SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr William Hall"/1) | (@(roleclean,performerclean) "Mr William Hall")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11074 matches on Author, 4699 matches on Event Comments, 3068 matches on Performance Comments, 600 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Alcibiades

Performances

Mainpiece Title: Gloriana Or The Court Of Augustus Caesar

Performance Comment: Prologue to the Court of Augustus Caesar-Mrs Roch; Epilogue to the Court of Augustus Caesar-Mr Haynes; Augustus Caesar-Mohun; Caesario-Hart; Marcellus-Kenaston; Tiberius-Lydall; Agrippa-Cartwrite; Mecaenas-Griffin; Ovid-Clarke; Leander-Powell; Araspes-Harris; Gloriana-Mrs Marshall; Julia-Mrs James; Narcissa-Mrs Corbet.
Cast
Role: Gloriana Actor: Mrs Marshall

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Performances

Mainpiece Title: The Town fopp Or Sir Timothy Tawdry

Performances

Mainpiece Title: Titus And Berenice

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: The Siege Of Babylon

Performances

Mainpiece Title: Sir Patient Fancy

Performances

Mainpiece Title: Mithridates King Of Pontus

Performances

Mainpiece Title: The Rambling Justice Or The Jealous Husbands With The Humours Of Sir John Twiford

Performances

Mainpiece Title: The Man Of Newmarket

Performances

Mainpiece Title: A True Widow

Performances

Mainpiece Title: Friendship In Fashion

Performances

Mainpiece Title: The Tragedy Of Sertorius

Performances

Mainpiece Title: The Feignd Curtizans Or A Nights Intrigue

Performances

Mainpiece Title: The Virtuous Wife Or Good Luck At Last

Related Works
Related Work: Richmond Wells; or, Good Luck at Last Author(s): John Williams

Performances

Mainpiece Title: Tamerlane The Great

Performances

Mainpiece Title: The False Count Or A New Way To Play An Old Game

Performances

Mainpiece Title: The Atheist Or The Second Part Of The Souldiers Fortune

Event Comment: Lord Preston (in Paris) to the Duke of York, 22 Sept. 1683, N.S.: I should not have presumed to give your Highness the trouble of this if something of charity had not induced me to it. I do it at the instance of a poor servant of his Majesty's who some time since was obliged by a misfortune to leave England. It is Mr Grahme [Grabut?], sir, whom perhaps your Highness may remember. Mr Betterton coming hither some weeks since by his Majesty's command, to endeavour to carry over the Opera, and finding that impracticable, did treat with Monsr Grahme to go over with him to endeavour to represent something at least like an Opera in England for his Majesty's diversion. He hath also assured him of a pension from the House, and finds him very willing and ready to go over. He only desireth his Majesty's protection when he is there, and what encouragement his Majesty shall be pleased to give him if he finds that he deserves it (HMC, 7th Report, Part I, p. 290). W. J. Lawrence (Early French Players in England, p. 149) argued that Grahme should be Grabut, who had once been Master of the King's Music (to 1674) and who had settled in Paris. Grabut was certainly back in London in the spring of 1684

Performances

Performances

Mainpiece Title: Bury Fair

Performances

Mainpiece Title: Concert

Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

Event Comment: Luttrell, A Brief Relation, II, 413: By order of the queen, the lord chamberlain has sent an order to the playhouse prohibiting the acting Mr Dryden s play called the tragedy of Cleomenes, reflecting much on the government. Gentleman's Journal, April 1692 (licensed 13 April): I was in hopes to have given you in this Letter an account of the Acting of Mr Dryden's Cleomenes; it was to have appear'd upon the Stage on Saturday last, and you need not doubt but that the Town was big with Expectation of the performance; but Orders came from Her Majesty to hinder its being Acted; so that none can tell when it shall be play'd

Performances