SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr William Mills"/1) | (@(roleclean,performerclean) "Mr William Mills")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10808 matches on Author, 4705 matches on Performance Comments, 4673 matches on Event Comments, 841 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [[By William Congreve. Premiere.] Congreve wrote on 26 March: I wished particularly for you on Friday last, when Eccles his music for the prize was performed in Dorset Garden, and universally admired. Mr Finger's is to be to-morrow; and Russel and Weldon's follow in their turn....The number of performers, besides the verse-singers, was 85. The front of the stage was all built into a concave with deal boards; all which was faced with tin, to increase and throw forwards the sound. It was all hung with sconces of wax-candles, besides the common branches of lights usual in the playhouses. The boxes and pit were all thrown into one; so that all sat in common; and the whole was crammed with beauties and beaux, not one scrub being admitted. The place where formerly the music used to play, between the pit and the stage, was turned into White's chocolate-housev....Our friend Venus performed to a miracle; so did Mrs Hodgson Juno. Mrs Boman was not quite so well approved in Pallas.-Congreve to Keally, in Congreve, I, 71-72

Performances

Mainpiece Title: The Judgment Of Paris

Related Works
Related Work: The Judgement of Paris Author(s): William Congreve
Event Comment: Benefit Williams. At the desire of several Persons of Quality. Written by Mr Southern

Performances

Mainpiece Title: The Fatal Marriage

Song: Purcell's From Rosy Bowers-Leveridge

Dance: A French Peasant and his Wife-duRuel, Mrs duRuel; Punchanello-Cherrier

Event Comment: Author's Night. The Author labouring under a severe and dangerous illness, hopes his friends will excuse his personal Application, and send for tickets to Mr Watts, at the Printing Office in Wild Court; or to Hobson at the Stage door of the theatre at Drury Lane Mahomet translated from the French of Voltaire; but I have no great opinion of the subject, or the original author as a poet; and my diffidence is rather improved by the testimony of those who have seen it.-Letters of William Shenstone, p. 89

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Amorous Goddess

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Event Comment: Benefit for the Author Tickets to be had as 9 and 14 Feb. [The Gentleman's Magazine this month gave a nine-column article to the Plan and Specimens of Irene a Tragedy by Mr Samuel Johnsin acted at Drury Lane from 6-20 February inclusive." In it plot was first retold, then excerpts from speeches were given which illustrated the beautiful expression of the moral values contained in the play: "To instance every moral which is inculcated in this performance, would be to transcribe the whole; but, however difficult I shall select a few." No comments are made upon the stage presentation, all is presented upon the basis of examination of the text. William Shenstone thought not much of it as a play. See Letter to Lady Luxborough 22 March.] Receipts: #110 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Virgin Unmask'd

Dance: SSavoyards, as17480920

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

Event Comment: Mrs Greville ill new piece deferr'd. A Christmas Tale after this night will be laid aside for sometime (playbill). Paid Chorus 4 nights (this incl.) #8 2s; Extra Guitars and Flutes 2 nights (this inc) #2.; Mr Wrighten on note #12 12s.; Mrs Weston's Debt & Costs to Rd Williams #4 17s. (Treasurer's Book). Receipts: #210 18s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Event Comment: Benefit for Edwin. 2nd piece [1st time; F 2, by George Colman, elder, based of L'Avocat Patelin, by David Augustin de Brueys. This is usually ascribed to William Macready. But on the title-page of his copy (K-D 295 in Huntington Library) J. P. Kemble has written "This Piece was not written by Mr Macready." Public Advertiser, 29 Aug. states that "Colman...presented Edwin upon this occasion with a new Farce, taken from a celebrated French Play." World, 15 Oct. 1787 refers to Colman's dislike of L'Avocat Patelin, but adds, "When [he] came to translate it himself, he found reason to alter his opinion."]. Public Advertiser, 25 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Sir John Cockle, At Court

Performance Comment: King-Williamson; Sir John Cockle-Kemble; Sir Timothy Flash-Davies; French Cook-Wewitzer; Joe-Edwin; with The Tower of London-Edwin; Mrs Starch-Mrs Edwin; Miss Kitty-Mrs Brown.
Cast
Role: King Actor: Williamson

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Related Works
Related Work: Lingo’s Opinions on Men and Manners (A Comical, Whimsical, Operatical, Farcical Rhapsody) Author(s): William Shield
Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus; Or, A World Discovered

Afterpiece Title: Love in a Camp

Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): William Shield

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: Tryphon

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performances

Mainpiece Title: The Female Vertuosos

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Fatal Friendship

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Tender Husband