Event Comment: Benefit for Mrs Clive. Tickets at her house in Henrietta St., and of Mr Varney at the Stage Door. Receipts: #260 (Cross)

Event Comment: By Particular Desire a Minuet (for the first time)-Noverre, Miss Mowatt. Benefit for Miss Mowatt. Mainpiece: Acted but once these 5 years. No Building on stage. Tickets and places to be had of Miss Mowatt, Upper End of New Bond St., and of Mr Varney at the Stage Door

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at Stage Door. No Money returned after Curtain is drawn up. [Customary note on subsequent bills.] Yates and Mrs Yates not engag'd. They went to Covent Garden Theatre. Mr Barry and Mrs Dancer engag'd (Winston MS 10). For performances at HAY and MARLY, 12-21 September, see close of Season 1766-1767, pp. 1264-65

Event Comment: Mainpiece: First time in 2 years. [See 17 Jan. 1766.] Harlequin's Invasion revived with alterations, particularly a Patagonian Man and Woman, executed by Mr Johnston, are very fine Figures, and gave great satisfaction to the Audience (Hopkins MS Notes)

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Event Comment: Comedy from Moliere and Cibber. Hopkins Diary: This comedy [Hypocrite] is the Non Juror altered, and two new characters introduced,--went off very well,--some few hisses,--but the play will do.--The alterations are by Mr Bickerstaffe. [Full account of the mainpiece, but without critical observation, appeared in the Lloyd's Evening Post, Nov. 18-21.

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Afterpiece: For the only time this season. Charges #64 5s. Balance to Miss Macklin #77 7s. 6d. plus #115 15s. from tickets (Box 463). Paid Mr Reed for the balance of his 3 nights for Tom Jones #297 3s. Receipts: #141 12s. 6d. (Account Book)

Event Comment: The Jubilee consists of Dialogue Singing & Dancing. This Entertainment was written & compil'd by Mr G.-and it was receiv'd with bursts of Applause the Procession of Shakespear's Characters &c. is the most Superb that ever was Exhibited or I believe ever will. There never was an Entertainment produc'd that gave so much pleasure to all Degrees Boxes pit and Gallery (Hopkins Diary). The Music by Dibdin. With New Scenes, Dresses, and Decorations. [On all subsequent bills, though some are shortened, the PAGEANT is advertised in large capitals. Larpent MS 298, includes descriptive notes and stage directions, p. 24: "Here follows the Pageant, with Bells ringing, Fifes playing, Drums beating, and Cannons firing. In The Procession every scene in the different plays represents some capital part of it in action...The last Scene is a magnificent Transparent one in which the Capital characters of Shakespeare are exhibited at full length with Shakespeare's Statue in the middle crowned by Tragedy and Comedy, fairies and Cupids surrounding him and all the banners waving at the upper end. Then enter the dancers." The Pageant appeared at the top of the stage and came forward, Reviewed in Freeholder's Magazine, Oct.

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons to be admitted behind the scenes, nor any money returned after the Curtain is Drawn up. Places for the boxes to be had (only) of Mr Sarjant at the Stage Door. The Doors to be opened at Five o'clock. To begin exactly at Six o'clock. Vivant Rex & Regina! [Customary note for each bill. Only significant changes will be further noted. The company was weakened by the loss of Woodward (see 23 Oct.) who accompanied Foote to Edinburgh, and of Mrs Bellamy who was not engaged. Miss Catley, however, returned from Ireland after an absence of 9 years. And Ross returned after four years.

Event Comment: Benefit for Miss Pope. Afterpiece: By Desire. Mainpiece: Not acted these 2 years. [See 15 Feb. 1770.] Paid salary list #333 19s.; Mrs Abington's Cloaths acct #1; Mr S. French 6 days #1 10s. (Treasurer's Book). Receipts: #250 6s. 6d. Charges: #69 16s. Profits to Miss Pope: #180 10s. 6d. (Treasurer's Book)

Event Comment: Zara first time Miss Younge-very well (Hopkins Diary). Benefit for Miss Younge. Paid Salary List #333 19s.; Mrs Abington's Cloaths acct, #1; Mr S. French 6 days, #1 10s. (Treasurer's Book). Barry Ill (Winston MS 10). Last time of performing till the Holidays (playbill). Receipts: #253 7s. 5d.; Charges: #65 17s. Profits to Miss Younge: #187 13s. 6d. (Treasurer's Book)

Event Comment: Benefit for Baddeley. Miss Sherry made her first appearance upon this Stage in Lady Macbeth, a Sensible Speaker pretty good voice Short Clumsy Figure met with Applause--The Farce very well receiv'd (Hopkins Diary). Afterpiece: A Farce by George Downing. Paid 6 day's salary at #82 19s. 9d., #497 18s. 6d.; Mrs Abington on Cloaths acct, #2; Mr S. French 6 days #1 10s. (Treasurer's Book). Receipts: #135 1s. 6d. Charges: #68 12s. Profits to Baddeley: #66 9s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: By Desire. Afterpiece: Not acted these 12 years. [See 9 Nov. 1761.] With Additions and Alterations. [The Additions to The Fair seem to have included a number of actual animals (instead of the men costumed as an Ass and a Hog as used in Mother Shipton), for the Account Book this year for the first time notes payments, 22 March 1774, "for the hire of Horses in The Fair," and 18 June 1774, "To Mr Brooks for attending with the Camels &c. in the Fair." The tradition of bigger and better spectacles seems to have passed on from Rich to Colman.] Receipts: #180 17s. 6d. (Account Book)

Event Comment: Overture and Music for the Prelude composed by Bates. Mr Bensley return'd from Covent Garden Theatre Play'd Pierre as usual was received with Applause (Hopkins Diary). Paid Carpenter's Bill #31 10s.; Two surveyors (by Butler) #5 5s. (Treasurer's Book). [The carpenter's bills averaged #10 per week during the season, or about #380 total. No further mention will be made of this item.] Receipts: #238 17s. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 12 years. [See 26 April 1763.] This Comedy is reviv'd for the Queen to See Mr G. in Sir Anthony Bramble which he perfkrmed inimitably--he wrote and spoke a New Address to the Ladies in the Character of Sr. Anto. which was receiv'd with very great Applause. The Play is long and heavy (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #624 6s. 6d.; Westminster Charity Subscription #5 5s.; Griffith 3 weeks 15s.; Mrs Greville for cloaths in Irish Widow, #5 9s. Receipts: #273 1s. (Treasurer's Book)

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Event Comment: ["The Lord Ogleby of (The Clandestine Marriage) raised Mr King to the summit of comic excellence, which his more recent great character, Sir Peter Teazle in The School for Scandal, has established him in the unrivalled possession of" (Johnson, ed. Waldron, 169).] Receipts: #245 (211.9; 33.6; 0.5)

Event Comment: Mainpiece: The Overture and all the Music composed by Carter. Words of the Songs to be had at the Theatre. MS annotation on BM playbill (cg, Vol. VIII), 15 Dec. 1792: Mr Hurlstone in full for Just in Time #150. Receipts: #286 3s