SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15912 matches on Event Comments, 2621 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Henderson (1st appearance in that character [in London]); Don Pedro-Packer; Claudio-Brereton; Balthazar (with a song)-Vernon; Don John-Aickin; Antonio-Hurst; Borachio-Farren; Fryar-Wright; Messenger-Lamash; Dogberry-Parsons; Town@Clerk-Baddeley; Conrade-Griffiths; Sexton-Wrighten; Verges-Carpenter; Watchmen-Burton, Holcroft; Leonato-Bensley (1st appearance in that character); Hero-Miss Hopkins; Margaret-Mrs Bradshaw; Ursula-Mrs Colles; Beatrice-Miss Pope.
Cast
Role: Balthazar Actor: Vernon
Role: Hero Actor: Miss Hopkins

Afterpiece Title: Selima and Azor

Cast
Role: Azor Actor: Vernon

Dance: II: a Masquerade, Dance, proper to the play-; To conclude with: [a Country Dance-. [These were included in all subsequent performances.

Performance Comment: [These were included in all subsequent performances.]

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Old Shepherd-Dodd; Sir Macaroni Virtu-Lamash; Patent-Packer; Sir Toby Fuz-Hurst; Wilson-R. Palmer; Mirvan-Norris; Carpenter-Carpenter [sic]; Prompter-Wright; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz-Mrs Davies; Lady Fuz-Mrs Hopkins; other parts-Philimore, Nash, Fawcett, Chaplin, Holcroft, Kenny, Mrs Love, Mrs Bradshaw.
Cast
Role: Orpheus Actor: Vernon
Role: Lady Fuz Actor: Mrs Hopkins
Event Comment: Mainpiece: Altered by Garrick from Shakespeare; not acted these 10 years [not acted since 26 Apr. 1765]. With new Dresses and Decorations. Afterpiece: With a Sea Fight and Procession. [These were included in all subsequent performances.] Receipts: #188 8s. (151.2.0; 33.6.6; 3.19.6)

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Leontes-Smith; Polixenes-Bensley; Florizel-Brereton; Camillo-Aickin; Old Shepherd-Packer; Autolicus-Vernon; Cleomines-Hurst; Gentleman-Williams; Clown-Yates; Perdita-Mrs Robinson; Paulina-Mrs Hopkins; Hermione-Mrs Hartley.
Cast
Role: Autolicus Actor: Vernon
Role: Paulina Actor: Mrs Hopkins

Afterpiece Title: The Critic

Dance: II: New Dance-Sg and Sga Zuchelli, the Miss Stageldoirs, Henry, Sga Crespi

Song: II: Sheep shearing song-Miss Abrams. [This was sung, as here assinged, in all subsequent performances.

Performance Comment: [This was sung, as here assinged, in all subsequent performances.]

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon (1st appearance in that character these 6 years); Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Gaudry; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Miss Collett; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Kirby; Diana Trapes-Mrs Love; Polly-Mrs Cargill (late Miss Brown; 1st appearance this season). 1st appearance this season).
Cast
Role: Macheath Actor: Vernon
Role: Mrs Peachum Actor: Mrs Hopkins

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Dodd; Wilding-Farren; Beaufort-Philimore; Sir Jasper-Wright; Dapper-Holcroft; Quildrive-Williams; Old Philpot-Baddeley; Corinna-Miss Kirby; Maria-Miss Farren.
Cast
Role: Beaufort Actor: Philimore

Dance: End II: The Butterfly-the Miss Stageldoirs; III: a Hornpipe-Walker; End: Country Dance-the Characters

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Leontes-Smith; Polixenes-Bensley; Florizel-Brereton; Camillo-Aickin; Old Shepherd-Packer; Autolicus-Vernon; Clown-Yates; Perdita-Mrs Brereton (1st appearance in that character); Paulina-Mrs Hopkins; Hermione-Miss Farren. [Edition of 1785 (Bathurst) adds: Cleomenes-$Chaplin; Gentleman-$Phillimore; Dorcas-$Miss Simson; Mopsa-$Miss Kirby.]
Cast
Role: Autolicus Actor: Vernon
Role: Paulina Actor: Mrs Hopkins

Afterpiece Title: The Critic

Cast
Role: Mrs Dangle Actor: Mrs Hopkins

Dance: II: Dance-Henry, Miss Armstrong, the Miss Stageldoirs

Song: II: Sheep@shearing song-Miss Wright. [This was sung, as here assigned, in both subsequent performances.

Performance Comment: [This was sung, as here assigned, in both subsequent performances.]

Performances

Mainpiece Title: A School For Fathers

Performance Comment: Lionel-Vernon; Colonel Oldboy-Parsons; Sir John Flowerdale-Aickin; Jenkins-Bannister; Harman-Williams; Jessamy-Dodd; Diana-Miss Collett; Lady Mary Oldboy-Mrs Hopkins; Jenny-Mrs Wrighten; Clarissa-Miss Phillips .
Cast
Role: Lionel Actor: Vernon
Role: Lady Mary Oldboy Actor: Mrs Hopkins

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Bensley; Prince of Wales-Wroughton; Duke of Lancester-Bland; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl Douglas-Caulfield; Sir Richard Vernon-assigned to Barrymore, but see below; Earl of Westmoreland-Fawcett; Sir Walter Blunt-Whitfield; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Cooke; Peto-Benson; Bardolph-Alfred; Francis-Bannister Jun.; Carriers-Moody, Burton; Sheriff-Maddocks; Traveller-Lyons; Messenger-Banks; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Hopkins.

Afterpiece Title: The Devil to Pay

Event Comment: As the Entertainment call'd Taste, was not quite so well receiv'd as was expected, and as it was solely intended for the Benefit of Mr Worsdale, the Author has suspended its representation till Worsdale's Benefit night; by that time some alterations will be made, which, it is hop'd, will render the piece more palatable to the publick (General Advertiser). [The Inspector No. 271 , commented on Foote's Taste of the previous Saturday: A party against it, but the piece was "heard with attention, and, in consequence with Applause. There is, indisputably more genuine Wit in it than in any piece of the kind ever produc'd among us; the characters are natural, tho many of them uncommon ones; their stile and sentiments are adapted to them with perfect propriety, and the incidents are not forced or crowded together upon the audience." A full discussion of each part follows. (Daily Advertiser and Literary Gazette.] Receipts: #140 (Cross)

Performances

Mainpiece Title: Oroonoko

Cast
Role: Blandford Actor: Palmer

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Performance Comment: Characters by Barrymore, King, Packer, C. Kemble, Trueman, Evans, Miss Tidswell, Mrs Jordan, Mrs Hopkins, Miss Hopkins, Miss Heard. [Cast from text (G. G. J. and J. Robinson, 1794): Lord Rakeland-Barrymore; Sir Adam Contest-King; Mr Millden-Packer; Mr Contest-C. Kemble; Servant [not in text]-Trueman [see17941108]; Lady Autumn-Miss Tidswell; Lady Contest-Mrs Jordan; Mrs Hamford-Mrs Hopkins; Hannah-Miss Heard; unassigned-Evans; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]
Cast
Role: Mrs Hamford Actor: Mrs Hopkins

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: Receipts: #163 18s. 6d. Probable attendance: boxes, 230 paid and 3 orders; stage, 28 paid; balcony, 4 paid; pit, 273 paid and 3 orders; slips, 57 paid; first gallery, 420 paid and 4 orders; second gallery, 195 paid. Daily Journal, 28 Feb.: Whereas Mrs Barbier has advertized that the Beggar's Opera is to be performed, for her Benefit, on the 16th of March next; This is to inform the Publick, That such Advertisement was published without Consent of Mr Rich, and that the same will not be allow'd of

Performances

Mainpiece Title: The Beggars Opera

Performances

Mainpiece Title: The Provokd Husband

Cast
Role: Lady Wronghead Actor: Mrs Hopkins

Afterpiece Title: The Milesian

Performance Comment: Principal Characters by Vernon, Dodd, Bannister, Aickin, Burton, R. Palmer, Everard, Moody, Miss Collett, Mrs Davies, Mrs Booth, Mrs Baddeley. [Cast from text (J. Wilkie, 1777), and London Chronicle, 21 Mar.: Belfield-Vernon; Charles Marlove-Dodd [in text: Lamash (see17770403)]; George Belfield-Bannister; Mr Belfield-Aickin; La Flure-Burton; Richard-R. Palmer; Waiter-Everard; Capt. Cornelius O'Gollagher-Moody; Melinda-Miss Collett; Patty-Mrs Davies [in text: Miss Platt (see17770403)]; Mrs Belfield-Mrs Booth; Caroline O'Gollagher-Mrs Baddeley.
Cast
Role: Belfield Actor: Vernon
Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Principal Vocal Parts-Vernon, Meredith, Mrs Wrighten, Mrs Weichsel; 1st Violin-Baumgarten.

Afterpiece Title: Sacred Canons

Performance Comment: A Select Collection, by the most eminent ancient and modern composers; Principal Vocal Parts-Vernon, Meredith, Mrs Wrighten, Mr Weichsel; to conclude with Non Nobis Domine-.

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Principal Characters by Vernon, Dodd, Parsons, Bannister, Aickin, Baddeley, Du-Bellamy, Suett, R. Palmer, Williams, Holcroft, Chaplin, Griffiths, Phillimore, Nash, Helme, Palmer, Miss Prudom, Mrs Wrighten, Miss Farren. Cast from text (T. Evans, 1781): Trumore-Vernon; Le Nippe-Dodd; Sir John Contrast-Parsons; Rashly-Bannister; Rental-Aickin; Captain Trepan-Baddeley; Huntsman-Du-Bellamy; Serjeant Crimp-R. Palmer; Corporal Snap-Williams; Contrast-Palmer; Moll Flagon-Mr Suett; Annette-Miss Prudom; Peggy-Mrs Wrighten; Sophia-Miss Farren; unassigned-Holcroft, Chaplin, Griffiths, Phillimore, Nash, Helme.
Cast
Role: Trumore Actor: Vernon

Afterpiece Title: The Elopement

Event Comment: Mainpiece: A New Comedy [by Richard Cumberland] never performed. [Genest, V, 282, reports that Garrick was in the House this night and was agreeably surprised at the complimentary reference to him in the Epilogue: Who but has seen the celebrated strife Where Reynolds calls the Canvass into life: And, 'twixt the Tragic, and the Comic Muse, Courted of both, and dubious where to chuse, Th'immortal Actor stands?' A long retelling of the plot appeared in the Freeholder's Magazine for Dec., concluding: This comedy was received with great applause by the Audience. It is said to be written by Mr Cumberland, who has already oblig'd the Public with a musical piece, called the Summer's Tale. The Performers, particularly Mr Smith, Mr Woodward, Mr Yates, Mrs Green, Mrs Bulkley, and Mrs Yates, did great justice to their characters. The Prologue was spoken by Mr Smith, and the Epilogue, which alluded to the celebrated picture of Sir Joshua Reynolds, where Comedy and Tragedy are contending for Mr Garrick, by Mrs Yates." Receipts: #215 18s

Performances

Mainpiece Title: The Brothers

Performance Comment: Parts by Woodward, Smith, Yates, Clarke, Dyer, Bensley, Hull, Dunstall, Perry, Quick, Fox, Wignell, Bates, Holtom, Mrs Bulkley, Mrs Mattocks, Mrs Green, Miss Ward, Miss Valois, Mrs Yates. With Prologue and Epilogue. Captain Ironsides-Woodward; Belfield Jun-Smith; Sir Benjamin Dove-Yates; Belfield Sen-Clarke; Paterson-Dyer; Philip-Bensley; Old Goodwin-Hull; Jonathan-Dunstall; Francis-Perry; Skiff-Quick; Lady Dove-Mrs Green; Violetta-Mrs Bulkley; Lucy Waters-Mrs Mattocks; Fanny Goodwin-Miss Ward; Kitty-Miss Valois; Sophia-Mrs Yates (playbill matched with Edition of 1770); Playbill also lists Fox, Wignell, Bates, Holtom (presumably as sailors.); With Prologue-Smith; Epilogue-Mrs Yates (playbill and 1770 Edn.). See Bill for 25 Jan. 1770.
Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford

Afterpiece Title: The Contrivances

Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Event Comment: Receipts: #146 2s. Paid Meares #5 16s. 6d.; Monck #1 10s.; Hargreaves (smith) #13 6s. 11d.; Kemp, six nights for lamps, #9 12s. At the Bedford tonight & slept [slipt?] in at Covent Garden Mr Bettenson was at the Bedford, we were talking about the Count, a poor man that comes there slept in after the play at Drury Lane Gallery (Hailey, "Brietzcke Diary," Vol. 197, p. 69)
Event Comment: Receipts: #132 0s. 6d. Paid Kemp #9 12s.; Meares #1 10s.; Mr Day (turner) #12 1s.; Pattinson (tallow chandler) three bills to 11 Feb., #54 8s. 8d. Was at Covent Garden Gallery with Sir Harriott to see the Jovial Crew and Duke and No Duke. I met Legyt, Piggot, Bettenson there & got home by 10 (Hailey, Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: A Duke and no Duke

Dance: Dances incident to the Opera. Likewise, a Comic Dance-Poitier Jr, Mlle Capdeville [probably The Plowman]

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: Parts by: Mattocks, Shuter, Bensley' Mahoon, Yates, Dunstall, Gardner, Davis, Cushing, Mrs Mattocks, and Mrs Pinto, Merchants, Boors, Beggars by the rest of the company. Harrol-Mattocks; Clause-Bensley; Wolfort-Gardner; Hubert-Mahoon; Hempskirke-Davis; Vandunk-Shuter; Prig, Frighted Boor-Yates; Higgen-Dunstall; Ferret-Quick; Gertrude-Mrs Mattocks; Jaquelin-Mrs Pinto (Genest, V, 188).
Cast
Role: Wolfort Actor: Gardner

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

Event Comment: Mainpiece: Not acted these 4 years [acted 28 Dec. 1787. Toms is identified in Morning Herald, 22 Sept. 1795: A Mr Toms made a probationary essay last night in the character of Romeo. The bills erroneously announced it as his first appearance on this stage [cg]; for his unsuccessful attempt in Young Norval [i.e. Douglas], about five years ago, on the same boards, is perfectly within our recollection. London Chronicle, 22 Sept. 1795, also refers to Toms as Douglas. European Magazine, Oct. 1790, p. 305, gives the name as Turner, but in Oct. 1795, p. 273, states that Toms performed on one night only "a few years since."]. Afterpiece [1st time; BALL. P 2 (?), by James Byrne, based partly on his Nootka Sound, and in May 1793 agin altered as The Shipwreck; or, French Ingratitude. Not in Larpent MS; not published; synopsis of action in Diary, 5 Oct.]: A Ballet Pantomime, with new Scenes, Dresses, and Decorations. The Overture and Music compiled by Byrne, from Haydn, Rochefort, Pleyel, Gyrowetz, Reeve, Pieltain, Dibdin. The new Music by Shield. On account of some Scenes which are introduced from the Entertainment of Nootka Sound (performed last Season [on 4 June 1790]) Half Price will be taken. [This alludes to the custom of not llowing half-price during the run of entirely new pantomimes.] Paid Brodie, for Stoves for the Theatre, #19 8s. Receipts: #207 8s. 6d. (201.16.0; 5.12.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

Performance Comment: Principal Characters-Byrne, Boyce, Cubitt, Farley, Follett, Cranfield, Cross, Milburne, Thompson, Rock, Rayner, Evatt, Ledger, Lee, Letteney, Ratchford, Blurton, Platt, King, Jackson, Mrs Goodwin, Mrs Ratchford, Miss Rowson, Mrs Lloyd, Miss Francis.
Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Powell. Part of Pit laid into boxes. Send servants by 3 o'clock. House charges #74 10s. [Profit to Powell #207 5s.] Paid Johnston, under prompter #7; Five extra trumpets #1 5s.; 2 Flutes 10s.; Chorus singers #2 5s. 6d. (Treasurer's Book). Receipts: #281 15s. (Treasurer's Book). Half past 4 walked to Drury Lane House. With every great difficulty got into the 2s. Gallery before; saw the Death of Alexander with his Triumphal Entrance into Babylonv and the Dance of the Vintage, for the benefit of Powell who played Alexander. Some reported that Garrick says he makes mistakes in the character exceedingly in the banquet scene, in which no one ever surpassed him. I cannot judge of the truth of this observation (Neville MS Diary)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Powell; Clytus (for that night only)-Holland; Lysimachus-1st time, Bensley; Cassander-Havard; Statira-Mrs Palmer; Roxana (for that night only)-Mrs Yates; Perdiccas-Ackman; Aristander-Burton;Slave-Strange; Sysigambis-Mrs Bennet; Polyperchon-Bransby; Thessalus-Aickin; Eumenes-Keen; Hephestion-Packer; Parisatis-Miss Plym; Triumphal Entry-.

Afterpiece Title: The Deuce Is in Him

Cast
Role: Bell Actor: Mrs Hopkins.
Role: Belford Actor: Packer

Dance: End: The Vintage, as17661011

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Drummond-Bensley; Justice-Parsons; Jarvis-Palmer; Mr Morley-Aickin; Sir Charles Seymour-Brereton; Mr Hargrave-Moody (1st appearance in that character); Lady Dinah-Mrs Hopkins; Emily-Mrs Robinson (1st appearance in that character); Susan-Mrs Davies; Harriet-Miss P. Hopkins; Bella-Miss Younge.
Cast
Role: Lady Dinah Actor: Mrs Hopkins
Role: Harriet Actor: Miss P. Hopkins

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Variety

Performance Comment: Principal Characters by King, Palmer, Parsons, Brereton, Baddcley, Bannister Jun., R. Palmer, Burton, Smith; Miss Farren, Miss Pope, Mrs Brereton, Mrs Hopkins, Mrs Abington. [Cast from text (T. Becket, 1782), and European Magazine, Feb. 1782, p. 143: Commodore Broadside-King; Captain Seafort-Palmer; Sir Timothy Valerian-Parsons; Lord Frankly-Brereton; Major Seafort-Baddeley; Mr Steady-Bannister Jun.; Sir Frederick Fallal-R. Palmer; Davy-Burton; Mr Morley-Smith; Miss Harriet Temple-Miss Farren; Lady Fallal-Miss Pope; Lady Frankly-Mrs Brereton; Mrs Bustle-Mrs Hopkins; Lady Courtney-Mrs Abington.] Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Captain Seafort Actor: Palmer
Role: Major Seafort Actor: Baddeley
Role: Mrs Bustle Actor: Mrs Hopkins

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Fugitive

Performance Comment: Characters by Dodd, Bensley, King, Wroughton, Parsons, Palmer, Barrymore, Maddocks, Wewitzer, Phillimore, Benson, Banks, Mrs Hopkins, Miss Farren, Mrs Jordan, Mrs Kemble, Mrs Ward, Miss Pope. [Cast from text (J. Debrett, 1792): Lord Dartford-Dodd; Sir William Wingrove-Bensley; Admiral Cleveland-King; Mr Wingrove-Wroughton; Old Manly-Parsons; Young Manly-Palmer; Mr Welford-Barrymore; Jenkins-Maddocks; Larron-Wewitzer; O'Donnel-Phillimore; William-Benson; Servant-Banks; Mrs Manly-Mrs Hopkins; Miss Herbert-Miss Farren; Miss Julia Wingrove-Mrs Jordan; Miss Manly-Mrs Kemble; Mrs Rachel Cleveland-Mrs Ward; Mrs Larron-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances, except on 14 and 16 May.]These were spoken, as here assigned, at all subsequent performances, except on 14 and 16 May.]
Cast
Role: Lord Dartford Actor: Dodd
Role: Mr Welford Actor: Barrymore
Role: Mrs Manly Actor: Mrs Hopkins

Afterpiece Title: All the Worlds a Stage