SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr W Davies"/1) | (@(roleclean,performerclean) "Mr W Davies")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4482 matches on Event Comments, 4353 matches on Performance Comments, 584 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performances

Mainpiece Title: The Miseries Of Love

Afterpiece Title: Damon and Phillida

Song:

Music:

Performances

Mainpiece Title: The Committee

Afterpiece Title: The King and The Miller of Mansfield

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: Paid Charlotte Lane for making two Fustian Banjans & Breeches, and materials at 8s. each, 16s. For the Painters (MS list Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Lottery

Event Comment: Paid Charlotte Lane for making a Callimanco Coat & breeches loop'd and bound with silver for Miss Hallam (in The Orphan), 10s.; sewing silk, twist, buckram & stays, 3s. 6d.; Haircloth & wadding, 2s. 6d.; Linnen lining, pockets & silk garters to breeches, 4s.; 2 1!2 yds white stuff to line the coat, 5s.; a silver damask waistcoat alter'd 2s.; 2 doz. and 2 coat, 9 breast silver'd buttons, 3s. 9d.; 1 doz. black buttons to the breeches, 9d. Total to Charlotte Lane so far this season, #21, 6s. 5d. (MS list in Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Devil to Pay

Dance: As17551101

Event Comment: Mainpiece: By Particular Desire. Thos. Davies advertis'd somebody hiss'd him last night & that he hop'd they would desist he not offending anyone intentionally (Winston MS 8). Receipts: #160 (Cross); #168 12s. (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Guardian

Dance: TThe Swiss-Grimaldi, Mrs Vernon

Performances

Mainpiece Title: Eurydice

Performance Comment: Garrick, Havard, Holland, Davies, Burton, Packer, Mozeen, Mrs Cibber, Miss Haughton, but Genest, IV, 547, lists: Periander-Garrick; Procles-Havard; Polydore-Holland; Eurydice-Mrs Cibber; Leonidas-Davis; Ariston-Burton; Medon-Packer; Officer-Mozeen; Melissa-Miss Haughton.

Ballet: TThe Prussian Camp. As17581214

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Performances

Mainpiece Title: The Taylors

Afterpiece Title: The Old Maid

Event Comment: NNeville MS Diary: At Davies read the Countess of S. At 7 went into the Pit....a foolish Epilogue is spoken by Mrs Dancer, which tends to lessen the impression made by the excellent moral of the Play

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Lying Valet

Dance: End: Miss Froment

Event Comment: Mainpiece: Not acted these 3 years. [See 14 Jan. 1763.] Dined at Terry's. At Davies read the principal parts of As You Like It. Got into the Pit before the Play began. Stood all the time of the performance. Mrs Dancer played Rosalind with great propriety, looks very well in boys clothes...Caelia, with the Cockoo, a delightful song (not in the play) by Mrs Baddeley, being her 1st appearance in that character. This excellent comedy so well performed gave me great pleasure. End Act I, Hearts of Oak, a pretty dance by Mrs King, Giorgi, etc. The Entertainment was Harlequin's Invasion, with a prologue spoken by King. This triumph of Shakespeare over folly is one of the best and most magnificent Pantomimes and not mere dumb show (Neville MS Diary)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequins Invasion

Dance: I: Hearts of Oak-Giorgi, Mrs King

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Captive

Performance Comment: Bannister, Miss Radley, Mrs Scott, Davies. [Probably as Cadi, Zorayda, Fatima, and Ferdinand respectively.]

Dance: I: Cunning Love, as17710204

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17720601 but Parts-Davies.
Cast
Role: Parts Actor: Davies.

Afterpiece Title: The Cooper

Dance: As17720518

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17720624, but to avoid confusion full cast listed. Foote, Robson, Aickin, Baddeley, F. Gentleman, Davies, Parsons, Weston, Castle, Lloyd, Lings, Dancer, Smith, Vowell, Jacobs, Farrell, Pierce, Mrs Gardner, Mrs Jewell%.

Afterpiece Title: Cupids Revenge

Dance: As17720615

Performances

Mainpiece Title: The Modish Wife Or Love In A Puzzle

Performance Comment: Parts-Cresswick (from York), Follett, Davies, Fearon, Lloyd, Burton, Williams, Mrs Greville (from Theatre Royal in Richmond), a Young Lady, first time; Mrs Roche, Miss Atkins, Mrs Williams; With a Prologue-.

Afterpiece Title: The Irish Widow

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Event Comment: [Lucio Vero intended but deferr'd by the death of Miss Davies' father.

Performances

Mainpiece Title: Il Puntiglio Amoroso

Dance: As17731130

Performances

Mainpiece Title: A Christmas Tale

Performance Comment: As17731227, but Good and Evil spirits-Mrs Davies, Mrs _Johnston.

Afterpiece Title: A Trip to Scotland

Cast
Role: Miss Flack Actor: Mrs Davies
Event Comment: Miss Davies being indisposed with a cold, the opera of Perseo is deferr'd till Tuesday

Performances

Mainpiece Title: Il Puntiglio Amoroso

Dance: I: Grand Serious Ballet-Mariottini, Mlle Nina Faviere; II: Pastoral Ballet-Bocchini, Sga Mazzoni; End Opera: Harem of Ispahan, as17740129

Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Davies, $Wewitzer">Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patricks Day or The Scheming Lieutenant

Dance: End: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: As17750728 but Parts-Davies, _Williams.
Cast
Role: Parts Actor: Davies, _Williams.

Afterpiece Title: The Lyar

Dance: Tambourine Dance-

Event Comment: Benefit for Green and Ansell, box-keepers. Public Advertiser, 7 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #329 17s. (48.15; tickets: 281.2) (charge: #105)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: As17770515

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for The Lady's Last Stake will be taken. Tickets sold at the doors will not be admitted. Public Advertiser, 16 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #290 14s. 6d. (40.19.6; tickets: 249.15.0) (charge: #105)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Commissary

Ballet: The Sailors' Revels at Portsmouth. As17780515

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for Know Your Own Mind (which is unavoidably obliged to be set aside) will be admitted this Evening. Public Advertiser, 11 May: Tickets to be had of Green, the corner of Norris-street, No. 55, Hay-market; of Ansell, Davies-street, Berkeley-square. Receipts: #277 9s. 6d. (29.12.6; tickets: 247.17.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deaf Lover

Ballet: End: The Humours of New-Market. As17800518

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Marriage Act

Dance: In Act I of mainpiece a Masquerade Scene incident to the Play and a Minuet by Aldridge and Miss Besford. [These were included, as here assigned, in all subsequent performances.]

Song: End of Act iv of mainpiece Juliet's Funeral Procession with the Solemn Dirge. Vocal Parts by Mattocks, Reinhold, Davies, Robson, J. Wilson, Baker, Darley, Doyle, Simpkinson; Miss Harper, Mrs Martyr, Miss Morris, Mrs Morton, Miss Stuart, Mrs Kennedy

Performance Comment: Vocal Parts by Mattocks, Reinhold, Davies, Robson, J. Wilson, Baker, Darley, Doyle, Simpkinson; Miss Harper, Mrs Martyr, Miss Morris, Mrs Morton, Miss Stuart, Mrs Kennedy .