SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14513 matches on Event Comments, 2620 matches on Performance Comments, 638 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: For twentieth night the New Masque in Three Parts call'd The Institution of the Garter, or Arthur's Round Table Restor'd, Paid six day's salary list at #83 10s. 7d. per diem #501 3s. 6d.; Paid Mrs Abington on Cloaths acct #2 2s.; Paid Mr Vernon per order on note #20; Rec'd Stopages #13 5s. (Treasurer's Book). Receipts: #142 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Institution of the Garter

Event Comment: Afterpiece: Published at 1s. Paid Mr Vernon on note #6 6s. (Treasurer's Book). Receipts: #156 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Cast
Role: Page Actor: Miss Hopkins

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023 (playbill)

Event Comment: MMr Vernon, in Garcia, tho not meddled with in the 1st Act was in the 5 hiss'd off, on account of the old affair of his Marriage--an Epilogue was spoke to ye farce by Mrs Clive--(Indiff) (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: As17551021, but Garcia-Vernon; Perez-Mozeen.

Afterpiece Title: The Apprentice

Event Comment: MMr Vernon play'd his Wife's part & was well receiv'd (Cross). [The Public Advertiser, however, carried her name in the play notice.] Receipts: #100 (Cross)

Performances

Mainpiece Title: Eliza

Performance Comment: As17570118, but Genius of England-Vernon.

Afterpiece Title: Lilliput

Event Comment: MMr Woodward continuing ill Vernon did his Part-(all right) (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17571020, but Stephano-Vernon; Alonzo-_; Gonzalo-_; Antonio-_; Sebastian-_; Stephano-_; Boatswain-_.

Afterpiece Title: Harlequin Ranger

Event Comment: Rich's Company. The date of the first performance is not precisely known, but the opera was in preparation on 15 June 1697. In addition, it was advertised in the Post Boy, 22-24 June 1697, that it would be published on 25 June 1697. As it was occasionally the custom of the theatres to have copies of operatic pieces available at the theatre for a performance, it is possible that the premiere occurred at the end of the week of 21-26 June 1697. Furthermore, a certain performance on 1 July 1697, a benefit for the "Undertaker" of it, probably the third performance, similarly suggests a premiere a few days earlier

Performances

Mainpiece Title: The World In The Moon

Performance Comment: Edition of 1697: Prologue-Girl; Frank Wildblood-Powel; Ned Stanmore-Mills; Palmerin Worthy-Williams; Sir Dottrel Fondlove-Johnson; Old Stanmore-Disney; Tom Dawkins-Pinkethman; Jacintha-Mrs Verbruggen; Widow Dawkins-Mrs Powel; Mrs Susan-Mrs Andrews; Prologue- Set to Musick by Mr Jeremy Clark. I:; Within this happy World above- set by Mr Jeremy Clark. II:; Joe Haynes meets 'em-; II: The Entertainment Composed by Mr Daniel Purcel Come all you Nymphs of Cynthia's Train-; II: A Dialogue In all our Cynthia's shining sphere-Mr Leveridge, Mrs Cross; III: The Musick set by Mr Daniel Purcel Look round and here behold-; A Dialogue Oh dear sweet sir you look so gay-Mrs Cross, Mrs Lucas; IV: A Song set by Mr Purcel Young Strephon met me t'other Day-Miss Anon; IV: The Ceremony of a Nuptial Entertainment perform'd. Bride-Mrs Cross; Bridegroom-Mr Leveridge; The Musick set by Mr D. Purcel, The Nymphs of the Plain-; V: Set by Mr D. Purcel, Come Strephon Phyllis come let's troth-; Epilogue-Miss Denny Chalk; Dress'd with a great Wig like a Beau. In The Single Songs in the New Opera call'd The World in the Moon (1697), in addition to some of the pieces listed above, are the following ones: A Song Sett by Mr Daniel Purcell: Then come kind Damon-Mrs Lindsey; A Song Sett by Mr J. Clark: Smile then with a beam divine-Mrs Cross; A Song Sett by Mr J. Clark: Divine Astrea hither flew to Cynthia's brighter Throne-; A Song Sett by Mr Daniel Purcell: Young Strephon hee has woo'd me long-; A New Song: Let those Youths who freedom prize-.
Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Event Comment: By Command of their Majesties. Tomorrow, King Henry IV, Part II, Friday being a Holiday, the New Opera of Almena is deferr'd till Saturday, when it will be perform'd for the Benefit of the Author and Composers

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Holland; Sir Bashful Constant-Yates; Sir Brilliant Fashion-Palmer; William-King; Widow Bellmour (with song in character)-Mrs Cibber; Lady Constant-Mrs Hopkins; Muslin-Mrs Clive; Mrs Lovemore-Mrs Yates; Mignionet-Mrs Bradshaw; Furnish-Mrs Hippisley.
Cast
Role: Lady Constant Actor: Mrs Hopkins

Afterpiece Title: Fortunatus

Dance: I: The Irish Lilt, as17641011; III: A New Scaramouch Dance, as17641013; IV: New Tambourine, as17640929

Event Comment: Mainpiece: By Particular Desire. Benefit for Powell. Part of Pit laid into Boxes. Send Servants at 3 O'clock to keep Places. Last night until after the Holidays

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Antony-Powell; Ventidius-Holland; Dolabella-Lee; Alexas-Dodd; Cleopatra-Mrs Yates; Octavia-Mrs Hopkins; Serapion-Bransby; Myris-Keen; Romans-Ackman, Strange; Antonio-Miss Rogers; Agrippina-Miss Ford; Charmion-Miss Plym; Iras-Mrs Hippisley; In Act III, a Dance incident to the Play,-Sg Giorgi, Sga Giorgi, Miss Baker.
Cast
Role: Octavia Actor: Mrs Hopkins
Role: Agrippina Actor: Miss Ford

Afterpiece Title: The Deuce Is in Him

Cast
Role: Major Belford Actor: Packer
Role: Bell Actor: Mrs Hopkins

Dance: End: The Irish Milk Maids, as17651209

Event Comment: Mainpiece: By Particular Desire. Benefit for Mrs Abington. Part of Pit laid into boxes. House Charges #64 4s. [Profit to Mrs Abington #166 2s. 6d.] [The Farce-2 acts all from the comedy 'What we must all Come to' by Arthur Murphy, The airs by Hook.] Paid Blake (hosier) bill #3 15s. 6d. (Treasurer's Book). Receipts: #230 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Holland; Sir Bashful Constant-Yates; Sir Brilliant Fashion-Palmer; William-Baddeley; Widow Bellmour (with song in character)-Mrs Abington; Lady Constant-Mrs Hopkins; Muslin-Mrs Clive; Sideboard-Ackman; Mignionet-Mrs Bradshaw; Mrs Lovemore-Mrs Yates.
Cast
Role: Lady Constant Actor: Mrs Hopkins

Afterpiece Title: Marriage a la Mode or Conjugal Douceurs

Dance: End: Hearts of Oak, as17670212

Event Comment: Last Time of Performing this Season. Benefit for Theatrical Fund. Pit and Boxes thrown together. Doors open half an hour before. Play begins promptly at half after 6.[This was Palmer's last appearance on the stage in Absent Man (Winston MS 10), but see 29 April. MacMillan notes that Palmer died 23 May.

Performances

Mainpiece Title: Hamlet

Performance Comment: As17680404 but Hamlet-Garrick; Queen-Mrs Hopkins.
Cast
Role: Queen Actor: Mrs Hopkins.

Dance: End: The Medley, as17680416

Event Comment: Mainpiece: By Particular Desire. Benefit for Author of Padlock--"who was author of Love in a Village and Maid of the Mill" (playbill) [i.e., Isaac Bickerstaffe]

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Lord Townly-Barry; Manly-Packer; Basset-Dodd; Sir Francis-Love; Moody-Burton; Squire Richard-W. Palmer; Poundage-Castle; Lady Grace-Mrs W. Barry; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Mrs Hippisley; Lady Wronghead-Mrs Hopkins; Miss Jenny-Miss Pope; Lady Townly-Mrs Barry.
Cast
Role: Lady Wronghead Actor: Mrs Hopkins

Afterpiece Title: The Padlock

Dance: II: Turkish Dance-Dagueville, Sga Vidini

Event Comment: Last time of performing the afterpiece before the Benefits. A duel with pistols between George? Garrick and Baddeley on account of G. Garrick remon[stratin]g with Baddeley on [receiving] his wife's salary. Baddeley fir'd then G. G. fir'd in the air, and a reconciliation took place (Winston MS 10, from Dr Burney's News Clippings). [See full and humorous acct Town and Country Magazine, March, pp. 157-58 with woodcut of duel.

Performances

Mainpiece Title: Othello

Performance Comment: As17691220, but Emilia-Mrs Hopkins.
Cast
Role: Emilia Actor: Mrs Hopkins.
Role: Emelia Actor: Mrs Hopkins

Afterpiece Title: The Jubilee

Event Comment: [Extra night] By Authority of the Lord Chamberlain. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 54 , Drury-lane. 3rd piece: By permission of George Colman, Esq

Performances

Mainpiece Title: The Sultan Or A Peep Into The Seraglio

Afterpiece Title: A BOLD STROKE FOR A WIFE

Performance Comment: Colonel Feignwell-Bannister Jun.; Perriwinkle-Parsons; Obadiah Prim-Suett; Sir P. Moddove-Baddeley; Tradelove -Aickin; Simon Pure-Bland; Freeman-Caulfield; Sackbut-Benson; Aminadab-Waldron Jun.; Servant-Lyons; Stock-brokers-Burton, Jones, Usher, Cooke// Mrs Prim-Mrs Hopkins; Betty-Mrs Hale; Lady-Mrs Cuyler; Anne Lovely-Mrs Gibbs .

Afterpiece Title: THE PURSE

Song: In the course of the Evening Dibdin's Lucky Escape; or, the Ploughboy's Return from Sea, in character, by Mrs Harlowe

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for R. Palmer. 1st piece: Not acted these 2 years [not acted since 16 Sept. 1791]. Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Bustleton-Palmer; Manager-Davies; Gentleman in Balcony (with several Imitations never given before)-Caulfield; Actresses-Mrs Cuyler, Mrs Hale, Mrs Bland (who will introduce Sweet Little Taffine).

Afterpiece Title: The Jew

Performance Comment: Sheva-Wewitzer (1st appearance in that character); Sir Stephen Bertram-Aickin; Charles Ratcliffe-Palmer Jun.; Jabal-Suett; Frederick-Palmer; Mrs Ratcliffe-Mrs Hopkins; Eliza-Miss Heard (1st appearance in that character).
Cast
Role: Mrs Ratcliffe Actor: Mrs Hopkins

Afterpiece Title: The Follies of a Day

Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Performances

Mainpiece Title: The Slighted Maid

Performance Comment: Edition of 1663: Salerno-Harris; Iberio-Betterton; Filomarini-Metborn; Lugo-Smith; Arviedo-Cadiman; Corbulo-Young; Peralta-Underhill; Gioseppe-the Elder Noke; Vindex-Sandford; Decio-Mrs Gibbs; Pyramena-Mrs Betterton; Diacelia-Mrs Long; Leandra-Mrs Williams; Menanthe-the Younger Noke; Joan-Turner; Instrumental Vocal and Recitative Musick by Mr John? Banister-; the Prologue to the King-; the Prologue to the House-; the Epilogue-The Slighted Maid; Epilogue to the King-.
Cast
Role: Vindex Actor: Sandford
Event Comment: By Command of His Royal Highness the Duke. Benefit Lalauze. N.B. The whole Performance will be over by Ten. Receipts: money #97 19s. 6d.; tickets #33 19s

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Delane; Imoinda-Mrs Horton; Governor-Bridgwater; Blandford-Chapman; Stanmore-A. Hallam; Driver-Mullart; Aboan-Stephens; Widow Lackit-Mrs Martin; Charlotte-Mrs Stevens; Lucy-Miss Bincks; Daniel-Hippisley .
Cast
Role: Blandford Actor: Chapman

Afterpiece Title: Le Mar1age Force ou Les Fourberies dArlequin de Scaramouch

Performance Comment: Arlequin-De Fompree, who has not appeared upon any Stage in England these Ten Years; at which Time he had the Honour of being received by the Nobility and Gentry with great Applause; Pierrot-Lalauze; Scaramouch-Pasquarielle; Pantaloon-Garrelli; Colombine-Mlle D'Hervigni; Sylvia-Mlle Delorme .

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

Event Comment: [By Permission of the Lord Chamberlain (but this notice does not appear on the playbill)]. Benefit for Miss Llewellin. The Doors to be opened at 6:00. To begin at 7:00. Tickets delivered for Monday the 24th, and Thursday the 7th of April will be admitted. Miss Llewellin is the daughter of a late eminent and respectable Merchant in one of our neighbouring islands, whose family have been great sufferers by the late war, and is left with two sisters, orphans. She solicits the patronage of a generous publick for that night only. Tickets to be had of Miss Llewellin, No. 204, Piccadilly

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Apprentice

Performance Comment: Dick (2nd time), and the other characters by the same Gentlemen and the Lady who performed the Farce, with universal applause, on the 24th of February .
Event Comment: The Public is respectfully informed, that the Cave of Trophonius performed with universal applause for the Benefit of Mrs Crouch [on 3 May], is now undergoing some Alterations, and will be produced in the early part of next Season [see 15 Oct.]. Receipts: #161 15s. 6d. (125.13.0; 35.2.6; 1.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Spoild Child

Cast
Role: Miss Pickle Actor: Mrs Hopkins
Event Comment: This is a farce of Macklin's Writing, it went off very greatly-he play'd Shylock too (Cross). Receipts: #190 (Cross). [Garrick and Lacy had contracted with Macklin for this Farce two weeks before this performance, according to the following document (BM Add. MS 27925): Memorandum of an Agreement relating to Mr Macklin's Farce and his Playing & performing in the said Farce, with such plays as shall be performed on which the said Farce shall be acted as aforesaid as follows: Imprimis: The said Farce to be publicly performed before Christmas, otherwise not this season on account of the Managers other engagements. Item: Mr Macklin to have for his performing in the said plays and Farce a Fifth part of the profits of the first five nights after deducting sixty-three pounds for the charges of each night during the said five nights-and the sixth night to be for the Benefit of Mr Macklin, he paying the usual charges of sixty-three pounds. Item: The Managers to have it in their power to stop the performances of the said Farce at the end of Six nights on account of their other engagements,-and in case the Receipt of any one night of the said nights on which the said Farce shall be performed as aforesaid shall fall short of One Hundred pounds. Then the Managers to have it in their power to stop the performance of said Farce as the Receipt does not amount to One Hundred pounds. Item: The said Six nights for the said Farce & plays in which Mr Macklin shall perform as aforesaid not to be played immediately succeeding one another, but alternately with such plays as the Managers shall think Convenient. Lastly: That if the said Farce shall meet with the disapprobation of the Publick, that then it shall be in the Power of Discretion of the Managers to stop the performance thereof. Dated this 28th day of November, 1759. S@ James Lacy, D. Garrick. Witness: R. Cross, Geo. Garrick.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin1st appearance for 6 years; Lorenzo-Moody; Portia-Mrs Clive; Songs-Mr Prentis1st appearance on this stage; Gratiano-Palmer; Antonio-Davies; Bassanio-Havard; Jessica-Miss Hippisley; Nerissa-Mrs Bennet; Launcelot-Vaughan; Duke-Bransby.

Afterpiece Title: Love a la Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Williams. Mainpiece: Not acted these 5 years. Tickets delivered for the 17th of December will be admitted. Tickets and places to be had of Williams at Mr Spoke's, Tottenham Court; Mr White, Auctioneer, Queen street, Westminster; Messrs Ellis and Scott, Old Bond-street; Mr Hewitt, New Bond-street; Mr Cowcieroy, Great Russell-street, Bloomsbury; and at the Excise Office Coffee-House, Old Bond-street

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Mrs Greville (of DL); Colonel Standard-Brinsley; Young Clincher-Swords (from the Theatre Royal, Dublin); Vizard-Cotton; Alderman Smuggler-Barrett; Tom Errand-Forrest; Beau Clincher-A Gentleman (1st appearance on any stage [unidentified]); Wife-Mr Pressley; Angelica-Miss Read; Parley-Miss Plain; Lady Darling-Mrs Fowler; Lady Lurewell-Mrs Child .
Cast
Role: Tom Errand Actor: Forrest

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Barrett; Sir Patrick O'Neale-Lloyd; Bates-Booth; Kecksey-Pressley; Nephew-Forrest; Thomas-Swords; Widow Brady (with the Epilogue Song)-Mrs Greville .
Cast
Role: Nephew Actor: Forrest

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Performance Comment: imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher .
Event Comment: MMrs Hopkins play'd Mrs Strictland. Mrs Davies ill (Hopkins). Receipts: #118 16s. 6d. (MacMillan)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17640125, but Mrs Strictland-Mrs Hopkins; Bellamy-Jackson.
Cast
Role: Mrs Strictland Actor: Mrs Hopkins
Event Comment: [Young Gentleman identified by Hopkins MS Notes. See also 28 Oct.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-A Young Gentleman [Mr Young]; Peachum-Shuter; Lockit-Dunstall; Filch-Wewitzer; Mat@o@Mint-Baker; Lucy-Miss Catley (by desire) first time; Mrs Peachum-Mrs Baker; Diana Trapes-Mrs Pitt; Polly-Mrs Mattocks; [In III, Hornpipe-Miss Besford; [Concluding with a Country Dance-the characters in the play.
Cast
Role: Hornpipe Actor: Miss Besford

Afterpiece Title: The Englishman in Paris

Dance: II: The Provencale, as17740928

Event Comment: [The Gentleman in the mainpiece under the pseudonym of Melmoth was the voluminous writer Samuel Jackson Pratt. Identification by Hopkins MS Notes. He had acted first in Dublin, 1772-73.

Performances

Mainpiece Title: Philaster

Afterpiece Title: Daphne and Amintor

Performance Comment: Amintor-Mattocks; Mindora-Mrs Baker; Daphne-Miss Brown; first time. The Dances-Blurton, Harris, Miss Valois, Miss Besford.

Dance: II: The Provencale, as17740928; III: The Vintage Festival, as17741007

Event Comment: For the Benefit and Increase of a Fund establish'd for the Support of Decay'd Musicians and their Families. Mainpiece: With the Original Scenes and Habits. Pit and Boxes half a guinea. Gallery 5s. 6:30 p.m

Performances

Mainpiece Title: Parnasso In Festa

Performance Comment: By Mr Handel for her Royal Highness the Princess of Orange's Wedding. In which will be introduced A Concerto on the Hautboy-Signior St.Martini; A Concerto on the German Flute-Mr Weideman; a Solo on the Violin-Mr Clegg; a Solo on the Violoncello-Signior Caporale; And a Concerto on the Bassoon-Mr Miller.