SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15912 matches on Event Comments, 2621 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: James Brydges, Diary: I went to him [Brydges' father] setting my Uncle Lake down at ye playhouse (Huntington MS St 26)

Performances

Event Comment: James Brydges, Diary: About 6: I went to ye Playhouse, and let my Lady Lucy Bright & my Wife out & came with them home (Huntington MS St 26)

Performances

Event Comment: James Brydges, Diary: I went to ye Playhouse, where I met my Brother Frank, Sr. Richard Sanford, & Ld Huntinton, I staid about an act (Huntington Library MS St 26)

Performances

Event Comment: According to the Flying Post, 18-20 Oct. 1698: On Tuesday October 18, 1698, the Penny Lottery began at the Theatre Royal in Dorset Garden with the first draw. [On 28 Sept. 1698 James Brydges, Diary reported that he had gone into dg to see the "engine" for the lottery.] The Post Boy, 18-20 Oct. 1698: There is now Acting at the Theatre Royal in Dorset Garden a Tragy-Comedy called The Wheel of Fortune, or The Fools Expectation. And 'tis thought the Author will have a good Sixth Day. According to the Post Boy, 20-22 Oct. 1698: On Monday next will be publish'd, a Comical and Satirical Prologue and Epilogue, intended to be spoken at the Acting of the new Invented Farce, call'd, the Wheel of Fortune, or the Fools Expectation. [The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 305-10.] It seems probable that the lottery was dignified, for satiric purposes, by being given the title of a play, with a satirical Prologue and Epilogue. Post Man, 20-22 Oct. 1698: The Entertainment performed at the Theatre Royal in Dorset Garden, at drawing the Lottery, called the Wheel of Fortune; being the Speeches addrest to the Spectators, as Prologues and Epilogues. During a Symphony of Musick the Curtain rises slowly, and discovers two wheels upon the Stage; then two Figures, representing Fortunev and Astraea the Goddess of Justicev, descend over each Wheel, in two rich Chariots gilt with Gold

Performances

Mainpiece Title: Entertainments

Event Comment: James Brydges, Diary: About 5 my Coz: Roberts & I went to ye Playhouse in Covent Garden, but not liking ye play, wee went to that in Lincolns inn fields, & staid till 'twas done. I saw Ld Normanby, Ld Willouby, Sir Rich. Samford &c. here (Huntington MS St 26)

Performances

Event Comment: James Brydges, Diary: About 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26)

Performances

Event Comment: James Brydges, Diary: I went & din'd at ye fountain, after wch I went to ye Playhouse in Lincolns Inn fields, & saw my Cozen Hussys & Coz. Roberts there. I staid an act (Huntington MS St 26)

Performances

Event Comment: James Bridges, Diary: ye Exeter Music Meeting (Huntington MS St 26)

Performances

Mainpiece Title: Concert

Event Comment: James Brydges, Diary: at ye Musick Meeting (Huntington MS St 26)

Performances

Mainpiece Title: Concert

Event Comment: James Brydges, Diary: [At] Exeter change Musick meeting (Huntington MS St 26)

Performances

Mainpiece Title: Concert

Event Comment: James Brydges, Diary: With Sr G. Coply to ye Play (Huntington MS St 26)

Performances

Event Comment: By His Royal Highness's Command. [For the Princess' attendance at this play, see Diary of Mary Countess Cowper, pp. 46-47.

Performances

Mainpiece Title: The Amorous Widow

Dance:

Event Comment: Ryder, Diary, pp. 359-60: Went to see the tragedy of Tamerlane which was acted with a new prologue in honour of King William and in memory of what he did for us. The play itself is good....Mills who acted the part of Bajazet did it mighty well and expressed that furiousness and rage and malice and ambition admirably well in his gesture at the end, but, which is his distinguishing character, very well kept up throughout. I observed in the general that the manner of speaking in our theatres in tragedy is not natural. There is something that would be very shocking and disagreeable and very unnatural in real life. Persons would call it theatrical, meaning by that something stiff and affected

Performances

Mainpiece Title: Tamerlane

Event Comment: At the Particular Desire of several Ladies of Quality. See also The Diary of Dudley Ryder, p. 364

Performances

Mainpiece Title: Tamerlane

Event Comment: Gibson, ed., Blundell's Diary, p. 143: This being Bartholemew Fair I went to Smithfield and saw a Fars acted which was called Argulus and Parthenia and a Poppy Play called Earl of Essex

Performances

Mainpiece Title: Argulus And Parthenia

Afterpiece Title: The Earl of Essex

Event Comment: Afterpiece: [By Henry Fielding.] For a comment on the performance, see Egmont, Diary, I, 97

Performances

Mainpiece Title: The Authors Farce

Afterpiece Title: Tom Thumb

Event Comment: For details, see Egmont, Diary, I, 107-8. Place of performance not known

Performances

Mainpiece Title: Concert

Event Comment: EEgmont, Diary, I, 207: Then went to the practice of the revived opera Tamerlan, where I saw the Duke of Lorain sing a part

Performances

Mainpiece Title: Tamerlane

Event Comment: DDaily Journal, 14 Jan.: We hear...that...The Modish Couple, which met with great Opposition the two first Nights, but was acted the third with Success, before one of the finest Assemblies of Persons of Quality that has been seen, was last Night again so interrupted, that the Players could not perform but were forced to dismiss the Audience.' The violent Treatment which this Piece has met with, is supposedles those People who made it their Business to raise Disturbances at every new Performance that comes on the Stage. [For another account, see Egmont, Diary, I, 216.

Performances

Mainpiece Title: The Modish Couple

Event Comment: See Egmont, Diary, I, 222

Performances

Mainpiece Title: Sosarmes

Event Comment: [T$Their Majesties, Prince, and Princesses present. See Egmont, Diary, I, 224.

Performances

Mainpiece Title: Sosarmes

Event Comment: A private performance. For details, see Deutsch, Handel, pp. 285-86, Dean, Handel's Dramatic Oratorios, pp. 203-204, and Egmont, Diary, I, 225

Performances

Mainpiece Title: Esther

Event Comment: See Egmont, Diary, I, 257. Daily Advertiser, 18 April: Last Night there was a Rehearsal of...Flavius...at which were present a great Number of the Nobility

Performances

Mainpiece Title: Flavius

Event Comment: EEgmont, Diary, I, 271: The Royal Family was there, and the house crowded

Performances

Mainpiece Title: Esther

Event Comment: [Q$Queen, Prince and three eldest Princesses present. See also Egmont, Diary, I, 281.

Performances

Mainpiece Title: Acis And Galatea