SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15901 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 34 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A little Noise at ye Singing & Dancing (Cross). Nn Saturday night was played for the first time a new Masque called Alfred, at the Theatre Royal in Drury Lane, before a very numerous and splendid audience. The Piece itself, as it justly deserved met with great and universal applause: However, the spectators rightly found fault with some improprieties in the performance of the inferior dancers and actors, which we hear will be all corrected in this night's representation (General Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: Tomorrow will be publish'd at 1s 6d. Alfred, a Masque as it is now acting with great applause at the Theatre Royal in Drury Lane. Printed for A. Miller, opposite Catherine St., in the Strand. Receipts: #130 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: He [Mossop] play'd easier & preserv'd his Voice, great Applause (Cross). Receipts: #100 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Event Comment: MMr Ross from Ireland play'd Y. Bevil & was receiv'd with great applause (Cross). Person engaging; voice musical; countenance expressive; judgment correct in general, but he lacks a certain easiness of carriage, and gracefulness of deportment...appeared better his second night than his first (Inspector No 184, in Daily Advertiser and Literary Gazette). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Chaplet

Dance: II: Mattocks

Event Comment: Last night the Shepherd's Lottery was performed for the first time at Drury Lane, and met with universal applause. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Shepherd's Lottery

Cast
Role: Thyrsis Actor: Mas. Vernon

Song: Mattocks

Event Comment: At ye end of ye play, a voice call'd out to Shuter; Perriwinkle --which he answer'd--what do you want? this set ye Audience in such a roar, that they insisted upon his giving out ye play, wch he did with great Applause, this wch wou'd have been call'd Impudence in another was look'd upon, in him, as Humour; so rising he is in opinion (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Dance: IV: Les Caprices de la Dance, as17511212

Song: II: Mattocks

Event Comment: [Continued approbation for the Temple of Taste]: The Second time it was receiv'd with uncommon approbation, particularly the Essay on a new-invented Astronomy, adapted to the Ladies, and the performances on the Harpsichord by a young lady but eight years old, who was allow'd by some Conoisseurs that were present, to play it extremely curious and masterly. Several Gentlemen spoke to the Questions, and met with unanimour applause; and the whole was conducted with the utmost Regularity and decency (General Advertiser)

Performances

Mainpiece Title: Jeptha

Event Comment: MMr Garrick did Loveless & Miss Houghton (from Covent Garden) Amanda-well-[applause] (Cross). Receipts: #160 ($Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: L'Entree de Flore, as17521122

Event Comment: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Genii, Arabian Night's Entertainment

Event Comment: Ladies are desired to send servants by 3 o'clock. On Saturday Night last a New Scene, representing a fountain, was introduced in the Entertainment of Harlequin Sorcerer, at Covent Garden, which for elegance of Design, Beauty of Paintings, and ingenious invention in the Mechanism, was received by the numerous Spectators with universal applause (Public Advertiser)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin Sorcerer

Event Comment: Written by Dr Young-the Profits of ye Author for a Charity-Went off wth Great Applause, only a little Laughin, at Simson (Dymas) for his Dress, or manner, I cant tell (Cross). Mainpiece: Never Acted Before. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Event Comment: SShuter play'd the Miser for his 1st appearance at this theatre. Great Applause (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Damon and Phillida

Event Comment: MMiss Nossiter did Belvidera-vast applause (Cross). [$Murphy in Gray's Inn Journal, 16 Nov., noticed Miss Nossiter's appearance in Belvidera, commenting "that she is, upon many occasions Mistress of the Surprising Attitude and Action," agreeing that she gave promise of excellence, wishing that her voice would mellow into more harmony and softness, and delivering a paragraph of advice from Quintilian on the error of false emphasis in elocution.

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discovered

Afterpiece Title: Damon and Phillida

Event Comment: A new Woman (one Gregory) did Hermione , -Great Applause (Cross). [See Gray's Inn Journal (folio) No 16 for Murphy's praise of her, and Public Advertiser 19 Jan.: Verses on the Young Lady who acted Hermione.'

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Andromache-Miss Bellamy; Pyrrhus-Sparks; Pylades-Ridout; Phenix-Anderson; Orestes-Barry; Cephisa-Mrs Barrington; Cleone-Mrs Baker; Hermione-Young Gentlewoman; who never appeared on any stage before. Occasional Prologue-Smith.

Afterpiece Title: Harlequin Skeleton

Dance: GGipsey Tambourine, as17531012

Event Comment: At the Large Commodious Room at the lower end of the Swan Inn Yard, West Smithfield, during the short time of Bartholemew Fair, which begins this day. The Characters dressed in the Italian manner. Scenes, Cloaths, Machinery, and other Decorations entirely New. To began each day at 12:00 noon. A very extraordinary band of musick is provided, and the Room decorated in an elegant Manner, for the better reception of the Nobility and Gentry. There is a back door to Hosier Lane for the conveniency of those who don't chose to be crowded...The passages will be elegantly illuminated

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert Of Vocal And Instrumental Musick

Afterpiece Title: Gli Amanti Gelosi; or, The Birth of Harlequin

Performance Comment: The Lilliputians (who performed with such universal applause at the Haymarket); Dancing-Sg and Sga Balletino, others (just arrived).

Afterpiece Title: The Triumph of Love in the Temple of Apollo

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Event Comment: New Tragedy by John Brown never Acted before (playbill). This author is conceal'd, but is it ye first dramatic piece he ever wrote-Great Applause and deservedly (Cross). Receipts: #160 (Cross)

Performances

Mainpiece Title: Barbarossa

Event Comment: At the Great Tiled Booth, Bowling Green. Mainpiece: An Historical Play presented by Warner and the Widow Yeates's Company of Comedians, during the time of the Fair. The Scenes and Cloaths are entirely New, and the Droll the same that was performed by Mrs Lee, twenty Years ago, with Great Applause. [Repeated.

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Afterpiece Title: The Comical Humours and Adventures of Trusty, her Father's Man, and Three Witches

Entertainment: Kettle Drums-Jos. Woodbridge. A Good Band is provided consisting of Kettle Drums, Trumpets, French Horns, Violins, Hautboys, Bassoons

Event Comment: MMr Murphy from Covent Garden did Osmyn. Indiff-tho' great applause (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Devil to Pay

Event Comment: MMr Holland did Eumenes-Great Applause ($Cross). Afterpiece: By Desire. Receipts: #160 (Cross)

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Holland, who perform'd the part of Oroonoko; Euricles-Blakes; Erox-Burton; Polyphontes-Havard; Narbas-Berry; Merope-Mrs Pritchard; High Priest-Bransby; Ismene-Miss Minors With a Processionv, Sacrifice, after the manner of the ancients.

Afterpiece Title: The Devil to Pay

Event Comment: Great applause (Cross). Mainpiece: Acted but once these two years. Eumenes by Holland, being the second time of his appearing in that Character. Receipts: #170 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Englishman in Paris

Dance: I: A New Dance call'd the Lilliputian Sailors-

Event Comment: LLittle Pietro & Miss Noverre, from France now perform, with a figure of Children & meet with great Applause-were encor'd the first Night-(Cross). Mainpiece: Written by Shakespear. Receipts: #180 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Tragedy of Tragedies

Dance: End III: The Lilliputian Sailors, as17551030

Event Comment: Mainpiece :By Particular Desire. The Orphan of China published. Price 1s. 6d. Dedicated to Garrick. Translated from the French of Voltaire. Acted at Paris with great applause. Published This Day Reflections on Theatrical Expression in Tragedy, with a proper introduction and appendix. For the character of the above see The Monthly Review for July (Public Advertiser). [This must be the second edition of Roger Pickering's pamphlet. See 13 March 1755.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The King and Miller of Mansfield

Event Comment: A new Farce [Murphy] went off with applause (Cross). Mainpiece: By particular Desire. Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko

Cast
Role: Blandford Actor: Palmer

Afterpiece Title: The Apprentice

Event Comment: The Introduction (tho left out of the Bills) was call'd for, & had some Applause (Cross). Books of the opera sold at the theatre. Receipts: #140 (Cross)

Performances

Mainpiece Title: The Tempest

Dance: I: New Dance-; II: Dance of Fantastical Spirits-; End: A Grand Pantomime Dance call'd The Garlands-the Children