Event Comment: Benefit for Messrs Tomlinson, Mortimer, Walton and Carlton Senr. Tickets delivered by Page will be taken. Paid Tabor & Pipe 5 nights (9th inst. incl.) #2 12s. 6d.; Mr Wrighten on note #42. Receipts: #239 16s. Charges: #84. Profits to beneficiaries: #155 16s. (Treasurer's Book)

Event Comment: Benefit for Theatrical Fund. Pit and boxes laid together. Send servants by 4 o'clock. Play to begin half past 6 o'clock. Tickets delivered for Thursday the 18th inst. will be taken. Expenses for Fund Night: Renters #4; Supernumeraries & Kettle Drum 19s.; Soldiers 14s.; Printer #2 6s. 6d.; Extra constables &c. #1 10s. 6d.; Candles, Oyl & Lampmen #3 18s., 6d.; Salary to Mr Simonet, Sg Como, Sga Crespi & Mrs Hartle #1 10s.; Carpenters extra #1 7s. Total #16 6s. 4d. Receipts: #309 10s. 6d. Charges: #16 6s. 4d. Profits to Fund #293 4s. 2d. (Treasurer's Book)

Event Comment: Benefit for Vallouis and Mme Vallouis, with two new Dances composed by Mr Vallouis

Event Comment: Benefit for Curteen, Roberts, Shuter. Tickets delivered by Miller, Walker, Reed, Colley, Robinson, Brandon, Booth, Flight, Mrs Paddick, Mr Watson will be taken. Doors open half past 5. To begin half past 6 o'clock

Event Comment: Benefit for Macklin. Last time of performing this season. Doors open half past 5. To Begin at half past 6 o'clock. Tickets to be had of Macklin, James St., Covent Garden, and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Event Comment: The Two Misers is unavoidably oblig'd to be deferr'd. Books of the Entertainment [The Two Misers?] to be had at the theatre. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons admitted behind the scenes, nor any money returned after the curtain is up. Places for the Boxes to be taken, of Mr Sarjant (only) at the Stage Door. The Doors to be opened at Half after Five o'clock. To Begin exactly at Half after Six. Vivant Rex and Regina. (Customary footnote for succeeding Playbills. It will not be repeated here. The Westminster Magazine, September, p. 459, indicates a Prelude was also given this opening night, consisting of several of the actors comparing notes on their various successes, casts of parts, droll accidents, which they had experienced during their different summer excursions. Mattocks, Dunstall, Lee Lewes, Miss Barsanti, and Hull participated. The reviewer reported the content of their reminiscences, but disliked the jumbled nature of the Prelude. Another account in the Morning Post, 21 September.] Note: For performance at hay 20 September, see Season of 1774-1775, p. 1905

Event Comment: Paid Watson and Mortimer (Boxkeepers) for the use of that office #10 and #15 respectively [this amount duly returned to the treasury on 11 June 1776]; J. Stevens (porter) 18s.; Mr Garrick's draft in favor of Signora Paccini #25 (Treasurer's Book). [J. Stevens, the porter's salary was a constant of 18s. per week for the season, ammounting to #33 6s. in all. No further mention of this item will be made.] Receipts: #243 16s. (Treasurer's Book)

Event Comment: Overture and Music for the Prelude composed by Bates. Mr Bensley return'd from Covent Garden Theatre Play'd Pierre as usual was received with Applause (Hopkins Diary). Paid Carpenter's Bill #31 10s.; Two surveyors (by Butler) #5 5s. (Treasurer's Book). [The carpenter's bills averaged #10 per week during the season, or about #380 total. No further mention will be made of this item.] Receipts: #238 17s. (Treasurer's Book)

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Event Comment: Mrs King from the York Theatre made her first appearance on this stage in Rosalind. She is very Tall and would look well enough if she did not paint her face so much with white and Red. She has a course Voice-and does not speak very Naturally. She was received with great applause (Hopkins Diary). [Genest, V, 479, suggests Mrs King was used to offset and upset Miss Younge.] Paid Watch tax and Beadle for half a year #18 15s.; Mr Levy Fredrick bill for silks #154 1s. 6d. Receipts: #132 16s. 6d. (Treasurer's Book)

Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Event Comment: Paid Mr Hatsell [Mercer] 3 bills in full of last season #122 17s.; Nichols [sic] (rope maker) #18; Barrett (wax chandler) #28 3s. 6d. Receipts: #92 6s. 6d. (Treasurer's Book)