrs Gibbs

Afterpiece Title: A Gallimaufry

Performance Comment: Being the intermediate part of the Night's Entertainment. End I of the Play John Appleby (1st time)-Fawcett; End II Black Ey'd Susan-; End III Poor Tom; or, Sailor's Epitaph-Incledon; Here a sheer hulk-Incledon; End IV Pull Away; or, Howe, St. Vincent, Duncan & Nelson-Fawcett; End Play Monsieur Tonson (Founded on Fact, and read at Freemason's Hall, in the Winter of 1795)-Fawcett.

Afterpiece Title: The Princess of Georgia

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, H. Johnston, Townsend, Simmons, Clarke, Miss Waters, Mrs Chapman, Miss Sims, Mrs H. Johnston. [Cast from Larpent MS: Giobar-Incledon; Morad-Munden; Acba-Fawcett; Daracardin-H. Johnston; Iskouriah-Townsend; Nainda-Miss Waters [in MS: Mrs Atkins]; Zara-Miss Sims; Illidia-Mrs H. Johnston [in MS: Mrs Pope]; unassigned-Simmons, Clarke, Mrs Chapman; Ambassadors and Suite from Armenia-Dyke, Hawtin, Abbot, Wilde, Blurton, Street, L. Bologna; Ladies of the Harem-Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Lloyd, Ms Burnett, Ms Walcup, Ms Blurton.
Event Comment: Benefit for Beard. Mainpiece: By Particular Desire; Last time of performing it this season. Afterpiece: Not acted these two years. Pit and Boxes laid together at 5s. First Gallery 2s. Upper Gallery 1s. Stage 5s. Those who have places either in the Boxes or the Pit are requested to come thro the Box-Lobby, as at an Oratorio; and to send their servants to keep places by 3 o'clock. Tickets to be had of Mr Beard, at his house next Old Slaughter's, St Martin's Lane; and of Mr Sarjant at the Stage Door where places for the Boxes may be taken. Receipts: #129 1s. plus #246 from tickets (Boxes and Pit 984). Total income #375 1s. Charges #63. [Beard found his own wax candles]

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Jenny Actor: Mrs Baker.
Role: Jenny Diver Actor: Mrs White.
Role: Player Actor: Anderson
Role: Mrs Peachum Actor: Mrs Stephens
Role: Mrs Coaxer Actor: Mrs Ferguson
Role: Mrs Vixen Actor: Miss Allen
Role: Mrs Slammekin Actor: Mrs Green
Role: Diana Trapes Actor: Mrs Copin
Role: Fairbank Actor: Anderson
Role: Mrs Midnight Actor: Mrs Copin
Role: Mrs Clearaccount Actor: Mrs Ferguson
Role: Constance Actor: Mrs Vincent
Role: Aurelia Actor: Mrs Hamilton.

Afterpiece Title: The Country House

Performance Comment: Bernard-Marten; Le Noble-Clarke; Baron-Holtom; Lucca-Dunstall; Marquis-Dyer; Janno-Shuter; Mad Bernard-Mrs Vincent; Clariana-Mrs Baker; Le Jupe-Mrs Pitt; Maukin-Mrs Green.
Cast
Role: Le Noble Actor: Clarke
Role: Mad Bernard Actor: Mrs Vincent
Role: Clariana Actor: Mrs Baker
Role: Le Jupe Actor: Mrs Pitt
Role: Maukin Actor: Mrs Green.

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Event Comment: Benefit for Ross. Mainpiece: Never acted there. Afterpiece: Not acted this season. No Building on Stage. Tickets and Places to be had of Mr Ross in the Little Piazza, Covent Garden; and of Mr Sarjant, at the Stage Door

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Ross; Major Oakly-Shuter; Charles-Clarke; Lord Trinket-Dyer; Sir Harry Beagle-Bennet; Capt. O'Cutter-Barrington; Russet-Dunstall; Paris-Holtom; Tom-R. Smith; Harriet-Mrs Lessingham; Lady Freelove-Mrs Vincent; Mrs Oakly-Mrs Ward.
Cast
Role: Charles Actor: Clarke
Role: Harriet Actor: Mrs Lessingham
Role: Lady Freelove Actor: Mrs Vincent
Role: Mrs Oakly Actor: Mrs Ward.

Afterpiece Title: Florizel and Perdita

Performance Comment: Florizel (with new songs in character)-Mattocks; Autolicus (with songs in character)-Shuter; King-Hull; Shepherd-Gibson; Perdita (with new songs in character)-Miss Brent; The Music composed by Dr Arne, with a Dances incident to the Pastoral-Granier, Mrs Granier.

Dance: TThe Pleasures of Spring, as17620212

Event Comment: Benefit for Smith. Tickets sold at the doors will not be admitted. Tickets and Places to be taken of Mr Smith at his house in Beaufort Buildings, Strand; and of Mr Sarjant at the stage-door of the Theatre. Charges: #70 19s. 6d. [Profit to Smith #79 10s. 6d. plus #136 16s. from tickets (Box 388; Pit 198; Gallery 101).] Receipts: #150 10s. (Account Book)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith, 1st time; Hephestion-Dyer; Lysimachus-Hull; Cassander-Clarke; Polyperchon-Perry; Perdiccas-Davis; Clytus-Gibson; Statira-Mrs Mattocks, 1st time; Sysigambis-Mrs Vincent; Parisatis-Miss Vincent; Roxana (with Epilogue in Character 1st time)-Mrs Bellamy; In Act II, The Triumphal Entry of Alexander into Babylon-.

Afterpiece Title: The Citizen

Dance: III: The Village Romps, as17661008; End: The Female Archer, as17661215

Event Comment: Benefit for Mattocks. The Young Gentleman who was to have performed the part of Lysimachus in the tragedy of Alexander...for the benefit of Mr Mattocks, being much indisposed, cannot appear in that character as was intended, it will therefore be performed as usual by Mr Hull (Winston, MS 10, newsclipping inserted). Charges #74 7s. Profit to Mattocks #108 10s., plus #38 10s. from tickets (Boxes 121; Pit 55) (Account Book). Receipts: #182 17s. (Account Book)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith; Clytus-Younger; Cassander-Clarke; Hephestion-Wroughton; Lysimachus-Hull; Polyperchon-Perry; Thessalus-R. Smith; Roxana-Mrs Mattocks; 1st time; Sysigambis-Mrs Vincent; Parisatis-Miss Pearce; Statira (that night only)-Mrs Yates; With the Triumphal Entry of Alexander into Babylon-.
Cast
Role: Alexander Actor: Smith
Role: Cassander Actor: Clarke
Role: Roxana Actor: Mrs Mattocks
Role: Sysigambis Actor: Mrs Vincent
Role: Statira Actor: Mrs Yates
Role: With the Triumphal Entry of Alexander into Actor: .

Afterpiece Title: The Apprentice

Monologue: True Blue. As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks

Performance Comment: As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks.
Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Performance Comment: Characters by Clarke, Lewis, Wroughton, Ward, Whitefield, Mrs Hartley. Druids and Bards-Aickin, Hull, L'Estrange, Fearon, others; Principal Vocal Parts-Leoni, Reinhold, Mrs Farrell; [Cast from text (York: A. Ward, 1777 [i.e. 1776]): Caractacus-Clarke; Arviragus-Lewis; Elidurus-Wroughton; Vellinus-Ward; Aulus Didius-Whitefield; Evelina-Mrs Hartley; Modred-Aickin; Mador-Hull.

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Ross; Siffredi-Ridout; Osmond-Clarke; Laura-Mrs Vincent; Sigismunda-Mrs Ward.
Cast
Role: Osmond Actor: Clarke
Role: Laura Actor: Mrs Vincent
Role: Sigismunda Actor: Mrs Ward.