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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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17513 results for: Keyword - Mr Vernon</i>-much Applause (<i>Hopkins Diary</i>). Benefit for Vernon. Paid $Mr Barthelemon
We found 15901 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.

16901
20 February 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Eugenia

Performance Comment: As17520217 N.B. The Author's benefit which was to have been this day is deferr'd till Saturday, when his tickets will be taken (playbill). This shoul'd have been the Author's Benefit but their being a great Assembly on this Night, he deferr'd till Sat. next (Cross).

16902
26 August 1760 @ Mary-le-Bone Gardens

Event Comment: [On 27 Aug. the manager announced that the musical evening entertainments have ended, yet he had advertised for some time a benefit for Gaudry for 28 Aug. This benefit seems not to have occurred. But see hay 8 Sept.

Performances

Mainpiece Title: La Stratagama

16903
26 March 1761 @ Drury Lane Theatre

Event Comment: The afterpiece at the desire of several persons of quality. A New drama in 2 acts of a particular species. Part of Pit made into Amphitheatre on Stage. Benefit for Mrs Clive. [Angry dispute in the magazines between Shuter and Mrs Clive, since her benefit fell on his night at cg. The Larpent MS lists characters for the afterpiece: Iphicrates-Austin; Dromio-King; Euphrosine-Mrs Clive?; Cleanthe-; Philo-Bransby (MacMillan).

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Duretete-Garrick, 1st time for 8 years; Young Mirabel-Palmer; Old Mirabel-Yates; Bisarre-Mrs Clive; Dugard-Blakes; Petti-Ackman; Oriana-Mrs Davies; Lamorce-Mrs Bennet.
Cast
Role: Duretete Actor: Garrick, 1st time for 8 years

Afterpiece Title: The Island of Slaves

Dance: TThe Cow@Keepers-Grimaldi, Miss Dawson

16904
19 September 1777 @ Haymarket Theatre

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Lisley, late Miss Barsanti. T. Davis's benefit, which was intended for Tuesday next, is obliged to be deferred till a Future Day, of which Proper Notice will be given. [Digges's 1st recorded appearance as Lord Townly was at Edinburgh, 6 Mar. 1756.

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Occasional Prelude

Afterpiece Title: The Mayor of Garratt

16905
08 November 1779 @ Haymarket Theatre

Event Comment: Announced in Morning Chronicle, 6 Nov., as Benefit for Mrs Webb. A notice in the same newspaper, 8 Nov., states that the benefit was "declined" because of Mrs Webb's engagement at cg [q. v. 12 Nov.]

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford

Afterpiece Title: The Devil To Pay

16906
08 February 1780 @ Drury Lane Theatre

Event Comment: The 9th Night [Benefit for the Author (on playbill of 7 Feb.)] of Zoraida is obliged to be deferr'd on account of Mrs Yates's Illness. [The same Benefit was announced on playbill of 11 Mar., but the play was again deferred. See 1 May 1781.] Receipts: #132 16s. 6d. (103.17.0; 28.15.6; 0.4.0)

Performances

Mainpiece Title: The Plain Dealer

Cast
Role: Widow Blackacre Actor: Mrs Hopkins

Afterpiece Title: Fortunatus

Cast
Role: in Storming scene] Actor: Vernon, Bannister.

16907
15 June 1787 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

16908
June 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is considerable uncertainty as to the date of production of this play. Because it was licensed for printing on 2 Aug. 1677, it was probably first acted not later than July 1677. Because some of the names in the cast represent younger actors, it has been thought to be a Lenten production (see Gray, Lenten Casts, pp. 789-90). It seems, however, that the play, because of its reference to performances by the French comedians (the Epilogue refers to "de French Troop at toder end o'Town ") and the offering of Rare en Tout on29 May 1677, probably was acted in June 1677. The Prologue also refers to the comedy as The Women's Play," suggesting that it was produced for the actresses' annual benefit

Performances

Mainpiece Title: The French Conjuror

16909
20 November 1696 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. In view of the success of this double bill, it seems likely that the two works reached at least a sixth performance, probably on this day, thus providing a second benefit to the authors

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

16910
26 May 1697 @ Lambeth Wells

Performances

Mainpiece Title: Concert

Performance Comment: For the benefit of the composer (Post Boy, May 1697).

16911
03 September 1697 @ no theater listed

Event Comment: John Dryden to his sons, 3 Sept. 1697: After my return to Town, I intend to alter a play of Sir Robert Howards, written long since, & lately put by him into my hands: tis calld The Conquest of China by the Tartars. It will cost me six weeks study, with the probable benefit of an hunderd pounds. In the meane time I am writeing a Song for St Cecilia's feast, who you know is the Patroness of Musique. This is troublesome, & no way beneficiall: but I coud not deny the Stewards of the feast, who came in a body to me, to desire that kindness (Letters of John Dryden, p. 93)

Performances

16912
04 May 1698 @ York Buildings

Event Comment: London Gazette, No. 3388, 28 April-2 May 1698: On Wednesday next, the 4th of May, will be performed in York-Buildings, the Song which was Sung before her Royal Highness on Her Birth Day last; With other Variety of New Vocal and Instrumental Musick, Composed by Dr Turner, and for his Benefit

Performances

Mainpiece Title: Concert

16913
17 May 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, 14-17 May 1698: This Day will be Acted the last new Tragedy, call'd Phaeton, or the Fatal Divorce. For the Benefit of the Author, and for the Entertainment of several French Persons of Quality

Performances

Mainpiece Title: Phaeton

16914
28 April 1699 @ York Buildings

Event Comment: Post Boy, 22-25 April 1699: In York-Buildings, on Friday next, being the 28th Instant, will be perform'd a Consort of new Vocal and Instrumental Musick, for the Benefit of Mrs Lyndsey, beginning at the usual Hour

Performances

Mainpiece Title: Concert

16915
28 June 1700 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

16916
08 July 1700 @ Drury Lane Theatre

Event Comment: Rich's Company. London Post, 5-8 July 1700: This day at the Theatre Royal in Drury-lane, will be presented a Play called, Sophonisba, or Hannibals Overthrow, not performed by the publick Actors but all by young Gentlemen and Ladies for their own Diversion. The Benefit for the young People of the House

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

16917
13 July 1700 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, 11-13 July 1700: In consideration of the great Success of a Play, call'd, the Constant Couple, or a Trip to the Jubelee, and in Answer to a Scandalous Prologue spoken against it by the New House. At the Theatre Royal in Drury Lane this day, being the 13th of July, the said Play will be presented, for the Benefit of the Author, it being the last time of the Company's Acting this Summer. [The play, with the new Prologue, was published 20 Aug. 1700, according to the Post Man, 17-20 Aug. 1700.

Performances

Mainpiece Title: The Constant Couple

16918
03 June 1701 @ Dorset Garden Theatre

Event Comment: The Gallerys being at the same rates as at the single performances. Benefit Dogget and Wilks, they having farmed the performers. [See 21 March.

Performances

Mainpiece Title: Concert

Music: All the pieces of Musick contending for the Prize-

16919
13 October 1702 @ Lincoln's Inn Fields

Event Comment: Never Acted there before. Benefit Cave Underhill

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

16920
28 April 1703 @ Lincoln's Inn Fields

Event Comment: [Mainpiece by Charles Boyle. Premiere.] Benefit Mrs Porter, who performs a part in it she never acted before. [Since Mrs Porter is not in the cast in the edition of 1703, the meaning of this statement is not clear.] At the Desire of several Persons of Quality

Performances

Mainpiece Title: As You Find It

Afterpiece Title: Acis and Galatea

Music: From The Mad Lover-

Song: Mrs Hodgson, Cook, Davis

Dance: Mrs Elford, Fairbanch

16921
03 July 1703 @ Drury Lane Theatre

Event Comment: A masque of music composed by Henry Purcell. Benefit Mrs Lucas. Mainpiece: Revis'd with large Alterations

Performances

Mainpiece Title: The Pilgrim

16922
01 November 1703 @ Lincoln's Inn Fields

Event Comment: [By William Walker. Not advertised in Daily Courant, but this date accepted as premiere by Nicoll, p. 363 and Genest, II, 303.] Preface: It was so hem'd in between the Benefits that it seem'd meerly Confin'd to the Limits of a Single Night before hand

Performances

Mainpiece Title: Marry; Or, Do Worse

16923
30 November 1703 @ Drury Lane Theatre

Event Comment: By Subscription. None to be admitted into the Pit or Boxes but by the Subscribers Tickets. The Boxes on the Stage and the Galleries are for the Benefit of the actors. At 5 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; in which several Songs in Italian and English-Mrs Tofts; accompany'd-the best Masters in England

Dance: Labbe, others

16924
16 January 1705 @ Drury Lane Theatre

Event Comment: After the Italian manner, All sung, being set to Musick by Master Clayton. No Person to be admitted into the Boxes or Pit but by the Subscriber's Tickets. The Boxes on the Stage and the Galleries are for the Benefit of the Actors. [Premiere of the opera.

Performances

Mainpiece Title: Arsinoe, Queen Of Cyprus

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs duRuel, Mrs Moss

Song: Before and after Opera: Singing in Italian and English-

16925
22 March 1705 @ Drury Lane Theatre

Performances

Mainpiece Title: The Quacks; Or Love's The Physician

Performance Comment: [Announced as benefit for Ben. Johnson but stopped by Vanbrugh's request; see Nicoll, p. 289, and poem in Diverting Post, 31 March-7 April].