SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr and Miss Betterton"/1) | (@(roleclean,performerclean) "Mr and Miss Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14445 matches on Performance Comments, 5749 matches on Event Comments, 4855 matches on Performance Title, 378 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Harlots Progress

Dance: As17371025

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Harlots Progress

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Mrs Coaxer Actor: Miss Tollet
Role: Molly Actor: Miss Thynne
Role: Jenny Actor: Miss Wilson

Afterpiece Title: The Fall of Phaeton

Dance: As17371018

Event Comment: A New Opera. [Text by Zeno. Music by Handel.] London Daily Post and General Advertiser, 4 Jan.: Last Night the new Opera of Faramondo was perform'd...to a splendid Audience, and met with general Applause. It being the first Time of Mr Handel's Appearance this Season, he was honour'd with extraordinary and repeated Signs of Approbation

Performances

Mainpiece Title: Faramondo

Performance Comment: Edition of 1737 lists: Faramondo-Gaetano Majorano (called Caffaralli); Clotide-Signora Elisabetta duParc (called Fracescina); Gustavo-Montagnana; Adolfo-Signora Margarita Chimenti (called Droghierina); Rosimonda-Signora Maria Antonia Marchesini (called Lucchesini); Gernando-Signora Antonia Merighi; Teobaldo-Antonio Lottini; Childerico-Savage.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Burgomaster Trickd

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Fall of Phaeton

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Fall of Phaeton

Event Comment: LLord Wentworth to the Earl of Strafford, 19 Jan.: We was at Covent Garden Play House last night, my mother was so good as to treat us with it, and the Dragon of Wantcliff was the farce. I like it vastly and the musick is excessive pretty, and tho it is a burlesque on the operas yet Mr Handel owns he thinks the tunes very well composed....and it has been acted 36 times already and they are always pretty full. The poor operas I doubt go on but badly, for tho every body praises both Cafferielli and the opera yet it has never been full, and if it is not now at first it will be very empty towards the latter end of the winter.--Wentworth Papers, p. 539

Performances

Mainpiece Title: The Northern Lass

Performance Comment: London Daily Post and General Advertiser missing, but Genest, III, 549, lists: Sir Philip-Ryan; Sir Paul-Hippisley; Tridewell-Hale; Anvil-Bridgwater; Widgin-Chapman; Bulfinch-Rosco; Pade-Arthur; Howdye-Neale; Widow Fitchow-Mrs Horton; Northern Lass-Mrs Vincent.

Afterpiece Title: The Dragon of Wantley

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The King and the Miller of Mansfield

Cast
Role: Peggy Actor: Miss Brett
Role: Kate Actor: Miss Tollet

Dance: I: Flanderkins, as17380120 III: Russian Sailor=-Denoyer; V: Ballet, as17380120

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Grand Volgi

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Grand Volgi

Performances

Mainpiece Title: The Orphan

Cast
Role: Page Actor: Miss Cole

Afterpiece Title: The Burgomaster Trickd

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Grand Volgi

Dance: II: Grand Polish Dance, as17380128; III: Drunken Peasant-Philips; IV: Ballet, as17380206

Event Comment: Benefit Handel. Pit and Boxes half a guinea. Gallery 5s. London Evening Post, 30 March: Their Royal Highnesses the Prince and Princess of Wales were present; there was the greatest and most polite Audience ever seen there, and it's thought Mr Handel cou'd not get less that Night than 15001. Egmont, Diary, II, 474: In the evening I went to Hendel's Oratorio, where I counted near 1,300 persons besides the gallery and upper gallery. I suppose he got this night 1,000 1. [For further details, see Deutsch, Handel, p. 455.

Performances

Mainpiece Title: An Oratorio

Music: With a Concert on the Organ-

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Devil to Pay

Dance: I: Punch-Master Ferg; II: Muilment, Mrs Walter; Hornpipe-Philips

Event Comment: LLondon Daily Post and General Advertiser, 11 July: Speedily will be sold by Auction, a Large Quantity of Theatrical Goods, viz. Cloaths, Scenes. (Late the Property of Mr Henry Giffard.

Performances

Event Comment: LLondon Daily Post and General Advertiser, 26 July: To be Sold by Auction, On Tuesday, August 1, and the following Days, At the Great-House the Corner of Carlisle-street, Soho-Square...A Large Quantity of Theatrical Goods...late the Property of Mr Henry Giffard...By Bernard Warren, Auctioneer

Performances

Event Comment: DDaily Advertiser, 17 Aug.: Yesterday Morning died at his House at Strand on the Green after three Days Illness, Mr Joseph Miller, a celebrated Comedian

Performances

Event Comment: LLondon Daily Post and General Advertiser, 21 Aug.: On Saturday Morning early died at his house the Buffalo's Head Tavern in Bloomsbury Square, Mr Fielding, formerly belonging to the Theatre-Royal in Drury-Lane

Performances

Event Comment: LLondon Daily Post and General Advertiser, 16 Sept.: To be Sold. The Lease (having upwards of 50 Years to come) of the late Theatre in Goodman's-Fields. Enquire of Mr Edward Shepherd, at his House in Audley-street, Grosvenor-Square

Performances

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Colombine Courtezan

Performances

Mainpiece Title: The Stratagem

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par LAmour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: The Busy Body

Cast
Role: Miranda Actor: Mrs Clive

Afterpiece Title: The Devil to Pay