Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Prologue by the author (Knapp, p. 134). Author of Epilogue unknown]: With new Dresses, Scenes, &c. Morning Chronicle, 18 Feb. 1795: This Day is published The Town before You (2s.). Genest VII, 205: In this play as printed in 1795 Fawcett's and Munden's names stand to the wrong characters. Receipts: #314 8s. (310.17; 3.11)

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Event Comment: 2nd piece [1st time; PREL 1, by George Colman, ynger. In 1796 the 1st scene was acted as Sylvester Daggerwood]. Morning Chronicle, 3 July 1795: This Day is published New Hay at the Old Market (1s.). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Event Comment: To the Author of the General Advertiser. Sir: Having read an advertisement of a performance call'd Concerto Spirituale, for the Benefit of Mr Geminiani, on Friday 6 April next, I could not avoid making a few remarks to the public on the occasion, which, if you will favour with a place in your Paper it may perhaps be of service to his undertaking, and will greatly oblige, Sir your humble Serv't, J. B. When Mr Geminiani came first over here, the great excellence of the Violin was unknown in this kingdom, and the great improvement our countrymen have made on that instrument is entirely owing to him. The valuable works he has produc'd in the instrumental way, are greater indications of his merit, as an author, than any I can offer in his behalf; this is the only Benefit he ever made, therefore I persuade myself that the Public (who are justly famous for their Generosity on such laudable occasions) will give him the encouragement his Merit deserves

Event Comment: MMr Foote advertis'd the Author, with Alterations for his farce, but Mr Apreece obtain'd an order from ye Ld Chamberlain to stop it. Benefit for Mr Foote (Cross). Foote advertised that he would deliver [an apology] that night at Drury Lane at his benefit there against any imputation against him on account of the Author being prohibited (Winston MS 8). Advertised Diversions of the Morning for positively the last time (playbill). Receipts: #220 (Cross); Charges #63 (Winston MS 8)

Event Comment: Nothing under Full Price will be taken. Benefit for the author of the Alterations [in mainpiece]. A Riot to demand admittance at 1!2 price after 3rd act, all times except at the run of New Pantomime, wch. not agreed to, the Mob broke Chandeliers, &c. No Play (Cross Diary). [Fuller account in Victor, History of the Theatres, III, 46 ff., he being the beneficiary that night. Elvira publish'd at 1s. 6d. (Winston MS 9). See account of riot in Gentlemen's Magazine (p. 31). See Comment 5 Feb.

Event Comment: By Permission. Benefit Barry. Tickets for the 10th instant will be taken. Being positively the last time of performing. Afterpiece: Taken from the Mistake. Neville MS Diary: Barry's expression of the savageness of the Moor, particularly with his eyes, is very great. Mrs Dancer does not suit herself in the character of Desdemona. We had two dances by Miss Froment with a foolish Farce in two acts

Event Comment: [Extra night] Benefit for Lee Lewes. [Mrs Saunders is identified in Diary, 19 Nov. 1790.] Receipts: none listed

Event Comment: Mainpiece: In II an Ovation, or, Entry of Coriolanus into Rome. In V A Procession of Roman Matrons to the Volscian Camp. A new Edition of Coriolanus to be had at the Theatre. [Afterpiece in place of The Pannel, advertised on playbill of 29 Mar. Diary, 2 Apr. states that this was Kemble's benefit, but it is not referred to as such on the playbill, in the Account-Book or in Kemble Mem.] Receipts: #377 13s. (333.13; 42.13; 1.7)

Event Comment: MMasque with a Prologue, for ye Benefit of Mrs Foster, Grand Daughter to Milton & his only surviving Descendant (Cross). [For Prologue, see Gentleman's Magazine April 1750.] Rec'd cash #76 6s., plus #71 4s. from tickets. Total #147 4s. 6d. Paid for 1!2 year New River Water #1; Paid 1!2 year's scavanger's tax to Lady Day #3 14s. 6d.; Norton 4 Chorus #1 (Treasurer's Book). Tickets deliver'd for the 4th will be taken. Receipts: #150 (Cross); charges, #63 (Treasurer's Book)

Event Comment: Receipts: Benefit for Jackson, Charges #84. Cash #49 16s. 6d. plus #113 19s. from tickets (Boxes 83; Pit 432; Gallery 284). Total Income #163 15s. 6d. Paid Rich on account #500; Paid Ledley for 16 doz. Wax Candles #24 16s

Event Comment: By Particular Desire of the Right Honorable and Honorable The Governors (Being the Last Time of performing till the Holidays). Not acted this season. For the Benefit of the General Lying-In Hospital, Quebec Street, Oxford Road. Charges #85 5s., Balance to Hospital #5 6d. Hospital also receiv'd #156 10s. from tickets (Box 544, Pit 116, Gallery 31). Paid for 1 year's watch for theatre due at Xmas #12 10s. and for the House in Bow Passage 12s. 6d. Paid Dunstall the balance due for the theatrical Fund #136 17s. (Account Book). Receipts: #90 5s. 6d. (Account Book)

Event Comment: Rec'd from Thomas and Arnold for use of the Organ this season #21, and for coals burnt at the Oratorios #2 2s. Rec'd #54 14s. 8d. in payment of deficiencies for last season's benefit performances from Dumay, Curtat, Merryfield and Wignell. Paid Garton (treasurer) 11 Oratorio nights for renters #110. Paid Phillips in full for his performance this season #21 (Account Book). Receipts: #117 5s. (Account Book)

Event Comment: [Extra night] Benefit for Palmer. The Proprietors having liberally granted to Palmer (for One Night) the Use of the Theatre, and his Brethren having kindly consented to perform for him, the Public is most respectfully informed that this Evening will be presented...[as above]. Receipts: #131 11s. 6d. (104.15.0; 25.16.0; 1.0.6; tickets: none listed) (charge: #45 15s. 2d. [Account-Book: House charge given him]). Account-Book, July-Sept.: Paid Renters #20 14s. apiece; 5 Sept.: Paid Duke of Bedford One Yrs. Rent #343 5s. 1d

Event Comment: London Gazette, No 3457, 26-29 Dec. 1698: On Wednesday next, will be performed at York Buildings Mr Daniel Purcell's Musick made for last St Cecilia's Feast, for the Benefit of Mr Howel and Mr Shore, with an Addition of new Vocal and Instrumental Musick. [London Gazette, 29 Dec. 1698-2 Jan. 1698@9, adds: beginning at 7 at night.] See also 22 Nov. 1698