Event Comment: By Comm
and of
their Majesties. Tickets to be had
and places for the Boxes to be taken of
Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios
and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The
Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of
Handel, particularly relating to his Oratorios. The
Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in
Acis and Galatea: "
Miss Linley...gave every delight that the ear, the heart, or underst
anding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct
and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear
and melodious,
and capable of truest expression as was peculiarly evident in the song of '
Must I my Acis still bemoan?'...Their Majesties' presence
and apparent satisfaction lead us to hope that the Royal countenance
and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for
English genius to take root
and flourish"( (Quoted in
Hampden, Journal).]
Performances
Mainpiece Title: Acis And Galatea With Drydens ode
Performance Comment: Parts were: Acis-; Polyphemus-; Damon-; Galatea-; Chorus of Shepherds and Shepherdesses-(Larpent MS).Music: Concerto on Organ-Stanley