SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15912 matches on Event Comments, 2621 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes Or The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby (for that night only)-Thornton (of the Theatre-Royal Windsor; 1st appearance in London); Canton-Everard (late of the Theatre-Royal Drury-Lane); Miss Sterling-A Young Lady (1st appearance on any stage [unidentified]); Mrs Heidelberg-Mrs Gardner (1st appearance since her return from the West Indies).

Afterpiece Title: The Author

Event Comment: [Extra night] Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. The Theatrical Fund was established in 1765, under the auspices of the late Mr Beard and Mrs Rich; and received the sanction of Parliament in 1776. There are now, and have been for more than 20 years, several Annuitants supported by it, chiefly families and widows. Yet notwithstanding it has been so long set on foot, the interest arising from the Funded Capital has never been equal to defraying one half of the annual disbursements. The deficiencies have been continually supplied by progressive weekly contributions from the performers. When this is considered, it is respectfully presumed the generosity of a British Public will be exerted this night in favour of so liberal and beneficial an institution. Thomas Hull, Treasurer. Tickets to be had of Hull, Treasurer to the Institution, No. 7, Duke's-Court, near Dean's Yard, Westminster. Receipts: none listed

Performances

Mainpiece Title: The Way To Get Married

Performance Comment: Principal Characters-Lewis, Quick, Pope, Munden, Fawcett, Haymes, Davenport, Farley, Williamson, Rees, Ledger, Follett, Hawtin, Findlay, Mrs Mattocks, Mrs Davenport, Miss Leserve, Mrs Townsend (1st time); [For cast see17960123] Epilogue-Mrs Mattocks.

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Yates, and her Infant Children. [Mr and Mrs Litchfield, with Mrs Litchfield as Little Pickle, are identified in Morning Chronicle, 10 Feb. Address by Thomas Roberts (European Magazine. Feb. 1797, p. 121).] Tickets to be had of Mrs Yates, No. 26, Great Pultney-street, Golden-square; and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: King Edward (for that night only)-A Gentleman [Litchfield]; Earl of Warwick-Faulkner (who performed Orestes at Drury-Lane Theatre [on 21 Dec. 1796]); Lady Eliz. Gray (for that night only)-A Lady [Mrs Litchfield]; Margaret of Anjou-Mrs Yates.

Afterpiece Title: The Spoild Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Event Comment: Pepys, Diary, 6 June 1660: My letters tell me...that the two Dukes do haunt the Park much, and that they were at a play, Madam Epicene, the other day

Performances

Mainpiece Title: Madam Epicene

Event Comment: Pepys, Diary: So that I could not do as I had intended, that is to...go the the Red Bull Playhouse, but I took coach and went to see whether it was done so or no, and I found it done

Performances

Event Comment: Pepys, Diary: Captain Fererrs, my Lord's Cornet, comes to us, who after dinner took me and Creed to the Cockpitt play, the first that I have had time to see since my coming from sea, The Loyall Subject, where one Kinaston, a boy, acted the Duke's sister but made the loveliest lady that ever I saw in my life, only her voice not very good

Performances

Mainpiece Title: The Loyal Subject

Event Comment: Pepys, Diary: So we returned and landed at the Bear at the Bridge foot, where we saw Southwark Fair (I having not all seen Bartholomew Fair)

Performances

Mainpiece Title: Entertainments

Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: Pepys, Diary: in the afternoon, to ease my mind, I went to the cockpit all alone, and there saw a very fine play called The Tamer tamed, very well acted

Performances

Mainpiece Title: The Tamer Tamed

Event Comment: According to A Calendar of the Middle Temple Records, ed. Hopwood (p. 168) the charges came to #11 and the receipt was signed by Will Burgon. The Diary and Will of Elias Ashmole: This day was kept solemnly at the Middle Temple and after the auncient manner. The Lord Chancellor, Judges and Sergeants that were of the Society dined in the Hall, after dinner they had a play, viz. Witt without Money [ed. R. T. Gunter, 1927, p. 76]. Ashmole lists the performance for 1 Nov. 1660, but the records of the Middle Temple point to 2 Nov. 1660 as the proper date

Performances

Mainpiece Title: Wit Without Money

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Pepys, Diary: I to a play, The Scornfull Lady. [Because this play was offered at Vere Street on 21 Nov. 1660 and because Pepys had been attending that playhouse, it seems likely that this was also a production of the King's Company.

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: After dinner Sir Tho. Crew and my Lady to the Playhouse to see The Silent Woman

Performances

Mainpiece Title: The Silent Woman

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the new Theatre and there I saw The Merry Wives of Windsor acted, the humours of the country gentleman and the French doctor very well done, but the rest but very poorly, and Sir J. Falstaffe as bad as any

Performances

Mainpiece Title: The Merry Wives Of Windsor

Event Comment: The Diary and Will of Elias Ashmole, ed. Gunter, pp. 70-71: 13 Dec. 1660: The King going to a Play at the new Theatre this afternoon, had his coach (the leathers whereby the coach hung broke and so the coach fell from the wheels) overturned over against the new Exchange, but (blessed be God) had no hurt. Sir Francis Floyd passing by took him in his arms and carried him to his coach. The Earl of Latherdale and my Lord of Ossory being with the King in his coach

Performances

Event Comment: The King's Company. Pepys, Diary: I bought the play of Henry the Fourth, and so went to the new Theatre...and saw it acted; but my expectation being too great, it did not please me, as otherwise I believe it would; and my having a book, I believe did spoil it a little

Performances

Mainpiece Title: Henry The Fourth

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where was acted Beggar's Bush, it being very well done; and here the first time that ever I saw women come upon the stage

Performances

Mainpiece Title: The Beggars Bush

Event Comment: The King's Company. Pepys, Diary: Tom and I and my wife to the Theatre, and there saw The Silent Woman. The first time that ever I did see it, and it is an excellent play. Among other things here, Kinaston, the boy, had the good turn to appear in three shapes: first, as a poor woman in ordinary clothes, to please Morose; then in fine clothes, as a gallant, and in them was clearly the prettiest woman in the whole house, and lastly, as a man; and then likewise did appear the handsomest man in the house

Performances

Mainpiece Title: The Silent Woman

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where I saw The Lost Lady, which do not please me much

Performances

Mainpiece Title: The Lost Lady

Event Comment: The King's Company. Evelyn, Diary: After divers yeares, that I had [not] seene any Play, I went to see acted the Scornfull Lady at a new Theater in Lincolns-in fields

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where I saw again The Lost Lady, which do now please me better than before; and here I sitting behind hn a dark place, a lady spit backward upon me by a mistake, not seeing me, but after seeing her to be a very pretty lady, I was not troubled at it at all

Performances

Mainpiece Title: The Lost Lady

Event Comment: The Duke's Company. Pepys, Diary: To Blackfryars [presumably a slip for Whitefriars, Salisbury Court] (the first time I ever was there since plays begun), and there after great patience and little expectation, from so poor beginning, I saw three acts of The Mayd in ye Mill, acted to my great content. But it begin late, I left the play

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: See Pepys, Diary, 27 Jan. For several decades this day was regularly observed as a Fast Day, with no plays acted

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Pepys, Diary: To the Theatre, and there sat in the pit among the company of fine ladys, &c.; and the house was exceeding full, to see Argalus and Parthenia, the first time that it hath been acted: and indeed it is good, though wronged by my over great expectations, as all things else are

Performances

Mainpiece Title: Argalus And Parthenia

Event Comment: The King's Company. See Herbert (Dramatic Records, p. 117), where are listed The Loyall Subject, Mad Louer, The Wildgoose Chase following this play but preceding April 1661. Pepys, Diary: I went by coach to the play-house at the Theatre, our coach in King Street breaking, and so took another. Here we saw Argalus and Parthenia, which I lately saw, but though pleasant for the dancing and singing, I do not find good for any wit or design therein

Performances

Mainpiece Title: Argalus And Parthenia