SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Master Burton"/1) | (@(roleclean,performerclean) "Mr and Master Burton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4596 matches on Event Comments, 3810 matches on Performance Comments, 1500 matches on Performance Title, 21 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Powell: Kemble being indisposed from a violent Bruise in his Arm (during the several times of his playing the Part of Macbeth) so as to render him incapable of attending the Theatre this evening, an Apology was made by Wroughton, and the Prologue was omitted. [The playbill retains Miss Menage in afterpiece, but she] being at the Italian Opera this Evening, Master Chatterley play'd her part in the Children in the Wood. Henry VIII rehearsed at 10 (for Banks and Dignum; Packer ill); The Jew at 12 (for Miss Farren and Miss Tidswell). Receipts: #322 5s. 6d. (248/0/0; 67/15/0; 6/14/6; tickets not come in: 0/6/0)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Old Mirabel-Aickin; Young Mirabel-Wroughton; Capt. Duretete-Dodd; Dugard-Whitfield; Petit-Benson; Bravoes-Maddocks, Caulfield, Webb, Phillimore; Page-Master Gregson//Oriana-Mrs Goodall; Bisarre-Miss Farren; Lamoree-Miss Tidswell. Epilogue as17940421.

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17940425, but Master Chatterley in place of Miss Menage .
Cast
Role: : Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland
Role: Boy Actor: Master Menage
Event Comment: [In afterpiece the playbill retains Miss Menage, but she "being at the Italian Opera this Evening, Master Chatterley play'd her part" (Powell).] Receipts: #361 1s. 6d. (298/8/6; 55/12/0; 7/1/0)

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17940514, but Master Chatterley in place of Miss Menage .
Cast
Role: : Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland
Role: Boy Actor: Master Menage
Event Comment: Oratorio: Written by Milton, and set to Music by Handel. Instrumental Performers as 12 Feb., but added: Lavenu. Morning Herald, 18 Feb.: Both Sweet Bird, accompanied on the violin by G. Ashley, and But o sad virgin, accompanied on the cello by C. Ashley, were sung by Miss Parke; Let me wander not unseen by Miss Leak; Come and trip it by Master Elliot

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso; Grand Selection 0

Performance Comment: As17960212, but Principal Vocal Performers-Master Walmisley, +Burdon, _Nield, _Sale.
Cast
Role: Principal Vocal Performers Actor:

Afterpiece Title: L'Allegro ed Il Pensieroso 3; Alexander's Feast 3

Music: End Part II: concerto on the harp-Mme Delaval

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the and $Queen">King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Burton

Dance: As17780919

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Event Comment: Rich's Company. The date of the first production is not known, but A Comparison between the Two Stages (1702) (pp. 21-23) implies that this work preceded Rinaldo and Armida (performed at lif probably in November 1698). The Island Princess was not published until 1699 (the Masque being advertised in the Post Boy, 7-9 Feb. 1698@9, and the Opera in the Flying Post, 7-9 March 1698@9). A Comparison between the Two Stages (1702), pp. 21-22: Sullen: The old House have a Bawble offer'd 'em, made out of Fletcher's Island Princess, sometime after alter'd by Mr Tate, and now erected into an Opera by Motteux: The Actors labour at this like so many Galley Slaves at an Oar, they call in the Fiddle, the Voice, the Painter, and the Carpenter to help 'em; and what neither the Poet nor the Player cou'd do, the Mechanick must do for him:...but as I was saying-the Opera now possesses the Stage, and after a hard struggle, at length it prevail'd, and something more than Charges came in every Night: The Quality, who are always Lovers of good Musick, flock hither, and by almost a total revolt from the other House, give this new Life, and set it in some eminency above the New; this was a sad mortification to the old Stagers in Lincolns-Inn-fields. For a poem, The Confederates; or the first Happy Day of the Island Princess, see Poem on Affairs of State, 1703, II, 248-50

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Performance Comment: Edition of 1692: L. Brainless-Bowman; Sir Philip Freewit-Monfort; Sir Lawr. Limber-Sandford; Capt. Darewell-Hodson; Myn Here Van Grin-Leigh; Bias-Bright; Solon-Dogget; Callow-Bowen; MacBuffle-Trefuse; Thummum-Smeaton; Splutter-Colly Cibber?; Lady Subtle-Mrs Barry; Lady Bumfiddle-Mrs Cory; Phaebe-Mrs Bracegirdle; Berenice-Mrs Lassels; La Pupsey-Mrs Butler; Margery-Mrs Lawson; Prologue Mr Monford Enters, meets Mrs Bracegirdle dressed in Boy's Cloaths, who seeing her him, Endeavours to go back, but he taking hold of her, speaks-Mr Monford; Epilogue-La Pupsey with her Lapdog in Masquerade.
Cast
Role: Limber Actor: Sandford

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Dance: Sandham, Eaton, Miss Sandham

Song: Master Corse

Performances

Mainpiece Title: The Emperor Of China, Grand Volgi; Or, The Constant Couple And Virtue Rewarded

Song: Master Fisher Tench, Miss Brett; A new Dialogue of Chimes of the Times-Excell, Mrs Egleton

Dance: Master Fisher Tench, Miss Brett; A new Dialogue of Chimes of the Times-Excell, Mrs Egleton

Music: Grand Chorus from Porus, accompany'd with Hautboys Trumpets and Kettle Drums-

Performances

Mainpiece Title: The Double Gallant

Song: Master Cuttin, a Youth of 14 Years of Age, who never appear'd on any Stage before

Dance: As17321125

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Standard Actor: Delane

Dance: FFriendly Lasses-Miss Wherrit, Miss Sandham; Scot's Dance-Mrs Bullock; Sailor's Dance-Jones; French Peasant-de Vallois

Song: Master Cuttin

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Amorous Sportsman

Song: Master Cuttin

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Amorous Sportsman

Dance: MMasquerade Dance-Thurmond; Le Petit Maitre-Jovan De Vallois

Song: Master Cuttin

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Amorous Sportsman

Dance: PPierot and Pierate-Mons and Madam de Vallois; Sailor's Dance-Jones

Song: Master Cuttin

Event Comment: Benefit Hewit, Winstone, Miss Cole. Mainpiece: Written by Ben. Johnson. [Tickets for Haydock, Leigh, Woodbourn, Master Green taken.]

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: An Old Man Taught Wisdom

Performance Comment: As17350423 A New Epilogue spoken by Master Green and Miss Cole .

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Clown by Nivelon. IV: Dutchman and his Frow by Le Brun and Miss Brett. V: Amorous Swain, as17350327

Performance Comment: III: Clown by Nivelon. IV: Dutchman and his Frow by Le Brun and Miss Brett. V: Amorous Swain, as17350327.

Song: I: Mock Italian-English Ballad by Roberts

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Damon and Phillida

Song: Salway, Laguerre

Dance: Master and Miss Oates

Event Comment: Mainpiece: Written by Shakespear. [To act Tuesdays and Fridays.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Honest Yorkshireman

Dance: Master and Miss Oates

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Standard Actor: Bridgwater

Afterpiece Title: The Cheats of Scapin

Dance: Master Cooke, Miss Scot; Comic Dance-Villeneuve, Miss Oates; Scots Dance-Glover, Mlle Roland

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Virgin Unmask'd

Song: Miss Medina

Dance: Master Matthews; Hornpipe-Yates

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Dance: Master Morgan, Miss Baker

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Song: Brett, Mr Hallam, Mrs Hallam

Dance: Master Morgan, Miss Baker

Event Comment: Benefit for Leveridge. [See his advance notices on 18 and 24 March.] Wednesday Next Hamlet, Towards the Relief of the Unhappy sufferers by the late Fire. The Monies arising by that to be lodg'd with Messrs Ironside and Belchior to be paid by them into the Hands of the Committee (that is or shall be appointed) to be apply'd with the other charitable Collection towards the relief of the unhappy sufferers by the late dreadful calamity. [Miss Faulkner's song "Liberty" was probably the aria from Judas Maccabaeus: Come, ever smiling Liberty [Deutsch, Handel, p. 649).

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Sylvia Actor: Mrs Bland

Song: I: Who'll Buy a Heart a Cantata by Stanley-Beard; II: Cupid's Power I Despise, Liberty-Miss Faulkner; III: a Song in the Anacreontic style- of Leveridge; IV: O Peace, Shepherd what art thou pursuing-Mrs Storer; V: Mirth Gives Courage-Leveridge; Epilogue of Thanks in Music-Leveridge

Dance: Master Granier, Miss Granier

Event Comment: Benefit for Stede, Collins, Paddick and Miss Haughton. Tickets deliver'd by Miss Stevens, Miss Allen, Mrs LaFont, and Mrs Hitchcock will be taken

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Performance Comment: Double Gallant-Cibber; Sir Solomon-Collins; Careless-Gibson; Clerimont-Ridout; Lady Dainty-Mrs Horton; Sylvia-Mrs Hale; Wishwell-Miss Haughton; Clarinda-Mrs Bland; Old Wilful-Marten; Old Atall-Dunstall; Dr Bolus-Storer; Rhubarb-Paget; Finder-James; Supple-Paddick; Strut-Stoppelaer; Situp-Miss Ferguson; Lady Sadlife-Mrs Giffard.
Cast
Role: Clarinda Actor: Mrs Bland

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Lucy-Miss Haughton; Goodwill-Rosco; Blister-Marten; Quaver-Bencraft; Coupee-Storer; Wormwood-Stoppelaer; Thomas-Anderson.
Cast
Role: Thomas Actor: Anderson.

Song: Mrs Storer

Dance: Master Granier, Miss Granier

Event Comment: Benefit for Paget, Lawrence and Powell (Box Keepers). Tickets deliver'd out for the Provok'd Wife for this day will be taken. Mainpiece: At the Desire of Several Persons of Quality

Performances

Mainpiece Title: Wit Without Money

Cast
Role: Fountain Actor: Anderson

Afterpiece Title: Miss in Her Teens

Cast
Role: Capt Loveit Actor: Anderson.
Role: Tag Actor: Mrs Bland.

Dance: Master Granier, Miss Granier