SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15901 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: Miss in Her Teens

Event Comment: A few days since died at Bristol, Mr Burk Thumoth, well known for his excellent manner of performing on the German Flute

Performances

Mainpiece Title: The Merchant Of Venice

Dance: Salomon, Mlle Violette

Performances

Mainpiece Title: The Occasional Oratorio

Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Event Comment: CCatherine Talbot to Elizabeth Carter, 18 April: These oratorios of Handel's are certainly (next to the hooting of owls) the most solemly striking music one can hear....In this last oratorio he has literally introduced guns, and they have a good effect.--Deutsch, Handel, p. 640, who identifies the guns as kettle-drums. But Winton Dean, Handel's Dramatic Oratorios, p. 471, identifies them as the outsize drums from the Tower of London. See Sheridan's The Critic on off-stage gun shots: This hint I took from Handel. Recced of Mr Handell for rent of his 10 Oratorio's #210.--Account Books, Egerton 2268. [Actually there were twelve nights of oratorios.

Performances

Mainpiece Title: Judas Macchabaeus

Performances

Mainpiece Title: The Diversions Of The Morning; Or, A Dish Of Chocolate

Afterpiece Title: The Credulous Husband

Performance Comment: Fondlewife-Foote; Bellmour-Lee; Laetitia-Mrs Hallam; with an Epilogue-Bedford?/Coffee/House.
Cast
Role: with an Epilogue Actor: Bedford?CoffeeHouse.
Event Comment: Yesterday died Mr Muilment, a Famous Dancer, who has given great entertainment to the town at both theatres; and was much esteem'd by all who knew him personally

Performances

Event Comment: AA Letter to Mr Garrick on his having purchased a Patent for Drury Lane Play-House published. [Written by one who subscribed himself the Plain Dealer, it pointed out the troubles in store for the young manager from grievances from subordinates, arrogance from other actors (all individualists, no unity) failure from joint managership, grievances from public, and extraordinary expense from costume. He suggests the reasons for Garrick's jumping from actor to manager are vanity and avarice. He indicates Garrick's challenge and sums up the late troubled years of management under Fleetwood and Highmore.

Performances

Event Comment: Mainpiece Never Acted there before. The Characters to be New Dress'd after the Manner of the Old English Comedy. And the Pieces of Music before the Play, and between the Acts, will be selected from the Old English Masters. Cross: The play went off with 'toll: success. [See contemporary comments in D@@ry L@@ne P@@yh@@se Broke Open. In a letter to Mr G@@@@(London, 1748) pp. 17-18.] Receipts: #150 (Cross); #152 19s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: Loveless-Mills; Young Loveless-Blakes; Roger-Macklin; Savil-Yates; Welford-Havard; Morecraft-Taswell; Captain-Winstone; Poet-Arthur; Traveller-I. Sparks; Tobaccoman-Gray; Abigail-Mrs Macklin; Martha-Mrs Mozeen; Widow-Mrs Cross; Scornful Lady-Mrs Woffington.
Cast
Role: Welford Actor: Havard

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Double Disappointment (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Tea

Event Comment: Several Airs in the Opera now performing...will be chang'd for others; all compos'd by Mr Handel

Performances

Mainpiece Title: Lucius Verus

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Cushing (who performed Wagtail in Mr Foote's Farce); Flash-Cibber; Biddy-Miss Mattocks her 1st appearance on any stage; Sir Simon-Collins; Jasper-Morgan; Capt Loveit-Anderson; Puff-Dunstall; Tag-Mrs Bland.
Event Comment: Tomorrow, At the Particular Desire of several Ladies of Quality, will be performed the Beggar's Opera, after which Mr Foote's Tea

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Woolfort-Rosco; Van Dunk-Morgan; Gertrude-Mrs Hale; Jaqueline-Mrs Bland; Hubert-Bridges; 1st Merchant-Kennedy; 2nd Merchant-Storer; 3rd Merchant-Anderson; 4th Merchant-Ridout; Hemskirk-Gibson; Boor-Collins; Ferret-Stoppelaer; Ginks-Bencraft; Snap-Paddick; Prince Prigg-Dunstall; Higgen-James; Clause-Bridgwater.
Cast
Role: Woolfort Actor: Rosco

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: Roxana

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Virgin Unmask'd

Dance: I: Tambourine-Anne Auretti; III: Savoyards, as17471215; V: Dutch Dance, as17471128

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances

Event Comment: [For the Relief of the Sufferers by a late Calamity...at his Auction-Room late the Little Theatre in the Hay-Market Mr Foote will exhibit for the satisfaction the curious a choice Collection of Pictures, all warranted Originals, and entirely new. To begin at twelve noon. [Cross, Fielding, II, 89, states that Foote mimicked Fielding as "Trottplaid" on this date.] Daily Advertiser, 28 April: It being represented unto this Court, that several Common Players of Interludes, Gamesters...have for several Years used and accustomed to assemble and meet together at several Fairs or pretended Fairs, held in this County of Middlesex, not warranted by Law, to wit, Tottenham Court Fair, Hampstead Fair, in Holborn Division, the Shepherd's Bush Fair in Kensington Division, Mile-End Fair and Bow-Fair, commonly called Green-Goose Fair, in the Tower Division, and May Fair in Westminster Division

Performances

Mainpiece Title: Collection Auction Of Pictures

Performances

Mainpiece Title: Auction Of Pictures

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for Boxes to be taken of Mr Hobson at the stage door of the Theatre. To begin exactly at six o'clock (General Advertiser). [This customary notice for all subsequent bills will not be mentioned further this season.] Receipts: #80 (Cross); #88 7s. 6d. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: The Lottery