SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15912 matches on Event Comments, 2621 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: No Ones Enemy but His Own

Dance: II: The Provencale, as17740928; End: The Reel, as17741028

Event Comment: By Command of their Majesties. [From the Westminster Magazine for March: "On Friday the third instant the Entertainments peculiar to this season commenced. Messrs Bach and Abel were first, and have been at each successive Oratorio since (one night excepted when the King and Queen favored Mr Stanley, with bringing the only good House he has hitherto had), honoured with the presence of their Majesties, who have been accused, we think justly, of partiality to these foreigners, in overlooking Mr Stanley's past services and great personal merits. Justice, however, requires us to observe, that both in point of vocal and instrumental performers, the former have displayed a striking superiority over the latter. The singers at Messrs Bach and Abel's are, Parry, Corse, Mrs Weichsel, Miss Brown and Sga Corri. At Drury Lane, Norris, Reinhold, Mrs Mattocks, Mrs Barthelemon, and a young Lady from the Founding Hospital."

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Performances

Mainpiece Title: Acis And Galatea With Drydens ode

Music: Concerto on Organ-Stanley

Performances

Mainpiece Title: Samson Alexanders Feast And The Coronation Anthems

Music: I: Concerto on Organ-Stanley

Event Comment: By Command of Their Majesties. [For Fanny Burney's pen and ink sketch of the royal box and her written description o it, as it appeared on this evening, see List of illustrations these volumes. Receipts: #261 14s. 6d. (260.14.0; 1.0.6)

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-Lee Lewes; Sir W. Belmont-L'Estrange; Young Belmont-Whitefield; Mr Blanford-Fearon; Robert-Booth; Brush-Wewitzer; Beverly-Lewis; Lady Restless-Mrs Mattocks; Clarissa-Miss Dayes; Tippet-Mrs Whitefield; Marmalet-Mrs Willems; Tattle-Mrs Pitt; Belinda-Mrs Bulkley (1st appearance in that character).
Cast
Role: Mr Blanford Actor: Fearon

Afterpiece Title: Cross Purposes

Dance: As17761015

Performances

Mainpiece Title: Hamlet

Cast
Role: Queen Actor: Mrs Hopkins

Afterpiece Title: Harlequins Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Corporal Bounce-Bransby; Abram-Waldron; Forge-Griffiths; Bogg-Messink; Taffy-Burton; Crib-Everard; Jailor-Carpenter; Turnkey-R. Palmer; Justices-Wrighten, Follett, Norris, Nash, Marr; Falstaff-Gaudry; Slender-Baker; Old Woman-Mr Dodd; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope; Vocal Parts-Fawcett, Legg, Kear, Brown, Chaplin, Mrs Scott, Miss Collett, Miss Abrams, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.
Cast
Role: Forge Actor: Griffiths

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Author

Dance: End: The Merry Lasses, as17770611

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Henderson (1st appearance in that character [in London]); Don Juan-R. Palmer; Alonzo-Egan; Sanchio-T. Davis; Duke-Fearon; Cacafogo-Massey; Servants-Kenny, Stevens; Copper Captain-Palmer; Old Woman-Mr Parsons; Old Woman's Maid-Mr Besford; Margarita-Mrs Hunter; Altea-Mrs Poussin; Clara-Miss Platt; Ladies-Miss Hale, Mrs W. Palmer, Miss Morris; Estifania-Miss Barsanti.
Cast
Role: Old Woman's Maid Actor: Mr Besford

Afterpiece Title: The Waterman

Dance: As17770707

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Mayor of Garratt

Dance: End: The Venetian Regatta, as17770611

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Harlequins Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Snip-Parsons; Simon-Moody; Gasconade-Baddeley; Corporal Bounce-Carpenter; Abram-Waldron; Justice-Wrighten; Forge-Griffiths; Bogg-Barrett; Taffy-Burton; Old Woman-Mr Davies [i.e. doubled Mercury]; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope.
Cast
Role: Forge Actor: Griffiths

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Minor

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton

Dance: In: As17770929; In afterpiece: Langrish, Miss Besford [who danced in all subsequent performances]

Song: End IV: Solemn Dirge, as17770929, but _Reinhold, Battishill

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Performances

Mainpiece Title: The London Merchant Or George Barnwell

Afterpiece Title: The Old Maid

Dance: As17780601

Song: As17780608

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Cross Purposes

Song: As17780529

Entertainment: Monologue.End: Bucks have at ye All-Middleton (1st appearance on any stage)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Tony Lumpkin in Town or The Dilettante

Performance Comment: Principal Characters by Parsons, Blissett, Massey, R. Palmer, Lamash, Egan, Davis, Kenny, Bannister, Miss Hale, Mrs Hitchcock. [Cast from text (T. Cadell, 1780): Tony Lumpkin-Parsons; Pulville-Blissett; Diggory-Massey; Doctor Minim-R. Palmer; Mr Jonquil-Lamash; Frank-Egan; Painter-Davis; Shoemaker-Kenny; Tim Tickle-Bannister; Taylor-Peirce; Footman-Painter; Lavender-Miss Hale; Mrs Jonquil-Mrs Hitchcock; Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 28 Aug.]This was spoken, as here assigned, at all subsequent performances, except on 28 Aug.]

Dance: As17780623

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Gipsies

Dance: As17780615

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Woud and She Woud Not

Afterpiece Title: The Wives Revenged

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: All in the Wrong

Performance Comment: Sir John Restless-Lee Lewes; Sir William Belmont-L'Estrange; Young Belmont-Whitfield; Mr Blandford-Fearon; Robert-Booth; Brush-Wewitzer; Beverly-Lewis; Lady Restless-Mrs Mattocks; Clarissa-Mrs Morton; Tippet-Mrs Whitfield; Marmalet-Mrs Willems; Tattle-Mrs Pitt; Belinda (1st time)-Miss Farren.
Cast
Role: Mr Blandford Actor: Fearon

Afterpiece Title: The Old Maid

Dance: As17780925

Performances

Mainpiece Title: The Macaroni Adventurer Or Womans A Riddle

Afterpiece Title: Fashionable Love or The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Performance Comment: End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified]).who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified]).

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Tony Lumpkin in Town or The Dilettante

Dance: As17790610

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Harlequins Invasion

Cast
Role: Forge Actor: Burton

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Clown Actor: Vernon

Afterpiece Title: The Mayor of Garratt

Dance: End: The Sportsman Deceiv'd, as17791220

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Genius Of Nonsense

Performances

Mainpiece Title: The Double Gallant Or The Sick Lady Cured

Afterpiece Title: Tom Thumb

Dance: As17801006