SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Mrs Booth"/1) | (@(roleclean,performerclean) "Mr and Mrs Booth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23753 matches on Performance Comments, 8076 matches on Event Comments, 4627 matches on Performance Title, 174 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

Event Comment: See Cibber, Apology, I, 201-2, for his account of the mistake Betterton's Company made in not retaining Williams and Mrs Mountfort-Verbruggen, and of the problems of Rich's Company. In this passage Cibber implies that Hamlet, Othello, and Julius Caesar were acted at Drury Lane soon after the division of the companies

Performances

Event Comment: It is not known in which theatre this revival occurred. It was witnessed by van Constantijn Huygens, Monday 19 Dec. 1695 N.S. [translation]: In the afternoon I was at the comedy with my wife and Mrs Creitsmar. They played an old show called: The Love in the Tubb (Publications of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 560)

Performances

Mainpiece Title: Love In A Tub

Event Comment: Post Boy, No 479, 28-31 May 1698: At the Request of several Persons of Quality, Mrs Cressea's Entertainment of Vocal and Instrumental Musick will be performed in York Buildings, on Wednesday next, the first of June

Performances

Mainpiece Title: Concert

Event Comment: Elizabeth Barry to the Right Hon. Lady Lisburne, 5 Jan. 1698@9: As for the little affairs of our house I never knew a worse Winter only we have had pretty good success in the Opera of Rinaldo and Armida where the poet made me command the Sea the earth and Air but had I really that Authority I cou'd with joy forsake it all to wait on your Ladyship....Eliz: Barry. Lon: jan: ye 5th this monent Alexander is bespoke to entertain ye Bride I mentioned [the daughter of Lord Litchfield married to Lord Baltimore's son] & all their guest to-morrow (See M. A. Shaaber, A Letter from Mrs Barry, The Library Chronicle, The University of Pennsylvania, XVI [1950], 46)

Performances

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Presumably Mrs Barry acted Roxana.
Event Comment: Post Boy, 22-25 April 1699: In York-Buildings, on Friday next, being the 28th Instant, will be perform'd a Consort of new Vocal and Instrumental Musick, for the Benefit of Mrs Lyndsey, beginning at the usual Hour

Performances

Mainpiece Title: Concert

Event Comment: Alice Baxter, September 1699: I believe shall be on Munday at a ball at St. James, where, as they tell me, ther is a famose new danser to apere, which is to charme us all, but not make amends for ye loss of Mrs Ibbings (Evans?) who danced at Lincolns Inn Field and is lately dead (Hatton Correspondence, Camden Society, XXIII [1878], 240)

Performances

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and three in the Box at Marryage hater. 16s. See Hotson, Commonwealth and Restoration Stage, p. 378. John Dryden to Mrs Steward, 14 Dec. 1699: Both the Iphigenias have been played with bad Success; & being both acted, one against the other, in the same week, clashed together, like two rotten ships, which cou'd not endure the shock; & sunk to rights (The Letters of John Dryden, p. 131)

Performances

Mainpiece Title: The Marriage Hater Matched

Event Comment: Lady Marow to Arthur Kay, 12 March 1699@1700: The Way of the World, Congreve's new play doth not answer expectation, there being no plot in it but many witty things to ridicule the Chocolate House, and the fantastical part of the world (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, p. 145). John Dryden to Mrs Steward, 12 March: Congreves New Play has had but moderate success; though it deserves much better (Letters of John Dryden, p. 134)

Performances

Event Comment: Benefit Mrs Hodgson and Signior Baptist. The Musick will begin between 8 and 9 at night

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; also several new Songs set for that occasion-; and a particular performance of instrumental Musick-Signior Volumner

Event Comment: An excellent Comedy, (not Acted these 18 Years)...Written by the Ingenious Mrs Ann Behn. [This performance was presumably a part of a summer season at dl. The presentation of The Gentleman Cully at lif implies a similar season there.

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Event Comment: Benefit Mrs Hodgson. [Tamerlane intended, but cannot be acted.

Performances

Mainpiece Title: Oedipus

Event Comment: Benefit Mrs Lucas. Mainpiece: That celebrated Comedy. Written by the Famous Ben. Johnson

Performances

Mainpiece Title: Bartholomew Fair

Entertainment: Several Extraordinary Entertainments, as will be express'd in the Bills

Event Comment: Benefit Mrs Bicknell. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Italian and English Masters; an Italian Sonata on the Trumpet-a Boy of about Eight Years of age, who never yet perform'd in Publick

Event Comment: Benefit Mrs Elford. [Genest, II, 293, lists this for 2 June.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Music: The best Masters

Dance: As17030601

Event Comment: A masque of music composed by Henry Purcell. Benefit Mrs Lucas. Mainpiece: Revis'd with large Alterations

Performances

Mainpiece Title: The Pilgrim

Event Comment: Benefit Mrs Kent

Performances

Mainpiece Title: The Yeoman Of Kent [tunbridge Walks]

Entertainment: As17030705

Event Comment: At the Desire of several Persons of Quality. Newly Corrected. Katherine Tofts, in Daily Courant, 8 Feb.: I was very much surpriz'd when I was inform'd that Ann Barwick, who was lately my Servant, had committed a Rudeness last Night [5 Feb.] at the Playhouse, by throwing of Oranges, and hissing when Mrs l'Epine, the Italian Gentlewoman Sung. I hope no one can think that it was in the least with my Privity, as I assure you it was not. [The statement, addressed to Christopher Rich, was dated 6 Feb.

Performances

Mainpiece Title: The Chances

Dance: As17040124

Song: As17040129

Event Comment: Benefit Mrs Rogers

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Song: Leveridge, others

Music: As17031109

Dance: As17040112

Event Comment: Benefit Mrs Oldfield. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The School Boy; Or, The Comical Rivals

Afterpiece Title: Le Medecin Malgre Luy (last act)

Music: The Prologue to The Indian Queen-; the Sacrifice in King Arthur-; the Masque in Timon of Athens, all by Henry Purcell-

Dance: As17040226

Event Comment: Benefit Mrs deL'Epine. Boxes 6s. Pit 5s. First Gallery 2s. 6d. Box in the Upper Gallery 1s. 6d

Performances

Mainpiece Title: The Committee

Dance: As17040422

Song: Several Entertainments of Singing in Italian-the Famous Signiora Francisca Margarita del'Epine; of the best Songs she hath Sung in England: The Accompanied with Musick- compos'd by Signior Giacomo Greber-

Event Comment: Benefit Mrs Barry

Performances

Mainpiece Title: All For Love

Event Comment: Benefit Mrs Bracegirdle

Performances

Mainpiece Title: Squire Trelooby

Music: An Entertainment of new Musick-; Vocal and Instrumental Music-; that was perform'd before Her Majesty on Her Birth-day

Song:

Dance:

Event Comment: Benefit Mrs Lee

Performances

Mainpiece Title: Squire Trelooby

Music: Vocal and Instrumental Music, as performed before Her Majesty on her Birthday-; Henry Purcell's The Four Seasons-

Dance: Dancing Proper to the music-