SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Wood"/1) | (@(roleclean,performerclean) "Mr Wood")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4318 matches on Event Comments, 1255 matches on Performance Comments, 687 matches on Performance Title, 23 matches on Roles/Actors, and 18 matches on Author.

Performances

Mainpiece Title: An Impromptu Faragolio

Afterpiece Title: Harlequins Frolic

Performances

Mainpiece Title: Zingis

Afterpiece Title: The Absent Man

Performances

Mainpiece Title: Alonzo

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Trip to Scotland

Dance: II: A Dance, as17730506

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Wedding Ring

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: On the assumption that the run began on 28 June and extended twelve days (as Downes states), it would continue through 11 July. On 3 July a group of players entitled the Red Bull Company began a series of performances at Oxford. The performances are known through the entries in Anthony Wood's journal. For a discussion of the problems as to what actors these were, see Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713", Review of English Studies, XIX (1943), 366. On this day the players acted Tu Quoque, in which, according to Richard Walden (Io Ruminans, 1662) Anne Gibbs acted Gertrude

Performances

Mainpiece Title: The Siege Of Rhodes Part I

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Event Comment: The King's Company. Evelyn, Diary: Whence to see the Duke of Buckingam's ridiculous farce & Rhapsody called the Recital, bouffoning all Plays yet prophane enough. In a collection of broadsides (Bodleian Wood 417) A Ballad (on Buckingham and his son) has some lines which apparently refer to a performance: @I confess the Dances were very well Writ, @And the Tune and the Time by Haynes as well Hit, @And Littlewood's Motion and Dress had much Wit: @But when his Poet John Bayes did appear, @'Tis known to more than half that were there, @The greatest part was his own Character.

Performances

Mainpiece Title: The Rehearsal

Event Comment: In 1686 at Oxford the Act was cancelled at a late moment, but the players performed nevertheless. In mid-July Anthony Leigh, acting in The Committee, added some lines to his role that created a commotion. See Sybil Rosenfeld, Some Notes on the Players in Oxford, p. 370; Memoirs of the Verney Family, ed. Margaret M. Verney (London, 1899), IV, 381; Anthony Clark, The Life and Times of Anthony Wood (Oxford, 1894), III, 192-93

Performances

Event Comment: Benefit Wood. Receipts: money #40 2s. 6d.; tickets #86 5s

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Jealous Doctor

Music: With a Lesson on the Harpsicord-an eminent Master

Song: As17170319

Dance: As17161121; A Dance-Moreau, Mrs Schoolding's Sister a Scholar to Moreau

Event Comment: Benefit Wood

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Amadis

Song: Since Times Are So Bad-Leveridge, Mrs Fitzgerald; Also by Babel's Scholar; accompanied on the Harpsichord-Babel; Also by Mrs Barbier

Event Comment: Benefit Wood, the Treasurer. Receipts: money #13 19s.; tickets #116 16s

Performances

Mainpiece Title: The Double Dealer

Cast
Role: Lady Touchwood Actor: Mrs Seymour

Music: And between the Acts will be perform'd a Solo on Violon, Bass Viol, Lesson on Harpsicord-a young Gentlewoman, it being the second Time of her appearing on the Stage

Event Comment: Benefit Wood, Treasurer. Receipts: money #14 10s.; tickets #126 17s

Performances

Mainpiece Title: The Soldiers Fortune

Afterpiece Title: The Walking Statue or The Devil in the Wine Cellar

Dance: Lally, Lally's Brother, Pelling, Mrs Rogier, Mrs Bullock, Miss Hutton; Myrtillo-; Highland Dance-; Hornpipe-Jones

Event Comment: Benefit Wood, Treasurer. Written by Shakespear. Receipts: money #24; tickets #133 12s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Song: As17231116

Music: Select Pieces-; accompany'd by French Horns-; particularly a Lesson on the Harpsicord-a Youth who never perform'd before in publick

Dance: Nivelon Jr, Dupre, Glover, Mrs Rogier, Mrs Wall, Mrs Ogden; particularly Myrtillo-; French Peasant-Nivelon Sr, Mrs Rogeir; Flag Dance-Nivelon Sr

Event Comment: Benefit Wood, Treasurer. Receipts: money #26 16s.; ticekts #168 5s

Performances

Mainpiece Title: The Bath Unmaskd

Dance: End I: French Peasant-Nivelon, Mrs Legare; IV: Scotch Dance-Mrs Bullock; V: Myrtillo-

Song: II: The Play of Love-Leveridge; III: Mrs Chambers; In IV: Bath Teazers-Leveridge

Event Comment: Benefit Wood, Treasurer. Written by the late Sir John Vanbrugh. Receipts: money #12 18s.; tickets #152. Probable attendance: boxes, 13 by money and 220 by tickets; stage, 3 by money; Pit, 13 by money and 464 by tickets; first gallery, 26 by money and 274 by tickets; second gallery, 23 by money

Performances

Mainpiece Title: The City Wives Confederacy

Song: TThe Genius of England-Salway; The Lass of Patie's Mill-Mrs Warren

Music: Between Acts: Select Pieces-

Dance: PPierot-Nivelon, Poitier; French Sailor and His Wife-Salle, Mlle Salle; Scotch Dance-Mrs Bullock

Event Comment: Benefit Wood, Treasurer. Receipts: money #25 13s. 6d.; tickets #149 13s. Probable attendance: boxes, 23 by money and 132 by tickets; stage, 9 by money; pit, 44 by money and 591 by tickets; slips, 7 by money; first gallery, 38 by money and 280 by tickets; second gallery, 46 by money

Performances

Mainpiece Title: The Rover

Dance: new May Day Dance by Newhouse, for Four Countrymen and Four Milk Maids with Garlands-; French Peasant-Nivelon, Legare

Song: TThe Bonny Milk Maid a Ballad and, The Merry Month of May-Miss Warren; The Spinning Wheel Dialogue-Leveridge, Salway; The Cobler-Leveridge; Ballad Duetta-Walker, Miss Fenton

Event Comment: Benefit Wood, the Treasurer. Receipts: money #27 5s.; tickets #180 13s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Dance: HHighlander and Mistress-Salle, Mrs Laguerre; Dutch Skipper-Moreau, Mrs Bullock

Performances

Mainpiece Title: Fatal Love Or The Degenerate Brother

Performance Comment: Principal parts by Wells, Mullart, Lacy, Fielding, Jones, Mrs Mullart, Mrs Martin, Mrs Lindsey, Mrs Nokes, Miss Wood; but edition of 1730 lists: Don Manuel-Wells Sr; Alonzo-Stopler; Pizarro-Wells Jr; Pedro-Fielding; Alvarez-Mullart; Rinaldo-Lacy; Diego-Dove; Hermit-Reynolds; Page-Achurch; Servants-Hicks, Richards; Ismena-Mrs Mullart; Lucina-Mrs Martin; Cleone-Mrs Lindsey; Julia-Mrs Newman; Florella-Mrs Nokes; Prologue, Epilogue-Charles Coffey.
Event Comment: Benefit Wood, Treasurer. Receipts: money #18 10s.; tickets #197 10s

Performances

Mainpiece Title: The Recruiting Officer

Dance: End I: Numidian-Glover, Miss LaTour; II: Comic Dance-Nivelon, Miss Wherrit; III: Flag Dance-Nivelon; IV: Tollet's Grounds-Mrs Bullock, Mrs Ogden; V: Pierrots-Poitier, Nivelon

Song: II: Now the Men and the Maids are Making of Hay-Leveridge, Salway; IV: The Merry Month of May-Miss Rogers, the Lilliputian Lucy

Event Comment: Benefit Wood, Treasurer. Receipts: money #18 1s.; tickets #171 18s. Proper Accommodation will be made upon the Stage by Seats and Scaffolding

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: A Journey to Bristol

Song: HHighlander and his Wife-Salle, Mrs Laguerre; French Clown-Nivelon; French Peasant-Poitier

Event Comment: Benefit Wood, Treasurer. Written by Sir George Etheridge.{Daily Journal lists: II: Les cbaracteres de PAmour by Mlle Salle. III: Nassau.]

Performances

Mainpiece Title: She Woud If She Coud

Cast
Role: Lady Cockwood Actor: Mrs Hallam

Dance: I: Harlequin by Maker. II: The Nassau, as17340117 III: French Shepherd and Shepherdess by Maker and Mlle Salle. V: Pigmalion: Pigmalion-Maker; Statue-Mlle Salle; others by Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde

Song: I: English Cantata by Mrs Wright. IV: The Black and White Joke by Leveridge and Laguerre