SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Mrs Barry"/1) | (@(roleclean,performerclean) "Mr and Mrs Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23628 matches on Performance Comments, 7646 matches on Event Comments, 4621 matches on Performance Title, 28 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mr and Mrs Knight. Mainpiece: Not acted these 20 years [acted 1 Oct. 1779]. Times, 1 May: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone-place. Receipts: #270 11s. 6d. (138.19.6; 4.9.6; tickets: 127.2.6)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Holman; Justice Clement-Munden; Old Knowell-Murray; Master Stephen-Knight; Brain@Worm-Townsend; Young Knowell-Clarke; Wellbred-Whitfield; Master Matthew-Simmons; Cash-Farley; Downright-Waddy; Formal-Rees; Cob-Thompson; Captain Bobadil (for that night only)-Cubitt (1st appearance on this stage these 3 [recte 4] years); Bridget-Miss Mansel; Tib-Mrs Gilbert; Mrs Kitely-Miss Betterton.
Cast
Role: Tib Actor: Mrs Gilbert
Role: Mrs Kitely Actor: Miss Betterton.

Afterpiece Title: High Life below Stairs

Performance Comment: Lord Duke-Lewis; Lovel-Munden; Sir Harry-Knight; Freeman-Clarke; Phillip-Davenport; Kitty (with a song)-Mrs Knight.
Cast
Role: Kitty Actor: Mrs Knight.

Dance: In afterpiece: Mock Minuet-Mr and Mrs Knight

Entertainment: Singing and Monologues.End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon

Performance Comment: End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon.

Performances

Mainpiece Title: The Miser

Performance Comment: Lovegold-Norris, the first time of his appearing on any stage since the Union of the Companies (Daily Advertiser, 30 May); Frederick-Wignel; Clerimont-Richardson; James-Topham; Ramilie-Miss Beckington; Mariana-Miss Mann; Harriet-Mrs Achurch; Mrs Wisely-Mrs Herle; Wheedle-Miss Hughes; Lappet-Miss H. Hughes. A new Prologue and Epilogue, both by Norris .

Dance: I: Scotch Dance by Mr and Mrs Davenport. III: Minuet by Mrs Grognet and Mrs Sanderson. V: Dutch Skipper by Mr and Mrs Davenport. Black Joak by Smith and Miss Mann

Performance Comment: III: Minuet by Mrs Grognet and Mrs Sanderson. V: Dutch Skipper by Mr and Mrs Davenport. Black Joak by Smith and Miss Mann .

Song: II: Italian Song by Miss Young. IV: Italian Song by Mrs Mason

Performance Comment: IV: Italian Song by Mrs Mason .
Event Comment: Benefit for Farley, Waddy & Mrs Chapman. Afterpiece: To conclude with the Ceremony Usual at the Death of a Deserter. Receipts: #412 18s. (78.5; 4.4; tickets: 330.9)

Performances

Mainpiece Title: Wild Oats

Performance Comment: Rover-Lewis; Harry-Holman; Sir George Thunder-Waddy; Ephraim Smooth (with A Bundle of Proverbs)-Munden; John Dory-Fawcett; Sim-Knight; Banks-Murray; Midge-Claremont; Gammon-Thompson; Lamp-Simmons; Landlord-Atkins; Trap-Whitmore; Twitch-Wilde; Waiter-Curties; Jane-Mrs Chapman; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: Landlord Actor: Atkins
Role: Jane Actor: Mrs Chapman
Role: Lady Amaranth Actor: Mrs Pope.

Afterpiece Title: The Deserter of Naples

Performance Comment: As18000429, but Henry-Farley (1st appearance in that character); added: Simpkin (2nd time)-Bologna Jun.; King-Bologna; Officers-Atkins, Curties, Lee; Country Lads-_Curties, _Lee, Howell, +Whitmore, +Klanert, +Webb; Lasses-Mrs +Dibdin.
Cast
Role: Lasses Actor: Mrs +Dibdin.
Role: Jacintha Actor: Mrs H. Johnston
Role: Jenny Actor: Mrs Mills
Role: Louisa's Mother Actor: Mrs Whitmore
Role: Louisa Actor: Mrs H. Johnston

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Performance Comment: Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin.

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Event Comment: Mr Aickin, Evander well receiv'd (Hopkins Diary). Benefit for Mrs Barry. Pit and Boxes laid together. Send servants by 4 o'clock. Othello and Irish Widow deferr'd, for Barry's Illness. Paid salary list (4 days) #348 5s.; Mr Lutherberg on Acct, #80; Mr J. French's Draft on the managers, #50 (Treasurer's Book). Receipts: #281 18s. 6d. Charges: #65 19s. Profits to Mrs Barry: #215 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17721126, but Evander-Aickin, first time; Melanthon-Packer; Herold-Wright; With a New Occasional Epilogue-Mrs Barry.

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17720922

Event Comment: Mrs Barry--Imogen (first time) not so well as was expected (Hopkins Diary). Mrs Barry, Imogen (Cross Diary)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17700922, but Belarius-J. Aickin; Imogen-Mrs Barry, first time; dancing-Sga Daigville, Sga _Giorgi.
Cast
Role: Imogen Actor: Mrs Barry, first time
Role: Queen Actor: Mrs Reddish
Role: Singing Actor: Mrs Scott.

Afterpiece Title: The Elopement

Dance: III: Comic Dance, as17701025

Event Comment: Mrs Barry, not being yet sufficiently recover'd of her Indisposition to undertake a Character of so much Exertion as Alicia, The Play of Jane Shore is oblig'd to be deferr'd till Saturday

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Barry; Iago-Bensley; Roderigo-Woodward; Cassio-Lewis, first time; Brabantio-Hull; Lodovico-Whitefield; Montano-Davis; Duke-L'Estrange; Gratiano-Fearon; Emilia-Mrs Mattocks, first time; Desdemona-Mrs Barry.
Cast
Role: Othello Actor: Barry
Role: Emilia Actor: Mrs Mattocks, first time
Role: Desdemona Actor: Mrs Barry.

Afterpiece Title: The Golden Pippin

Cast
Role: Venus Actor: Mrs Mattocks
Role: Pallas Actor: Mrs Baker

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Elder Woudbe-Este; Young Woudbe-Cross; Trueman-Turbutt; Richmore-Woodburn; Subtleman-Cole; Alderman-Salway; Clear-account-Wright; Fairbank-Dove; Teague-Jones; Jack-Leigh; Constable-Gray; Mrs Midnight-Topham; Aurelia-Mrs Pritchard; Constance-Mrs Cantrell; Steward's Wife-Mrs Cross; Maid-Miss Jones .
Cast
Role: Mrs Midnight Actor: Topham
Role: Aurelia Actor: Mrs Pritchard
Role: Constance Actor: Mrs Cantrell
Role: Steward's Wife Actor: Mrs Cross

Afterpiece Title: The Honest Yorkshireman

Performance Comment: AS15 July. Prologue and Epilogue, as17350715.
Cast
Role: Arbella Actor: Mrs Cantrell
Role: Combrush Actor: Mrs Pritchard

Music: As17350715

Dance: French Peasant by Vallois and Mrs Woodward. Two Pierrots by Vallois and Davenport. Le Gout Anglois by Mr and Mrs Davenport

Performance Comment: Two Pierrots by Vallois and Davenport. Le Gout Anglois by Mr and Mrs Davenport .

Song: As17350718

Event Comment: Benefit Este and Wright. Mainpiece: Written by Mr Farquhar. [Tickets for Cross, Raftor, and Arne taken.]

Performances

Mainpiece Title: The Twin Rivals

Cast
Role: Mrs Clearaccount Actor: Mrs Cross
Role: Betty Actor: Mrs Villeneuve
Role: Aurelia Actor: Mrs Clive
Role: Mrs Midnight Actor: Harper

Afterpiece Title: The Livery Rake and Country Lass

Performance Comment: Livery Rake-Este; Phillis (Country Lass)-Mrs Clive; Landlord Toby-Salway; Phillis (Chambermaid)-Mrs Pritchard; Harry-Turbutt; James-Raftor; Lucy-Mrs Villeneuve; Dorcas-Mrs Cross. With an Epilogue (wrote by Jo. Haines, Comedian, of facetious Memory), to be spoke by Mr Cibber, riding on an Ass .
Cast
Role: Phillis Actor: Mrs Clive
Role: Landlord Toby Actor: Salway
Role: Phillis Actor: Mrs Pritchard
Role: Lucy Actor: Mrs Villeneuve
Role: Dorcas Actor: Mrs Cross. With an Epilogue

Music: Select Pieces between the Acts, composed by Arne, particularly the March in Zara

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Scot's Dance by Mr and Mrs Davenport. III: Drunken Peasant by Phillips. IV: Minuet by Villeneuve and Mrs Anderson. V: Grand Ballet by Essex, Mrs Walter, &c

Performance Comment: II: Scot's Dance by Mr and Mrs Davenport. III: Drunken Peasant by Phillips. IV: Minuet by Villeneuve and Mrs Anderson. V: Grand Ballet by Essex, Mrs Walter, &c .

Song:

Event Comment: At Bridges, Cross, Burton and Vaughan's Great Theatrical Booth in the George Inn Yard, will be presented an Historical Drama never acted before call'd The Northern Heroes; or, The Bloody Contest between Charles XII, King of Sweden, and Peter the Great, Czar of Muscovy, with the Loves of Count Gillensternia, a Swedish General and the Fair Elimira, a Russian Princess, Containing the most remarkable Events of that Time; and concluding with the Memorable Battle of Pultowav, and Charles's Retreat into the Turkish Dominionv. Interspers'd with a Comic Interlude (never perform'd before) called The Volunteers; or, the Adventures of Roderick Random and his Friend Strap. Also the Comical Humours and Amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's Widow; the merry Pranks of her foolish son Janny, and several other diverting incidents. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'clock. [This notice repeated during "the short Time of the Fair." Notice repeated 24, 26, 27 Aug.

Performances

Mainpiece Title: The Northern Heros

Performance Comment: Charles XII-Usher; Prince of Wurtemburgh-Jackson; Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Dolgoruki-Paget; Menzikoif-Jones; Ivan-Shawford; Elimira-Mrs Cross.
Cast
Role: Elimira Actor: Mrs Cross.

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and his Friend Strap

Performance Comment: Roderick Random-Cross; Garbage-Bridges; Slim-Storer; Strap-Paddick; Widow Vanspriggen-Mrs Bridges; Moll-Mrs Vaughan; Mrs Rank-Miss Ferguson; Mrs File-Mrs Shawford; Mrs Machegogan-Mrs Paddick; Madge-Miss Tyler; Janny-Vaughan.
Cast
Role: Roderick Random Actor: Cross
Role: Widow Vanspriggen Actor: Mrs Bridges
Role: Moll Actor: Mrs Vaughan
Role: Mrs Rank Actor: Miss Ferguson
Role: Mrs File Actor: Mrs Shawford
Role: Mrs Machegogan Actor: Mrs Paddick

Dance: Mr Shawford, Mrs Shawford, Master Cross, Mrs Vaughan

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Townly-Cross; Lady Townly-Mrs Pritchard; Lady Grace-Mrs Cross; Lady Wronghead-Mrs Cantrell; Manly-Woodburn; Basset-Este; Sir Francis-Jones; Richard-Master Green; Myrtilla-Mrs Davenport; Jenny-Miss Brunette; Trusty-Miss Jones; Mrs Motherly-Mrs Miller .

Afterpiece Title: The Honest Yorkshireman

Performance Comment: As17350715 Prologue and Epilogue, as17350715.
Cast
Role: Arbella Actor: Mrs Cantrell
Role: Combrush Actor: Mrs Pritchard

Music: As17350715

Dance: Louvre and Minuet by Vallois and Mrs Anderson. Two Pierrots by Vallois and Davenport. Scotch Dance by Mr and Mrs Davenport

Performance Comment: Two Pierrots by Vallois and Davenport. Scotch Dance by Mr and Mrs Davenport .

Song: English Cantata by a Scholar of Carey's

Event Comment: This Tragedy written by Mr Hume was receiv'd with very great Applause Indeed Mrs Barry Seem'd inspir'd She never Appeard to moor Advantage uncommon Applause (Hopkins Diary). New Scenes, Dresses, and Decorations. Paid 4 Day's salary list #348 5s.; Tallow chandler's 6th bill #44 14s. Mr Reddish's draft #10 10s.; Mr Racket for Women's cloaths #12; Mr Dibdin Draft #70 (Treasurer's Book). [Westminster Magazine for March gives a long, and unfavorable review of the new tragedy, concluding Home's genius lies not in the tragic way.] Receipts: #237 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Performance Comment: Parts by: Reddish, Aickin, Palmer, Clinch, Jefferson, J. Aickin, Wright, J. Bannister, Miss Mansell, Mrs Barry. Prologue-Palmer; Epilogue-Mrs Barry; Alonzo-Reddish; Alberto-Clinch; King of Asturia-Aickin; Costolo-J. Aickin; Velasco-Jefferson; Sebastian-Palmer; Messenger-J. Bannister; Orisminda-Mrs Barry; Teresa-Miss Mansell; Hamet-Wright (Genest, V, 351-52).
Cast
Role: Epilogue Actor: Mrs Barry
Role: Orisminda Actor: Mrs Barry

Afterpiece Title: The Anatomist

Performance Comment: M Le Medicin-Baddeley; Crispin-Dodd; Old Gerald-Parsons; Young Gerald-Wheeler; Martin-W. Palmer; Doctor's Wife-Mrs Bradshaw; Angelica-Miss Platt; Beatrice-Mrs Love.
Cast
Role: Doctor's Wife Actor: Mrs Bradshaw
Role: Beatrice Actor: Mrs Love.
Event Comment: The United Company. The date of the first performance is not certain, but it lies between Saturday 9 and Saturday 16 April. Luttrell, A Brief Relation (II, 413) stated on 9 April that the Queen had prohibited its being acted; on 16 April (II, 422) he reports that it has been acted. Luttrell, A Brief Relation, II, 422, 16 April: Mr Dryden s play has been acted with applause, the reflecting passages upon this government being left out. The Gentleman's Journal, May 1692 (licensed 14 May): I told you in my last, that none could then tell when Mr Dryden's Cleomenes would appear; since that time, the Innocence and Merit of the Play have rais'd it several eminent Advocates, who have prevailed to have it Acted, and you need not doubt but it has been with great applause. Preface, Edition of 1692: Mrs Barry, always Excellent, has, in this tragedy, excell'd Herself, and gain'd a Reputation beyond any Woman whom I have ever seen on the Theatre. [See also Cibber, Apology, I, 160, for a discussion of Mrs Barry in Cleomenes.] A song, No, no, poor suffering heart no change endeavour, the music by Henry Purcell, is in Comes Amoris, The Fourth Book, 1693, and also, with the notice that it was sung by Mrs Butler, in Joyful Cuckoldom, ca. 1695. See also Purcell's Works, Purcell Society, XVI (1906), xviii-xix; Epistolary Essay to Mr Dryden upon his Cleomenes, in Gentleman's Journal, May 1692, pp. 17-21. When the play was revived at Drury Lane, 8 Aug. 1721, the bill bore the heading: Not Acted these Twenty-Five Years

Performances

Mainpiece Title: Cleomenes, The Spartan Heroe

Performance Comment: Edition of 1692: Prologue-Mr Mountfort; Cleomenes-Betterton; Cleonidas-Lee; Ptolomy-Alexander [Verbruggen]; Sosybius-Sandford; Cleanthes-Mountford; Pantheus-Kynaston; Coenus-Hudson; Cratisiclea-Mrs Betterton; Cleora-Mrs Bracegirdle; Cassandra-Mrs Barry; Epilogue-Mrs Bracegirdle.
Cast
Role: Ptolomy Actor: Alexander
Role: Sosybius Actor: Sandford
Role: Cratisiclea Actor: Mrs Betterton
Role: Cleora Actor: Mrs Bracegirdle
Role: Cassandra Actor: Mrs Barry
Role: Epilogue Actor: Mrs Bracegirdle.
Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.
Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Afterpiece Title: The Musical Lady

Performance Comment: Mask-Dodd; Musical Lady-Miss Pope; Freeman-Fawcett; Lady Scrape-Mrs Johnston; Old Mask-Baddeley; Laundress-Mrs Bradshaw; To conclude with a Country Dance-.
Cast
Role: Lady Scrape Actor: Mrs Johnston
Role: Laundress Actor: Mrs Bradshaw
Event Comment: Mainpiece: A New Tragedy never performed before. This Tragedy was written by Mr Murphy & has great Merit, it is very carefully got up & well perform'd, & receiv'd uncommon Applause Mrs Barry Display great Tragick powers & receiv'd the vast Applause She merited--She will gain great Reputation in the part (Hopkins Diary). New Scenes, Dresses, Decorations. Theatrical Review, 26 Feb.: Mrs Barry rose beyond herself, if we may be allowed the expression, in the laborious Character of Euphrasia....The scenes and decorations were well adapted to the importance of the piece. The representation of the city of Syracusev, with a view of the sea; and the Temple scene, with the mausoleum, in particular are extremely well executed, and do credit to the theatre, and honor to the artists who designed and painted them. Paid two notes for Mr J. Aickin, per order #12 1s. 8d. (Treasurer's Book). Receipts: #251 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Parts by Barry, Reddish, Aickin, Palmer, J. Aickin, Paker, Hurst, Davies, Inchbald, Wheeler, Griffith, Miss Platt, Mrs Barry. Prologue-; Epilogue-; Evander-Barry; Dionysius-Palmer; Philotus-Reddish; Melanthon-Aickin; Phocion-J. Aickin; Euphrasia-Mrs Barry; Greek Herald-Packer; Arcas-Hurst; Greek Soldier-Davies; Calippus-Inchbald; Officers-Wheeler, Griffith; Erixene-Miss Platt (Genest, V, 323).
Cast
Role: Evander Actor: Barry
Role: Euphrasia Actor: Mrs Barry

Afterpiece Title: Thomasand Sally

Cast
Role: Dorcas Actor: Mrs Love
Role: Sally Actor: Mrs Scott
Event Comment: Benefit for Mrs Barry. King Arthur oblig'd to be deferr'd on account of Mr Barry's illness. Tickets deliver'd for The Distressed Mother will be taken. Pit and Boxes are laid together. Send servants by Four o'clock. Afterpiece: Not acted these seven years. [See 21 April 1760.] The Farce hiss'd. Mrs Barry Sir Harry (Hopkins Diary). Paid Salary list #333 19s.; Mrs Abington's Cloaths Acct, #1; Mr S. French 6 days, #1 10s. (Treasurer's Book). Receipts: #296 14s. Charges: #65. Profit to Mrs Barry: #231 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry Wildair-Mrs Barry (being positively the last time of her appearing in that character); Col. Standard-Aickin; Beau Clincher-King; Smuggler-Parsons; Clincher Jr-Weston; Vizard-Packer; Dicky-Waldron; Tom Errand-Ackman; Angelica-Miss Rogers; Lady Darling-Mrs Cross; Parley-Mrs Love; Lady Lurewell-Mrs Egerton; 1st time. New Epilogue in character of Sir Harry Wildair spoken-Mrs Barry.

Afterpiece Title: The Upholsterer

Performance Comment: Quidnunc-Baddeley; Pamphlet-Moody; Razor-Weston; Feeble-Parsons; Rovewell-Davies; Bellmour-Wheeler; Harriet-Mrs Davies; Termagant-Mrs Egerton.
Cast
Role: Harriet Actor: Mrs Davies
Role: Termagant Actor: Mrs Egerton.

Music: II: The Amusements of Strasburgh-Daigville, Sga Vidini, Daigvilles scholars, as17711118

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points to this day as a strong Possibility. Downes, Roscius Anglicanus (p. 44) states that it was given thirteen days consecutively, and John Coke (see 16 March 1696@7) states that it was acted "till Saturday" (16 March 1696@7). If the tragedy was acted on Wednesdays but not Fridays, as was often the practice in Lent, and if the farce alluded to for Saturday, 16 March 1696@7, comprised the entire program, this day was probably the premiere. The following sequence of performances is based on these premises. Downes, Roscius Anglicanus, p. 44: The Mourning Bride...had such Success, that it continu'd Acting Uninterrupted 13 Days together. Gildon, English Dramatick Poets, p. 23: This Play had the greatest Success, not only of all Mr Congreve's, but indeed of all the Plays that ever I can remember on the English Stage, excepting some of the incomparable Otway's. Aston, A Brief Supplement (in Cibber, Apology, II, 302): His [Betterton's] Favourite, Mrs Barry, claims the next in Estimation. They were both never better pleas'd, than in Playing together.--Mrs Barry outshin'd Mrs Bracegirdle in the Character of Zara in the Mourning Bride, altho' Mr Congreve design'd Almeria for that Favour

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Edition of 1697: Prologue-Mr Betterton; Epilogue-Mrs Bracegirdle; Manuel-Verbruggen; Gonsalez-Sanford; Garcia-Scudamour; Perez-Freeman; Alonzo-Arnold; Osmyn-Betterton; Heli-Boman; Selim-Baily; Almeria-Mrs Bracegirdle; Zara-Mrs Barry; Leonora-Mrs Boman.
Cast
Role: Epilogue Actor: Mrs Bracegirdle
Role: Almeria Actor: Mrs Bracegirdle
Role: Zara Actor: Mrs Barry
Role: Leonora Actor: Mrs Boman.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the Dedication of the play is dated 15 Jan. 1696@7 suggests that it was probably first acted not later than December 1696. The play was advertised in the Post Man, 21-23 Jan. 1696@7. The music was set by John Eccles. Dedication, Edition of 1697: I make you a Present of a Play, that miscarri'd on the first Nights Performance; tho' afterwards, without any farther Discouragement, it kept it self alive till the third day was over, and then I must confess the City Lady expir'd....This I am confident on, that the like Unfortunate Accidents which attended this Comedy, wou'd have been sufficient to have Dam'd a much better Play. The tedious waiting to have the Curtain drawn, after the Prologue was spoke, occasion'd by Mr Underhill's violent Bleeding, put the Audience out of Humour, and made it susceptible of the least Disgust; and when once the Torrent of its Displeasure break bounds, nothing cou'd put a stop to his Vehemence. After Mr Underhill was no longer able to come upon the Stage, scarce any thing was done but by Halves, and in much Confusion; in the midst of which, I think my self oblig'd to applaud the Justice I receiv'd from the Incomparable Mrs Barry. I very well know that the Ode in the third Act seems to be introduc'd something unseasonably. It was made and set long since, in hopes of having it perform'd before the King, at his return from Flanders; and the Music being so finely compos'd by Mr John Eccles, I was loath it shou'd be wholly lost to the Town. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: The City Lady; Or, Folly Reclaim'd

Performance Comment: Edition of 1697: Prologue-Mr Hodgson; Epilogue-Miss Howard; Sir Geo. Grumble-Bright; Bevis-Underhill; Bellardin-Bowman; Lovebright-Hodgson; Pedanty-Harris; Burgersditius-Freeman; Brassby-Scudamore; Flash-Baily; Cash-Arnold; Jasper-Bowen; Lady Grumble-Mrs Barry; Lucinda-Mrs Bowman; Formosa-Mrs Prince; Secreta-Mrs Leigh; Fidget-Mrs Lawson; Biddy-Mrs Robinson.
Cast
Role: Lady Grumble Actor: Mrs Barry
Role: Lucinda Actor: Mrs Bowman
Role: Formosa Actor: Mrs Prince
Role: Secreta Actor: Mrs Leigh
Role: Fidget Actor: Mrs Lawson
Role: Biddy Actor: Mrs Robinson.
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: Mainpiece: Not acted in 7 years. [See 20 Feb. 1767.] Mr Barry being ill Mr Palmer play'd the Bastard--with applause $Mrs Barry not so well in Constance as was expected (Hopkins Diary). Paid properties #2 8d. Receipts: #162 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Reddish; Hubert-Aickin; Pembroke-Brereton; Essex-J. Bannister; Prince Henry-Everard; Faulconbridge-W. Palmer; Bastard-Palmer; King Philip-J. Aickin; Dauphin-Diamond; Prince Arthur-Master Blanchard; Chatillon-Davies; Duke of Austria-Keen; Citizen-Hurst; Heralds-Ackman, Wright; Queen Eleanor-Miss Sherry; Blanch of Spain-Miss Jarratt; Lady Faulconbridge-Mrs Johnston; Constance-Mrs Barry; Pandulph-Bransby; Salisbury-Packer.
Cast
Role: Lady Faulconbridge Actor: Mrs Johnston
Role: Constance Actor: Mrs Barry
Role: Pandulph Actor: Bransby

Afterpiece Title: The Male Coquette

Performance Comment: Daffodil-Dodd; Dizzy-Waldron; Spinner-Everard; Tukely-Davies; Lord Racket-Wrighten; Sir William Wright; Sir Tan Tivy-Wheeler; Rustle-Burton; Harry-Jacobs; Waiters-Ackman, W. Palmer; Mrs Dotteral-Mrs Davies; Widow Damply-Mrs Johnston; Lady Pewit-Mrs Bradshaw; Sophia-Mrs Greville, first time; Arabella-Miss Hopkins.
Event Comment: The Duke's Company. This performance is known by the separately printed Prologue and Epilogue: Prologue. By Mr Otway to his Play call'd Venice preserv'd or the Plot discover'd. Acted at His Royal Highness the Duke of Yorks Theatre, the 9th of February, 1681. [These have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 61-66.] Luttrell dated his copy of the Prologue and Epilogue 11 Feb. 1681@2 (Huntington Library). It is not certain that 9 Feb. 1681@2 represents the first performance, but it may well be. For a comment by Downes, Roscius Anglicanus, on Mrs Barry, see The Orphan, February 1679@80

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Performance Comment: Edition of 1682: Prologue-Mr Smith; Epilogue-Mr Betterton; Duke of Venice-D. Williams; Priuli-Boman; Antonio-Leigh; Jaffeir-Betterton; Pierre-Smith; Renault-Wilshire; Bedamar-Gillo; Spinosa-Percival; Belvidera-Mrs Barry; Aquilina-Mrs Currer.
Cast
Role: Belvidera Actor: Mrs Barry
Role: Aquilina Actor: Mrs Currer.
Event Comment: Mainpiece: [a tragedy by Alexander Dow]: Never acted before. New Scenes, Dresses and Decorations. This Play was receiv'd with very great Applause Mrs Barry Play'd finely & the Scenes were applauded (Hopkins Diary). Rec'd Stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 8d. Mr King's extra salary #2 (Treasurer's Book). Receipts: #238 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Performance Comment: Principal parts by Barry, Reddish, J. Aickin, Davies, Wheeler, Aickin, Packer, Wright, Keen, Mrs Barry. Prologue-Reddish; Epilogue-Mrs Barry; Serapis-Barry; Menes-Reddish; Amasis-Aickin; Orus-J. Aickin; Otanes-Packer; Myrtaeus-Davies; Officers-Wright, Wheeler, Keen; Sethona-Mrs Barry (Genest V, 403).
Cast
Role: Epilogue Actor: Mrs Barry
Role: Serapis Actor: Barry
Role: Sethona Actor: Mrs Barry
Related Works
Related Work: Sethona Author(s): Alexander Dow

Afterpiece Title: The Mayor of Garratt

Cast
Role: Mrs Bruin Actor: Miss Platt
Role: Mrs Sneak Actor: Miss Pope.
Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.
Cast
Role: Armida Actor: Mrs Barry
Role: Urania Actor: Mrs Boman
Role: Phenissa Actor: Mrs Lee
Event Comment: This Farce was wrote on purpose to Shew Mrs Barry in an Irish part. She did not succeed so well in it as was expected but upon the Whole the Farce was well perform'd & met with great Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly. See Account of the Irish Widow" in British Theatre article, London Magazine, Oct. 1772.] Paid Mr Rochfort for men's cloaths #7 7s. (Treasurer's Book). [The account in Town and Country Magazine of the afterpiece: "Upon the whole it is very indifferent production and as it did not meet with the applause that was expected, no one has adopted the bantling. The many are of opinion that Garrick had a hand in it, as it is got up to the best advantage, and a new dance is introduc'd between the acts to put the audience in a good humour for the succeeding scenes. Mrs Sutton is the principal dancer in the Irish Fair, in which she displayed great spirit and activity. The piece concludes with a song sung by Mrs Barry, which we think injudiciously alloted to her, as her forte does not consist in singing."] Receipts: #200 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Reddish; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-J. Aickin; Lewson-Cautherly; Mrs Beverly-Miss Younge; Charlotte-Miss Mansell.
Cast
Role: Mrs Beverly Actor: Miss Younge

Afterpiece Title: The Irish Widow

Performance Comment: Parts by Moody, Dodd, Baddeley, Parsons, Cautherly, Weston, Wrighten, Griffith, Mas. Cape; Irish Widow with an Epilogue Song-Mrs Barry; Sir Patrick O'Neale-Moody; Whittle-Parsons; Kecksy-Dodd; Nephew-Cautherly; Bates-Baddeley; Thomas-Weston; Footmen-Griffith, Wrighten; Black boy-Mas. Cape; Widow Brady-Mrs Barry (Genest, V, 340).

Dance: End Act I of the Farce: A New Dance call'd The Irish Fair-Atkins, Mrs Sutton, being her first appearance that stage

Event Comment: MMr Barry's 1st appearance this season.--A quarrel in the Green Room between Mrs Barry and Mr Aickin (Hopkins Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Barry; Raymond-Packer; Grey-Aickin; Morton-Palmer; Sir Ardolf-Hurst; Laroches-Strange; Lord William-Miss Collett; Peasant-Ackman; Knights-Keen, Fawcett, Fox; Eleanor-Mrs Reddish; Countess of Salisbury-Mrs Barry.
Cast
Role: Alwin Actor: Barry
Role: Eleanor Actor: Mrs Reddish
Role: Countess of Salisbury Actor: Mrs Barry.

Afterpiece Title: The Elopement

Event Comment: KKing of Denmark--Macbeth, Mr Garrick (Cross Diary). For the King of Denmark--put in by Particular desire (Hopkins Diary). Lady Macbeth-Mrs Barry, late Mrs Dancer. The doors (by Particular Desire) will be opened at half past 5 o'clock. The Play to begin exactly at 7 o'clock

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Garrick; MacDuff-Reddish; Ross-Aickin; Malcolm-Cautherly; Banquo-Packer; Hecate-Champness; Witches-Burton, Love, Baddeley; Lady MacDuff-Mrs Reddish; Lady Macbeth-Mrs Barry; Duncan-Bransby; Vocal Parts-Vernon, Champness, Dibdin, Bannister, Kear, Miss Young, Mrs Dorman; With Proper Dances-Grimaldi, Giorgi, Mrs King.

Dance: TThe Lilliputian Camp-