SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15901 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of Their Majesties. Mainpiece: Not acted these 4 years. Paid Half Year's Watch & Beadles, St Martin's Parish, #22 3s. 8d. Receipts: #289 18s. (276/1/0; 12/19/6; 0/17/6)

Performances

Mainpiece Title: Zara

Afterpiece Title: Bon Ton

Event Comment: The Last Time of the Company's performing this Season. Paid various Renters #19 16s. [apiece] (Account-Book, 1 Sept.). Receipts: #222 12s. 6d. (181/11/0; 40/8/0; 0/13/6)

Performances

Mainpiece Title: The School For Scandal

Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Event Comment: Mainpiece: Not acted these 5 years [acted 2 Nov. 1781]. Paid Wardrobe #6 2s. 6d.; Guard [master carpenter] for Scenemen #17 15s. 11d. Receipts: #178 9s. (171/19; 6/10)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Rehearsal

Event Comment: [In mainpiece the playbill retains Henderson as Evander, but "on account of the sudden indisposition of Henderson . . . Bensley kindly undertook the part of Evander" (Morning Post, 5 Nov.).] Paid Mullins, shoemaker, in full for the 3 last Seasons #108 0s. 6d. Receipts: #269 12s. (262/3/6; 7/8/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Midas

Event Comment: Mainpiece: Not acted these 3 years. Paid Mrs Pope in full for her allowance for cloathing last Season #250. Receipts: #249 14s. (243/12/6; 6/1/6)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece The Wapping Landlady, as17851102; In Act I of afterpiece Dance, as17851010, but Mrs Goodwin in place of Miss Andre

Event Comment: Account-Book, 28 Nov.: Paid Mrs Abington by check dated 5th Dec. #100. Receipts: #179 17s. (173/9; 6/8)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Maid of the Oaks

Dance: As17851107 throughout

Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Performance Comment: Harlequin Clack-Bannister Jun.; Magician-Staunton; Doctor-Fawcett; Harlequin Lack-Wright; Clodpate-Grimaldi. The other Characters by Moody, Wrighten, Burton, Chapman, Waldron, Phillimore, Chaplin, Wilson, Jones, Spencer, Alfred, &c.; Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi. Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi.

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Performance Comment: [The dance was included, as here assigned, in all subsequent performances.] hathi.
Event Comment: By Command of Their Majesties. Paid Licenses [from the Lord Chamberlain] for Omai and The Fool #4 4s. Receipts: #274 5s. (273/3; 1/2)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Miss in her Teens

Dance: End of Act II of mainpiece The Piping Pedlar, as17851112

Event Comment: Afterpiece [1st time; MF 2]: Written by the Author of The Poor Soldier [John O'Keeffe. Text 1st published in his Dramatic Works, Vol. IV (T. Woodfall, 1798)]. With new Scenes, Dresses, &c. The Airs partly compiled, the new Music, Overture, and all the Accompaniments composed by Shield. Books of the Songs to be had at the Theatre. Account-Book, 6 Apr.: Paid O'Keeffe in full for Love in a Camp #105. Receipts: #189 2s. 6d. (175/1/6; 14/1/0)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: Mainpiece: Not acted these 2 years. "The violent and the impassioned are [Miss Brunton's] strongholds. The gentle--the modes oflevel speaking--and tenderness never add to her credit, nor receive addition from her form and countenance" (Public Advertiser, 10 Mar.). Paid Hawkes, tallow chandler, on acct. last Season #111. Receipts: #170 7s. (168/5/6; 2/1/6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Love in a Camp

Event Comment: By Command of Their Majesties. Paid Music the 20th Instant #7 16s. 4d. [The song is not listed on the playbill, but Edwin sang it, by Command (London Chronicle, 23 Sept.).] Receipts: #349 16s. (346.3.6; 3.12.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Love in a Camp

Song: End: Four and Twenty Fiddlers all on a Row-Edwin

Event Comment: Mainpiece: Not acted these 4 years [acted 31 Dec. 1783. Pope had acted Beverley in Edinburgh in the summer of 1786 (Morning Post, 26 Sept.). The playbill assigns Stukeley to Aickin, but he "having had the misfortune to lose his wife, Stukeley was played by Inchbald" (Morning Chronicle, 26 Sept.), from the York theatre, 1st appearance on this stage (see 4 Oct.)]. Afterpiece: Never acted there. Paid Properties the 22nd Instant 6s. 8d.; Wardrobe #6 2s. 6d.; Guard [master carpenter] for Scenemen #10 18s. 6d.; Supernumeraries #4 7s. 6d. Receipts: #194 16s. (193.0.6; 1.15.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Romp

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

Event Comment: [Mrs Belfille was from the Norwich theatre.] Account-Book, 6 Dec.: Paid Mrs Belfille for a Stage Dress #21 10s. 6d. Afterpiece: Not acted these 15 years [acted 15 Jan. 1776]. The Doors will be opened at 5:15. To begin at 6:15 [see 30 Apr. 1787]. Receipts: #243 5s. 6d. (238.1.0; 5.4.6)

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-Ryder; Sir William Belmont-Thompson; Young Belmont-Davies; Blanford-Fearon; Robert-Booth; Brush-Wewitzer; Beverley-Lewis; Lady Restless-Mrs Mattocks; Clarissa-Mrs Morton; Marmalet-Miss Stuart; Tippet-Miss Platt; Tattle-Mrs Davenett; Belinda-Mrs Belfille (1st apPearance on this stage).
Cast
Role: Blanford Actor: Fearon

Afterpiece Title: The Cheats of Scapin

Event Comment: Afterpiece [1st time; P 2, by Miles Peter Andrews. Larpent MS 752, as The Castle of Wonders; not published; synopsis of action in Morning Post, 27 Dec.]: With new Music, Scenes, Machinery, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The Rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many Assistants. To conclude with a Representation of the Inside of a Nabob's Palacev. Books of the Songs [which assign only Colombine ] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 6 Mar. 1787: Paid Shield in full for Compositions #100. Receipts: #242 4s. (239.8; 2.16)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

Event Comment: The Winter's Tale and the new Farce of The First Floor [both announced on playbill of 8 Jan.] are obliged to be deferred, on Account of the Indisposition of two principal Performers. Paid Parrott, Coal Merchant, #76 6s. 6d. Receipts: #150 9s. (120.10.0; 27.18.0; 1.8.6; tickets not come in: 0.12.6)

Performances

Mainpiece Title: The Tempest

Cast
Role: Ariel Actor: Mrs Forster

Afterpiece Title: Harlequin's Invasion

Cast
Role: Forge Actor: Burton
Role: Mrs Snip Actor: Mrs Hopkins

Dance: As17861205

Song: As17861205

Event Comment: Account-Book, 14 Feb.: Paid Mrs Abington for 4 Nights Performance #120. Afterpiece: Taken from Solyman the Magnificent of Marmontel. Receipts: #127 13s. (119.8.6; 8.4.6)

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Blanford Actor: Fearon

Afterpiece Title: The Sultan

Dance: End: The Wapping Landlady, as17870131

Ballet: Afterpiece conclude: with a Grand Dance. Chief of the Bostanges-Byrn; Principal Female Dancers-Mrs Ratchford, Mrs Goodwin

Performance Comment: Chief of the Bostanges-Byrn; Principal Female Dancers-Mrs Ratchford, Mrs Goodwin.
Event Comment: Mainpiece: In Act I a Masquerade Scenev incident to the Play. Account-Book: Paid Music 21st Inst. #7 14s 8d.; Properties 9s. 6d.; Chorus Singers #3; Wardrobe #6 2s. 6d.; Supernumeraries #3 7s. 6d.; Guard [master carpenter] for Scenemen #12 16s. 3d. Receipts: #220 8s. 6d. (219.15.6; 0.13.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Midas

Song: End IV: Juliet's Funeral Procession-; with the Solemn Dirge-; Vocal Parts-Johnstone, Cubitt, Brown, Darley, Doyle, Rock, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Watts, Miss Blower, Mrs Kennedy

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe]: A new Overture by Tommaso? Giordani, the rest of the Music composed and selected from Paisiello, Storace and Morelli] by Shield. Books of the Songs to be had at the Theatre. Account-Book, 27 Nov.: Paid O'Keeffe in full for the Farce & Copyright of The Farmer #150. Receipts: #130 11s. 6d. (124.0.0; 6.11.6)

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Farmer

Event Comment: [Afterpiece: Prologue by George Colman, elder.] Paid Danby for Chorus #10 10s. Receipts: #174 5s. 6d. (146.12.0; 27.8.6; 0.5.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: a New Dance, as17871026

Song: V: song-Mrs Forster

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Performance Comment: Principal Characters by Morelli, Morigi, Balelli, Calvesi, Fineschi (1st appearance); Sga Sestini, Sga Storace. Cast from libretto (D. Stuart, 1787: Taddeo-Morelli; Acmet-Morigi; Gafforio-Balelli; Teodoro-Calvesi; Sandrino-Fineschi; Belisa-Sga Sestini; Lisetta-Sga Storace.
Cast
Role: Gafforio Actor: Balelli

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: By Command of Their Majesties. Account-Book: Paid Yeomen of the Guard #2 2s., King & Queen's Servants #3 9s. Receipts: #290 6s. (280.3.6; 10.2.6)

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Farmer

Dance: As17871129

Event Comment: By Command of Their Majesties. Paid Mrs Abington in full for 19 Nights Performance #116 13s. Receipts: #317 6s. 6d. (313.16.6; 3.10.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Midnight Hour

Event Comment: [The performance was interrupted when "a piece of brass of upwards of a pound weight [was] hurled from the gallery into the pit, and much injured a lady on which it fell" (Public Advertiser, 8 Apr.). Advertisement from the theatre printed in the same newspaper, 9 Apr.: "For discovery of the offender the Theatre offers a reward of 10 guineas." Account-Book, 26 June: Paid Messrs Francis the reward offered #10 10s.] Receipts: #278 2s. 6d. (272.7.0; 5.15.6)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Omai