Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Event Comment: Mainpiece [1st time; c 5, by James Johnstone, based on Minna von Barnhelm, by Gotthold Ephraim Lessing. Prologue by George Colman, the elder (see text). Epilogue by the author (Morning Chronicle, 25 July).] Morning Herald, 10 Aug. 1786: This Day is published The Disbanded Officer 1s. 6d.)

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Event Comment: Paid Renter's Interest #30 [this sum entered daily in the Account-Book]; Their Majesties' Yeomen and Servants [for 5 Oct.] #5 8s. 7d. Receipts: #172 0s. 6d. (128.10.0; 43.0.0; 0.10.6)

Event Comment: Benefit for Kemble. Tickets delivered for The Careless Husband will be taken. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. [Mrs Siddons's 1st appearance as Lady Restless was at Manchester, 17 Feb. 1777.] Public Advertiser, 12 Mar.: Tickets to be had of Kemble, No. 16, Charles-street, Covent Garden. Receipts: #293 12s. 6d. (148.16.0; 15.3.0; 0.7.6; tickets: 129.10.0) (charge: #105 11s. 6d.)

Event Comment: [Cambray was the stage name of James Fennell; he was from the Edinburgh theatre (and see 16 Oct. 1789). Ryder's 1st appearance as Iago was at the Smock Alley Theatre, Dublin, 14 Jan. 1767.] "Ryder wore his villainy on his sleeve, and evinced nothing of the insidiousness ordinarily expressed by other representatives of the part" (Public Advertiser, 13 Oct.). Receipts: #196 7s. (195.16; 0.11)

Event Comment: Mainpiece [1st time; C 3, by George Colman, ynger. Prologue by the Hon. Francis North. Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 2 Sept. 1788: This Day is published Ways and Means (1s. 6d.)

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Event Comment: Mainpiece: Not acted these 2 years. [Afterpiece in place of The Doctor and the Apothecary, advertised on playbill of 12 Jan.] Receipts: #145 10s. 6d. (125.10.0; 19.8.0; 0.12.6)